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Blog Entry 'Originality,' 'Authenticity,' and 'Experimentation': Understanding Tagore’s Music on YouTube
by Ipsita Sengupta — published Jul 27, 2015 — last modified Jul 07, 2016 02:18 AM — filed under: , ,
This post by Ipsita Sengupta is part of the 'Studying Internets in India' series. In this essay, she explores the responses to various renditions of songs composed by Rabindranath Tagore available on YouTube and the questions they raise regarding online listening cultures and ideas of authorship of music.
Located in RAW
Blog Entry Comments to the draft amendments to the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021
by Anamika Kundu, Digvijay Chaudhary, Divyansha Sehgal, Isha Suri and Torsha Sarkar — published Jul 07, 2022 — filed under: , , ,
The Centre for Internet & Society (CIS) presented its comments on the draft amendments to the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021 (‘the rules’), which were released on 6 June, 2022 for public comments.
Located in Internet Governance / Blog
Blog Entry Comments to the Draft Digital Competition Bill, 2024
by Abhineet Nayyar, Isha Suri, and Pallavi Bedi (in alphabetical order) — published May 16, 2024 — last modified Jun 11, 2024 10:13 AM — filed under: , , ,
This submission is a response by researchers at the Centre for Internet and Society India (CIS) to the draft Digital Competition Bill, 2024, published by the Committee on Digital Competition Law (CDCL), Ministry of Corporate Affairs (MCA), (hereafter “draft DCB” or “draft Bill”).
Located in Internet Governance / Blog
Blog Entry Comments to the proposed amendments to The Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021
by Divyansha Sehgal and Torsha Sarkar — published Feb 07, 2023 — filed under: , , ,
This note presents comments by the Centre for Internet and Society (CIS), India, on the proposed amendments to the Information Technology (Intermediary Guidelines and Digital Media Ethics Code) Rules, 2021 (“proposed amendments”). We thank Isha Suri for her review of this submission.
Located in Internet Governance / Blog
Corporate push to Modi’s Rs.4.5-billion digital dream
by Prasad Krishna — published Jul 16, 2015 — filed under: ,
Prime Minister Narendra Modi’s Rs. 4.5-billion digital dream seems to find favour with the corporate world, which calls it a “very progressive step” and “massive tech push”.
Located in Internet Governance / News & Media
Blog Entry Deployment of Digital Health Policies and Technologies: During Covid-19
by Pallavi Bedi — published Jul 21, 2022 — filed under: , , , , , , ,
In the last twenty years or so, the Indian government has adopted several digital mechanisms to deliver services to its citizens.
Located in Internet Governance / Blog
Blog Entry Digital Transition in Newspapers in India: A Pilot Study
by Zeenab Aneez — published Jul 19, 2016 — last modified Jul 20, 2016 11:43 AM — filed under: , , , ,
This pilot study situates itself at the intersection of global trends in news and journalism, and emergent practises of legacy print media in India. Our aim is to explore how legacy print newspapers are transitioning to the online space. The study will address questions in two thematic clusters: 1) the work of journalism, and 2) how the emergence of the digital, both as a source of news, and the medium of distribution, is shaping the work of newspaper journalists.
Located in RAW
Blog Entry Do I Want to Say Happy B’day?
by Nishant Shah — published Aug 07, 2016 — last modified Aug 22, 2016 09:53 AM — filed under: , , ,
When it comes to greeting friends on their birthdays, social media prompts are a great reminder. So why does an online message leave us cold?
Located in RAW
Blog Entry How are Indian Newspapers Adapting to the Rise of Digital Media?
by Sumandro Chattapadhyay — published Jul 06, 2016 — last modified Jul 06, 2016 02:28 PM — filed under: , , , , ,
How are Indian newspapers adapting to the transition to digital news production, distribution, and consumption? How are they changing their journalistic work, their newsroom organisations, and their distribution strategies as digital media become more important? These are the questions we are pursuing in a joint pilot project with the Reuters Institute for the Study of Journalism, University of Oxford.
Located in RAW
India blocks access to 857 porn sites
by Pranesh Prakash — published Aug 05, 2015 — filed under: , , , ,
India has blocked free access to 857 porn sites in what it says is a move to prevent children from accessing them.
Located in Internet Governance / News & Media
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We invite researchers, practitioners, artists, and theoreticians, both organisationally and as individuals, to engage with us on topics related internet and society, and improve our collective understanding of this field. To discuss such possibilities, please write to us at communications[at]cis-india[dot]org with an indication of the form and the content of the collaboration you might be interested in.

In general, we offer financial support for collaborative/invited works only through public calls.

About Us

The Centre for Internet and Society (CIS) is a non-profit organisation that undertakes interdisciplinary research on internet and digital technologies from policy and academic perspectives. The areas of focus include digital accessibility for persons with disabilities, access to knowledge, intellectual property rights, openness (including open data, free and open source software, open standards, open access, open educational resources, and open video), internet governance, telecommunication reform, digital privacy, and cyber-security. The research at CIS seeks to understand the reconfiguration of social processes and structures through the internet and digital media technologies, and vice versa.

Through its diverse initiatives, CIS explores, intervenes in, and advances contemporary discourse and regulatory practices around internet, technology, and society in India, and elsewhere.

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Unless otherwise specified, content licensed under Creative Commons — Attribution 3.0 Unported.