Centre for Internet and Society

Habits of Living: Networked Affects, Glocal Effects

nishant — 2013-01-26T09:49:07Z

Brown University is organizing an international conference that elucidates the networked conditions of our times, how they produce ways, conditions, and habits of life and living, how they spread local actions globally. The conference will be held from March 21 to 23, 2013 at Brown University, Rhode Island.

Nishant Shah is participating as a speaker in this event. Read the full details published on the Brown University website. Also see the Thinkathon page.

Through a series of workshops, art residences, and dialogues, Habits of Living seeks to change the focus of network analyses away from catastrophic events or their possibility towards generative habitual actions that negotiate and transform the constant stream of information to which we are exposed.

Conference: Habits of Living

This international conference will bring together prominent and innovative scholars and artists at Brown University. There will be ninety-minute panels (each with two speakers), a keynote address by the RAQs Media Collective, a series of concurrent "unconferences" (informal sessions to be run by the audience), a scrapyard challenge, and an exhibition of work running in parallel. Speakers include Ariella Azoulay, Elizabeth Bernstein, Biella Coleman, Didier Fassin, Kara Keeling, Laura Kurgan, Ganaelle Langlois, Colin Milburn, Nicholas Mirzoeff, Elias Muhanna, Lisa Parks, Raqs Media Collective, Nishant Shah, Ravi Sundarum, Tiziana Terranova, and Nigel Thrift.

This event is designed as a large public conference whose major segments are participant-driven "unconferences." Unconferences are fluid events of casual five-minute "lightning" presentations and informal dialogue generated through group interactions. To facilitate discussion around networked societies, the multiple unconference sessions will focus around topics generated in advance by all the participants in the audience who will be guided through a quick and easy sign-up process. The unconferences are meant to take a more improvisational form, so the themes and locations will remain flexible, and entirely driven by audience participation.

Attendance at the conference is free, but please register here.

Habits of Living is generously sponsored by Brown University via the Dean of the Faculty, The Malcolm S. Forbes Center for Culture and Media Studies, The Cogut Center for the Humanities, The Humanities Initiative, The Vice President for International Affairs, and The Brown India Initiative. Additional sponsorship provided by RISD Digital + Media.

Conference Schedule

Thurs., Mar. 21

1:00-5:00pm	Scrapyard Challenge—Katherine Moriwaki and Jonah Brucker-Cohen
7:30-9:00	Raqs Media Collective

Fri., Mar. 22

9:00-10:20am	Nigel Thrift and Laura Kurgan
10:30-11:50	Elizabeth Bernstein and Didier Fassin
1:00pm-2:20	UNCONFERENCES
2:30-3:50	Nishant Shah and Kara Keeling
4:00-5:20	Nick Mirzoeff and Ariella Azoulay

Sat., Mar. 23

9:00-10:20am	Tiziana Terranova and Ravi Sundarum
10:30-11:50	Elias Muhanna and Speaker TBD
1:00pm-2:20	UNCONFERENCES
2:30-3:50	Lisa Parks and Ganaele Langlois
4:00-5:20	Colin Milburn and Gabriella Coleman

