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    <item rdf:about="https://cis-india.org/digital-natives/video-contest/entries/journey-to-and-from-digital">
    <title>Journey to and from Digital</title>
    <link>https://cis-india.org/digital-natives/video-contest/entries/journey-to-and-from-digital</link>
    <description>
        &lt;b&gt;A young man gets ready to start his day: switching on his cable box, checking his Blackberry, listening to music, and microwaving his food. As he leaves, he turns on his iPod and sends a text message via his cell phone. Waiting for the train, he responds to emails and posts to Facebook. He sends a tweet and then gets to work. All day answering emails and phone calls while staring at a computer screen. Finally he ends his work day only to stare at a digital screen for train arrivals. Inside the train, he once again begins sending messages and tweets. Once he gets to his destination, he is told by an attractive woman to “unplug” and be with her.  The End. Credits roll.&lt;/b&gt;
        &lt;p&gt;Video Genre: Film&lt;/p&gt;
&lt;div id="content-core"&gt;
&lt;h3&gt;&lt;/h3&gt;
&lt;h3&gt;Joseph Francis&lt;/h3&gt;
&lt;div class="kssattr-macro-rich-field-view kssattr-templateId-widgets/rich kssattr-atfieldname-text" id="parent-fieldname-text-b48cf75e-4d5c-4a99-b51c-718d1f1832d4"&gt;&lt;dl&gt;
&lt;p&gt;&lt;img src="https://cis-india.org/portal_memberdata/portraits/joseph.francis1218" alt="Centre for Internet and Society" title="Centre for Internet and Society" class="portraitPhoto" width="75" /&gt;&lt;/p&gt;
&lt;dt&gt;Location&lt;/dt&gt;&lt;dd&gt;Brooklyn, NY United States&lt;/dd&gt;&lt;dt&gt;Age&lt;/dt&gt;&lt;dd&gt;31&lt;/dd&gt;&lt;dt&gt;Profession&lt;/dt&gt;&lt;dd&gt;Film Producer/Director&lt;/dd&gt;
&lt;p&gt;Having lived in New York most of his life, Joseph earned a Bachelor of    Arts degree in Media Arts from Long Island University (LIU), with a    major in Film and Television and a concentration in Direction. Working    full-time throughout school kept Joseph's motivation, organization and    endurance intact.  At age 31, Joseph is well underway to establishing a   career that has  become the love of his life. His filmography list   includes serving as  Assistant Director for short films My Brother's   Keeper and Doodles,  which all had multiple releases. Joseph was also on   set as Production  Manager for the feature film “Courting Condi”, and   “The Festival of  Light”.  Another accomplishment came by way of   directing and producing two short  film scripts called Men Are Liars and   Being Brooklyn. Joseph has  produced multiple projects that are   currently in postproduction. These  projects which included “No   Swimming,” “Palace Living,” and the You Tube  Drama Series “Normal.”     Lastly, Joseph has used his industry knowledge and expertise for    consulting purposes on many other productions and projects. It is    Joseph's vivid imagination and his ability to turn it into a visual    masterpiece that will ultimately separate him from the industry's best.&lt;/p&gt;
&lt;/dl&gt;&lt;/div&gt;
&lt;/div&gt;
        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/video-contest/entries/journey-to-and-from-digital'&gt;https://cis-india.org/digital-natives/video-contest/entries/journey-to-and-from-digital&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>joseph.francis1218</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2012-03-14T08:38:30Z</dc:date>
   <dc:type>Page</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/events/essay-review">
    <title>Essay Review: Digital AlterNatives with a Cause</title>
    <link>https://cis-india.org/digital-natives/events/essay-review</link>
    <description>
        &lt;b&gt;Hivos and the Centre for Internet &amp; Society (CIS) are pleased to announce the monthly essay review event. It starts from the midnight of February 17 and ends on the midnight of February 26. Hurry! Pick any essay from the four book collective of Digital AlterNatives with a Cause? and send us your reviews.&lt;/b&gt;
        
&lt;p&gt;Hivos and CIS have consolidated their three year knowledge inquiry into the field of youth, technology and change in a four book collective “Digital AlterNatives with a cause?”.&lt;/p&gt;
&lt;p&gt;This collaboratively produced collective, edited by Nishant Shah and Fieke Jansen, asks critical and pertinent questions about theory and practice around 'digital revolutions' in a post MENA (Middle East - North Africa) world. It works with multiple vocabularies and frameworks and produces dialogues and conversations between digital natives, academic and research scholars, practitioners, development agencies and corporate structures to examine the nature and practice of digital natives in emerging contexts from the Global South.&lt;/p&gt;
&lt;p&gt;The event invites readers from around the world to pick any one essay from the books and review it in the week of 17-26 February 2012.&lt;/p&gt;
&lt;p&gt;Previously found reviews can be found &lt;a href="https://cis-india.org/digital-natives/media-coverage" class="external-link"&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;For submission guidelines, please get in touch with: Nilofar Ansher (&lt;a class="external-link" href="mailto:nilofar.ansh@gmail.com"&gt;nilofar.ansh@gmail.com&lt;/a&gt;)&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/events/essay-review'&gt;https://cis-india.org/digital-natives/events/essay-review&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Event Type</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2012-02-10T05:53:30Z</dc:date>
   <dc:type>Event</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/video-contest/entries/big-stories-small-towns">
    <title>Big Stories, Small Towns</title>
    <link>https://cis-india.org/digital-natives/video-contest/entries/big-stories-small-towns</link>
    <description>
        &lt;b&gt;&lt;/b&gt;
        &lt;p&gt;&lt;iframe frameborder="0" height="315" src="http://www.youtube.com/embed/QIBSkgGP-fo" width="560"&gt;&lt;/iframe&gt;&lt;/p&gt;
&lt;div class="kssattr-atfieldname-text kssattr-templateId-widgets/rich kssattr-macro-rich-field-view" id="parent-fieldname-text-822b1c0e-cfc7-4e0c-ae28-6ebdc4a16943"&gt;&lt;dl&gt;&lt;dt&gt;Name(s)&lt;/dt&gt;&lt;dd&gt;Martin Potter&lt;/dd&gt;&lt;dt&gt;Location&lt;/dt&gt;&lt;dd&gt;Melbourne, Australia&lt;/dd&gt;&lt;dt&gt;Age&lt;/dt&gt;&lt;dd&gt;37&lt;/dd&gt;&lt;dt&gt;Profession&lt;/dt&gt;&lt;dd&gt;Filmmaker&lt;/dd&gt;
&lt;h3&gt;Video Proposal&lt;/h3&gt;
&lt;p&gt;Over a period of nearly four years, moving across small towns in  Australia and South East Asia, I have seen the most extraordinary  innovations at a local community level. My &lt;span class="highlightedSearchTerm"&gt;video&lt;/span&gt; will focus on these local stories which have a global impact. I am pursuing a  PhD in participatory media and this will lend a uniquely academic  perspective on the concept of collaboration, community life and  innovation.&lt;/p&gt;
&lt;/dl&gt; &lt;dl&gt;&lt;dt&gt;Video Genre&lt;/dt&gt;&lt;dd&gt;Online Documentary&lt;/dd&gt;&lt;/dl&gt;
&lt;h3&gt;&lt;b&gt;Interview&lt;/b&gt;&lt;/h3&gt;
&lt;p&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;

&lt;p&gt;&lt;b&gt;Do you identify with the term Digital Native – how do you define it? &lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Digital Natives use technology as a natural part of their day to day life – socializing, work, communications, and community building. We don't need to be born into an era of technology - these are skills and patterns of use that can be acquired, given the right circumstances. Maybe I am a digital native, who knows.... I don't think you need to belong to a particular economic group, however you do need to belong to a social context that facilitates peer engagement and networking and support, otherwise you may not be able to find something of interest in the technology without support.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;b&gt;Do you agree with the perception that the digital native is typically a “White, American, Young, Geek” apathetic to social causes? &lt;/b&gt;&lt;/p&gt;
&lt;p&gt;Mostly agree. But the vital, inspiring and connected others who don't fit that description are the ones who seem to define the term - the use of social media to organize in the context of the recent Arab uprisings and the innovation in broad social use of media in developing regions is far more interesting. It seems the exceptions are defining the rules.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Can digital activists from developing nations create an impact through social media and online campaigns? &lt;br /&gt;&lt;/b&gt;I'm from Australia (a developed country) where people still live in dire poverty in several areas. I see people in developing contexts (nations) leading the way in re-framing technologies for their use. I strongly believe that all levels of society can potentially participate in a digital world and can begin to address the unlevel playing fields of their societies and our global society.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;b&gt;Do you think traditional forms of activism are now supplemented by digital campaigns? What is your reaction to the “Get Kony 2012” video campaign?&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;One does not replace the other, but it can serve to enhance and expand the reach of such campaigns (traditional). As for Kony 2012, it’s a very successful social media campaign with a problematic message; a great piece of polemic media, but to what end? Will it achieve its goal? In light of the meltdown of its maker and the questioning of the NGO Invisible Children will this encourage a cynical backlash from the people who invested in it - those that watched, shared and donated?&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;b&gt;Are we seeing a trend where digital natives are more involved with local (neighborhood) causes than with global issues?&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;I think local causes may not have as much involvement. Robert Putnam's &lt;a href="http://en.wikipedia.org/wiki/Bowling_Alone"&gt;&lt;i&gt;Bowling Alone&lt;/i&gt;&lt;/a&gt; points to a dilution of community at local levels. I think being connected to the world at a distance may lead to local social isolation. We have to focus on engaging with community and the people around us with the new tools, not opt out pretending we're a part of a bigger picture.&lt;/p&gt;
&lt;/div&gt;
        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/video-contest/entries/big-stories-small-towns'&gt;https://cis-india.org/digital-natives/video-contest/entries/big-stories-small-towns&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>martingpotter</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2012-04-04T09:44:13Z</dc:date>
   <dc:type>Page</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/media-coverage/alternative-approaches-to-social-change-1">
    <title>Alternative Approaches to Social Change</title>
    <link>https://cis-india.org/digital-natives/media-coverage/alternative-approaches-to-social-change-1</link>
    <description>
        &lt;b&gt;Review of Maesy Angelina’s essay, "Digital Natives’ Alternative Approach to Social Change", in Digital Alternatives with a Cause Book 2: To Think, pp.64-76 by Nuraini Juliastuti.&lt;/b&gt;
        
