-
Digital Humanities Alliance of India - Inagural Conference 2018 - Keynote by Puthiya Purayil Sneha
-
by
Puthiya Purayil Sneha
—
published
Jun 26, 2018
—
last modified
Jun 26, 2018 12:02 PM
—
filed under:
DHAI,
Digital Knowledge,
Research,
Digital Scholarship,
Digital Humanities,
Researchers at Work
The inaugural conference of the Digital Humanities Alliance of India (DHAI) was held at the Indian Institute of Management (IIM), Indore on June 1-2, 2018. The event was co-organised by the IIM and the Indian Institute of Technology, Indore, with support from the Centre for Internet and Society, Bangalore. Puthiya Purayil Sneha was a keynote speaker at the event. Her talk was titled ‘New Contexts and Sites of Humanities Practice in the Digital’. Drawing upon excerpts from a study on mapping digital humanities initiatives in India, and ongoing conversations on digital cultural archiving practices, the keynote address discussed some pertinent concerns in the field, particularly with respect to the growth of digital corpora and its intersections with teaching learning practices in arts and humanities, including the need to locate these efforts within the context of the emerging digital landscape in India, and its implications for humanities practice, scholarship and pedagogy.
Located in
RAW
-
Digital Humanities and New Contexts of Digital Archival Practice in India
-
by
Puthiya Purayil Sneha
—
published
Dec 18, 2019
—
last modified
Dec 18, 2019 10:32 AM
—
filed under:
Digital Knowledge,
Research,
Archives,
Digital Humanities,
Researchers at Work
Puthiya Purayil Sneha attended and presented at a conference on 'The Arts, Knowledge, and Critique in the Digital Age in India: Addressing Challenges in the Digital Humanities' organised by Sahapedia and Department of Liberal Arts, Indian Institute of Technology, Hyderabad on November 28-29, 2019.
Located in
RAW
-
Digital Humanities and the Alt-Academy
-
by
Sneha PP
—
published
Aug 19, 2014
—
last modified
Nov 13, 2015 05:29 AM
—
filed under:
Digital Knowledge,
Mapping Digital Humanities in India,
Research,
Digital Humanities,
Researchers at Work
The emergence of Digital Humanities (DH) has been contemporaneous to the ‘crisis’ in the humanities, spurred by changing social and economic conditions which have urged us to rethink traditional methods, locations and concepts of research and pedagogy. This blog post examines the emergence of the phenomenon of the alt-academy in the West, and examines the nuances and possibilities of such a space in the Indian context.
Located in
RAW
/
Digital Humanities
-
Digital Humanities for Indian Higher Education
-
by
Sara Morais and Subhashish Panigrahi
—
published
Jul 18, 2013
—
last modified
Apr 17, 2015 10:53 AM
—
filed under:
Video,
Researchers at Work,
Digital Knowledge,
Digital Humanities
The digital age has had a huge impact on higher education in the last decade transforming the modalities of both teaching and research. To discuss these changes and what it means for research work, a multidisciplinary consultation was held at the Indian Institute of Science in Bangalore on July 13, 2013.
Located in
Digital Natives
-
Digital Humanities in India – Concluding Thoughts
-
by
Puthiya Purayil Sneha
—
published
Jun 30, 2016
—
last modified
Jun 30, 2016 04:48 AM
—
filed under:
Digital Knowledge,
Mapping Digital Humanities in India,
Research,
Education Technology,
Digital Humanities,
Researchers at Work
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the final section.
Located in
RAW
-
Digital Humanities in India?
-
by
Puthiya Purayil Sneha
—
published
Nov 12, 2015
—
last modified
Jun 30, 2016 05:05 AM
—
filed under:
Digital Knowledge,
Mapping Digital Humanities in India,
Research,
Featured,
Digital Humanities,
Researchers at Work
An extended survey of digital initiatives in arts and humanities practices in India was undertaken during the last year. Provocatively called 'mapping digital humanities in India', this enquiry began with the term 'digital humanities' itself, as a 'found' name for which one needs to excavate some meaning, context, and location in India at the present moment. Instead of importing this term to describe practices taking place in this country - especially when the term itself is relatively unstable and undefined even in the Anglo-American context - what I chose to do was to take a few steps back, and outline a few questions/conflicts that the digital practitioners in arts and humanities disciplines are grappling with. The final report of this study will be published serially. This is the first among seven sections.
Located in
RAW
-
Digital Markets and India: Demystifying the Draft DCB
-
by
Abhineet Nayyar and Isha Suri (in alphabetical order)
—
published
Apr 09, 2024
—
last modified
Apr 15, 2024 06:15 AM
—
filed under:
Digital Markets,
Digital India,
Digital Knowledge,
Researchers at Work
This document summarises the proceedings of the Roundtable on the draft Digital Competition Bill (DCB) [hereinafter referred to as ‘the Roundtable’]. The Roundtable was conducted online on April 1, 2024, and included representation from academia, law, civil society, and policy organisations. The primary objective of the Roundtable was to discuss the recent report published by the Committee on Digital Competition Law (CDCL) in March 2024 along with the draft of the DCB.
Located in
RAW
-
Digital Transition in Newspapers in India: A Pilot Study
-
by
Zeenab Aneez
—
published
Jul 19, 2016
—
last modified
Jul 20, 2016 11:43 AM
—
filed under:
Digital News,
Digital Knowledge,
Research,
Digital Media,
Researchers at Work
This pilot study situates itself at the intersection of global trends in news and journalism, and emergent practises of legacy print media in India. Our aim is to explore how legacy print newspapers are transitioning to the online space. The study will address questions in two thematic clusters: 1) the work of journalism, and 2) how the emergence of the digital, both as a source of news, and the medium of distribution, is shaping the work of newspaper journalists.
Located in
RAW
-
Figures of Learning: The Conditional Artist
-
by
Tara Kelton
—
published
May 05, 2015
—
last modified
Nov 13, 2015 05:42 AM
—
filed under:
Research,
Researchers at Work,
Digital Knowledge,
Figures of Learning
As part of its Making Methods for Digital Humanities project, CIS-RAW organized two consultations on new figures of learning in the digital context. For a proposed journal issue on the theme of ‘bodies of knowledge’ which draws upon these conversations, participants were invited to write short sketches on these figures of learning. This abstract by Tara Kelton explores the conditional artist, and the outcomes of inserting chance in the realization of art work through the use of new multimedia and digital technologies.
Located in
RAW
-
Figures of Learning: The Pornographer
-
by
Namita A. Malhotra
—
published
Feb 28, 2015
—
last modified
Nov 13, 2015 05:32 AM
—
filed under:
Research,
Researchers at Work,
Digital Knowledge,
Figures of Learning
As part of its Making Methods for Digital Humanities project, CIS-RAW organized two consultations on new figures of learning in the digital context. For a proposed journal issue on the theme of 'bodies of knowledge' which draws upon these conversations, participants were invited to write short sketches on these figures of learning. This abstract by Namita Malhotra examines the figure of the pornographer, as a mixed media figure entrenched in various networks of knowledge production, circulation and consumption.
Located in
RAW
