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Silicon Plateau Vol-1
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by
Sumandro Chattapadhyay
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published
Nov 28, 2015
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last modified
Mar 13, 2019 12:56 AM
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filed under:
Silicon Plateau,
Art,
Web Cultures,
Research,
Publications,
Researchers at Work
This book marks the beginning of an interdisciplinary artistic project, Silicon Plateau, the scope of which is to observe how
the arts, technology and society intersect in the city of Bangalore. Silicon Plateau is a collaboration between T.A.J. Residency & SKE Projects and the Researchers at Work (RAW) programme of the Centre for Internet and Society in Bangalore, India. Volume 1 has been developed in collaboration with or-bits.com.
Located in
RAW
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Silicon Plateau: Volume Two
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by
Puthiya Purayil Sneha
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published
Dec 19, 2018
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last modified
Mar 13, 2019 01:01 AM
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filed under:
Silicon Plateau,
RAW Publications,
Web Cultures,
Featured,
Publications,
Researchers at Work
Silicon Plateau is an art project and publishing series that explores the intersection of technology, culture and society in the Indian city of Bangalore. Each volume of the series is a themed repository for research, artworks, essays and interviews that observe the ways technology permeates the urban environment and the lives of its inhabitants. This project is an attempt at creating collaborative research into art and technology, beginning by inviting an interdisciplinary group of contributors (from artists, designers and writers, to researchers, anthropologists and entrepreneurs) to participate in the making of each volume.
Located in
RAW
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Simiran Lalvani - Workers’ Fictive Kinship Relations in Mumbai App-based Food Delivery
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by
Simiran Lalvani
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published
Dec 04, 2019
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last modified
May 19, 2020 06:25 AM
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filed under:
Digital Labour,
Research,
Platform-Work,
Network Economies,
Researchers at Work,
Mapping Digital Labour in India
Working in the gig-economy has been associated with economic vulnerabilities. However, there are also moral and affective vulnerabilities as workers find their worth measured everyday by their performance of—and at—work and in every interaction and movement. This essay by Simiran Lalvani is the first among a series of writings by researchers associated with the 'Mapping Digital Labour in India' project at the CIS, supported by the Azim Premji University, that were published on the Platypus blog of the Committee on the Anthropology of Science, Technology, and Computing (CASTAC). The essay is edited by Noopur Raval, who co-led the project concerned.
Located in
RAW
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State of the Internet's Languages 2020: Announcing selected contributions!
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by
Puthiya Purayil Sneha
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published
Nov 01, 2019
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last modified
Nov 01, 2019 06:12 PM
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filed under:
Language,
Digital Knowledge,
Research,
Featured,
State of the Internet's Languages,
Digital Humanities,
Researchers at Work,
Decolonizing the Internet's Languages
In response to our call for contributions and reflections on ‘Decolonising the Internet’s Languages’ in August, we are delighted to announce that we received 50 submissions, in over 38 languages! We are so overwhelmed and grateful for the interest and support of our many communities around the world; it demonstrates how critical this effort is for all of us. From all these extraordinary offerings, we have selected nine that we will invite and support the contributors to expand further.
Located in
RAW
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Staying silent about cyberbullying is no longer an option
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by
Nishant Shah
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published
Jun 16, 2019
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last modified
Jul 02, 2019 03:52 AM
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filed under:
Researchers at Work
Cyberbullying is the dangerous new normal.
Located in
RAW
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Storytelling as Performance: The Ugly Indian and Blank Noise 1
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by
Denisse Albornoz
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published
Feb 24, 2014
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last modified
Oct 24, 2015 02:31 PM
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filed under:
Digital Activism,
Making Change,
Research,
Blank Noise Project,
Net Cultures,
Researchers at Work
This post compares the production behind a performance with the process of storytelling. To illustrate this analogy, we explore the stories of the Blank Noise project and The Ugly Indian- two civic groups from Bangalore making interventions in the public space. This post looks at the stages of pre-production and the screenplay to explore methods and narratives in storytelling.
Located in
Digital Natives
/
Making Change
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Storytelling as Performance: The Ugly Indian and Blank Noise 2
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by
Denisse Albornoz
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published
Feb 27, 2014
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last modified
Oct 24, 2015 02:30 PM
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filed under:
Making Change,
Research,
Blank Noise Project,
Net Cultures,
Researchers at Work
This post compares the method of storytelling with performances. To illustrate this, we explore the narratives of the Blank Noise project and The Ugly Indian, two civic groups from Bangalore making interventions in the public space. Part 2 looks at the role of actors and the stage in performances to explore the role of agency and the public space in storytelling.
Located in
Digital Natives
/
Making Change
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Strategies to Organise Platform Workers
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by
Chiaro Furtado
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published
Oct 20, 2023
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filed under:
Researchers at Work
Located in
RAW
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Strategies to Organise Platform Workers
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by
Chiaro Furtado
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published
Oct 22, 2023
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filed under:
Labour Futures,
Digital Economy,
Researchers at Work,
Gig Work,
Platform-Work,
Featured,
RAW Research,
Homepage
In 2022, the Centre for Internet and Society hosted a panel with Akkanut Wantanasombut, Ayoade Ibrahim, Rikta Krishnaswamy, and Sofía Scasserra at RightsCon, an annual summit on technology and human rights.
Located in
RAW
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Studying Digital Creative Industries in India: Initial Questions
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by
Puthiya Purayil Sneha
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published
Mar 17, 2016
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last modified
Mar 18, 2016 01:55 PM
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filed under:
Digital Economy,
Digital Knowledge,
Research,
Creative Industries,
Researchers at Work
This brief overview of the discourse around creative industries is an attempt to explore some ways of identifying what could be digital creative industries in India, and the questions they raise and problematize for us in terms of cultural expression, knowledge production, creativity and labour. The term ‘creative industries’ has been around for a while now, but with the advent of the digital, and with interest from different sectors, especially with a focus on policy and economic development, it would be essential to critically examine the discourse around the term, and see where it may be changing to open up new possibilities, particularly for the arts, humanities and design.
Located in
RAW