&lt;p&gt;Dominant assumptions about social movements need a redefinition. They
 are not compatible with youth movements, which are mainly operated 
within the framework of contemporary technology development.&lt;/p&gt;
&lt;p&gt;Although being acknowledged as ‘the potential future directions of 
activism’, the capability of digital-based movements to bring about 
concrete changes has been in doubt. It has been associated with 
degrading terms such as ‘slacktivism’ or ‘click activist’. Some scholars
 consider it a quasi-movement, and argue that it needs to be accompanied
 with “real” activism.&lt;/p&gt;
&lt;p&gt;Each movement calls for a different analytical lens. The source of 
predicaments of the digital movement opponents revolves around the 
persistence of focusing on concrete aspects of a movement. Unless we 
consider the tangible aspects, a proper understanding of a digital 
movement cannot be realized.&lt;/p&gt;
&lt;p&gt;Observations about intangible aspects of a movement will keep a 
research from clinging to activism with a capital A, and start seeing a 
gradation in the social movement practices. It is constructive and opens
 the door to analyses of multi-dimensional movements such as the Blank 
Noise initiative (India). Drawing on methods of identifying new 
developments to the field of social movement, Maesy examines some 
aspects of it: the issue, strategy, site of action, and internal mode of
 organization.&lt;/p&gt;
&lt;p&gt;First, a straightforward summary of Blank Noise. It is a movement to 
address sexual harassment against women in public spaces in India. 
Sexual harassment includes staring, catcalls, groping, and is usually 
disregarded as a one-off, casual incident. It also takes under purview 
‘eve teasing’, generally considered soft sexual harassment. Established 
in 2003, the main workspaces of the collective are a combination of 
street interventions and online campaigns mediated on social media sites
 such as blogs, YouTube, Flickr, Facebook, and Twitter.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Blank Noise attempts to subvert populist notions of what activism is 
within culture. Artistic approaches are regarded not as merely 
illustrational, but integrated into the methods of drawing attention to 
sexual harassment.&lt;/p&gt;
&lt;p&gt;It chooses not to see things through a simple black and white 
perspective, but from a more complex view; loose, not rigid, is an 
instructive term to explain the character of the movement that is held 
together by two stakeholders: youth and technology.&lt;/p&gt;
&lt;p&gt;In the antecedent period—this essay provides little space for it and 
hence lacks a historical explanation—social movements were carried out 
by non-governmental organizations (NGOs). The keyword ‘society 
empowerment’ was in application then; embedded within is the idea of 
power relations. The NGO activists are powerful agencies and therefore 
have the authority to empower others.&lt;/p&gt;
&lt;p&gt;In the case of Blank Noise, it consciously disrupts the mainstream 
notion of what a social movement entails and at the same time, displays 
coherencies within the accepted movement’s principles: the collective 
thus offers alternative approaches. An alternative movement however, is 
indicative of a classic pattern within the trajectory of social 
movements - it is a natural occurrence in response to a static state of 
affairs. Negotiations of the appropriate ways to confront circumstances 
are accelerating, putting old concepts of voluntarism, political 
participation, social contribution, and the meaning of being an activist
 into fragile categorizations. They are all subject to constant 
reinterpretations.&lt;/p&gt;
&lt;p&gt;A new question then arises: as local people acknowledge Blank Noise 
as an outstanding example of citizen activism in India, does this youth 
initiative differentiate itself from other youth movements of its kind?&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Online spaces formerly built to showcase the profile of movement 
organizers have now transformed into collaborative workspaces to archive
 and advocate women’s right movement. Interactivity has permeated 
through online spaces, replacing the static nature which was earlier 
associated with activism-related websites. The distance between the 
initiators and the participants is disappearing. The initiators and the 
participants are no longer two separate entities and are now joint 
content producers.&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Some literatures characterize a social movement as a form of 
intellectual intervention. It is the practice of social intervention 
where the power is arranged in a relatively clear intellectual 
hierarchy. The dynamics of the action spaces has blurred such a 
hierarchy. Nonetheless, the question of class is still worth asking.&lt;/p&gt;
&lt;p&gt;The issues of the ideologies of technologies being used in a 
movement, how they are operated, the actors behind them, what discourses
 are being developed, whose interests do they speak on behalf of, are 
important matters to be further explored to bring forth a reflection on 
power dynamics.&amp;nbsp;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;An undemanding way to value a social movement is through impact 
examination. A common way to assess impact is by observing the tangible 
aspects of the movement or campaign: the number of participants in 
activities conducted (do men and women participate equally in them?); 
the number of meetings; the organization’s coverage; public response to 
the campaign; statistics of crime. It asserts that a significant impact 
can be achieved through concrete goals and demands.&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;The question of impact meets its philosophical turn when dealing with
 a grey issue such as normalization of street sexual violence. The 
meaning of street sexual violence is hard to pin down. One of the 
possible ways to cope with it is through a micro-movement. It is a 
strategy, which aims to create changes at the personal level. The 
meaning of empowerment is shifting. In the case of Blank Noise, as the 
author puts it, “they empower people through their experience with the 
collective”.&lt;/p&gt;
&lt;p&gt;Blank Noise differs from other types of movements in their inability 
to identify the opponent. Or, rather, they live a situation where it is 
impossible to establish who and what the opponent is. Rather than merely
 seeing it as a representation of the faltering state, as many scholars 
usually do, the author sees it as a ‘grey productive gesture’. It 
directs the course of the movement to a constant dialogue with the 
meaning of participation. Often unintentionally, it engages in the 
search of the meaning of what one can contribute to the others, without 
having the need to incorporate in, or being absorbed into, old society 
empowerment jargon. It attempts to remake the language of a movement.&lt;/p&gt;
&lt;p&gt;But how should an opponent be defined? And how should change be 
defined? Although indirectly, the discussion on ways of organizing the 
movement as well as articulating the issue—the uncertainty about their 
values included, points to the base of the debate on the concept of 
activism. As each context is walking its own social-technological life 
path, and the division between the debatable terms ‘quasi-activism’ and 
‘real activism’ requires an elaborate explanation, what changes should 
social movements bring (and how ‘real’ should they be), is still a 
difficult question to answer.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Changes function both as the foundation and goal of the digital 
native movement. Much as they indicate hopefulness, changes often turn 
out to be grim and lead to frustrating facts. As alternative ways of 
social movements are developing and being performed in various contexts,
 in particular historical junctures many things remain the same. Instead
 of progress, a series of setbacks become apparent.&lt;/p&gt;
&lt;p&gt;It is as if each new movement’s strategy would bring back the 
possibilities of reversals and stagnancies, putting causes and choices 
in question. It is not about the seemingly clear separation between 
decisiveness and indecisiveness. This is the time when being decisive 
offers clichéd, predictable acts, which are often twisted into an 
intense, conservative attitude. This is the time when being indecisive 
is promisingly progressive and demonstrating the signs of thinking 
critically. It may seem indefinite, but it provides spaces for 
resiliency, an important character to develop amid the chaotic 
situation.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Nuraini Juliastuti is the co-founder of KUNCI Cultural Studies Center (&lt;a class="external-link" href="http://kunci.or.id/"&gt;http://kunci.or.id/&lt;/a&gt;)
 established in 1999 in Yogyakarta, Indonesia. She is currently a PhD 
student at Universiteit Leiden, Netherlands, focusing on popular music 
in Southeast Asia.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/media-coverage/alternative-approaches-to-social-change-1'&gt;https://cis-india.org/digital-natives/media-coverage/alternative-approaches-to-social-change-1&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2012-01-30T06:04:23Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/events/tweet-a-review">
    <title>Tweet a Review of Digital AlterNatives with a Cause Books</title>
    <link>https://cis-india.org/digital-natives/events/tweet-a-review</link>
    <description>
        &lt;b&gt;Essays from 'Digital AlterNatives with a Cause?' books are getting reviewed. We invite everyone to participate in this book review event! Deadline: January 31&lt;/b&gt;
        
