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Blog Entry A Queer Digital Humanities Experience
by Sneha PP — published Mar 30, 2014 — last modified Apr 04, 2014 06:30 AM — filed under:
Questions of identity and citizenship have been an important aspect of understanding the digital realm, and what it means to be ‘human’ in this space. While one may still mull over the separation of the real and the virtual, the digital as a condition of existence has engendered new notions of the public sphere, and sought to redefine the methods of traditional humanistic enquiry. In this guest post, Ditilekha Sharma shares some reflections on her research on the queer community and the politics of identity on the Internet, within the perspective of the Digital Humanities.
Located in RAW / Digital Humanities
Blog Entry ‘Doing’ Digital Humanities: Reflections on a project on Online Feminism in India
by Sneha PP — published Apr 14, 2014 — last modified Mar 30, 2015 12:48 PM — filed under: , ,
A core concern of Digital Humanities research has been that of method. The existing discourse around the field of DH assumes a move away from traditional humanities and social sciences research methods to more open, collaborative and iterative forms of scholarship spanning some conventional and other not so conventional practices and spaces. In this guest blog post, Sujatha Subramanian reflects upon her experience of undertaking a research study on online feminist activism in India and its various challenges.
Located in RAW / Digital Humanities
RENEW: The 5th International Conference on the Histories of Media Art, Science and Technology
by Prasad Krishna — published Oct 11, 2013 — last modified Oct 29, 2013 09:32 AM — filed under:
The 5th International Conference on the Histories of Media Art, Science and Technology – RENEW, is hosted by RIXC Centre for New Media Culture in Riga in partnership with the Art Academy of Latvia, Stockholm School of Economics in Riga and Danube University’s Center for Image Science. Following Banff 2005, Berlin 2007, Melbourne 2009 and Liverpool 2011, the Media Art History Boards and Renew Cochairs invite you to attend RENEW conference in Riga, October 8-11, 2013!
Located in News & Media
From Seemingly Transparent to Definitely Opaque
by Prasad Krishna — published Nov 01, 2013 — last modified Nov 20, 2013 09:41 AM — filed under:
Nishant Shah is teaching a course on "From Seemingly Transparent to Definitely Opaque" and presenting on a panel on 'Secrets of Digital Culture' at the St. Gallen Business school in Switzerland in November 2013.
Located in News & Media
Blog Entry Reading from a Distance — Data as Text
by Sneha PP — published Jul 23, 2014 — last modified Nov 13, 2015 05:29 AM — filed under: , , , ,
The advent of new digital technologies and the internet has redefined practices of reading and writing, and the notion of textuality which is a fundamental aspect of humanities research and scholarship. This blog post looks at some of the debates around the notion of text as object, method and practice, to understand how it has changed in the digital context.
Located in RAW / Digital Humanities
Blog Entry Who’s that Friend?
by Nishant Shah — published Oct 23, 2012 — last modified Nov 04, 2012 06:46 AM — filed under: ,
If you are reading this, stand on your right foot and start hopping while waving your hands in the air and shouting, “I am crazy” at the top of your voice. If you don’t, your Facebook account will be compromised, your passwords will be automatically leaked, and somebody will use your credit card to smuggle ice across international waters.
Located in RAW / … / Blogs / Habits of Living
Blog Entry Digital Habits: How and Why We Tweet, Share and Like
by Nishant Shah — published Oct 23, 2012 — last modified Oct 23, 2012 10:13 AM — filed under: ,
There aren’t always rational explanations for the ways in which we behave on networks. While there are trend spotting sciences and pattern recognition methods which try to make sense of how and why we behave in these strange ways on networks, they generally fail to actually help us understand why we do the things that we do when we are connected.
Located in RAW / … / Blogs / Habits of Living
Blog Entry Fishing is the New Black: Contemporary Art Imitates the Digital
by Anirudh Sridhar — published Mar 28, 2014 — filed under:
Marshall Mcluhan once said, “Art at its most significant is a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.” Philosophers, on the other hand, think about things in retrospect and hence, as much as Derrida’s writings about the collapse of the semiotic structures of capture and meaning say about the Digital age, Mark Rothko’s art, a generation ahead of Derrida in depicting this collapse, can say about the future that it saw in visceral and energetic forms. To understand Rothko’s paintings we must sit through a short history of the different epochs of Being and their epistemological shifts before we get to the Digital Age about which Rothko had violent and destructive premonitions.
Located in RAW / Digital Humanities
Blog Entry The Digital Humanities Discourse: The Knowledge Question on the Wikipedia
by Sneha PP — published Mar 31, 2014 — last modified Apr 04, 2014 06:34 AM — filed under:
The emergence of alternative modes and spaces of knowledge production has been a core concern of the Digital Humanities, particularly with respect to the collaborative or public archive. Wikipedia, as a collaborative knowledge repository indicates a shift in the ways of imagining knowledge as dynamic and ever-changing, thus bringing to the fore questions of authorship and authenticity, which are also questions for the Digital Humanities. In this guest blog post, Sohnee Harshey presents a reflection on her research study on the gender-gap on Wikipedia, and the politics of collaborative knowledge production.
Located in RAW / Digital Humanities
Blog Entry Digital Gender: Theory, Methodology and Practice
by Nishant Shah — published Mar 20, 2014 — last modified Apr 07, 2014 04:07 AM — filed under: ,
Dr. Nishant Shah was a panelist at a workshop jointly organized by HUMlab and UCGS (Umeå Centre for Gender Studies) at Umeå University from March 12 to 14, 2014. He blogged about the conference.
Located in RAW / Digital Humanities
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The Centre for Internet and Society (CIS) is a non-profit organisation that undertakes interdisciplinary research on internet and digital technologies from policy and academic perspectives. The areas of focus include digital accessibility for persons with disabilities, access to knowledge, intellectual property rights, openness (including open data, free and open source software, open standards, open access, open educational resources, and open video), internet governance, telecommunication reform, digital privacy, and cyber-security. The research at CIS seeks to understand the reconfiguration of social processes and structures through the internet and digital media technologies, and vice versa.

Through its diverse initiatives, CIS explores, intervenes in, and advances contemporary discourse and regulatory practices around internet, technology, and society in India, and elsewhere.

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