Speakers

Ariella Azoulay, Department of Comparative Literature and Modern Culture and Media, Brown University Ariella Azoulay studies revolutions from the 18th century onward and investigates how civil historical knowledge can be portrayed from photographs and other visual media. The Israeli political regime has been a primary focus of her work. Recent books: From Palestine to Israel: A Photographic Record of Destruction and State Formation, 1947-1950 (Pluto Press, 2011), Civil Imagination: The Political Ontology of Photography (Verso, August 2012) and The Civil Contract of Photography (Zone Books, 2008); co-author with Adi Ophir, The One State Condition: Occupation and Democracy between the Sea and the River (Stanford University Press, 2012). Curator of When The Body Politic Ceases To Be An Idea, Exhibition Room – Manifesta Journal Around Curatorial Practices No. 16 (folded format in Hebrew, MOBY, 2013), Potential History (2012, Stuk / Artefact, Louven), Untaken Photographs (2010, Igor Zabel Award, The Moderna galerija, Lubliana; Zochrot, Tel Aviv), Architecture of Destruction (Zochrot, Tel Aviv), Everything Could Be Seen (Um El Fahem Gallery of Art). Director of documentary films Civil Alliances, Palestine, 47-48 (2012), I Also Dwell Among Your Own People: Conversations with Azmi Bishara (2004), The Food Chain (2004), among others.
Elizabeth Bernstein, Associate Professor of Sociology and Women's, Gender, and Sexuality Studies, Barnard College, Columbia University Professor Bernstein is the author of Temporarily Yours: Intimacy, Authenticity, and the Commerce of Sex (University of Chicago Press, 2007), which received two distinguished book awards from the American Sociological Association as well as the 2009 Norbert Elias Prize—an international prize which is awarded biennially to the author of a first major book in sociology and related disciplines. Her current book project is Brokered Subjects: Sex, Trafficking, and the Politics of Freedom, which explores the convergence of feminist, neoliberal, and evangelical Christian interests in the shaping of contemporary global policies surrounding the traffic in women. Her research has received support from the Institute for Advanced Study, the Social Science Research Council, the NSF, the AAUW, and the Institute for Social and Economic Research and Policy at Columbia University. At Barnard and Columbia, she teaches courses on the sociology of gender and sexuality, on trafficking, migration, and sexual labor, and on contemporary social theory.
Jonah Brucker-Cohen, Adjunct Assistant Professor, Parsons MFA in Design & Technology and Parsons School of Art, Design, History, and Theory (ADHT). Dr. Jonah Brucker-Cohen is an award winning researcher, artist, and writer. He received his Ph.D. in the Disruptive Design Team of the Electronic and Electrical Engineering Department of Trinity College Dublin. His work and thesis is titled "Deconstructing Networks" and includes over 77 creative projects that critically challenge and subvert accepted perceptions of network interaction and experience. His work has been exhibited and showcased at venues such as San Francisco Museum of Modern Art, MOMA, ICA London, Whitney Museum of American Art (Artport), Palais du Tokyo,Tate Modern, Ars Electronica, Transmediale, and more. His writing has appeared in publications such as WIRED, Make, Gizmodo, Neural and more. His Scrapyard Challenge workshops have been held in over 14 countries in Europe, South America, North America, Asia, and Australia since 2003. Portfolio and Work: http://www.coin-operated.com Scrapyard Challenge Workshops: http://www.scrapyardchallenge.com Twitter: @coinop29
Gabriella Coleman, Wolfe Chair in Scientific and Technological Literacy, Department of Art History and Communication Studies, McGill University Trained as an anthropologist, Gabriella (Biella) Coleman teaches, researches, and writes on computer hackers and digital activism. Her work examines the ethics of online collaboration/institutions as well as the role of the law and digital media in sustaining various forms of political activism. Her first book, "Coding Freedom: The Aesthetics and the Ethics of Hacking" has been published with Princeton University Press and she is currently working on a new book on Anonymous and digital activism. Source: http://gabriellacoleman.org/
Didier Fassin, James Wolfensohn Professor of Social Science, Institute for Advanced Study, Princeton, Director of Studies, École des hautes études en sciences sociales, Paris Didier Fassin was the founding director of the Interdisciplinary Research Institute for the Social Sciences (CNRS — Inserm — EHESS — University Paris North). Trained as a medical doctor, he has been Vice-President of Médecins sans Frontières and is President of the Comité médical pour les exilés. His field of interest is political and moral anthropology, and he is currently conducting an ethnography of the state through a study of policing and the prison. His recent publications include: De la question sociale à la question raciale? (with Eric Fassin, 2006), Les politiques de l’enquète: Épreuves ethnographiques (with Alban Bensa, 2008), Les nouvelles frontières de la société française (2009) and Moral Anthropology (2012) as editor; When Bodies Remember: Experience and Politics of AIDS in South Africa (2007), The Empire of Trauma: An Inquiry into the Condition of Victimhood (with Richard Rechtman, 2009), Humanitarian Reason: A Moral History of the Present (2011), and Enforcing Order: An Ethnography of Urban Policing (2013), as author.
Kara Keeling, Associate Professor of Critical Studies (School of Cinematic Arts) and African American Studies (Department of American Studies and Ethnicity), University of Southern California Kara Keeling’s current research focuses on theories of temporality, spatial politics, finance capital, and the radical imagination; cinema and black cultural politics; digital media, globalization, and difference; and Gilles Deleuze and liberation theory, with an emphasis on Afrofuturism, Africana media, queer and feminist media, and sound. Her book, The Witch's Flight: The Cinematic, the Black Femme, and the Image of Common Sense, explores the role of cinematic images in the construction and maintenance of hegemonic conceptions of the world and interrogates the complex relationships between cinematic visibility, minority politics, and the labor required to create and maintain alternative organizations of social life. Keeling is author of several articles published in anthologies and journals and co-editor (with Colin MacCabe and Cornel West) of a selection of writings by the late James A Snead entitled European Pedigrees/ African Contagions: Racist Traces and Other Writing and (with Josh Kun) of a collection of essays about sound in American Studies entitled Sound Clash: Listening to American Studies. Currently, Keeling is writing her second monograph, tentatively entitled Queer Times, Black Futures and co-editing (with Thenmozhi Soundarajan) a collaborative multi-media archive and scholarship project focused on the work of Third World Majority, one of the first women of color media justice collectives in the United States, entitled "From Third Cinema to Media Justice: Third World Majority and the Promise of Third Cinema". Prior to joining the faculty at USC, Keeling was an Assistant Professor of Media and Cultural Studies at the University of North Carolina at Chapel Hill (UNC), and was an adjunct assistant Professor of Women's Studies at Duke University, and a visiting assistant professor of Art and Africana Studies at Williams College. Keeling has developed and taught courses at the undergraduate and graduate level on topics such as Media and Activism, Cinema and Social Change, Race, Sexuality, and Cinema, and Film As Cultural Critique, among others. In the summer of 2005, Keeling participated in the National Endowment for the Humanities Summer Institute on African Cinema in Dakar, Senegal. She currently serves on the editorial boards of the journals Cultural Studies, Feminist Media Studies, and American Quarterly, where she is a managing editor, and she is the Editor of the Moving Image Review section of the journal Gay and Lesbian Quarterly (GLQ).
Laura Kurgan, Associate Professor of Architecture, Director of the Spatial Information Design Lab (SIDL), Director of Visual Studies, Graduate School of Architecture, Preservation, and Planning, Columbia University Professor Kurgan's work explores things ranging from digital mapping technologies to the ethics and politics of mapping, new structures of participation in design, and the visualization of urban and global data. Her recent research includes a multi-year SIDL project on "million-dollar blocks" and the urban costs of the American incarceration experiment, and a collaborative exhibition on global migration and climate change. Her work has appeared at the Cartier Foundation in Paris, the Venice Architecture Biennale, the Whitney Altria, MACBa Barcelona, the ZKM in Karlsruhe, and the Museum of Modern Art (where it is part of the permanent collection). She was the winner of the United States Artists Rockefeller Fellowship in 2009, and named one of Esquire Magazine's ‘Best and Brightest’ in 2008. She has published articles and essays in Assemblage, Grey Room, ANY, Volume, and Else/Where Mapping, among other books and journals. Source: http://www.spatialinformationdesignlab.org/people.php?id=10
Ganaele Langlois, Assistant Professor of Communication, Faculty of Social Science and Humanities, University of Ontario Institute of Technology, Associate Director of the Infoscape Centre for the Study of Social Media Professor Langlois has recently published a co-authored book entitled The Permanent Campaign – New Media, New Politics (Peter Lang).
Colin Milburn, Associate Professor of English and Gary Snyder Chair in Science and the Humanities, UC Davis Professor Milburn's research focuses on the cultural relations between literature, science, and technology. His interests include science fiction, gothic horror, the history of biology, the history of physics, video games, and the digital humanities. He is a member of the Science & Technology Studies Program and the Center for Science and Innovation Studies. He is also affiliated with the programs in Cinema and Technocultural Studies, Cultural Studies, Performance Studies, and Critical Theory, as well as the W. M. Keck Center for Active Visualization in the Earth Sciences (KeckCAVES). Since 2009, he has been serving as the director of the UC Davis Humanities Innovation Lab, an experimental offshoot of the Digital Humanities Initiative. Source: http://english.ucdavis.edu/people/directory/milburn
Nicholas Mirzoeff, Professor of Media, Culture and Communication, New York University My work is in the field of visual culture. In recent years it has fallen into four main areas. First, I have been working on the genealogy of visuality, a key term in the field. Far from being a postmodern theory word, it was created to describe how Napoleonic era generals "visualized" a battlefield that they could not see. Applied to the social as a whole by Thomas Carlyle, visuality was a conservative strategy to oppose all emancipations and liberations in the name of the autocratic hero. My book The Right to Look: A Counterhistory of Visuality was published by Duke University Press (2011). Second, I produce texts and projects that support the general development of visual culture as a field of study and a methodology. The third Visual Culture Reader was published in 2012 by Routledge, The second fully revised edition of An Introduction to Visual Culture was published in 2009 by Routledge, with color illustrations throughout and new sections of Keywords and Key Images. Third, I work on militant research with the global social movements that have arisen since 2011. Finally, I am working on a new project on the cultures of climate change in conjunction with the not-for-profit Islands First. Source: http://www.nicholasmirzoeff.com/bio.html