&lt;p&gt;Read one essay from the 'Digital AlterNatives with a Cause?' books published by the Centre for Internet &amp;amp; Society and HIVOS. &lt;br /&gt;Download PDFs &lt;a href="https://cis-india.org/digital-natives/front-page/blog/dnbook" class="external-link"&gt;here.&lt;/a&gt;&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;Post a review on your blog&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;Tweet the review's link on Twitter using #TweetReview and copy @cis_india&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;For e.g. "Unpacking the shiny packaging of Digital Natives" Book 2 To Think #TweetReview &lt;a href="https://cis-india.org/digital-natives/unpacking-from-shiny-packaging" class="external-link"&gt;http://cis-india.org/digital-natives/unpacking-from-shiny-packaging&lt;/a&gt; @cis_india&lt;/li&gt;&lt;li&gt;Send us a link to your view&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&lt;br /&gt;For more details about the event and the essays you want to review, email: &lt;a class="external-link" href="mailto:nilofar.ansh@gmail.com"&gt;nilofar.ansh@gmail.com&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Tweet-a-Review is a monthly event organized as part of the 'Digital Natives with a Cause?' project.&lt;/p&gt;
&lt;p&gt;Read previous reviews &lt;a href="https://cis-india.org/digital-natives/media-coverage" class="external-link"&gt;here &lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a class="external-link" href="http://www.facebook.com/events/186700531427527/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/events/tweet-a-review'&gt;https://cis-india.org/digital-natives/events/tweet-a-review&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Event Type</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2012-01-07T14:42:32Z</dc:date>
   <dc:type>Event</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/digital-art.pdf">
    <title>Digital Art</title>
    <link>https://cis-india.org/digital-natives/digital-art.pdf</link>
    <description>
        &lt;b&gt;Newsletter, volume 9, issue 1 from the Digital Natives community.&lt;/b&gt;
        
        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/digital-art.pdf'&gt;https://cis-india.org/digital-natives/digital-art.pdf&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2012-01-03T09:25:12Z</dc:date>
   <dc:type>File</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/pathways/facultyworkshop">
    <title>The Digital Classroom: Social Justice and Pedagogy</title>
    <link>https://cis-india.org/digital-natives/pathways/facultyworkshop</link>
    <description>
        &lt;b&gt;What happens when we look at the classroom as a space of social justice? What are the ways in which students can be engaged in learning beyond rote memorisation? What innovative methods can be evolved to make students stakeholders in their learning process? These were some of the questions that were thrown up and discussed at the 2 day Faculty Training workshop for participant from colleges included in the Pathways to Higher Education programme, supported by Ford Foundation and collaboratively executed by the Higher Education Innovation and Research Application and the Centre for Internet and Society, Bangalore.&lt;/b&gt;
        
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;The workshop focused on 3 chief challenges in contemporary
pedagogy and teaching in higher education in India as identified by &lt;a class="external-link" href="http://heira.in/"&gt;HEIRA&lt;/a&gt;: The need for innovative
curricula, challenges to social justice in education, and possibilities offered
by the intersection of digital and internet technologies with classroom
teaching and evaluation. In the open discussions, the participating faculty
members used their multidisciplinary skills and teaching experience to look at possibilities that we might implement in our classrooms to create a more
inclusive and participatory environment. The conversations were varied, and
through 3 blog entries I want to capture the focus points of the workshop. In
this first post, I focus specifically on the changing nature of student
engagement with education and innovative ways by which we can learn from the
digital platforms of learning and knowledge production and implement certain
innovations in pedagogy that might better help create inclusive and just learning
environments in the undergraduate classroom in India.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Peer 2 Peer:&lt;/strong&gt; One of the observations that was made
unanimously by all the faculty members was that students respond better, learn
faster, engage more deeply with their syllabus when the instructor has a
personal rapport with them. Traditionally, the teachers who have established
human contact which goes beyond the call of duty are also the teachers that
have become catalysts and inspirations for the students. Especially with the
digital aesthetics of non-hierarchical information interaction, this has become
the call of the day.&lt;/p&gt;
&lt;p&gt;Establishing the teacher as a peer within the classroom,
rather than the fountainhead of information flow, is an experiment worth
conducting. Like on other digital platforms, can we think of the classroom as a
space where the interlocutors each bring their life experience and learning to
start an information exchange and dialogue that would make them stakeholders in
the process of learning? This would mean that the teacher would be a &lt;em&gt;facilitator&lt;/em&gt; who builds conditions of
knowledge production and dissemination, thus also changing his/her relationship
with the idea of curriculum and teaching.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Reciprocal evaluation&lt;/strong&gt;: It was pointed out that the grade
oriented academic system often leads to students disengaging with innovative
and meaningful learning practices. With the pressure of completing the
curriculum, the students’ instrumental relationship with their classroom
learning and the highly conservative structures of higher education that do not
offer enough space to experiment with the teaching methods, it often becomes
difficult to initiate innovative pedagogic practices. Learning from the
differently hierarchised digital spaces, it was suggested that one of the ways
by which this could be countered is by introducing reciprocal evaluation
patterns which might not directly be associated with the grades but would
recognise and appreciate the skills that students bring to their learning.&lt;/p&gt;
&lt;p&gt;Inspired by the Badges contest at &lt;a class="external-link" href="http://hastac.org/tag/badges"&gt;HASTAC&lt;/a&gt;,
it was suggested that evaluation has to take into account, more than grades.
Different students bring different skills, experiences, personalities and
behaviours to bear upon the syllabus. They work individually and in clusters to
understand and analyse the curriculum. Recognising these skills and the roles
that they play in their learning environments is essential. Getting students to
offer different badges to each other as well as to the teachers involved, helps
them understand their own learning process and engages them in new ways of
learning.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Role based learning: &lt;/strong&gt;Within the Web 2.0 there is a peculiar
condition where individuals are recognised simultaneously as experts and
novices. They bring certain knowledges and experiences to the table which make
them credible sources of information and analysis in those areas. At the same
time, they are often beginner learners in certain other areas and they harness
the power of the web to learn. Such a distributed imagination of a student as
not equally proficient in all areas, but diversely equipped to deal with
different disciplines is missing from our understanding of the higher education
classroom.&lt;/p&gt;
&lt;p&gt;We discussed the possibility of making the student responsible not
only for his/her own learning but also the learning of the peers in the
classroom. Making the student aware of what s/he is good at and where s/he is
lacking allows them to gain confidence and also realise that everybody has
differential strengths and aptitudes. Such a classroom might look different
because the students don’t have to be pitched in stressful competition with
each other but instead work collaboratively to learn, research and produce
knowledge in a nurturing and supportive learning environment.&lt;/p&gt;
&lt;p&gt;These initial discussions look at the possibility of
innovative classroom teaching that can accommodate for the skills and
differences of the students in higher education in India. The conversations
opened up the idea that the classroom can be reshaped so that it becomes a more
inclusive space where the quality of students’ access to education can be
improved. It also ties in with the larger imagination of classrooms as spaces
where principles of social justice can be invoked so that students who are
disadvantaged in language, learning skills, socio-economic backgrounds, are not
just looked at as either ‘beyond help’ or ‘victims of a system’. Instead, it
encourages to look at the students as differential learners who need to be made
stakeholders in their own processes of learning and education.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/pathways/facultyworkshop'&gt;https://cis-india.org/digital-natives/pathways/facultyworkshop&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Higher Education</dc:subject>
    
    
        <dc:subject>Access to Knowledge</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>New Pedagogies</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Digital Pluralism</dc:subject>
    

   <dc:date>2015-05-08T12:36:29Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/unpacking-from-shiny-packaging">
    <title>Unpacking Digital Natives from their Shiny Packaging</title>
    <link>https://cis-india.org/digital-natives/unpacking-from-shiny-packaging</link>
    <description>
        &lt;b&gt;The ‘Digital natives’ concept is neither necessarily nor inherently positive, as YiPing Tsou highlights in her article Digital Natives in the Name of a Cause: From "Flash Mob" to "Human Flesh Search". The essay was published in the Digital AlterNatives with a Cause? Book 2, To Think. Argyri Panezi reviews the essay.&lt;/b&gt;
        
&lt;p&gt;In this article, the writer supports that China, despite having a 
plethora of hacker talents, does not conform to the typical paradigm of 
liberal, usually anti-government, group of digital natives. She explains
 that the so-called “red hackers” are working hand-in-hand with the 
dominant ideology, fighting against the enemy abroad while hunting down 
the enemy within who disrupts the ‘harmony’ (of the nation). Focusing on
 China’s digital culture, Tsou demonstrates that digital natives, 
despite what is commonly thought of them as a universal group, can also 
engage in far from civic-minded activities. The stories of Human Flesh 
Search as described in the article, gives flesh to this argument.&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;‘Human
 Flesh Search’ is a Chinese phenomenon of online crowdsourcing that 
targets ‘morality violators’ (the modern versions of medieval witches). 
Most importantly, the punishment meted out to these ‘violators’ is not 
only harsh (the mob versus an individual) but also reaches beyond 
cyberspace, affecting the real lives of the one who’s hunted, even 
affecting the lives of their family. All the examples given, illustrate 
how this ‘naming-and-shaming’ trend becomes an insidious calling card of
 the entire hacking society in China. &lt;br /&gt;&lt;br /&gt;As Tsou explains, Human 
Flesh Searches mobilize masses of people online or offline to identify 
certain violators of ‘morality’ that the community seeks to punish 
because the ‘crimes’ might not be punishable by the law. Indeed, the 
Human Flesh Search stories bring in mind B-grade reality shows: as the 
first story goes, the real identity of a woman staring in a 
kitten-killing video is discovered and consequently, the woman is 
attacked both in cyberspace (via email, social media networks) and in 
real space (her residence, work place). Another story seems more 
serious, mainly from a political and legal perspective; a student 
expressing himself in favor of a Korean ruling in a sports game is 
immediately dealt by the online community as a traitor who has to pay 
for what he has said online. What seems to follow, within these stories,
 are blatant violations of privacy and freedom of speech.&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;What
 message do the Human Flesh Searches stories convey? What are these 
stories teaching us? While Internet enthusiasts have connected digital 
natives with progressive liberal movements, it is also the case that 
some can be (ab)using the powers of technology, and principally the 
power of crowd-sourcing, engaging in phenomena that even recap medieval 
witch-hunt. It is clear that the rationale of the author is not to call 
for more regulation or censorship online, but rather to point out that 
technology and the Internet is merely a tool, and as every tool it can 
have both good and bad uses; a knife might be used safely in a kitchen, 
it can save lives in the hands of a doctor, and can take lives in the 
hand of a murderer.&lt;br /&gt;&lt;br /&gt;Tsou cleverly alternates between the phrases 
‘wisdom of the crowd’, ‘crowd-sourcing’ and ‘irrationality of the 
crowds’. While the majority can collaborate to get brilliant results, it
 can also quickly become a tyranny against anything ‘different’, 
‘irregular’ or ‘immoral’. Wikipedia is a famous example of the first (a 
success story of mass collaboration) but also the second (see the 
editing wars on Wikipedia talk pages).&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;In all, Tsou 
effectively reminds us that the aspiring digital stories of peer-to-peer
 culture and civic empowerment, including technology-mobilized 
revolutions such as the recent examples in the Middle East and 
elsewhere, do have a counter side, what the author calls “the dark force
 of digital natives”. The importance of this realization is immense. 
Internet romanticism can be at the very least naïve, and at most 
dangerous as it gives space to the abusers to continue their work using a
 tool that is wrongly considered solely equalizing, empowering, 
liberating.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;&lt;em&gt;Argyri Panezi, a native of Greece, studied 
law at the University of Athens and at Harvard Law School (focusing on 
issues of Internet law and policy), now practicing as an attorney at law
 in Brussels, Belgium. &lt;/em&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/unpacking-from-shiny-packaging'&gt;https://cis-india.org/digital-natives/unpacking-from-shiny-packaging&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2011-12-25T05:04:43Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/on-natives-and-norms">
    <title>On Natives, Norms and Knowledge</title>
    <link>https://cis-india.org/digital-natives/on-natives-and-norms</link>
    <description>
        &lt;b&gt;Philip Ketzel reviews Ben Wagner's essay "Natives, Norms and Knowledge: How Information Technologies Recalibrate Social &amp; Political Power Relations Communications" published in Book 4: To Connect.&lt;/b&gt;
        
