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    <item rdf:about="https://cis-india.org/digital-natives/blog/dn2">
    <title>Colour Me Political</title>
    <link>https://cis-india.org/digital-natives/blog/dn2</link>
    <description>
        &lt;b&gt;What are the tools that Digital Natives use to mobilise groups towards a particular cause? How do they engage with crises in their immediate environments? Are they using their popular social networking sites and web 2.0 applications for merely entertainment? Or are these tools actually helping them to re-articulate the realm of the political? Nishant Shah looks at the recent Facebook Colour Meme to see how new forms of political participation and engagement are being initiated by young people across the world.&lt;/b&gt;
        
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;On Facebook, now acclaimed as one of the most popular social
networking sites in the world, the one thing that almost all the users engage
is, in updating their status updates. These updates can be varied – capturing
personal moods and emotions, reporting on things that strike one in the course
of a normal day, offering political opinions, suggesting movies and books to
friends, and often making public announcements of important events in life. The
updates appear as a live feed, updates in almost-real time, letting people in
networks connect, know, discuss and share information about their personal
lives. Often, to outsiders, these updates would appear pointless; I remember
somebody asking me, “But why would I want to know what you had for breakfast?”
Many status updates indeed border on the everyday and ordinary, of no interest
to anybody but the immediate networks.&lt;/p&gt;
&lt;p&gt;However, in the first half of January in 2010, Facebook
users across the world started observing a strange pattern. Many people in
their networks were making one word status updates with the name of a colour.
Just that. A colour. Facebook users woke up to find “Green!”, “Red!”, “White!” “Black!”
in their live feed. No explanations and a cryptic silence. It was a viral
phenomenon, with the colours appearing across the board, in different parts of
the world, spanning all languages, cultures, and contexts. Also, it was
observed, almost all of the users putting this update, were women. It created a
lot of discussion, speculation, curiosity and conspiracy theories. Blog posts
discussing this phenomenon started appearing. People were twitting about it.
There was an element of surprise, and perhaps of frustration, because the
people making those colour updates were refusing to offer any explanations.&lt;/p&gt;
&lt;p&gt;Eventually, after a few internet years (about 3 days, I
think!) the word got out. It was a meme. A meme is an internet gene (because it
replicates) which spreads virally, through different social communication and
networking sites. It invites people to participate in a series of actions,
either to answer a question or perform a certain act, and pass it along. The
colour updates were a part of the meme which was doing the rounds on the
internet:&lt;/p&gt;
&lt;p&gt;&amp;nbsp;"Some fun is
going on.... just write the color of your bra in your status. Just the color,
nothing else. And send this on to ONLY girls, no men .... It will be neat to
see if this will spread the wings of cancer awareness. It will be fun to see
how long it takes before the men will wonder why all the girls have a color in
their status."&lt;/p&gt;
&lt;p&gt;

What the message managed to do was take an
important cause and through fun, and play, and a little bit of excitement, got
young women around the world to ponder on the possibility, cure and prevention
of breast cancer. What was just a personal update capturing space suddenly
became a place of political mobilisation and participation. Both, men and
women, reading those colours, took a moment to think about breast cancer and
spread the word among their friends. Discussions, which started with curiosity,
ended with a sombre note. While there are speculative theories about how some
women in Detroit started this particular meme, there is no credible source of
information.&lt;/p&gt;
&lt;p&gt; What is particularly of interest, is how, without any apparent
funding, or organisation, or the infrastructure that generally accompanies such
behemoth projects, this viral meme captured more attention and had more people
participating than most campaigns started by traditional activists or
governments. What Facebook, and other spaces like it offer, is the
infrastructure and the potential for such massive movements. As the Digital
Natives grow up with new technologies, they change the landscape of political
and social transformation. And the cryptic colour updates is telling us the
story of how things will change in the future.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/dn2'&gt;https://cis-india.org/digital-natives/blog/dn2&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Cyberspace</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Youth</dc:subject>
    
    
        <dc:subject>Social Networking</dc:subject>
    

   <dc:date>2011-08-04T10:34:27Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/dnrepub">
    <title>Digital Natives at Republica 2010</title>
    <link>https://cis-india.org/digital-natives/blog/dnrepub</link>
    <description>
        &lt;b&gt;Nishant Shah from the Centre for Internet and Society, made a presentation at the Re:Publica 2010, in Berlin, about its collaborative project (with Hivos, Netherlands) "Digital Natives with a Cause?" The video for the presentation, along with an extensive abstract is now available here.&lt;/b&gt;
        
