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Image Anupam
by Prasad Krishna — last modified Jan 19, 2012 12:38 PM
Located in Home images
Blog Entry Seventh Open Letter to the Finance Committee: A Note on the Deduplication of Unique Identifiers
by Prasad Krishna — published Oct 12, 2011 — last modified Nov 22, 2011 07:28 AM — filed under:
Sahana Sarkar on behalf of the Centre for Internet and Society (CIS) had sent in a Right to Information application on 30 June 2011 to Ashish Kumar, Central Public Information Officer, UIDAI. The UIDAI sent in its reply. Through the seventh open letter, Hans attempts to characterize in an abstract way the replies that CIS managed to elicit and makes some elementary observations.
Located in Internet Governance / Blog
Image YouTube
by Prasad Krishna — last modified Feb 17, 2012 06:54 AM
Located in Home images
Online @ India
by Prasad Krishna — published Dec 12, 2011 — filed under:
I haven't yet heard of anybody in India going on a rampage because somebody in Pakistan started an 'India hate' page. However, I have seen people kill and destroy because they got incited to violence and hatred through offline religious propaganda, cinema and cricket.
Located in News & Media
Image Nishant
by Prasad Krishna — last modified Dec 13, 2011 10:03 AM
Located in Home images
Image Privacy India
by Prasad Krishna — last modified Dec 14, 2011 05:11 AM
Located in Home images
Image Godrej India Cultural Lab
by Prasad Krishna — last modified Dec 14, 2011 05:45 AM
Located in Home images
When the digital spills into the physical
by Prasad Krishna — published Dec 22, 2011 — filed under:
Nishant Shah, Director-Research, Centre for Internet and Society, Bengaluru, tells us why flash mobs are an interesting sign of our times, and not just a passing fad.
Image Everyday Digital Native
by Prasad Krishna — last modified Dec 23, 2011 09:16 AM
Located in Home images
File Now Streaming on Your Nearest Screen
by Prasad Krishna — last modified Dec 24, 2011 07:33 AM
Digital cinema, especially the kinds that is produced using mobile devices and travelling on internet social networking systems like YouTube and MySpace, are often dismissed as apolitical and ‘merely’ a fad rather than a cultural expression and a choice. This paper explores the possibilities that new digital cinema and their circuits of circulation offer for political engagement and participation through cultural expressions and productions, which are otherwise dismissed in contemporary discourse. This peer reviewed essay was published in the Journal of Chinese Cinema, Volume 3, Issue 1, June 2009.
Located in Internet Governance
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Request for Collaboration

We invite researchers, practitioners, artists, and theoreticians, both organisationally and as individuals, to engage with us on topics related internet and society, and improve our collective understanding of this field. To discuss such possibilities, please write to us at communications[at]cis-india[dot]org with an indication of the form and the content of the collaboration you might be interested in.

In general, we offer financial support for collaborative/invited works only through public calls.

About Us

The Centre for Internet and Society (CIS) is a non-profit organisation that undertakes interdisciplinary research on internet and digital technologies from policy and academic perspectives. The areas of focus include digital accessibility for persons with disabilities, access to knowledge, intellectual property rights, openness (including open data, free and open source software, open standards, open access, open educational resources, and open video), internet governance, telecommunication reform, digital privacy, and cyber-security. The research at CIS seeks to understand the reconfiguration of social processes and structures through the internet and digital media technologies, and vice versa.

Through its diverse initiatives, CIS explores, intervenes in, and advances contemporary discourse and regulatory practices around internet, technology, and society in India, and elsewhere.

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Unless otherwise specified, content licensed under Creative Commons — Attribution 3.0 Unported.