&lt;p&gt;Using digital technologies has become so convenient that with the 
rise of the so called digital revolution arose also the need to reflect 
it. A very impressive compilation of reflections dealing with the role 
and impact of the “user” (or digital native, as it is now called) comes 
in the form of a four book collective called &lt;a class="external-link" href="http://www.cis-india.org/digital-natives/blog/dnbook/"&gt;Digital AlterNatives with a Cause? &lt;/a&gt;by
 the Centre for Internet &amp;amp; Society and Hivos. The fourth book 
features Ben Wagner’s essay Natives, Norms and Knowledge: How 
Information and Communications Technologies Recalibrate Social and 
Political Power Relations. It is a text I strongly recommend, especially
 to those interested in the reasons behind contemporary policies that 
try to regulate digital activism such as the US SOPA Act.&lt;/p&gt;
&lt;p&gt;Wagner starts out by recapitulating the fact that, as any 
technological progress, the digital revolution has produced profound 
cultural changes. In order to make these changes more visible and to 
question their implications, he analyses the ways in which they can be 
understood as shifts of "sociological, normative and knowledge 
boundaries" (p. 22).Yet behind every boundary lies a legitimising 
process setting it up. Hence, Wagner is also interested in the 
discourses and institutions that legitimise these shifts of boundaries.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;So where and how are the boundaries being shifted?&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;For example, there is the fact that now more people have the power to
 influence what we call reality or history. Wagner points out that this 
new power is socially seen less evenly distributed than one would hope. 
He says "it&amp;nbsp; seems&amp;nbsp; that&amp;nbsp; the&amp;nbsp; existing&amp;nbsp; elite&amp;nbsp; has simply&amp;nbsp; expanded&amp;nbsp; 
and&amp;nbsp; been&amp;nbsp; complemented&amp;nbsp; by&amp;nbsp; an&amp;nbsp; additional&amp;nbsp; 'digital&amp;nbsp; elite'." (p. 22) 
Though the old-school elite still holds some aces up their sleeves in 
order to keep this new 'digital elite', respectively digital natives, 
under control. This is for instance, according to Wagner, reflected in 
the ways the media keeps producing and sustaining stereotypes of the 
unsocial nerd, which makes it possible to easily stigmatise subversive 
elements such as Mr. Assange.&lt;/p&gt;
&lt;p&gt;Analysing the effects of this newly gained power, Wagner looks at the
 norms set up by digital natives. Instead of pining down a list of 
certain norms, he has a much better approach by saying:&lt;/p&gt;
&lt;p&gt;[T]he tools provided by the internet have unmasked pre-existing norms
 which were not previously evident. The tools of the internet bring 
these norms to the surface by allowing&amp;nbsp; for&amp;nbsp; their&amp;nbsp; practise&amp;nbsp; an&amp;nbsp; 
environment&amp;nbsp; which seems&amp;nbsp; to&amp;nbsp; offer&amp;nbsp; endless&amp;nbsp; opportunities&amp;nbsp; to&amp;nbsp; those 
connected to it. (p. 24)&lt;/p&gt;
&lt;p&gt;So we’re dealing with a new playground on which the digital natives 
seem to dominate the rule defining process. This makes it problematic 
for the political system, as its purpose is to keep social order and 
also to acknowledge, reflect and integrate certain shifts of norms. As 
an example for such a critical discourse, Wagner refers to the rise of 
the Pirate Party.&lt;/p&gt;
&lt;p&gt;However, this establishment of a new social order is strongly 
correlated with a re-bordering of knowledge, as Wagner states. On the 
one hand there are those who seek to open up knowledge borders by for 
example sharing files, while on the other hand there are those who call 
for more restrictions because they fear a digital "wild west culture" 
(p. 26) or a destruction of their position. Both sides have valid 
points, and Wagner correctly highlights the conflict a society faces 
when this re-bordering process "takes place outside of realms where it 
can be contested." (p. 28)&lt;/p&gt;
&lt;p&gt;This review is part of the &lt;a class="external-link" href="http://www.facebook.com/events/235958519806737/"&gt;Tweet-a-Review&lt;/a&gt; event organized by the ‘Digital Natives with a Cause? Project and is republished here from &lt;a class="external-link" href="http://gottloburrhythm.tumblr.com/post/13206125040/on-natives-norms-and-knowledge"&gt;Philip Ketzel’s blog&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/on-natives-and-norms'&gt;https://cis-india.org/digital-natives/on-natives-and-norms&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2011-12-23T04:40:10Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/twin-manifestations">
    <title>Digital Native: Twin Manifestations or Co-Located Hybrids</title>
    <link>https://cis-india.org/digital-natives/twin-manifestations</link>
    <description>
        &lt;b&gt;Samuel Tettner reviews ‘Digital Natives and the Return of the Local Cause’ from Book 1: To Be. The essay is authored by Anat Ben-David.&lt;/b&gt;
        
&lt;p&gt;Ben-David’s piece is a well-articulated and informed attempt to 
resolve two of the several conceptual fuzziness of the term “Digital 
Native”. She attempts this in a philosophical manner: trying to move 
away from the ontological “who are Digital Natives?” to an 
epistemological “when and where are Digital Natives?” Her reasoning is 
that this perceptive change will allow us to unpack the duplicity of a 
hybrid term and to understand if it refers to a unique phenomenon in the
 world worth exploring.&lt;/p&gt;
&lt;p&gt;To answer the when and the where, Ben-David situates the term into 
its constituencies: digital and native, contextualizing the words using 
two approaches; historiographical (when) for the digital and 
geopolitical (where) for the native.&lt;/p&gt;
&lt;p&gt;The digital is semantically pin-pointed in the short but active 
history of information technology within an activism framework, to use a
 broad word. The author then places two events side to one: First the 
1999 manifestations against World-trade Organization protests in Seattle
 and then the 2011 Tahir Square protests in Egypt. Are these two 
phenomena different in nature? Is Tahir Square a more technologically 
advanced version of Seattle? Are the basic mechanisms the same, albeit 
with new faces and shinier phones?&lt;/p&gt;
&lt;p&gt;Ben-David postulates three reasons for placing the manifestations on a
 different trajectory. First, “The Internet” of 1999 and “The Internet” 
of 2011 are distinctively not the same thing. The second is that the 
demographic constituting the protest are not the same: in 1999 they were
 mostly Civic Society Organization (CSO) employees and volunteers, while
 in Tahrir they were mostly civilians and concerned citizens connected 
through their local networks.&lt;/p&gt;
&lt;p&gt;The third concerns the spatial and symbolic nature of the protests. 
In Seattle, the protests were against large transnational corporations; 
Seattle was chosen because it hosted the World Trade Organization that 
year. In Egypt, the protest was directed against local corruption and 
concerned itself with local governance issues. Tahir Square was chosen 
because the protests were directly about, of and in Egypt.&lt;/p&gt;
&lt;p&gt;Which brings us to the where. The ‘Native’ is used by Ben-David to 
refer to the ongoing structural shifts towards localized activism 
campaigns. This change came with the growing realization that 
transnational activism campaigns that tried to effect change across 
loosely cohesive cross-sections of the world, tended to lose touch with 
their points of origin and remain in suspended animation. Local 
campaigns seem to be more responsive and agile, specially in their 
ability to enter into dialogues with the needs of local populations. The
 spontaneity of action, the granular level of the causes, and the 
lowered threshold of the agents and initiators are some of the aspects 
Ben-David sees in emergent campaigns, which are critically different 
from activism campaigns in the past.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Of course, the location and the time intertwine eventually. A growing
 trend in the development of the digital world has been the localization
 of frameworks, methodologies and approaches. The author’s use of 
Richard Roger’s four stages of the evolution of politics about the web 
is outstanding: It shows us without telling us that the distinction 
between when and where is purely analytical and that they really are a 
single entity of the time-space continuum.&lt;/p&gt;
&lt;p&gt;Ben-David succeeds in contextualizing both the digital and the native
 as different sides of the same coin: as two manifestations of the 
growth and maturation process that technology-mediated activism has been
 through over the last 10 years. The result is an internally-consistent 
perspective which sees Digital Natives habituating hybrid-timespaces 
alongside heterogeneous actors, where the relationship between the local
 and the global is contingent, transitory, dynamic – and knowledge can 
be transformed and adapted to fit actors and their causes.&lt;/p&gt;
&lt;p&gt;This review is part of the &lt;a class="external-link" href="http://www.facebook.com/events/235958519806737/"&gt;Tweet-a-Review&lt;/a&gt; event organized by the ‘Digital Natives with a Cause? Project and is republished here from &lt;a class="external-link" href="http://tettner.com/post/13298655331/digital-native-twin-manifestations-or-co-located"&gt;Samuel Tettner’s blog&lt;/a&gt;.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/twin-manifestations'&gt;https://cis-india.org/digital-natives/twin-manifestations&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2011-12-23T04:36:40Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/the-digital-other">
    <title>The Digital Other</title>
    <link>https://cis-india.org/digital-natives/the-digital-other</link>
    <description>
        &lt;b&gt;Based on my research on young people in the Global South, I want to explore new ways of thinking about the Digital Native. One of the binaries posited as the Digital ‘Other’ -- ie, a non-Digital Native -- is that of a Digital Immigrant or Settler.&lt;/b&gt;
        