Katherine Moriwaki, Assistant Professor of Media Design, School of Art, Media, and Technology, Parsons The New School for Design Professor Moriwaki’s focus is on interaction design and artistic practice. She teaches core curriculum classes in the M.F.A. Design + Technology Program where students engage a broad range of creative methodologies to realize new possibilities in interactive media. Katherine is also currently completing a Ph.D. in the Networks and Telecommunications Research Group at Trinity College Dublin. Her work has appeared in numerous festivals and conferences including numer.02 at Centre Georges Pompidou, Futuresonic, Break 2.2, SIGGRAPH, eculture fair, Transmediale, ISEA, Ars Electronica, WIRED Nextfest, and Maker Faire. Her publications have appeared in a wide range of venues such as Rhizome.org, Ubicomp, CHI, ISEA, NIME, the European Transport Conference, and the Journal of AI & Society. Her project Umbrella.net, in collaboration with Jonah Brucker-Cohen was featured in "New Media Art" by Mark Tribe and Reena Jana in 2006. She has taught at a wide variety of institutions and departments, such as Trinity College Dublin, Rhode Island School of Design, and Parsons School of Design, as has lead workshops on interaction design and the creative re-use of electronic objects around the globe. These "Scrapyard Challenge" workshops have been held thirty-seven times in fourteen countries across five continents. Katherine received her Masters degree from the Interactive Telecommunications Program at New York University’s Tisch School of the Arts, where people and enabling interaction were emphasized over any specific technology. She was a 2004 recipient of the Araneum Prize from the Spanish Ministry for Science and Technology and Fundacion ARCO. Source: http://www.kakirine.com/?page_id=2
Elias Muhanna, Assistant Professor of Comparative Literature and Middle East Studies, Brown University Professor Muhanna teaches courses on classical Arabic literature and Islamic intellectual history. He earned his PhD in Near Eastern Languages & Civilizations from Harvard University in 2012, and was a Visiting Fellow at the Stanford University Center for Democracy, Development, and the Rule of Law in 2011-12. His current research focuses on classical and early modern encyclopedic literature in the Islamic world, and on particularly on the diverse forms of large-scale compilation during the Mamluk Empire (1250-1517). In addition to his academic scholarship, Muhanna writes extensively on contemporary cultural and political affairs in the Middle East for several publications, including The New York Times, The Nation, Foreign Policy, The Guardian, The National, Mideast Monitor, World Politics Review, Bidoun, and Transition.
Lisa Parks, Professor of Film and Media Studies, UC Santa Barbara Dr. Parks is a Professor and former Department Chair of Film and Media Studies at UC Santa Barbara, and an affiliate of the Department of Feminist Studies. She also currently serves as the Director of the Center for Information Technology and Society at UC Santa Barbara. Parks has conducted research on the uses of satellite, computer, and television technologies in different TRANSnational contexts. Her work is highly interdisciplinary and engages with fields such as geography, art, international relations, and communication studies. She has published on topics ranging from secret satellites to drones, from the mapping of orbital space to political uses of Google Earth, from mobile phone use in post-communist countries to the visualization of communication infrastructures. Parks is the author of Cultures in Orbit: Satellites and the Televisual, and Coverage: Aero-Orbital Media After 9/11 (forthcoming), and is working on a third book entitled Mixed Signals: Media Infrastructures and Cultural Geographies. She has co-edited three books: Down to Earth: Satellite Technologies, Industries and Cultures, Planet TV, and UNDEAD TV, and is working on a fourth entitled Signal Traffic: Studies of Media Infrastructures. She has served on the editorial boards of 10 peer-reviewed academic journals and has contributed to many anthologies and edited collections.
Raqs Media Collective, Jeebesh Bagchi, (b. 1965, New Delhi, India), Monica Narula, (b. 1969, New Delhi, India), Shuddhabrata Sengupta, (b. 1968, New Delhi, India) Raqs Media Collective have been variously described as artists, media practitioners, curators, researchers, editors and catalysts of cultural processes. Their work, which has been exhibited widely in major international spaces, locates them in the intersections of contemporary art, historical enquiry, philosophical speculation, research and theory — often taking the form of installations, online and offline media objects, performances and encounters. They live and work in Delhi, based at Sarai-CSDS, an initiative they co-founded in 2000. They are members of the editorial collective of the Sarai Reader series. Raqs is a word in Persian, Arabic and Urdu and means the state that whirling dervishes enter into when they whirl. It is also a word used for dance. Selected Exhibitions: 2012 Art Unlimited, Art Basel 2012 solo exhibition at The Photographers’ Gallery, London 2012 group exhibition of billboards around the city of Birmingham (UK), Ikon Gallery & BCU 2012 solo exhibition Frith Street Gallery 2010 The Things That Happen When Falling In Love, a solo exhibition at Baltic Centre, Gateshead 2010 The Capital of Accumulation, a solo exhibition at Project 88, Mumbai 2010 a group exhibition at 29th Sao Paulo Biennial 2010, Brazil 2010 a group exhibition at 8th Shanghai Biennale, China 2010 The New Décor, a touring group exhibition at Hayward Gallery, London; The Garage Center for Contemporary Culture, Moscow 2009 The Surface of Each Day is a Different Planet, a solo exhibition at Art Now Lightbox, Tate Britain, London 2009 When The Scales Fall From Your Eyes, a solo exhibition at Ikon, Birmingham (UK) 2009 Escapement, a solo exhibition at Frith Street Gallery 2008 Co-curators for Manifesta 7, Trentino
Nishant Shah, Founder and Director of Research, Centre for Internet and Society, Bangalore Dr. Shah's doctoral work at the Centre for the Study of Culture and Society, examines the production of a Technosocial Subject at the intersections of law, Internet technologies and everyday cultural practices in India. As an Asia Scholarship Fellow (2008-2009), he also initiated a study that looks at what goes into the making of an IT City in India and China. He is the series editor for a three-year collaborative project on "Histories of the Internet(s) in India" that maps nine alternative histories that promote new ways of understanding the technological revolution in the country. Nishant’s current research engagement since 2009 has been with the possibilities of social transformation and political participation in young peoples’ use of digital technologies in emerging ICT contexts of the Global South. Working with a community of 150 young people and other stakeholders in Asia, Sub-Saharan Africa and Latin America, he has co-edited a 4-volume book titled Digital AlterNatives with a Cause? and an information kit titled D:Coding Digital Natives. Nishant writes regularly for The Indian Express and GQ India to give a public voice to the academic research. He is currently also engaged in a project that seeks to articulate the intersections of digital technologies and social justice within the higher education space in India. Nishant designs Internet and Society courses for undergraduate and graduate students in the fields of Communication, Media, Development, Art, Cultural Studies, and STS, in and outside of India. He is a founding member of the Inter Asia Cultural Studies Consortium and has also worked as a cyberculture consultant for various spaces like Yahoo!, Comat Technologies, Khoj Studios, and Nokia. Source: http://dmlcentral.net/node/4815
Ravi Sundaram, Senior Fellow, Centre for the Study of Developing Societies, Sarai Ravi Sundaram’s work rests at the intersection of the post-colonial city and contemporary media experiences. As media technology and urban life have intermingled in the post-colonial world, new challenges have emerged for contemporary cultural theory. Sundaram has looked at the phenomenon that he calls ‘pirate modernity’, an illicit form of urbanism that draws from media and technological infrastructures of the post-colonial city. Sundaram’s essays have been translated into various languages in India, Asia, and Europe. His current research deals with urban fear after media modernity, where he looks at the worlds of image circulation after the mobile phone, ideas of transparency and secrecy, and the media event. Sundaram was one of the initiators of the Centre’s Sarai programme which he co-directs with his colleague Ravi Vasudevan. He has co-edited the critically acclaimed Sarai Reader series: The Public Domain (2001), The Cities of Everyday Life, (2002), Shaping Technologies (2003), Crisis Media (2004) and Turbulence (2006). His other publications include Pirate Modernity: Media Urbanism in Delhi (2009). Two of his other volumes are No Limits: Media Studies from India (Oxford University Press, 2012) and Delhi’s Twentieth Century (forthcoming, OUP).
Tiziana Terranova, Associate Professor, Sociology of Communications, Coordinator, PhD programme in Cultural and Postcolonial Studies of the Anglophone World, Università degli Studi di Napoli ‘L'Orientale’ Tiziana Terranova's Her research interests lie in the area of the culture, science, technology and the economy from the perspective of the intersection of power, knowledge and subjectivation. She is the author of Corpi Nella Rete, Network Culture: Politics for the Information Age, and numerous essays on new media published in journals such as New Formations, Ctheory, Angelaki, Social Text, Theory, Culture and Society, and Culture Machine. She is a member of the editorial board of the journal Studi Culturali (Il Mulino) and Theory, Culture and Society, a regular participant to the grassroots seminars of the Italian nomadic university ‘uninomade’ and occasionally also a writer on matters of new media for the Italian newspaper Il manifesto.
Nigel Thrift, Vice-Chancellor, University of Warwick Professor Thrift is one of the world’s leading human geographers and social scientists. His current research spans a broad range of interests, including international finance; cities and new forms of political life; non-representational theory; affective politics; and the history of time. During his academic career Professor Thrift has been the recipient of a number of distinguished academic awards including the Scottish Geographical Society Gold Medal in 2008, the Royal Geographical Society Victoria Medal for contributions to geographic research in 2003 and Distinguished Scholarship Honors from the Association of American Geographers in 2007. He is a Fellow of the British Academy. Prior to becoming the Vice-Chancellor of the University of Warwick, he was the Pro-Vice-Chancellor for Research and Head of the Division of Life and Environmental Sciences at the University of Oxford. Source: http://liftconference.com/people/nigel-thrift

