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Data Lives of Humanities Text
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by
Puthiya Purayil Sneha
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published
Dec 23, 2020
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last modified
Dec 23, 2020 01:07 PM
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filed under:
Research,
Researchers at Work,
Publications,
Digital Humanities
The ‘computational turn’ in the humanities has brought with it several questions and challenges for traditional ways of engaging with the ‘text’ as an object of enquiry. The prevalence of data-driven scholarship in the humanities offers several challenges to traditional forms of work and practice, with regard to theory, tools, and methods. In the context of the digital, ‘text’ acquires new forms and meanings, especially with practices such as distant reading. Drawing upon excerpts from an earlier study on digital humanities in India, this essay discusses how data in the humanities is not a new phenomenon; concerns about the ‘datafication’ of humanities, now seen prominently in digital humanities and related fields is actually reflective of a longer conflict about the inherited separation between humanities and technology. It looks at how ‘data’ in the humanities has become a new object of enquiry as a result of several changes in the media landscape in the past few decades. These include large-scale digitalization and availability of corpora of materials (digitized and born-digital) in an array of formats and across varied platforms, thus leading to also a steady prevalence of the use of computational methods in working with and studying cultural artifacts today. This essay also explores how reading ‘text as data’ helps understand the role of data in the making of humanities texts and redefines traditional ideas of textuality, reading, and the reader.
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RAW
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Digital Humanities and New Contexts of Digital Archival Practice in India
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by
Puthiya Purayil Sneha
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published
Dec 18, 2019
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last modified
Dec 18, 2019 10:32 AM
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filed under:
Digital Knowledge,
Research,
Archives,
Digital Humanities,
Researchers at Work
Puthiya Purayil Sneha attended and presented at a conference on 'The Arts, Knowledge, and Critique in the Digital Age in India: Addressing Challenges in the Digital Humanities' organised by Sahapedia and Department of Liberal Arts, Indian Institute of Technology, Hyderabad on November 28-29, 2019.
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RAW
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State of the Internet's Languages 2020: Announcing selected contributions!
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by
Puthiya Purayil Sneha
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published
Nov 01, 2019
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last modified
Nov 01, 2019 06:12 PM
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filed under:
Language,
Digital Knowledge,
Research,
Featured,
State of the Internet's Languages,
Digital Humanities,
Researchers at Work,
Decolonizing the Internet's Languages
In response to our call for contributions and reflections on ‘Decolonising the Internet’s Languages’ in August, we are delighted to announce that we received 50 submissions, in over 38 languages! We are so overwhelmed and grateful for the interest and support of our many communities around the world; it demonstrates how critical this effort is for all of us. From all these extraordinary offerings, we have selected nine that we will invite and support the contributors to expand further.
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RAW
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Call for Contributions and Reflections: Your experiences in Decolonizing the Internet’s Languages!
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by
Puthiya Purayil Sneha
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published
Aug 07, 2019
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last modified
Aug 07, 2019 12:29 PM
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filed under:
Language,
Research,
Researchers at Work,
Digital Knowledge,
Decolonizing the Internet's Languages,
Featured,
State of the Internet's Languages,
Digital Humanities,
Homepage
Whose Knowledge?, the Oxford Internet Institute, and the Centre for Internet and Society are creating a State of the Internet’s Languages report, as baseline research with both numbers and stories, to demonstrate how far we are from making the internet multilingual. We also hope to offer some possibilities for doing more to create the multilingual internet we want. This research needs the experiences and expertise of people who think about these issues of language online from different perspectives. Read the Call here and share your submission by September 2, 2019.
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RAW
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Digital Humanities Alliance of India - Inagural Conference 2018 - Keynote by Puthiya Purayil Sneha
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by
Puthiya Purayil Sneha
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published
Jun 26, 2018
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last modified
Jun 26, 2018 12:02 PM
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filed under:
DHAI,
Digital Knowledge,
Research,
Digital Scholarship,
Digital Humanities,
Researchers at Work
The inaugural conference of the Digital Humanities Alliance of India (DHAI) was held at the Indian Institute of Management (IIM), Indore on June 1-2, 2018. The event was co-organised by the IIM and the Indian Institute of Technology, Indore, with support from the Centre for Internet and Society, Bangalore. Puthiya Purayil Sneha was a keynote speaker at the event. Her talk was titled ‘New Contexts and Sites of Humanities Practice in the Digital’. Drawing upon excerpts from a study on mapping digital humanities initiatives in India, and ongoing conversations on digital cultural archiving practices, the keynote address discussed some pertinent concerns in the field, particularly with respect to the growth of digital corpora and its intersections with teaching learning practices in arts and humanities, including the need to locate these efforts within the context of the emerging digital landscape in India, and its implications for humanities practice, scholarship and pedagogy.