&lt;p&gt;I am not comfortable with these terms and they probably need heavy unpacking if not complete abandonment. Standard caricatures of Digital Others show them as awkward in their new digital ecologies, unable to navigate through this brave new world on their own. They may actually have helped produce digital technology and tools but they are not ‘born digital’ and hence are presumed to always have an outsider’s perspective on the digital world order.&lt;/p&gt;
&lt;p&gt;As I’ve interacted with young people in the Global South, one thing suddenly started emerging in dramatic fashion -- that many of the youth working extensively with digital technologies in emerging ICT contexts often shared characteristics of the Digital Other. In countries like India, where the digital realm became accessible and affordable to certain sections of the society as late as 2003, there is a learning curve among youth that does not necessarily match the global thinking on Digital Natives. Even though these young people might be considered Digital Natives, because they are at the center of the digital revolution in their own countries, there is no doubt they are also Digital Others relative to Global North and West conceptions of young people in digital networks.&lt;br /&gt;&lt;br /&gt;There is a very popular tweet that was making the rounds recently, which suggested that Digital Natives don’t have an account of the digital just like fish don’t have a theory of water -- they take to the digital as fish take to water. In this analogy lies a very important distinction between Digital Others and Digital Natives. Out of necessity, Digital Others have a relationship of production, control and design with the technologies they work with. They have a critical engagement with technology, as they code, hack, design, and create protocols and digital environments to suit their needs and resources. Digital Natives, on the other hand, have a purely consumption based interaction with the technology they use.&lt;br /&gt;&lt;br /&gt;I want to repeat that. The Digital Natives I’ve observed have a purely consumption based interaction with the technologies they use. I know this sounds weird in the face of widespread perceptions that Digital Natives have participatory, engaged, intuitive relationships with technology. We are supposed to be living in prosumer times, where the user on the Infobahn is a consumer and producer of information. But Web 2.0 entities like Facebook have created a business where the user is not just consuming but indeed the user is the consumed. While Facebook and Twitter revolutions are interesting in how users have been able to ‘abuse’ information censorship and create new communities of political protest, we still have to remember that the technologies that supported these revolutions were closed, proprietary, and coercive -- often even putting users in danger.&lt;br /&gt;&lt;br /&gt;From my perspective and my research, we have conflated access to information with access to technology, and we have misread this increased access as a sign of intimate relationship with digital technology and the Internet. However, for many youth, media production and information sharing are actually merely forms of consumption.&lt;br /&gt;&lt;br /&gt;What is most alarming to me is that the individual’s relationship with original production and design of technology is on the decline. More and more, technology platforms and apps that Digital Natives interact with are closed hardware and software systems. Private corporations produce and shape the tools of interaction, producing seductive interfaces and information engagement choices that make opaque the actual working of the technologies we use. I am concerned that, increasingly, Digital Natives are acting as pure consumers of technology and gadgets, and seem willing to do so.&lt;/p&gt;
&lt;p&gt;Banner image credit: World Bank Photo Collection &lt;a class="external-link" href="http://www.flickr.com/photos/worldbank/3492673512/"&gt;http://www.flickr.com/photos/worldbank/3492673512/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Nishant wrote the original blog post in DML Central. Read it &lt;a class="external-link" href="http://dmlcentral.net/blog/nishant-shah/digital-other"&gt;here&lt;/a&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/the-digital-other'&gt;https://cis-india.org/digital-natives/the-digital-other&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital subjectivities</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2015-05-14T12:07:42Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/video-contest/video-contest-event-original">
    <title> Digital Native Video Contest Announcement</title>
    <link>https://cis-india.org/digital-natives/video-contest/video-contest-event-original</link>
    <description>
        &lt;b&gt;The Centre for Internet &amp; Society and Hivos Knowledge Programme are pleased to announce the Everyday Digital Native (Digital AlterNatives) Video Contest. &lt;/b&gt;
        &lt;p&gt;The Everyday Digital Native is hiding inside each of us.&lt;/p&gt;
&lt;p&gt;You THINK Digital. &lt;br /&gt;You CONNECT using digital devices and gadgets.&lt;br /&gt;You ACT Digitally, always clicking, linking, tagging and Liking.&lt;br /&gt;You know what it means To Be Digital. It's simply a way of life!&lt;br /&gt;Tell us your Digital Story. What makes your life so click-worthy?&lt;/p&gt;
&lt;p&gt;Submit your proposal via Online Application Form (&lt;a class="external-link" href="https://www.research.net/s/BZXQPHL"&gt;https://www.research.net/s/BZXQPHL&lt;/a&gt;) by 26 January 2012&lt;/p&gt;
&lt;p&gt;&lt;b&gt;WINNING PRIZE: EUR 500 each for TOP 10 VIDEO FINALISTS!!&lt;br /&gt;&lt;/b&gt;&lt;/p&gt;
&lt;h2&gt;Selection Process&lt;/h2&gt;
&lt;ul&gt;
&lt;li&gt; Round 1: Contest entries closes on 26 January&lt;/li&gt;
&lt;li&gt;Round 2: The jury will shortlist 20 entries&lt;/li&gt;
&lt;li&gt;Round 3: The 20 shortlisted participants send in their final videos by 10 March &lt;/li&gt;
&lt;li&gt;Round 4: Public voting for Top 10 videos. &lt;b&gt;Voting closes: 31 March 2012&lt;/b&gt;.&lt;/li&gt;
&lt;li&gt;Top 10 Finalists win EUR 500 each!&lt;/li&gt;
&lt;li&gt;Round 5: Jury Selects &lt;b&gt;Top 2 Winners&lt;/b&gt;: 10 April &lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h2&gt;Submission Guidelines&lt;/h2&gt;
&lt;ol&gt;
&lt;li&gt;Use this &lt;a class="external-link" href="https://www.research.net/s/BZXQPHL"&gt;Online Application Form &lt;/a&gt;to submit your proposals&lt;/li&gt;
&lt;li&gt;Participants  wishing to submit a sketch(es), storyboard, collage or short video  narration at the proposal stage can send in their submissions to &lt;a class="external-link" href="mailto:digitalnatives@cis-india.org"&gt;digitalnatives@cis-india.org&lt;/a&gt;. Please ensure your submission is accompanied by a brief explanatory write-up.&lt;/li&gt;
&lt;li&gt;For  team / group submissions, it is enough for one team member to fill the  online form / submit proposal via email on behalf of the team.&lt;/li&gt;
&lt;li&gt;&lt;a href="https://cis-india.org/digital-natives/video-contest/events/contests/blog/dnbook" class="external-link"&gt;The Digital AlterNatives with a Cause&lt;/a&gt; books are the inspiration for this video contest. You can use any of the essays as a basis for your video.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;File type&lt;/b&gt;: AVI, MP4 formats&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Language&lt;/b&gt;: Please send proposals / fill the online form in English. The final videos can be in any language, with English subtitles.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Title&lt;/b&gt;:  Each proposal should feature a tentative title, short description of  what the video will feature (characterization, storyline) and the theme  and idea behind the video. &lt;/li&gt;
&lt;li&gt;&lt;b&gt;Genre&lt;/b&gt;: Do mention the style  of execution / genre: animation, claymation, stick drawings stitched  together in Movie Maker, paper art on video, documentary, short film,  promotional message, and other styles of digital movie making.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Contact Details&lt;/b&gt;:  Be sure to include your name and contact email, your city of residence  and a two-liner on what you do to give us a perspective on your video. &lt;/li&gt;
&lt;li&gt;Limit your written proposals to 350-500 words, although there’s no word limit strictly.&lt;/li&gt;
&lt;li&gt;Your video shouldn’t exceed 30 minutes in run time, so fine-tune your ideas and storyboard accordingly &lt;/li&gt;
&lt;li&gt;Every applicant is allowed only one proposal. No multiple story submissions.&lt;/li&gt;
&lt;li&gt;Applicants can work individually or in a pair or a group. Each group will be permitted one entry submission.&lt;/li&gt;
&lt;li&gt;All  submissions must be original and clearly attributed to the relevant  copyright holder. If referenced from third-party sources or if work is  licensed under Creative Commons, please mention so.&lt;/li&gt;
&lt;/ol&gt;
&lt;h2&gt;Jury Members&lt;/h2&gt;
&lt;table class="plain"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;h3&gt;&lt;b&gt;Shashwati Talukdar&lt;/b&gt;&lt;/h3&gt;
&lt;p&gt;Shashwati Talukdar grew up in India where her engagement with theatre  and sculpture led to filmmaking, and a Masters degree from the AJ  Kidwai Mass Communication Research Center in Jamia Millia Islamia, New  Delhi.  She developed an interest in American Avant-Garde film and  eventually got an MFA in Film and Media Arts from Temple University,  Philadelphia (1999).  Her work covers a wide range of forms, including  documentary, narrative and experimental.  Her work has shown at venues  including the Margaret Mead Festival, Berlin, Institute of Contemporary  Art in Philadelphia, Kiasma Museum of Art and the Whitney Biennial. She  has been supported by entities including the Asian Cine Fund in Busan,  the Jerome Foundation, New York State Council on the Arts among others.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;&lt;img src="https://cis-india.org/home-images/ShashwatiTalukdar.jpg/image_preview" title="Shashwati" height="115" width="98" alt="Shashwati" class="image-inline image-inline" /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;h3&gt;&lt;b&gt;Leon Tan &lt;/b&gt;&lt;/h3&gt;
&lt;p&gt;Leon Tan, PhD, is a media-art historian, cultural theorist and  psychoanalyst based in Gothenburg, Sweden. He has written on art, media,  globalization and copyright in journals such as CTheory and Ephemera,  and curated media-art projects and art symposia in international sites  such as KHOJ International Artists’ Association (New Delhi, 2011), ISEA  (Singapore, 2008) and Digital Arts Week (Zurich, 2007). He is currently  researching media-art practices in India, and networked museums as an  expanded field of cultural memory making.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;&lt;img src="https://cis-india.org/home-images/LeonTan.jpg/image_preview" title="Leon Tan" height="142" width="103" alt="Leon Tan" class="image-inline image-inline" /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;h3&gt;&lt;b&gt;Jeroen van Loon &lt;/b&gt;&lt;/h3&gt;
&lt;h3&gt;&lt;/h3&gt;
&lt;p&gt;Jeroen, digital media artist, investigates the (non-) impact of  digital technology on our lives. For two months he went analogue,  refrained from connecting to the World Wide Web, and communicated  through his Analogue Blog. He is currently working on Life Needs  Internet in which he travels around the world and collects people's  personal handwritten internet stories.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;&lt;img src="https://cis-india.org/home-images/JeroenvanLoon.jpg/image_preview" title="Jeroen" height="128" width="106" alt="Jeroen" class="image-inline image-inline" /&gt;&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;h3&gt;&lt;b&gt;Becky Band Jain&lt;/b&gt;&lt;/h3&gt;
&lt;p&gt;Becky Band Jain is a non-profit communications specialist and blogs  on everything from technology to psychology and culture. She spent the  last five years living in India and she’s now based in New York. She’s a  dedicated yoga and meditation practitioner and is passionate about ICTD  and new media.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;&lt;img src="https://cis-india.org/home-images/BeckyBandJain.jpg/image_preview" title="Becky" height="134" width="107" alt="Becky" class="image-inline image-inline" /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;h3&gt;&lt;b&gt;Namita A Malhotra&lt;/b&gt;&lt;/h3&gt;
&lt;p&gt;Namita A. Malhotra is a legal researcher and media practitioner and a  core member of Alternative Law Forum in Bangalore, India. Her areas of  interest are image, technology, media and law, and her work takes the  form of interdisciplinary research, video and film making and exploring  possibilities of recombining material, practice and discipline. She is  also a founder member of Pad.ma (Public Access Digital Media Archive)  which is a densely annotated online video archive.&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;&lt;img src="https://cis-india.org/home-images/NamitaMalhotra.jpg/image_preview" title="Namita" height="156" width="104" alt="Namita" class="image-inline image-inline" /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/video-contest/video-contest-event-original'&gt;https://cis-india.org/digital-natives/video-contest/video-contest-event-original&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2012-03-13T11:07:53Z</dc:date>
   <dc:type>Event</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/pathways-third-faculty-workshop">
    <title>Pathways 3rd Faculty Workshop &amp; Regional Facilitators Meeting at CSCS </title>
    <link>https://cis-india.org/digital-natives/pathways-third-faculty-workshop</link>
    <description>
        &lt;b&gt;The third annual faculty workshop and regional facilitators meeting is being organised by HEIRA and CIS at the CSCS office in Bangalore from 8 to 10 December 2011. This is a closed event. &lt;/b&gt;
        