For more details visit https://cis-india.org/raw/digital-humanities/blogs/habits-of-living/habits-of-living-networked-affects-glocal-effects

Habits of Living: Being Human in a Networked Society

nishant — 2012-10-23T10:26:19Z

Recently, in Bangalore, a cluster of academics, researchers, artists, and practitioners, were supported by Brown University, to assemble in a Thinkathon (a thinking marathon, if you will) and explore how our new habits of everyday life need to be re-thought and refigured to produce new accounts of what it means to be human, to be friends, and to be connected in our networked societies.

Nishant Shah's column was published in DML Central on October 22, 2012.

There is no denying the fact that life on the interwebz is structured around various negotiations with information. Even as we go blue in the face, in the face of information overload, we have a sacred trust in the idea that information is the new currency of society. In our networked worlds, it is our role and function to transmit information to the nodes we are connected to. On a daily basis, we commit ourselves to the task of producing content, consuming information, relaying and sharing resources, saving and archiving material. We add, through our transactions and interactions, new data sets of information to the already burgeoning world of the web. These information practices, for those of us who are immersed in the info-networks, have become so naturalised, that we have become oblivious to the effort, care, time and resources that go into a sustained engagement with them. They have become a part of our everyday lives, creating structures of comfort and desire, so that the reward and gratification we experience masks the physical and affective energy we invest in sustaining these networks. The discussions at our Thinkathon, spread over four intense days, brought out some really interesting insights I want to map, in a series of posts, providing new ways of thinking about life as created through habits within a network.

Habits of Being Human

One of the most effective human turns the digital networks have produced is about connections. Beyond the interfaces, the platforms, the networks and the infrastructure of access, on the other end is a human being who emerges as a friend, mediated by the huge complex of hardware and software that facilitates this relationship. We have learned how to make these mediations invisible, talking about real-time, and instant messaging, and live-chats, concentrating only on the human actors that engage with us in this networked state of being. This making invisible of the network is not a natural thing. Even for digital natives who are supposed to be immersed in these environments like ‘fish taking to water’, there is a recognition that the network demands time, attention, financial and emotional investment in order to sustain the social relations web we create within these worlds. Wendy Chun from Brown University suggested we have converted these networks into habits – unthinking, visceral, prewired responses that gloss over the toll they take over us. Which is why, for instance, we habitually connect to our networks, and the human beings within that, and yet face information fatigue and network tiredness that takes us by surprise.

Renee Ridgeway (NEWS, Amsterdam) introduced us to the idea that networked habits stand-in for the transactions we make, ignoring the fact that they are largely a commodification of social relationships, making the labour of care invisible in the quantification through systems of Like, Share, Retweet, Follow, Ping, etc. It becomes important to unpack this idea of ‘labour of care’ because we generally think of care as an essentially human condition. Which is why, we connect, share information, help, offer sympathetic shoulders to cry on, for people who are separated from us through geographies and lifestyles. Care is the way in which we separate ourselves from the technological bots and algorithms which can often outstrip us in performing networked habits but cannot emotionally invest in the relations as we human beings can.

Radhika Gajjalla (Bowling Green State University) furthered this notion of care to look at crowdfunding platforms like Kiva and Kickstarter, which essentially bank on the lay-user’s idea of care, and helps them invest a small sum to better the living conditions of somebody in need. She showed us however, that care is not a ‘natural’ response. The interfaces, the representations of the people, the narrative structures of the stories told within these kind of microfinance websites, are all geared towards shaping a particular kind of first world guilt on the user, inviting them to quantify their ‘care’ towards those in the poorer worlds, in need of financial support. The ways in which networks shape our habits, make them natural and encourage us to believe in them as the preconditions of being digitally human, need to be given more attention.

These so-called habits have direct implications on how young people learn and engage with conditions of knowledge production. That which we think of as a natural response within the networked worlds is often a habit that disguises the complex mechanics of control, containment, societal pressures and expectations, and systems of reward and punishment which all get flattened as we rethink what it means to be human in the digital worlds. Looking at the infrastructure, the interface, the processes of training, the threshold of critical competence and the incessant personal investment that is actually labour but is disguised as a habit within the networks of learning, makes us more conscious of the fact that the young users are not ‘born digital’ and nor are they going to become experts left to their own devices. It brings back to the surface the question of the role of technology in education, and the form and function of new knowledge actors in our systems of learning.

Banner image credit: timparkinson http://www.flickr.com/photos/timparkinson/3788726140/

For more details visit https://cis-india.org/raw/digital-humanities/blogs/habits-of-living/dml-central-blog-oct-22-2012-nishant-shah-habits-living-being-human-networked-society

First draft of the monograph on "Rewiring Bodies" by Dr. Asha Achutan; format for Open Office users

nishant — 2009-12-17T05:15:16Z

For more details visit https://cis-india.org/raw/rewiringodt

Fill The Gap: Global Discussion on Digital Natives

nishant — 2010-01-22T10:54:13Z

More often than not people don't understand the new practices inspired by Internet and digital technologies. As such a series of accusations have been leveled against the Digital Natives. Educators, policy makers, scholars, and parents have all raised their worries without hearing out from the people they are concerned about. Hivos has initiated an online global discussion about Digital Natives. So, to voice your opinion, start tweeting with us now #DigitalNatives.

If you cannot attend Fill The Gap, you can also join us in a global discussion on some of the issues being discussed at #DigitalNatives

1. Are you an apolitical consumer, or do you have ambitions?

http://www.tweetworks.com/groups/view/DigitalNatives

2. Are you a little prince or princess, who only wants to talk to like minded people or are you different?

http://www.tweetworks.com/groups/view/DigitalNativesPrincess

3. Is Wikipedia your bible or do you really know something?

http://www.tweetworks.com/groups/view/DigitalNativesWiki

4. Are you a digital dinosaur? They say you don’t know anything about ICT!

http://www.tweetworks.com/groups/view/DigitalDinosaur

5. Why use the Internet, why don’t you march the streets?

http://www.tweetworks.com/groups/view/DigitalNativesProtest

6. Plans to change the world? What do you need?

http://www.tweetworks.com/groups/view/DigitalNativesChanceTheWorld

If you are in Amsterdam, here is the information you will need to attend the event:

Fill the Gap! - 7

R U Online?

Date: 15 January 2010

Time: 12.30 until 17.00 hour

Location: Het Sieraad, Postjesweg 1, Amsterdam

The seventh edition of Fill the Gap! is all about the power of youth and IT in developing countries. How can their skills be strengthened and put to use for a better world? Hivos, apart from cohosting the event, will be involving digital natives to hear their stories about ICT and engagement.