Located in
RAW
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New Contexts and Sites of Humanities Practice in the Digital (Paper)
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by
Puthiya Purayil Sneha
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published
Jun 25, 2018
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last modified
Dec 06, 2019 05:03 AM
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filed under:
Digital Knowledge,
Research,
Featured,
Publications,
Digital Humanities,
Researchers at Work
The ubiquitous presence of the ‘digital’ over the couple of decades has brought with it several important changes in interdisciplinary forms of research and knowledge production. Particularly in the arts and humanities, the role of digital technologies and internet has always been a rather contentious one, with more debate spurred now due to the growth of fields like humanities computing, digital humanities (henceforth DH) and cultural analytics. Even as these fields signal several shifts in scholarship, pedagogy and practice, portending a futuristic imagination of the role of technology in academia and practice on the one hand, they also reflect continuing challenges related to the digital divide, and more specifically politics around the growth and sustenance of the humanities disciplines. A specific criticism within more recent debates around the origin story of DH in fact, has been its Anglo-American framing, drawing upon a history in humanities computing and textual studies, and located within a larger neoliberal imagination of the university and academia. While this has been met with resistance from across different spaces, thus calling for more diversity and representation in the discourse, it is also reflective of the need to trace and contextualize more local forms of practice and pedagogy in the digital as efforts to address these global concerns. This essay by Puthiya Purayil Sneha draws upon excerpts from a study on the field of DH and related practices in India, to outline the diverse contexts of humanities practice with the advent of the digital and explore the developing discourse around DH in the Indian context.
Located in
RAW
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Making Humanities in the Digital: Embodiment and Framing in Bichitra and Indiancine.ma
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by
Puthiya Purayil Sneha
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published
Mar 31, 2018
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last modified
Jun 25, 2018 12:50 PM
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filed under:
Research,
Featured,
Publications,
Digital Humanities,
Researchers at Work
The growth of the internet and digital technologies in the last couple of decades, and the emergence of new ‘digital objects’ of enquiry has led to a rethinking of research methods across disciplines as well as innovative modes of creative practice. This chapter authored by Puthiya Purayil Sneha (published in 'Making Things and Drawing Boundaries: Experiments in the Digital Humanities' edited by Jentery Sayers) discusses some of the questions that arise around the processes by which digital objects are ‘made’ and made available for arts and humanities research and practice, by drawing on recent work in text and film archival initiatives in India.
Located in
RAW
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The Digital Humanities from Father Busa to Edward Snowden
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by
Puthiya Purayil Sneha
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published
Sep 04, 2017
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last modified
Oct 04, 2017 11:02 AM
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filed under:
Researchers at Work,
RAW Blog,
Digital Humanities
What do Edward Snowden, the whistle-blower behind the NSA surveillance revelations, and Father Roberto Busa, an Italian Jesuit, who worked for almost his entire life on Saint Thomas Aquinas, have in common? The simple answer would be: the computer. Things however are a bit more complex than that, and the reason for choosing these two people to explain what the Digital Humanities are, is that in some sense they represent the origins and the present consequences of a certain way of thinking about computers. This essay by Dr. Domenico Fiormonte, lecturer in the Sociology of Communication and Culture in the Department of Political Sciences at University Roma Tre, was originally published in the Media Development journal.
Located in
RAW
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P.P. Sneha - Mapping Digital Humanities in India
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by
Puthiya Purayil Sneha
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published
Dec 30, 2016
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last modified
Dec 31, 2016 05:56 AM
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filed under:
Higher Education,
Digital Knowledge,
CIS Papers,
Digital Humanities,
Education Technology,
Mapping Digital Humanities in India,
Digitisation,
Digital Scholarship,
RAW Research,
Researchers at Work
It gives us great pleasure to publish the second title of the CIS Papers series. This report by P.P. Sneha comes out of an extended research project supported by the Kusuma Trust. The study undertook a detailed mapping of digital practices in arts and humanities scholarship, both emerging and established, in India. Beginning with an understanding of Digital Humanities as a 'found term' in the Indian context, the study explores the discussion and debate about the changes in humanities practice, scholarship and pedagogy that have come about with the digital turn. Further it inquires about the spaces and roles of digital technologies in the humanities, and by extension in the arts, media, and creative practice today; transformations in the objects and methods of study and practice in these spaces; and the shifts in the imagination of the ‘digital’ itself, and its linkages with humanities practices.
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Papers
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Digital Humanities in India – Concluding Thoughts
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by
Puthiya Purayil Sneha
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published
Jun 30, 2016
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last modified
Jun 30, 2016 04:48 AM
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filed under:
Digital Knowledge,
Mapping Digital Humanities in India,
Research,
Education Technology,
Digital Humanities,
Researchers at Work
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the final section.
Located in
RAW
