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Pleasure and Pornography: Initial Encounters with the Unknown
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by
Namita A. Malhotra
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published
Feb 03, 2009
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last modified
Aug 02, 2011 08:37 AM
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filed under:
histories of internet in India,
Obscenity,
internet and society,
women and internet,
research,
Cyborgs,
digital subjectivities,
History
This blog entry is the first in a series by Namita Malhotra on her CIS-RAW project that is about pornography, Internet, sexuality, law, new media and technology. She aims for this to be a multi media and research project/journey which is able to cite and draw on various sources including legal studies, film studies and philosophy, academic and historical work on sexuality, art, film and pornography itself.
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RAW
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Blogs
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Porn: Law, Video & Technology
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Pleasure and Pornography: Pornography and the Blindfolded Gaze of the Law
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by
Namita A. Malhotra
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published
Apr 02, 2009
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last modified
Aug 02, 2011 08:37 AM
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filed under:
histories of internet in India,
Obscenity,
internet and society,
Art,
cybercultures,
women and internet,
YouTube,
Cybercultures,
cyberspaces,
Digital subjectivities,
History
In the legal discourse, pornography as a category is absent, except as an aggravated form of obscenity. Does this missing descriptive category assist in the rampant circulation of pornography, either online or offline? Rather than ask that question, Namita Malhotra, in this second post documenting her CIS-RAW project, explores certain judgments that indeed deal with pornographic texts and uncovers the squeamishness that ensures that pornography as an object keeps disappearing before the law.
Located in
RAW
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Blogs
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Porn: Law, Video & Technology
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Pleasure and Pornography: Impassioned Objects
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by
Namita A. Malhotra
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published
May 11, 2009
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last modified
Aug 02, 2011 08:35 AM
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filed under:
histories of internet in India,
Cyberspace,
internet and society,
Obscenity,
women and internet,
YouTube,
Cyborgs,
Cybercultures,
Digital subjectivities
In this post, a third in the series documenting her CIS-RAW project, Pleasure and Pornography, Namita Malhotra explores the idea of fetish as examined by Anne McClintock (i) . This detour is an exploration of the notion of fetish, its histories and meanings, and how it might relate to the story of Indian porn.
Located in
RAW
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Blogs
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Porn: Law, Video & Technology
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The 'Dark Fibre' Files: Interview with Jamie King and Peter Mann
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by
Siddharth Chadha
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published
Mar 27, 2009
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last modified
Aug 04, 2011 04:41 AM
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filed under:
histories of internet in India,
internet and society,
Digital Access,
Intellectual Property Rights,
YouTube,
art and intervention,
Piracy,
Open Access,
innovation,
digital artists
Film-makers Jamie King (producer/director of the 'Steal This Film' series) and Peter Mann, in conversation with Siddharth Chadha, on 'Dark Fibre', their latest production, being filmed in Bangalore
Located in
Access to Knowledge
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Blogs
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Of my struggle with a Broadband Connection
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by
Siddharth Chadha
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published
May 29, 2009
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last modified
Aug 04, 2011 04:44 AM
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filed under:
Consumer Rights,
IT Cities,
internet and society
This is a reflection on my experiences with installing a broadband Internet connection at home.
The closing post of an interview is delayed since Jamie and Peter are traveling.
Located in
Access to Knowledge
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Blogs
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Emerging Bit Torrent Trends in India
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by
Siddharth Chadha
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published
Jun 15, 2009
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last modified
Aug 04, 2011 04:44 AM
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filed under:
Cyberspace,
internet and society,
Piracy,
Intellectual Property Rights,
cybercultures,
cyberspaces
Internet has been a revelation ever since its introduction. The writer in this blog examines how the progress made by Internet based technologies could never be reversed.
Located in
Access to Knowledge
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Blogs
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At the end of the niche optical pirate
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by
Siddharth Chadha
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published
Oct 29, 2009
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last modified
Aug 04, 2011 04:44 AM
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filed under:
IT Act,
Consumer Rights,
Piracy,
Intellectual Property Rights,
internet and society
In this blog post, Siddharth Chaddha goes enquiring into the modus operandi of a video pirate / film lover / businessman in Bangalore's famed National Market.
Located in
Access to Knowledge
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Blogs
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The Future of the Moving Image
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by
Nishant Shah
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published
Nov 10, 2008
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last modified
Nov 11, 2008 09:06 AM
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filed under:
internet and society,
Piracy,
Intellectual Property Rights,
YouTube,
internet art,
Cybercultures,
New Pedagogies
All dissimilar technologies are the same in their own way, but all similar technologies are uniquely different. This was probably at the core of the zeitgeist at the international seminar on “The Future of Celluloid” hosted by the Media Lab at the Jadavpur University, Kolkata, at which Nishant Shah, Director - Research CIS, presented a research paper. Practitioners, film makers, artists, theoreticians and academics, blurring the boundaries of both their roles and their disciplines and areas of interest, came together to move beyond convergence theories – to explore the continuities, conflations, contestations and confusions that Internet Technologies have led to for earlier technologies, but specifically for the technology of the moving image.
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Research
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Conferences & Workshops
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Conference Blogs
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Histories of the Internet
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by
Nishant Shah
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published
Sep 17, 2008
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last modified
Mar 30, 2015 02:15 PM
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filed under:
histories of internet in India,
internet and society,
geeks,
digital subjectives,
cyborgs,
cybercultures,
archives,
cyberspaces,
pedagogy,
research,
women and internet,
e-governance
For the first two years, the CIS-RAW Programme shall focus on producing diverse multidisciplinary histories of the internet in India.
Located in
RAW
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Reading the Fine Script: Service Providers, Terms and Conditions and Consumer Rights
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by
Jyoti Panday
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published
Jul 02, 2014
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last modified
Jul 04, 2014 06:31 AM
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filed under:
Social Media,
Consumer Rights,
Google,
internet and society,
Privacy,
Transparency and Accountability,
Intermediary Liability,
Accountability,
Facebook,
Data Protection,
Policies,
Safety
This year, an increasing number of incidents, related to consumer rights and service providers, have come to light. This blog illustrates the facts of the cases, and discusses the main issues at stake, namely, the role and responsibilities of providers of platforms for user-created content with regard to consumer rights.
Located in
Internet Governance
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Blog