&lt;h2&gt;&lt;br /&gt;&lt;/h2&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h2&gt;Day 1: December 8, 2011&lt;/h2&gt;
&lt;table class="plain"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;h3&gt;Title&lt;/h3&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;h3&gt;Moderators &amp;amp; Resource Persons&lt;/h3&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;h3&gt;Timings&lt;/h3&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;strong&gt;Introductory Session&lt;/strong&gt;
&lt;ol&gt;&lt;li&gt;New Pathways Design&lt;/li&gt;&lt;li&gt;Campus Projects&lt;/li&gt;&lt;/ol&gt;
&lt;/td&gt;
&lt;td&gt;Tejaswini Niranjana&lt;br /&gt;Sneha PP&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;10.00 - 10.45 a.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;strong&gt;Need for Curricular Reform and Innovation&lt;/strong&gt;
&lt;ol&gt;&lt;li&gt;Changing social composition of the UG classroom&lt;/li&gt;&lt;li&gt;Alternative sites of knowledge production&lt;/li&gt;&lt;li&gt;New curricular objectives&lt;/li&gt;&lt;/ol&gt;
&lt;/td&gt;
&lt;td&gt;S.V. Srinivas&lt;br /&gt;Milind Wakankar&lt;br /&gt;Maithreyi Mulupuru&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;10.45 - 11.30 a.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;strong&gt;Exploring the Potential of Curricular Innovation in the UG Space&lt;/strong&gt;
&lt;ol&gt;&lt;li&gt;Curricular experiments at the UG level&lt;br /&gt;&lt;/li&gt;&lt;/ol&gt;
&lt;/td&gt;
&lt;td&gt;Initial Inputs by Nishant Shah &amp;amp; Tejaswini Niranjana, followed by Group Discussion&lt;/td&gt;
&lt;td&gt;11.30 - 12.30 p.m.&lt;br /&gt;&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Lunch&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;12.30 p.m. - 1.00 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;strong&gt;Group Activity: Designing a certificate course/module&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;1.30 p.m. - 3.00 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;strong&gt;Group Reports and Discussion&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;3.00 p.m. - 4.00 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;strong&gt;Meeting at IIMB&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;5.00 p.m. - 6.30 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;h2&gt;Day 2: December 9, 2011&lt;/h2&gt;
&lt;table class="plain"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;h3&gt;Title&lt;/h3&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;h3&gt;Speakers/Moderators&lt;/h3&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;h3&gt;Timings&lt;/h3&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Issues for a New Pedagogy&lt;/strong&gt;&lt;br /&gt;
&lt;ol&gt;&lt;li&gt;Social and linguistic barriers in the classroom&lt;/li&gt;&lt;li&gt;Lack of emphasis on critical and analytical skills&lt;/li&gt;&lt;li&gt;Need for student-driven learning&lt;/li&gt;&lt;/ol&gt;
&lt;/td&gt;
&lt;td&gt;Ashwin Kumar&lt;br /&gt;&lt;br /&gt;Tejaswini Niranjana&lt;br /&gt;&lt;br /&gt;Nishant Shah&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;10.00 a.m - 11.00 a.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;New Teaching Resources for the UG Space&lt;/strong&gt;&lt;br /&gt;
&lt;ol&gt;&lt;li&gt;Local Context &amp;amp; Resources – the language issue&lt;/li&gt;&lt;li&gt;Building research capacity&lt;/li&gt;&lt;/ol&gt;
&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;AK&lt;br /&gt;&lt;br /&gt;Milind Wakankar&lt;br /&gt;(Discussants: SB,TH &amp;amp; AJ)&lt;/td&gt;
&lt;td&gt;11.00 a.m. - 11.45 a.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Innovative Teaching Methods&lt;/strong&gt;&lt;br /&gt;
&lt;ol&gt;&lt;li&gt;-New methods of classroom teaching&lt;/li&gt;&lt;li&gt;-Digital media in teaching&lt;/li&gt;&lt;li&gt;-Assessing classroom&amp;nbsp; practices (Questionnaire)&lt;/li&gt;&lt;/ol&gt;
&lt;/td&gt;
&lt;td&gt; S.V. Srinivas&lt;br /&gt;&lt;br /&gt;Nishant Shah&lt;br /&gt;&lt;br /&gt;MG Hegde &amp;amp; Geethika G. (Discussants)&lt;br /&gt;&lt;br /&gt;Tanveer Hasan&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;11.45 a.m - 12.45 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Lunch&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;1.15 p.m. - 2.00 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Group Activity: Developing New Teaching Methods for the new course developed on Day 1&amp;nbsp; &lt;/strong&gt;&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;2.00 p.m. - 3.00 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Group Discussion: Pathways Campus Projects &lt;/strong&gt;&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;3.00 p.m. - 4.30 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Final Round-Table Discussion and Concluding Remarks&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;4.30 p.m. - 5.00 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;h3&gt;Speakers/ Moderators and Discussants&lt;/h3&gt;
&lt;ol&gt;&lt;li&gt;Abhilash J (Regional Facilitator -Kerala)&lt;/li&gt;&lt;li&gt;Ashwin Kumar (Initiative Head – Regional Language Resources, HEIRA)&lt;/li&gt;&lt;li&gt;Maithreyi Mulupuru (Research Associate, HEIRA)&lt;/li&gt;&lt;li&gt;Milind Wakankar (Initiative Head -Social Justice in HE, HEIRA &amp;amp; Fellow, CSCS)&lt;/li&gt;&lt;li&gt;Nishant Shah (Director – Research, CIS)&lt;/li&gt;&lt;li&gt;Shrikant Botre (Regional Facilitator – Maharashtra)&lt;/li&gt;&lt;li&gt;Sneha PP ( Programme Associate, HEIRA)&lt;/li&gt;&lt;li&gt;S.V. Srinivas (Senior Fellow, CSCS &amp;amp; Lead Researcher, CIDASIA)&lt;/li&gt;&lt;li&gt;Tanveer Hasan (Regional Facilitator – Karnataka)&lt;/li&gt;&lt;li&gt;Tejaswini Niranjana (Senior Fellow, CSCS &amp;amp; Lead Researcher, HEIRA)&lt;/li&gt;&lt;li&gt;Dr. MG Hegde (Dept. of English, Dr. A.V Baliga College, Kumta)&lt;/li&gt;&lt;li&gt;Geethika G (Dept. of Political Science, Union Christian College, Aluva)&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ol&gt;
&lt;h2&gt;Day 3: December 10, 2011&lt;/h2&gt;
&lt;table class="plain"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;Title&lt;/td&gt;
&lt;td&gt;Speakers/Moderators&lt;/td&gt;
&lt;td&gt;Timings&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;HEIRA and Knowledge Potential&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;Tejaswini Niranjana, Milind Wakankar&lt;/td&gt;
&lt;td&gt;&amp;nbsp;10.30 a.m. - 11.30 a.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Facilitators' Cases:&lt;/strong&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;Steps to Conduct a Survey in Ahmednagar College&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;Kumta Ethnographic Project&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/li&gt;&lt;/ul&gt;
&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;&lt;br /&gt;Shrikant Botre&lt;br /&gt;Tanveer Hasan&lt;br /&gt;(Discussant: Abhilash J)&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;11.30 a.m. - 1.00 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Lunch&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;1.00 p.m. - 2.00 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Relays between Current and Future Projects&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;Ashwin Kumar, Nishant Shah&lt;br /&gt;(Feedback: Arun Kumar)&lt;br /&gt;&lt;/td&gt;
&lt;td&gt;2.00 p.m - 2.45 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Possible Convergences&amp;nbsp; between HEIRA projects&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;(Feedback: Arun Kumar)&lt;/td&gt;
&lt;td&gt;2.45 p.m - 3.30 p.m.&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;&lt;strong&gt;Final Round of Discussion &amp;amp; Concluding Remarks &lt;br /&gt;&lt;/strong&gt;&lt;/td&gt;
&lt;td&gt;&amp;nbsp;&lt;/td&gt;
&lt;td&gt;3:30 p.m. – 4:00 p.m. &lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;h3&gt;Speakers/ Moderators and Discussants&lt;/h3&gt;
&lt;ol&gt;&lt;li&gt;Abhilash J&lt;/li&gt;&lt;li&gt;Ashwin Kumar&lt;/li&gt;&lt;li&gt;Maithreyi Mulupuru&lt;/li&gt;&lt;li&gt;Milind Wakankar&lt;/li&gt;&lt;li&gt;Nishant Shah&lt;/li&gt;&lt;li&gt;Shrikant Botre&lt;/li&gt;&lt;li&gt;Sneha PP&lt;/li&gt;&lt;li&gt;S.V. Srinivas&lt;/li&gt;&lt;li&gt;Tanveer Hasan&lt;/li&gt;&lt;li&gt;Tejaswini Niranjana&lt;br /&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ol&gt;
&lt;h3&gt;College and Participants&lt;/h3&gt;
&lt;table class="plain"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;1&lt;/td&gt;
&lt;td&gt;SIES College of Arts, Science and Commerce, Mumbai&lt;/td&gt;
&lt;td&gt;
&lt;ul&gt;&lt;li&gt;Rupal Vora&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;Archana Sanil&lt;/li&gt;&lt;/ul&gt;
&lt;/td&gt;
&lt;td&gt;Counselling&lt;br /&gt;Business Management&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;2&lt;/td&gt;
&lt;td&gt;St. Xavier’s College, Mumbai&lt;/td&gt;
&lt;td&gt;
&lt;ul&gt;&lt;li&gt;Rashmi Lee George&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;Girja Balan&lt;/li&gt;&lt;/ul&gt;
&lt;/td&gt;
&lt;td&gt;English&lt;br /&gt;Life Science&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;3&lt;/td&gt;
&lt;td&gt;Ahmednagar College, Ahmednagar&lt;/td&gt;
&lt;td&gt;
&lt;ul&gt;&lt;li&gt;B. Eshwar Gouda&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;A.Y Raikwad&lt;/li&gt;&lt;/ul&gt;
&lt;/td&gt;
&lt;td&gt;Commerce&lt;br /&gt;Commerce&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;4&lt;/td&gt;
&lt;td&gt;St. Aloysius College, Mangalore&lt;/td&gt;
&lt;td&gt;
&lt;ul&gt;&lt;li&gt;George Rodrigues&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;Praveena Cardoza&lt;/li&gt;&lt;/ul&gt;
&lt;/td&gt;
&lt;td&gt;Librarian&lt;br /&gt;Sociology&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;5&lt;/td&gt;
&lt;td&gt;Vidhyavardhaka First Grade College, Mysore&lt;/td&gt;
&lt;td&gt;
&lt;ul&gt;&lt;li&gt;Manoj Kumar&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;R. Arvind&lt;/li&gt;&lt;/ul&gt;
&lt;/td&gt;
&lt;td&gt;Commerce&lt;br /&gt;English&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;6&lt;/td&gt;
&lt;td&gt;Dr. A V Baliga College of Arts and Science, Kumta ( North Kanara)&lt;/td&gt;
&lt;td&gt;
&lt;ul&gt;&lt;li&gt;MG Hegde&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;Pratibha Bhat &lt;/li&gt;&lt;/ul&gt;
&lt;/td&gt;
&lt;td&gt;English&lt;br /&gt;English&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;7&lt;/td&gt;
&lt;td&gt;Farook College, Kozhikode&lt;/td&gt;
&lt;td&gt;
&lt;ul&gt;&lt;li&gt;Muhammed Rasheed P&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;Haris P&lt;/li&gt;&lt;/ul&gt;
&lt;/td&gt;
&lt;td&gt;Economics&lt;br /&gt;Economics&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;8&lt;/td&gt;
&lt;td&gt;Union Christian College, Aluva&lt;/td&gt;
&lt;td&gt;
&lt;ul&gt;&lt;li&gt;Geethika&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;Seena Mathai&lt;/li&gt;&lt;/ul&gt;
&lt;/td&gt;
&lt;td&gt;Political Science&lt;br /&gt;Psychology&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;9&lt;/td&gt;
&lt;td&gt;Newman College, Thodupuzha&lt;/td&gt;
&lt;td&gt;
&lt;ul&gt;&lt;li&gt;Louis. J. Parathazham&lt;/li&gt;&lt;/ul&gt;
&lt;ul&gt;&lt;li&gt;Saju Abraham&lt;/li&gt;&lt;/ul&gt;
&lt;/td&gt;
&lt;td&gt;Physics&lt;br /&gt;Botany&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/pathways-third-faculty-workshop'&gt;https://cis-india.org/digital-natives/pathways-third-faculty-workshop&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2012-01-04T05:15:45Z</dc:date>
   <dc:type>Event</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/in-search-of-the-other-decoding-digital-natives">
    <title>In Search of the Other: Decoding Digital Natives</title>
    <link>https://cis-india.org/digital-natives/in-search-of-the-other-decoding-digital-natives</link>
    <description>
        &lt;b&gt;This is the first post of a research inquiry that questions the ways in which we have understood the Youth-Technology-Change relationship in the contemporary digital world, especially through the identity of ‘Digital Native’. Drawing from three years of research and current engagements in the field, the post begins a critique of how we need to look at the outliers, the people on the fringes in order to unravel the otherwise celebratory nature of discourse about how the digital is changing the world.&lt;/b&gt;
        
