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CPOV : Wikipedia Research Initiative
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by
Nishant Shah
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published
Mar 16, 2010
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last modified
Aug 23, 2011 02:52 AM
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filed under:
Conference,
Open Standards,
Digital Activism,
Digital Governance,
Digital Access,
Public Accountability,
Research,
Featured
The Second event, towards building the Critical Point of View Reader on Wikipedia, brings a range of scholars, practitioners, theorists and activists to critically reflect on the state of Wikipedia in our contemporary Information Societies. Organised in Amsterdam, Netherlands, by the Institute of Network Cultures, in collaboration with the Centre for Internet and Society, Bangalore, the event builds on the debates and discussions initiated at the WikiWars that launched off the knowledge network in Bangalore in January 2010. Follow the Live Tweets at #CPOV
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Research
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Conferences & Workshops
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Conference Blogs
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Locating Internets: Histories of the Internet(s) in India — Research Training and Curriculum Workshop: Call for Participation
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by
Prasad Krishna
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published
Jun 11, 2011
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last modified
Jul 21, 2011 06:00 AM
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filed under:
Development,
Gaming,
Digital Activism,
Digital Governance,
Research,
CISRAW,
Featured,
Cybercultures,
archives,
New Pedagogies,
Workshop,
IT Cities
Deadline for submission: 26th July 2011-06-08;
When: 19th - 22nd August, 2011;
Where: Centre for Environmental Planning and Technology (CEPT) University, Ahmedabad;
Organised by: Centre for Internet and Society, Bangalore and CEPT University, Ahmedabad.
Please Note: Travel support is only available for domestic travel within India.
Located in
Research
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Conferences & Workshops
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Conference Blogs
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Between the Stirrup and the Ground: Relocating Digital Activism
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by
Nishant Shah
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published
Aug 23, 2011
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last modified
Oct 25, 2015 05:58 AM
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filed under:
Digital Activism,
Digital Natives,
Research,
Net Cultures,
Publications,
Researchers at Work
In this peer reviewed research paper, Nishant Shah and Fieke Jansen draws on a research project that focuses on understanding new technology, mediated identities, and their relationship with processes of change in their immediate and extended environments in emerging information societies in the global south. It suggests that endemic to understanding digital activism is the need to look at the recalibrated relationships between the state and the citizens through the prism of technology and agency. The paper was published in Democracy & Society, a publication of the Center for Democracy and Civil Society, Volume 8, Issue 2, Summer 2011.
Located in
RAW
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Material Cyborgs; Asserted Boundaries: Formulating the Cyborg as a Translator
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by
Nishant Shah
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published
Nov 07, 2011
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last modified
Oct 25, 2015 05:57 AM
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filed under:
Body,
Research,
Cyborgs,
Net Cultures,
Publications,
Researchers at Work
In this peer reviewed article, Nishant Shah explores the possibility of formulating the cyborg as an author or translator who is able to navigate between the different binaries of ‘meat–machine’, ‘digital–physical’, and ‘body–self’, using the abilities and the capabilities learnt in one system in an efficient and effective understanding of the other. The article was published in the European Journal of English Studies, Volume 12, Issue 2, 2008. [1]
Located in
RAW
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Evaluating Safety Buttons on Mobile Devices: Preview
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by
Rohini Lakshané and Chinmayi S.K.
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published
Mar 27, 2017
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last modified
Mar 18, 2023 04:40 AM
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filed under:
Safety Buttons,
Gender,
Research,
Safety,
Safety Apps,
Researchers at Work
Much technological innovation for women is aimed at addressing violence against women. One such ubiquitous intervention is mobile device-based safety applications, also known as emergency applications. Several police departments in India, public transport services, and commercial services such as taxi-hailing apps deploy a mobile device-based “panic button” for the safety of citizens or customers, especially women. However, the proliferation of safety apps through both public and private players raises several concerns, which will be studied through this study by Rohini Lakshané of the CIS and Chinmayi S.K. of The Bachchao Project. Research assistance for this report was provided by CIS intern Harish R.S.K. Visualisations by Saumyaa Naidu.
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RAW
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'I feel the pain of having nowhere to go': A Manipuri Trans Woman Recounts Her Ongoing Lockdown Ordeal
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by
Santa Khurai
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published
Jun 22, 2020
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last modified
Jun 22, 2020 11:42 AM
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filed under:
Gender,
Covid19,
Research,
Gender, Welfare, and Privacy,
Researchers at Work
"My life and work in Bengaluru came to an abrupt halt with the COVID-19 outbreak and lockdown this March. We no longer had jobs and were forced to plan our departure from the city." -- As told to Santa Khurai, Manipur-based queer and Nupi Manbi activist, artist and writer. Compiled by Aayush Rathi, a cisgender, heterosexual man, and researcher with Centre for Internet and Society, India. This account is part of an ongoing CIS research project on gender, welfare and surveillance in India, and is supported by Privacy International, UK.
Located in
RAW
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Storytelling as Performance: The Ugly Indian and Blank Noise 1
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by
Denisse Albornoz
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published
Feb 24, 2014
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last modified
Oct 24, 2015 02:31 PM
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filed under:
Digital Activism,
Making Change,
Research,
Blank Noise Project,
Net Cultures,
Researchers at Work
This post compares the production behind a performance with the process of storytelling. To illustrate this analogy, we explore the stories of the Blank Noise project and The Ugly Indian- two civic groups from Bangalore making interventions in the public space. This post looks at the stages of pre-production and the screenplay to explore methods and narratives in storytelling.
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Digital Natives
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Making Change
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Studying Digital Creative Industries in India: Initial Questions
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by
Puthiya Purayil Sneha
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published
Mar 17, 2016
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last modified
Mar 18, 2016 01:55 PM
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filed under:
Digital Economy,
Digital Knowledge,
Research,
Creative Industries,
Researchers at Work
This brief overview of the discourse around creative industries is an attempt to explore some ways of identifying what could be digital creative industries in India, and the questions they raise and problematize for us in terms of cultural expression, knowledge production, creativity and labour. The term ‘creative industries’ has been around for a while now, but with the advent of the digital, and with interest from different sectors, especially with a focus on policy and economic development, it would be essential to critically examine the discourse around the term, and see where it may be changing to open up new possibilities, particularly for the arts, humanities and design.
Located in
RAW
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Making Voices Heard: Privacy, Inclusivity, and Accessibility of Voice Interfaces in India
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by
Shweta Mohandas
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published
Dec 05, 2019
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last modified
Dec 18, 2019 12:10 PM
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filed under:
Voice User Interface,
Language,
Privacy,
Accessibility,
Research,
Voice Assisted Interface,
Featured,
Researchers at Work,
Making Voices Heard
We believe that voice interfaces have the potential to democratise the use of internet by addressing barriers such as accessibility concerns, lack of abilities of reading and writing on digital text interfaces, and lack of options for people to interact with digital devices in their own languages. Through the Making Voice Heard Project supported by Mozilla Corporation, we will examine the current landscape of voice interfaces in India.
Located in
RAW
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Digital Humanities and New Contexts of Digital Archival Practice in India
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by
Puthiya Purayil Sneha
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published
Dec 18, 2019
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last modified
Dec 18, 2019 10:32 AM
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filed under:
Digital Knowledge,
Research,
Archives,
Digital Humanities,
Researchers at Work
Puthiya Purayil Sneha attended and presented at a conference on 'The Arts, Knowledge, and Critique in the Digital Age in India: Addressing Challenges in the Digital Humanities' organised by Sahapedia and Department of Liberal Arts, Indian Institute of Technology, Hyderabad on November 28-29, 2019.
Located in
RAW