An Open Space event on the potential of new (mobile) media and youth in developing countries. For everyone in politics, the profit and the non-profit sectors who is interested in ICT and international development cooperation.

The use of new (mobile) technology is the most natural thing in the world for the youth of today.

Shaped by the digital era and at ease with creativeity, these innovators use new media to change the world. Just think of the Twitter revolution in Iran. What can the international development sector learn from this? How could international development cooperation use the potential power of youth to tackle development problems?

The seventh edition of Fill the Gap! is all about the power of youth and IT in developing countries. How can their skills be strengthened and put to use for a better world? The kick-off will be hosted by Jennifer Corriero, co-founder of Taking IT Global: the international platform for youth and the use of new media for a better world. Then the floor is open to discuss your own ideas with people from new media, the business world and the international development sector during the Open Space sessions. Join in: come to Amsterdam on Friday January 15th and be inspired during Fill the Gap!

Registration is free. The programme is in English.

» Fill the Gap

For more details visit https://cis-india.org/research/grants/digital-natives-with-a-cause/dntweet

Facial recognition at airports promises convenience in exchange for surveillance

nishant — 2019-11-02T07:07:41Z

If smart technology is promising you a few hours of convenience, what is it asking you to sign away?

The article was published in the Indian Express on October 20, 2019.

I was checking in for a flight, when the desk manager asked me if I would like to participate in a beta-programme that they are deploying for their frequent flyers. “No more checking-in, no more boarding passes, no more verification queues,” she narrated with a beaming smile. Given the amount of travelling I do, and the continued frustrations of travelling with a passport that is not easily welcome everywhere, I was immediately intrigued. Anything that makes the way to a flight easier, and reduces the variable scrutiny of systemically biased algorithmic checks was welcome. I asked about the programme.

It is a biometric facial recognition programme. It recognises my face from the minute I present myself at the airport, and from there on, till I am in the flight, it tracks me, locates me, offers me a visual map of my traces, and gives me seamless mobility, alerting the systems that I am transacting with, that I am pre-approved. I saw some mock-ups, and imagined the ease of no longer fishing out passports and boarding passes at every interaction in the airport. I could also see how this could eventually be linked to my credit card or bank account, so that even purchases I make are just seamlessly charged to me, and if there is ever any change of schedule or emergency, I could be located and given the assistance that would be needed. It was an easy fantasy.

I was almost tempted to sign up for it, when out came a data consent form. It was about two-pages long, with tiny print that makes you think of ants crawling on paper in orchestrated unison. I stared at those pages for a while, and turned to the manager. “How exactly does this system work?” She was startled for a second and then gave me a long, reassuring answer. It didn’t have much information, but it did have all the buzzwords in it — “machine learning”, “artificial intelligence”, “self-learning”, “data-driven”, “intuitive”, “algorithmic” and “customized” were used multiple times. That’s the equivalent of asking somebody what a piece of poetry could mean and they say, “nouns”, “verbs”, “adjectives”, “adverbs”, and “participles”.

Her answer was a non-answer. So I cut through all of it, and asked her to tell me who will collect my data, how it will be stored, and whether I will be able to see how it will be used. She pointed at the unreadable two pages in front of me, and said that I would find all the information that I need in there. I walked off to my flight, without signing on the dotted line or the consent forms, but I was surprised at how uncanny this entire experience was. I had just been asked to submit myself to extreme surveillance for a trade-off that would have saved a few hours a year in my life, and enabled some imagined ease of mobility in purchasing things. It wasn’t enough that I was going to pay money, I was also going to pay with my data.

In that fluffy dream of easy movement and transacting, I had accepted the fact that this service, which was being presented as a privilege, was an extremely invasive process of surveillance. I had also skipped the due diligence of who will use this data of my body and being, and for what purposes. When I asked for information, I was given a black box: a legal contract that is as inscrutable as it is unreadable, and empty words that pretend to describe a system when all they produce is an opaque description of concept-words. Had I not asked the couple of extra questions, and if I was not more persistent in getting actual information, I would have just voluntarily entered a system that would track, trace, and record me at a level that turns the airport into a zoo.

This is the trope that SMART technologies have perfected — trading surveillance for promised convenience. The airport is already a highly surveilled space, but when these SMART technologies enter our everyday spaces, the amount of information they collect and store about us is alarming. The possibility that every surface in the city is an observation unit, that every move we make is recorded, that our lives are an endless process of silent verifications that seamlessly authorise us, is scary. Because, by corollary, when we become deviant, unintelligible, or undesirable, the same checks can turn hostile and be used for extreme persecution and punishment. I am not a technology sceptic but I am also getting wary of smart technologies being presented as magic where we don’t need to worry about how it is done, and just look at the sleight of hand that keeps on showing us the illusion while hiding the menace.

For more details visit https://cis-india.org/raw/indian-express-nishant-shah-october-20-2019-digital-native-in-your-face-artificial-intelligence-biometric-facial-recognition-smart-technologies

Facebook: A Platform with Little Less Sharing of Personal Information

nishant — 2016-06-05T02:38:22Z

As Facebook becomes less personal, what happens to digital friendship?

The article was published in the Indian Express on May 8, 2016.

Facebook is worried. Even though usage is growing, something strange is happening on the social network. For the first time since it started its journey as a website to rate datable people on college campuses, to becoming the global reference point that defined friendship in the connected age, people are sharing less personal information on Facebook. For a social media network that positions itself largely as a space where our everyday, banal doings become newsworthy articulations, this is surprising news. But it is true. On Facebook, the traffic is high, but most of it is now sharing of external information. People are sharing links to news, to listicles, to videos, to blogs entries, to pictures and to information that they find interesting, but they are writing less and less about what it is that they are doing and feeling.

Ironically, this coincides with the latest change in Facebook’s “response” options, where the ubiquitous “Like” button can now expand to other emojis where you can also be appropriately angry, sad, surprised, or happy about the shared content. Even as Facebook is trying to get its users to qualify how they feel and give emotional value to their likes, people seem to be sharing even less of their private lives on Facebook.

One of the key ways of understanding this drop in people sharing their personal information is through the concept of “context collapse”. It has been a concern since the first instances of disembodied digital communication. In our everyday life, we make sense of information based on the different contexts that surround us. The person who authors the information, the setting within which that information reaches us, the emotional state that we are in when encountering the information, our sense of where we are when processing it, and the preparedness we have for receiving this information are all crucial parameters by which we make sense of the meaning of the information and also our response to it.

In the case of Facebook, the context within which information and transactions have made sense is “friendship”. The site’s USP was that you could bring in a variety of information, but you were always sharing it with friends. You could have a large audience, but this audience is formed of people you know, people you trust, people you add to your friend groups — there is a sense of intimacy, privacy, and casualness that marks the flow of information. You are able to talk, in an equal breath, about what you had for breakfast, your crush on a celebrity, your random acts of charity, and your strong political rant, one after the other, without requiring to think about what you are posting and how others will receive it.

However, Facebook is not really a friendship platform. It is a company interested in selling our interactions and data to advertisers who can target us with content and information based on the patterns of our behaviour. To serve its advertisers better, Facebook started privileging “verified” information trying to ensure news and content producers higher attention and more eyeballs. This was further strengthened by their continued integration with third party vendors, who could push and pull information into the social world of Facebook, and is seen as one of the biggest reasons for this drop. Any newsfeed in the last few months has had equal amounts of professional and amateur content, leading to a context collapse, where you no longer feel like your Facebook feed is a private and intimate conversation with friends.