&lt;p&gt;In this first post, I chart the trajectories of our research at the Centre for Internet and Society (Bangalore, India) and Hivos (The Hague, The Netherlands) to see how alternative models of understanding these relationships can be built.&lt;/p&gt;
&lt;p&gt;The Digital Native has many different imaginations. From the short hand understanding of ‘anybody who is born after the 1980s’ (Prensky, 2001) to more nuanced definitions of populations who are ‘born digital’ (Palfrey &amp;amp; Gasser, 2008), the digital native has firmly been ensconced in our visions of technology futures. From DIY decentralized learning environments to viral and networked forms of engagements that span from the Arab Spring to Occupy Together, the Digital Native – somebody who has grown up with digital technologies (and the skills to negotiate with them) as the default mode of being – has become central to how we see usage and proliferation of new digital tools and technologies.&lt;/p&gt;
&lt;p&gt;Three years ago, when the identity Digital Native was already in currency but before the overwhelming examples that are now so easily available in the post MENA (Middle East-North Africa) world, we asked ourselves the question: “What does a Digital Native look like?” When we started sifting through the literature (published and grey), practice-based discourse and policy, we started spotting certain patterns: Digital Natives were almost always young, white, (largely male) middle class, affluent, English speaking populations who could afford education and were located in developed Information and Communication Technologies (ICT) contexts of ubiquitous connectivity. These users of technology were treated as the proto-type around which digital natives in the ‘rest of the world’ were imagined. The ‘rest of the world’ was not necessarily an exotic geography elsewhere, but often was a person whose relationships with the digital were impeded by class, education, gender, sexuality, literacy etc.&lt;/p&gt;
&lt;p&gt;Moreover, we found that the accounts of Digital Natives that were being discussed across the board were accounts of super stars. They either heralded the digital native as the young messiah who is drastically changing the world, overthrowing governments and building collaborative and participatory structures of openness. Or they feared the digital native as an unthinking, self contained, dysfunctional person who pirates and plagiarizes and needs to be rehabilitated into becoming a civic individual. Very little was said about Everyday Digital Natives – users who, through the presence of digital technologies, were changing their lives on an everyday basis.&lt;/p&gt;
&lt;h3&gt;Other Digital Natives&lt;/h3&gt;
&lt;p&gt;Based on this, we began the quest for the Other Digital Natives – people who did not necessarily fit the existing models of being digital but who often had to strive to ‘Become Digital’ and in the process produce possibilities and potentials for social change and political participation in their immediate environments. This was the first step to discover what being a digital native would be in emerging ICT contexts, where connectivity, access, usage, affordability, geo-political regulation, and questions of the biological and of living would give us new understandings of what a digital native is. This quest for the Other inspired us to work across Asia, Africa and Latin America, to talk to some of the most strident voices in the region who claimed to be digital natives, expressed discomfort with being called digital natives, refused to be called digital natives, and sought to provide critique of the existing expectations of digital nativity. The proceedings from these conversations in the Global South have been consolidated in the book Digital AlterNatives With a Cause? available for free download.&lt;/p&gt;
&lt;p&gt;For this post, I want to look at some of the presumptions in existing understanding of Digital Natives and how we can contest them to build Digital AlterNative identities.&lt;/p&gt;
&lt;h3&gt;Presumption 1: Digital Natives are always young&lt;/h3&gt;
&lt;p&gt;Even if we go by Mark Prensky’s problematic definition that everybody born after the 1980s is a digital native, we must realize that there is a large chunk of digital native users who are now in their thirties. They are in universities, work forces, governments and offices. They have not only grown older with technologies but they have also radically changed the technologies and tech platforms that they inhabit.&lt;/p&gt;
&lt;p&gt;It is time to let go of the Peter-Pan imagination of a Digital Native as always perpetually young. Moreover, we must realize that digital natives existed even before the name ‘Digital Native’ came into existence. There were people who built internets, who might not have been young but were still native to the digital environments that they were a part of.&lt;/p&gt;
&lt;p&gt;Instead of looking at a youth-centric, age-based exclusive definition of a digital native, it is more fruitful to say that people who natively interact with digital technologies – people who are able to inhabit the remix, reuse, share cultures that digitality produces, might be marked as digital AlterNatives.&lt;/p&gt;
&lt;h3&gt;Presumption 2: Digital Natives are born digital&lt;/h3&gt;
&lt;p&gt;It does sound nice – the idea that there were people who were born as preconfigured cyborgs, interacting with interfaces from the minute they were born. And yet, we know that people are taught to interact with technologies. True, technologies often define our own conceptions of who we are and how we perceive the world around us, but there is still a learning curve that is endemic to human technology relationships.&lt;/p&gt;
&lt;p&gt;Because of the ubiquitous and pervasive nature of certain kinds of technology mediated interaction, it is sometimes difficult to look at our habits of technology as learned interactions. Recognizing that there is a thrust, an effort and an incentive produced for people to Become Digital, is also to recognize that there are different actors, players, promoters and teachers who help young people enter into relationships with technologies, which can often be greater than the first interactions.&lt;/p&gt;
&lt;h3&gt;Presumption 3: Digital Natives live digital lives&lt;/h3&gt;
&lt;p&gt;This is a concern voiced by many people who talk about digital natives. They are posited as slacktivists – removed from their material realities and apathetic to the physical world around them. They are painted as dysfunctional screenagers who are unable to sustain the fabric of social interaction and community formation outside of social networking systems. They are discussed as a teenage mutant nightmare that unfolds almost entirely in the domains of the digital.&lt;/p&gt;
&lt;p&gt;But these kinds of imaginations forget that a digital native is not primarily a digital native, or at least, not exclusively digital. Being a digital native is one of many identities these users appropriate. The digital often serves as a lens that informs all their other socio-cultural and political interactions, but it is not an all-containing system. The bodies that click on ‘Like’ buttons on Facebook are also often the bodies that fill up the streets to fight for their rights. The division between Physical Reality and Virtual Reality needs to be dismissed to build more comprehensive accounts of digital native practices.&lt;/p&gt;
&lt;h3&gt;Presumption 4: Connectivity is digitality&lt;/h3&gt;
&lt;p&gt;This is often an easy conflation. It is presumed that once one has constant connectivity, one will automatically become a digital native. Especially in policy and development based approaches, connectivity and access have become the buzzwords by which the digital divide can be breached. However, we have now learned that this one-size, fits-all solution actually fits nobody. Being connected – by building infrastructure and affording gadgets – does not make somebody a digital native.&lt;/p&gt;
&lt;p&gt;The digital native identity needs to be more than mere access to the digital. It involves agency, choice, critical literacy and fluency with the digital media that we live with. So instead of thinking of anybody who is connected as a digital native, we are looking at people who are strategically able to harness the powers of the digital to produce a change in their immediate environments. These changes can range from making personal collections of media to mobilising large numbers of people for political protests. To be digital is to be intimately connected with the technologies so that they can augment and amplify the ways in which we respond to the world around us.&lt;/p&gt;
&lt;p&gt;I offer these as the building blocks of looking at the ‘Other’ of the Digital Natives as we have discursively produced them. From hereon, in my subsequent posts, I hope to drill deeper to locate nuances and differences, concepts and frameworks that we need to map in order to build a digital native model that is inclusive, differential and context based.&lt;/p&gt;
&lt;p&gt;Banner image credit: AFSC Photos &lt;a class="external-link" href="http://www.flickr.com/photos/afscphotos/6266795673/"&gt;http://www.flickr.com/photos/afscphotos/6266795673/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;This&amp;nbsp;blog post&amp;nbsp;by Nishant Shah was published in &lt;a class="external-link" href="http://dmlcentral.net/blog/nishant-shah/search-other-decoding-digital-natives"&gt;DML central on 24 October 2011&lt;/a&gt;.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/in-search-of-the-other-decoding-digital-natives'&gt;https://cis-india.org/digital-natives/in-search-of-the-other-decoding-digital-natives&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital subjectivities</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2015-05-14T12:12:24Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/news/write-stuff">
    <title>The Write Stuff</title>
    <link>https://cis-india.org/news/write-stuff</link>
    <description>
        &lt;b&gt;“Digital natives are no longer those youngsters who fit in the bracket of a Harvard return professional, glued to their PC all day,” says Nishant Shah, director of research, Centre for Internet and Society, a Bengaluru-based organisation. For Nishant, and many youngsters across the globe, digital natives are not any of those secluded geeks who spend hours on the Internet. “I am a homemaker, yet I am a digital native,” says Nilofer Ansher, a community manager who manages members from across three continents.&lt;/b&gt;
        
