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Making Humanities in the Digital: Embodiment and Framing in Bichitra and Indiancine.ma
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by
Puthiya Purayil Sneha
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published
Mar 31, 2018
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last modified
Jun 25, 2018 12:50 PM
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filed under:
Research,
Featured,
Publications,
Digital Humanities,
Researchers at Work
The growth of the internet and digital technologies in the last couple of decades, and the emergence of new ‘digital objects’ of enquiry has led to a rethinking of research methods across disciplines as well as innovative modes of creative practice. This chapter authored by Puthiya Purayil Sneha (published in 'Making Things and Drawing Boundaries: Experiments in the Digital Humanities' edited by Jentery Sayers) discusses some of the questions that arise around the processes by which digital objects are ‘made’ and made available for arts and humanities research and practice, by drawing on recent work in text and film archival initiatives in India.
Located in
RAW
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Internet Researchers' Conference 2018 (IRC18): Offline - Call for Sessions
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by
Puthiya Purayil Sneha
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published
Sep 20, 2017
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last modified
Nov 29, 2017 12:30 PM
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filed under:
Researchers at Work,
Internet Researcher's Conference,
IRC18,
RAW Events
Does being offline necessarily mean being disconnected? Beyond anxieties such as FOMO, being offline is also seen as disengagement from a certain milieu of the digital (read: capital), an impediment to the way life is organised by and around technologies in general. However, being offline is not the exception, as examples of internet shutdown and acts on online censorship illustrate the persistence and often alarming regularity of the offline even for the ‘connected’ sections of the population. The *offline* is the theme of the third Internet Researchers' Conference (IRC18). We invite teams of two or more members to submit sessions proposals by Sunday, November 19 (final deadline). The session selection process is described below. The Conference will be hosted by the Sambhaavnaa Institute of Public Policy and Politics (Kandbari, Palampur, Himachal Pradesh) on February 22-24, 2018.
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RAW
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The Digital Humanities from Father Busa to Edward Snowden
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by
Puthiya Purayil Sneha
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published
Sep 04, 2017
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last modified
Oct 04, 2017 11:02 AM
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filed under:
Researchers at Work,
RAW Blog,
Digital Humanities
What do Edward Snowden, the whistle-blower behind the NSA surveillance revelations, and Father Roberto Busa, an Italian Jesuit, who worked for almost his entire life on Saint Thomas Aquinas, have in common? The simple answer would be: the computer. Things however are a bit more complex than that, and the reason for choosing these two people to explain what the Digital Humanities are, is that in some sense they represent the origins and the present consequences of a certain way of thinking about computers. This essay by Dr. Domenico Fiormonte, lecturer in the Sociology of Communication and Culture in the Department of Political Sciences at University Roma Tre, was originally published in the Media Development journal.
Located in
RAW
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P.P. Sneha - Mapping Digital Humanities in India
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by
Puthiya Purayil Sneha
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published
Dec 30, 2016
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last modified
Dec 31, 2016 05:56 AM
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filed under:
Higher Education,
Digital Knowledge,
CIS Papers,
Digital Humanities,
Education Technology,
Mapping Digital Humanities in India,
Digitisation,
Digital Scholarship,
RAW Research,
Researchers at Work
It gives us great pleasure to publish the second title of the CIS Papers series. This report by P.P. Sneha comes out of an extended research project supported by the Kusuma Trust. The study undertook a detailed mapping of digital practices in arts and humanities scholarship, both emerging and established, in India. Beginning with an understanding of Digital Humanities as a 'found term' in the Indian context, the study explores the discussion and debate about the changes in humanities practice, scholarship and pedagogy that have come about with the digital turn. Further it inquires about the spaces and roles of digital technologies in the humanities, and by extension in the arts, media, and creative practice today; transformations in the objects and methods of study and practice in these spaces; and the shifts in the imagination of the ‘digital’ itself, and its linkages with humanities practices.
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Papers
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Surfatial poster September 26, 2016
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by
Puthiya Purayil Sneha
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published
Sep 16, 2016
Located in
RAW
/
Files
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7 Ways to Con/fuse the Internet with Analogy (Intergalactic Mix) - Talk by Surfatial
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by
Puthiya Purayil Sneha
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published
Sep 16, 2016
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last modified
Jul 02, 2018 06:33 PM
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filed under:
Practice,
Researchers at Work,
Event
Surfatial, a trans-local collective that works with text and sound will talk about their essay which was recently published. The talk will also address concerns on how the internet can be used in alternate contexts including presenting work in alternative formats and using the internet for synchronous collaborative cultural production.
Located in
RAW
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Talk on Game Studies by Dr. Souvik Mukherjee, July 28, 6 pm
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by
Puthiya Purayil Sneha
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published
Jul 20, 2016
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last modified
Sep 16, 2016 01:21 PM
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filed under:
Gaming,
Web Cultures,
Digital Knowledge,
Game Studies,
Digital Media,
Researchers at Work,
Event
This talk will explore the story-telling aspects of game studies and how it relates to discussions of other digital media, Internet cultures and also traditional Humanities. As an introduction, it also aims to open up discussions for Game Studies in India.
Located in
RAW
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Digital Humanities in India – Concluding Thoughts
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by
Puthiya Purayil Sneha
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published
Jun 30, 2016
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last modified
Jun 30, 2016 04:48 AM
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filed under:
Digital Knowledge,
Mapping Digital Humanities in India,
Research,
Education Technology,
Digital Humanities,
Researchers at Work
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the final section.
Located in
RAW
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Creativity, Politics, and Internet Censorship
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by
Puthiya Purayil Sneha
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published
Jun 16, 2016
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last modified
Jun 17, 2016 07:07 AM
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filed under:
Researchers at Work,
Practice,
Art,
Censorship
In collaboration with Karnataka for Kashmir, we organised a discussion on 'Creativity, Politics and Internet Censorship' on May 25, 2016. Mahum Shabir, a legal activist and artist, Mir Suhail, political cartoonist with Kashmir Reader and Rising Kashmir, and Habeel Iqbal, a lawyer who has worked with several justice groups in Kashmir, shared some of their work and experiences. This discussion was organised as part of Port of Kashmir 2016, a series of events bringing together a small collective of people using different modes of art and activism to address crucial challenges to free speech and democracy in the state.
Located in
RAW
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New Modes and Sites of Humanities Practice
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by
Puthiya Purayil Sneha
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published
May 19, 2016
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last modified
Jun 30, 2016 04:45 AM
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filed under:
Digital Knowledge,
Mapping Digital Humanities in India,
Research,
Digital Humanities,
Researchers at Work
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the sixth among seven sections.
Located in
RAW