Similarly, Facebook’s expansive integration of its products —WhatsApp chats, Instagram updates, and Tumblr posts all can collapse into one — produced a confusing space where the personal information that you were once happy to share with your friends, is suddenly being shared along with news and information. Also, digital behaviour works on mirroring, and we often shape our updates to match what we see on our timelines. If we more and more see external content rather than personal statuses, we also start sharing more third party news and links, thus producing a domino effect of everybody shying away from extremely personal or intimate moments.

Facebook, for the millennials, has been the context within which friendship got structured. Its own transitions have now collapsed that context, leading people to think of it as a content aggregator. It is going to be interesting to see what happens to our digital friendships and networks if Facebook is no longer the space where they are housed.

For more details visit https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-may-8-2016-facebook-a-platform-with-little-less-sharing-of-personal-information

Facebook sees its salvation with its cryptocurrency Libra

nishant — 2019-07-02T03:58:08Z

Facebook’s Libra is designed to take control of our digital lives.

The article by Nishant Shah was published in the Indian Express on June 30, 2019.

In the early days, when we were still discussing the possible implications of building a data-surveillance system like Aadhaar in India, one of the persistent narratives was that in return, Aadhaar will build the infrastructure that gives legal and financial identity to the homeless, underserved, and the unbanked populations of the country. I remember how, at one consultation, Nandan Nilekani had jokingly mentioned that the single entry login framework of Aadhaar is easy to understand as the “Facebook of government services”. There were actual rumours that Aadhaar was seeking to collaborate with Facebook to see if we could log in to the public delivery systems using Facebook’s technical infrastructure.

The probable Aadhaar-Facebook collaboration never happened, but the other idea of Aadhaar enabling mobile payment, financial inclusion through digital outreach, and the possibility of leapfrogging an entire demography into digital transactions, has a different take. Aadhaar did not necessarily build a public infrastructure for banking. However, in establishing a unique identity, it did pave the way for the notorious demonetisation that pushed people into virtual and cashless transactions, and ironically, opening up the Indian market for the Chinese-controlled Paytm app to take over. Paytm is a clear symptom of China’s digital global dominance where TenCents and Alibaba are monopolising the world financial systems by becoming the de facto digital financial delivery systems for the emerging financial inclusion markets.

A little late in the game, but perhaps with a blockchain advantage, Facebook has entered this business of converting unique identification and engagement into a financial service, with the announcement of their new cryptocurrency endeavour, Libra. Much like those early days of Aadhaar, Facebook has positioned Libra as a pro-poor facilitator of financial inclusion for the large user base who are going to be connected to the Internet for the first time. The progressions of its interest in becoming the naturalised platform for all digital activities, as opposed to its presence as a space for sharing cute cat pictures and passive aggressive videos of relationships, is clear.

By launching Libra — the details are still scarce, but it seeks to create its own currency for the next generation, in collaboration with companies like Uber and Visa — Facebook has thrown its hat into a complete Black Mirror control of our digital lives. They want the user to first get connected to the Internet through Internet.org. Next, they want to control the websites that the users can use for free, by making Facebook the default entry point into digital data sharing. They would then collect and sell the data mined from these free services, and target the users to buy and consume using money developed by Libra. It is a fascinating, if not an ominous, cradle-to-grave scenario.

Currently, Facebook, in its humanitarian guise, is putting forth Libra as a .org service that selflessly seeks to transform the lives of financially excluded populations, who, in one fell swoop, would be online, on Facebook, and using Facebook’s currency in one single access point. However, it is clear to see that Libra is not a service for social good — Facebook is converting its advertisement-based exploitation of user data into clear financial goals. Remember, how we darkly used to laugh that data is the new currency? Well, here is Facebook’s Libra proving that data is not just the new currency, it can be the currency.

Facebook’s wealth has entirely been predicated on data as currency and attention as economy. The last few years have been a revelation of how Facebook has capitalised on its data and attention monopoly. In this new step, Facebook is no longer interested in using data to facilitate the financial expansion — with Libra, Facebook is going to become an actual broker of the money that we use. And once we have bought enough of this currency and use it in our everyday transactions, it can never devalue, because if it’s false, the biggest loser will always be the newly banked individual whose first financial identity is not going to be a banking account but Facebook.

In Libra, Facebook sees its salvation. It has long been critiqued that Facebook is facing obsolescence and threat from other social media networks and Libra is yet another way by which Facebook diversifies its portfolio and secures its future by making it the default service for how we live, work, talk, and love.

For more details visit https://cis-india.org/raw/indian-express-nishant-shah-june-30-2019-facebook-sees-its-salvation-with-its-cryptocurrency-libra

Do I Want to Say Happy B’day?

nishant — 2016-08-22T09:53:03Z

When it comes to greeting friends on their birthdays, social media prompts are a great reminder. So why does an online message leave us cold?

This article was published in Indian Express on August 7, 2016

Every morning, I wake up to a Facebook notification that reminds me of the birthdays in my friends group. A simple click takes me to a calendar view that shows me people who are celebrating the day, prompting me to wish them and let them know that I am thinking of them. Just so that I don’t miss the idea, the notifications are surrounded by ribbons and balloons in gold and blue. The message is simple. Somebody I know has a birthday. Social convention says that I should wish them and Facebook has designed a special interface that makes the communication so much simpler, faster, easier.

And yet, every morning I seem to face a small crisis, not sure how to respond to this prompt. Now, I am notorious for forgetting dates and numbers, so I do appreciate this personalised reminder which has enabled me to wish people I love and care for. But I generally find myself hovering tentatively, trying to figure out whether I want to greet these people.

This has perplexed me for a while now. Why would I hesitate in leaving a message on Facebook for people who I have added as “friends”? Why would I not just post on their wall, adding to the chorus of greetings that would have also emerged from the automated reminder on Facebook? I went on to the hive-mind of the social web to figure out if this was a unique problem, customised to specific neuroses, or whether this is more universal. It was a great surprise (and relief) to realise that I’m not alone.

When trying to figure out our conflicted sociality on social media, several conversations pointed to three things worth dwelling on. Almost everybody on that long discussion thread pointed out that the entire process is mechanised.

It feels like Facebook has a script for us, and we are just supposed to follow through. There is very little effort spent in crafting a message, writing something thoughtful, and creating a specific connection because it is going to get submerged in a cacophony of similar messages. Also, the message, though personal, is public. So anything that is personal and affective just gets scrubbed, and most people end up mechanically posting “Happy Birthday” with a few emojis of choice, finding the whole process and the final performance devoid of the personal.

Another emerging concern was that social media sustains itself on reciprocity. However, it is almost impossible to expect the birthday person to respond to every single message and post that comes their way. In fact, as somebody pointed out, if your friend spends their entire day on Facebook, responding to 500 comments and thanking everybody who spent three seconds writing a banal post, you should stage an intervention because it is a clear cry for help. You should have been a better friend and made their day more special by being with them. So the message feels like shouting in a ravine, expecting an echo and getting nothing. This lack of reciprocity, even when expected, is still disconcerting enough for people to shy away from it.

The most frequent experience that was shared was by people who wanted to make the person feel special and cherished. Facebook and the social media sites are now so quotidian and pedestrian that it seems an almost uncaring space. It was intriguing to figure out that people made choices of whom to wish based on their actual proximity and intimacy with the person. If it is a colleague, a distant acquaintance, or just a companion at work, they throw a quick greeting on their wall and move on. But for actual friends, loved ones, families, they take the prompt but then refuse to follow the script. They take that moment to call, to write, to meet, but not perform it on Facebook.

