Experimental Economy Camp

Renée Ridgway is an artist, free-lance curator and writer, based in Amsterdam, the Netherlands. Since completing her studies in fine art at the Rhode Island School of Design, (BFA) and Piet Zwart Institute (MA), she has exhibited widely in the Netherlands and abroad (P.S.1 MoMA Hotel New York, Centraal Museum Utrecht, Gouda Museum) She has made numerous public presentations at various conferences and forums and taught at several universities in the Netherlands and abroad. From 2005-6 she served on the board of the former Gate Foundation, whose artists archive and library were given as a gift to the Van Abbemuseum, and where in 2007 she organised a panel as part of the Be(com)ing Dutch caucus, entitled 'Gate Foundation- Past, Present and Future'. For 2009 Ridgway is organising ‘Negotiating Equity’, a collaborative project at DAI, (Dutch Art Institute) involving the n.e.w.s. platform and her contributors that examines the artist and 'the curatorial'.

As an artist Ridgway is presently preparing the latest installment of her 10-year 'Manhattan Project': 'Beaver, Wampum, Hoes'- a series of installations and public interventions at various locations in and around NYC and the Netherlands in 2009. This focuses on the value of the contemporary ‘cultural currency’ of Dutchness, in relation to the Dutch colonial past (US, Indonesia, South Africa, Suriname); the next presentation will be at De Lakenhal in Leiden, May 16th-August 31st 2009.

Ridgway is a co-initiator of n.e.w.s. Her website is http://reneeridgway.net/. 

Stephen Wright is a Paris-based art theorist, writer, and Editorial Director of the Biennale de Paris. In 2004, he curated The Future of the Reciprocal Readymade (Apexart, New York), in 2005 In Absentia (Passerelle, Brest), in 2006 Rumour as Media (Aksanat, Istanbul) and Dataesthetics (WHW, Zagreb), and is currently preparing, amongst other projects, Withdrawal: The Performative Document (New York) as part of a series of exhibitions examining art practices with low coefficients of artistic visibility, which raise the prospect of art without artworks, authorship or spectatorship. He has also written extensively on the theoretical dimensions of such practices, and, following a writing residency at Artexte (Montréal, 2006) a book-length essay on the subject, dealing with the challenges of performatively archiving and documenting disappearance, is forthcoming. Wright’s writing has also focused on the use-value of art, particularly in contexts of collaborative practices outside the performative framework of the artworld. A former programme director at the Collège international de philosophie (2000-2007), and corresponding editor of Parachute magazine (1999-2005), he is currently on the editorial advisory committee of the journal Third Text.

Born in 1963 in Vancouver, Canada, he lives and works in Paris.