&lt;p&gt;A housewife, a young college graduate, a freelance writer, an NGO professional and many other individuals are behind the Internet activist flurry. Digital Natives, Fair Observer, PC Tech Magazine are just a few of the newsletters and forums that are connecting youngsters from across the globe and are mobilising them to do something beyond information gathering.&lt;/p&gt;
&lt;p&gt;Youth-related discussions, inventions in make-shift laboratories from the backyards of homes in Nigeria and action against corruption across the globe; these are just some of the activities that these netizens are involved in. “The idea was to build a network of people from across the globe who are passionate about what they do. We are not talking countries, it is all to do with people with similar interests,” says Shah, who collaborated with Hivos to create the online platform called Digital Natives.&lt;/p&gt;
&lt;p&gt;The members collaborate online to write about various issues. But these online movements can have serious repercussions, “In fact, Alaa Abdel-Fattah, one of Egypt’s most vocal activists and bloggers, has been detained. He is our team member. We are now running a campaign supporting his early release,” says Ansher who doubles up as a co-editor of one of these newsletters. Various discussions have led to solutions. “My first challenge was to create a communication system for illiterate farmers. But I wanted a definite solution. So another member from mobile active community sent a message and it worked and we are following the same system,” says Ajay Kumar, manager, ICT operations.&lt;/p&gt;
&lt;p&gt;This article was published in the Deccan Chronicle on 14 November 2011. It can be read &lt;a class="external-link" href="http://www.deccanchronicle.com/tabloid/all-rounders/write-stuff-655"&gt;here&lt;/a&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/news/write-stuff'&gt;https://cis-india.org/news/write-stuff&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>praskrishna</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2011-11-14T03:32:00Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>




</rdf:RDF>