This need for connectivity and the suspicion of its meaning continues to mark our social media interaction. If it were not for social media networks, a lot of us would feel distinctly disconnected, unable to get glimpses in the lives of the large number of people we know.

At the same time, this thinned out connection that characterises most of social media also seems to make us realise that not all friends are the same friends, and that Facebook might be social media, but it isn’t quite personal media.

For more details visit https://cis-india.org/raw/blog_do-i-want-to-say-happy-bday

Digitally Analogue

nishant — 2015-04-24T12:00:09Z

Why there is nothing strictly analogue anymore, examines Nishant Shah in this column that he wrote for the Indian Express.

It is a given, that in the fight between the digital and the analogue, you have a certain perspective or an opinion. If you are a bibliophile and crave for the smell of second-hand books and the feel of freshly uncut pages, you probably object to e-readers and tablets which give you a book-like experience that is not quite the same. If you enjoy photography, you still value old film rolls, techniques of complex editing, and the sepia-coloured flatness that the film has to offer. If you are a cinegoer, you cherish a secret fondness for those days when the camera attempted to capture a realism which was stark and more believable than reality. You might miss receiving and writing letters, might get annoyed by the lightning fast expectations of communication, and are horror struck at the idea of buying clothes online, foregoing the pleasures of window shopping.

For each argument that is made in favour of the analogue, there will be an equally strong and strident voice that elucidates the joys and possibilities that the digital has to offer. The techno-savant will point out that the easy availability of digital technologies has democratised the realms of cultural production, granting more access and diversity to expressions from different cultures. It should be mentioned that the huge possibilities of manipulating, reproducing and transferring digital data, without any loss to the original has resulted in new forms of intricate and subversive cultural production. The speed of access and communication has mobilised resources and people in unprecedented ways, to make changes in their environments, empowering the citizen as an agent of change rather than a beneficiary of change.

In all these debates, there will be valid and contradictory arguments that will coexist, each extolling the virtues of their analogue or digital positions. While there is no correct position to take in this debate, there is something else that I want to draw our attention to. In both these debates, which seem to be about technologies, there is a presumed focus only on consumption of technology products. Or, in other words, in this over-emphasis about whether the final product should be consumed using digital or other technologies, there is a complete and total neglect of technologies of production that shape these cultural objects. This betrays two things for us to ponder over.

The first is about our relationship with the technologies that we use. As technologies, especially digital technologies become ubiquitous, easily affordable and available to us on mobile interfaces, and emphasises ease of access, there also seems to be an alienation of the user from conditions and modes of production. We seem to position ourselves only as consumers of tech products — often reducing our interaction with these technologies as spectators, or audiences or users. This is ironical because, it seems to perpetuate the schism between the digital and the analogue, while actually hiding the fact that most of our so-called analogue products have undergone dramatic change in their modes of production, which are facilitated and shaped almost entirely by digital technologies. You might enjoy the tactical experience of picking up a print book, but it might be good to realise that the entire book was put together by using digital interfaces. And while the book might seem to be a non-digital object, even the way it reaches the last mile — through e-commerce websites like Flipkart, or even your local stores, where it gets stored, sorted, and indexed — is also through a digital environment.

The second thing that this faux debate exposes to us is the futuristic dream of convergence. Convergence as a concept has been bandied around for about a decade now, where all our existing modes of living, facilitated by different technologies, are to be translated into the digital, thus seamlessly available through a single device which can perform everything. Convergence is the Holy Grail that marks our aspirations of the future. And debates of the analogue versus the technological sustain that illusion that it hasn’t really been achieved yet. However, as you look around you, you quickly realise that the analogue networks that we fantasise about very rarely exist. The analogue-digital divide is often reduced to the physical-virtual dichotomy and this is a false one. Analogue referred to certain kinds of technological practices where the human agent, by using the technological network could perform certain functions. So the older telephone networks, for instance, were electronic but analogue. However, our telecommunication went digital way before the phone became smart.

While those of us who were not born digital natives — we still remember what an audio cassette looks like and the smell of screen printing — will negotiate with the form of our access to cultural objects, it is also time to realise that being non-digital is no longer an option. And that what we think of as analogue, is often only a form, because the mode of production, design and distribution has gone digital when we were not looking. So it is good that you are reading this in print, as a part of a newspaper, but this column (like all other items in this publication) was conceived, written, delivered and printed entirely using digital interfaces. These are objects which now need to be thought of as digitally analogue.

Read the original published by the Indian Express on May 27, 2012

For more details visit https://cis-india.org/digital-natives/digitally-analogue

Digital Pluralism

nishant — 2008-09-22T07:58:57Z

For more details visit https://cis-india.org/about/substantive-areas/digital-pluralism

Digital Pluralism

nishant — 2009-02-06T06:31:50Z

The Internet, when referred to with a capital I, often gives the notion of a centralised, homogenised, consolidated network of access, protocols and people. Popular representations and imaginations of the Internet ‘make invisible’, the extremely complex, intricate, and varied nature, not only of the uses and the stakeholders of the Internet but also the many forms that Internet itself takes. The notion of pluralism – the belief in multiple knowledges and perspectives, the availability of different frameworks and truths, and the transmit-ability and transmutability of information – is built into the very form of the Internet. It is perhaps more appropriate, given the wide scope and range of the internet and the many different ways in which it intersects with the world around us, to talk of many different kinds of internets.

The Centre for Internet and Society sets out to examine the multiplicity of Internet by looking at the notion of digital pluralism. We seek to theorise the particular concept to investigate the many intersections that the internet has with the world around us. Given the scope and persuasiveness of internet technologies, it would be redundant to produce a list of possible meanings of the internet. Instead, we conceptualise the internet at three different levels, each demanding its own history, context, materiality and specificities, to produce a more comprehensive understanding of what the internet means and how it responds and reacts to the digitised and networked times we live in.

Internet as Technology

At the primary level, the Internet is a set of protocols, which allows the transfer of data over a complex and almost interminable network. It is necessary, as the internet increasingly becomes central to the crucial mechanics of survival, to recognise it as a technology. The arrival of internet technologies has made a significant impact in the domains of life, labour, language and history, changing the way we understand certain older structures like property, economy, capital, possession, ownership, etc.

So persuasive is the seductive power of the internet, that it often makes invisible the larger questions of freedom, access, and production, in its unfolding. The call to re-emphasise the internet as technology is to examine the economic rhetoric of globalisation, urbanisation and new digital technologies on the one hand, and the alarmist calls around piracy, security, theft and ownership on the other.

Communities of gift economy, of open access to content online, of advocating Free/Libre/Open Source Software (FLOSS), of promoting greater inclusion and pluralism of non-licensed softwares and protocols have all emerged around the questions of Internet as Technology. Despite the gravity of the concerns they raise and the unequivocal merit of their activities, very little attention is given to them either by the private sector or civil societies or the government. While there has been a long (and often raging) debate on the internet around these issues, the mainstream media and the larger public remain outside its scope and continue getting implicated in softwares, platforms and digital forms while compromising their rights.

The Centre for Internet and Society hopes, through a model of consultation and collaboration, to actively intervene in this field, to promote the digital pluralism of internet technologies and resist any hegemonic and coercive practices of larger corporate conglomerates and state bodies that may act against public interest.

Internet and its Materiality

The Internet has material consequences. Cybercultures theory, augmented by other instrumental discourses on the internet, incessantly confines cyberspaces to a schism between virtual reality and real life. Such a view of the internet renders the material transactions and consequences of the internet invisible.

As the internet technologies become more pervasive and persuasive, they become an integral part of the mechanics of modern survival. The internet has now become central to the domains of life, labour and language, affecting crucial questions of identity, subjectivity, sexuality, freedom and expression. How do we think of ourselves, not only in relation to technology but also as technologised beings; in a condition of becoming cyborgs? What are the forms of subjectivities that emerge in the technologised transactions of every day? How do we understand the different forms of sexual interactions, mediated and shaped by internet technologies? What are the new kinds of sexual identities which are produced and mobilised by the internet? Is the internet, as is often celebrated in popular discourse, really creating alternative public spheres of freedom or is it producing new forms of exclusion and discrimination?

The Centre for Internet and Society believes that while these questions have cropped up variously, and often emphatically, in the last four decades of Internet presence, there has been very little academic or theoretical attention given to them. The approaches that exist are primarily focussed on the object of change rather than the technologies that shape the change. The accounts provided also, instead of drawing from the mechanics and aesthetics of the technologies, rely on earlier technologised forms to make meaning of the new form. We find it imperative to work for a better understanding of the way the globalised technologised world is being shaped through the wide-spread penetration of Internet Technologies and their material consequences.

Internet and Cyberspaces

Cyberspaces, though a smaller part of the Internet, are the most visible face of the Internet networks. The arrival of the GUI, social networking applications, innovative forms of interaction and networking, online gaming, role-playing and expression platforms like blogging, and virtual worlds, have created a fascinating network of users, distributed across lifestyles and geographies, interacting with each other in unprecedented forms. Cyberspaces, with their ability to immerse the users entirely into the medium, creating a world of incessant interaction – with technologies, with technologised forms, with cultural products, and with the other users, who have translated themselves, using the structures of anonymity and desire – have led to new forms of social, cultural and economic practices which require critical thought and analysis.

Cyberspaces produce many questions – some legal, some judicial, and some about safety, danger, and harm – which need to be answered and engaged with at a serious level. Given the unmoderated nature of access and production on cyberspaces, how do we make a call for safety and caution without compromising the rights of the individual for freedom of expression, speech and being? How do we protect the innocent or the uninitiated, from scandals, scams or situations which might be harmful to them, without making a call for censorship and regimentation? As familial interactions get mediated with technologies, how do we understand the notion of family and the economies that surround it? With new political and cultural mobilisations coming in effect, how do we imagine the space of the public and the political?

Questions like these have a direct bearing on the ideas of individual freedom and right to non-discrimination, while simultaneously asking for a moderated and controlled cyberspatial experience. The design, form, shape and content of cyberspaces all have different implications in these questions, and an analysis of not only the user behaviour or the impact but the very epistemological origins and functions of such forms is important to be studied. These concerns also bolster the idea of digital pluralism of a certain kind – not a neo-liberal call for solipsistic individualism but concentrating on and bolstering the relationships that the individual has with the society and how internet technologies mediate these relationships.

For more details visit https://cis-india.org/about/substantive-areas/digital-pluralism/digital-pluralism-1

Digital Natives with a Cause? - Summary of Report

nishant — 2009-11-12T07:34:55Z

For more details visit https://cis-india.org/digital-natives/blog/uploads/dnsum

Digital Natives with a Cause? - Report

nishant — 2009-11-12T07:28:45Z

For more details visit https://cis-india.org/digital-natives/blog/uploads/dnrep1

Digital Natives with a Cause?

nishant — 2015-05-15T11:31:14Z

Digital Natives With A Cause? - a product of the Hivos-CIS collaboration charts the scholarship and practice of youth and technology with a specific attention for developing countries to create a framework that consolidates existing paradigms and informs further research and intervention within diverse contexts and cultures.

The Centre for Internet and Society, Bangalore and Hivos have assessed the state of knowledge on the potential impact of youth for social transformation and political engagement in the South. This report ‘Digital Natives with a Cause?’ charts the scholarship and practice of youth and technology and informs further research and intervention within diverse contexts and cultures.

The report displays that digital natives have a potential impact as agents of change. It concludes that multidisciplinary theoretical approaches venturing beyond the cause-and-effect model and providing the necessary vocabulary and sensitivity are crucial to understanding Digital Natives. The lament that youths are apolitical is a result of insufficient attention to activities that do not conform to existing notions of political and civil society formation. Digital Natives are sensitive and thoughtful. It is time to listen to them and their ideas, and to focus on their development as responsible and active citizens rather than on their digital exploits or technologised interests.

The report specifically focuses on youth as e-agents of change within emerging information societies to explore questions of technology mediated identities, embedded conditions of social transformation and political participation, as well as potentials for sustained livelihood and education. It identifies the knowledge gaps and networks and further areas of intervention in the field of Digital Natives.

As a first step in working towards enabling Digital Natives for social transformation and political engagement, Hivos and CIS will organize a Multistakeholder Conference Fall 2010.

A summary of the report, as well as the detailed narrative are now available for discussion, debate, suggestions and ideas.

Digital Natives with a Cause? - Report Download Pdf document Here

Digital Natives with a Cause? - Report Summary Download Pdf document Here

The report is also available at http://http://www.hivos.net/Hivos-Knowledge-Programme/Themes/Digital-Natives-with-a-Cause/News/New-Publication-on-Digital-Natives

For more details visit https://cis-india.org/digital-natives/blog/dnrep

Digital Natives at Republica 2010

nishant — 2015-05-15T11:35:48Z

Nishant Shah from the Centre for Internet and Society, made a presentation at the Re:Publica 2010, in Berlin, about its collaborative project (with Hivos, Netherlands) "Digital Natives with a Cause?" The video for the presentation, along with an extensive abstract is now available here.

Abstract:

As a growing population in emerging Information Societies, particularly in Asia, experience a lifestyle mediated by digital technologies, there is also a correlated concern about the young digital natives constructing their identities and expressions through a world of incessant consumption, while remaining apathetic to the immediate political and social needs of their times. Governments, educators, civil society theorists and practitioners, have all expressed alarm at how the digital natives across the globe are so entrenched in practices of incessant consumption that they have a disconnect with the larger external reality and contained within digital deliriums. They discard the emergent communication and expression trends, mobilisation and participation platforms, and processes of cultural production as trivial or unimportant. Such a perspective is embedded in a non-changing view of the political landscape and do not take into account that the Digital Natives are engaging in practices which might not necessarily subscribe to the earlier notions of political revolution, but offer possibilities for great social transformation and participation.

The oldest Digital Native in the world – if popular definitions of Digital Natives are accepted – turned 30 this year, whereas the youngest is not yet born. In the last three decades, a population has been growing up born in technologies, and mediated their sense of self and their interactions with external reality through digital and internet technologies. These interactions lead to significant transitions in the landscape of the social and political movements as the Digital Natives engage and innovate with new technologies to respond to crises in their local and immediate environments. However, more often than not, these experiments remain invisible to the mainstream discourses. The mechanics, aesthetics and manifestation of these localised and contextual practices hold the potentials for social transformation and political participation for the future. This presentation looks at three different case studies to look at how, through processes and productions which have largely been neglected as self indulgent or frivolous, Digital Natives around the world are actively participating in the politics of their times, and also changing the way in which we understand the political processes of mobilisation, participation and transformation.

For more details visit https://cis-india.org/digital-natives/blog/dnrepub