&lt;p align="center"&gt;&lt;object height="364" width="445"&gt;&lt;param name="movie" value="about:blank"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed height="364" width="445" src="http://www.youtube.com/v/Cz4KoL3jzi0&amp;amp;hl=en_GB&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x2b405b&amp;amp;color2=0x6b8ab6&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Abstract:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;As a growing population in 
emerging Information  Societies, particularly in Asia, experience a 
lifestyle mediated by  digital technologies, there is also a correlated 
concern about the young  digital natives constructing their identities 
and expressions through a  world of incessant consumption, while 
remaining apathetic to the  immediate political and social needs of 
their times. Governments,  educators, civil society theorists and 
practitioners, have all expressed  alarm at how the digital natives 
across the globe are so entrenched in  practices of incessant 
consumption that they have a disconnect with the  larger external 
reality and contained within digital deliriums.&lt;img title="Weiterlesen..." src="http://re-publica.de/10/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" alt="" /&gt; They  discard the emergent communication and expression trends,
 mobilisation  and participation platforms, and processes of cultural 
production as  trivial or unimportant. Such a perspective is embedded in
 a non-changing  view of the political landscape and do not take into 
account that the  Digital Natives are engaging in practices which might 
not necessarily  subscribe to the earlier notions of political 
revolution, but offer  possibilities for great social transformation and
 participation.&lt;/p&gt;
&lt;p&gt;The oldest Digital Native in the world – if popular definitions of  
Digital Natives are accepted – turned 30 this year, whereas the youngest
  is not yet born. In the last three decades, a population has been  
growing up born in technologies, and mediated their sense of self and  
their interactions with external reality through digital and internet  
technologies. These interactions lead to significant transitions in the 
 landscape of the social and political movements as the Digital Natives 
 engage and innovate with new technologies to respond to crises in their
  local and immediate environments. However, more often than not, these 
 experiments remain invisible to the mainstream discourses. The  
mechanics, aesthetics and manifestation of these localised and  
contextual practices hold the potentials for social transformation and  
political participation for the future. This presentation looks at three
  different case studies to look at how, through processes and  
productions which have largely been neglected as self indulgent or  
frivolous, Digital Natives around the world are actively participating  
in the politics of their times, and also changing the way in which we  
understand the political processes of mobilisation, participation and  
transformation.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/dnrepub'&gt;https://cis-india.org/digital-natives/blog/dnrepub&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Conference</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    
    
        <dc:subject>Digital subjectivities</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    

   <dc:date>2015-05-15T11:35:48Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/chatroulette">
    <title>The power of the next click...</title>
    <link>https://cis-india.org/digital-natives/blog/chatroulette</link>
    <description>
        &lt;b&gt;P2P cameras and microphones hooked up to form a network of people who don't know each other, and probably don't care; a series of people in different states of undress, peering at the each other, hands poised on the 'Next' button to search for something more. Chatroulette, the next big fad on the internet, is here in a grand way, making vouyers out of us all. This post examines the aesthetics, politics and potentials of this wonderful platform beyond the surface hype of penises and pornography that surrounds this platform.&lt;/b&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;In his
futuristic novel &lt;em&gt;1984&lt;/em&gt;,
George Orwell conceived of a Big Brother who watches us all the time, tracking
every move we make, every step we take, and reminding us that we are being
watched. The Internet has often been seen as the embodiment of this fiction.
There are many who unplug computers, look over surreptitious shoulders and wear
tin-foil hats so that their movements cannot be traced. While this caricatured
picture might seem absurd to funny, there is no denying the fact that we are
being stalked by technologies. As our world gets more connected and our
dependence on digital and internet objects grow, we are giving out more and
more of our private and personal information for an easy trade-off with
convenience and practicality.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;As a reply to
the question “Who watches the watchman?” several Internet theorists had
suggested as a reply, a model where everybody looking at everybody else so that
there is no one person who has exclusive powers of seeing without being seen.
In this utopian state, people would be looking at each other (thus keeping a
check on actions), looking after each other (forming virtual care networks) and
looking for each other (building social networks with familiar strangers).
After about 20 years of the first emergence of this discussion vis-à-vis the
World Wide Web , comes an internet platform that produces a strange universe of
people looking at.for.after each other in a condition of extreme vouyerism,
performance, exhibitionism, surveillance and playfulness. It is a website that
the Digital Natives are flocking to because it changes the way they look at
each other. Literally.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Chatroulette! is
a new MMORPG &amp;nbsp;(Massively Multiple Online
Role Playing Game) that uses a Peer-2-Peer network to constantly pair random
people using their web cams, to look at each other. You start a Game and you
begin a series of ‘lookings’ as people look back at you. Connect, cruise,
watch, interact, boot – that is the anatomy of a Chatroullete! game. If you
like what you see, you can linger a while or begin a conversation, or just
‘boot’ your ‘partner’ and get connected to somebody else in the almost infinite
network. In the process you come across the unexpected, unpredictable and the
uncanny. In the last one month of betting my time on Chatroullete!, I have seen
it all and then some more – masturbating teenagers, strip teasing men and
women, animals (including a very handsome tortoise) staring back at me, groups
of friends eating dehydrated noodles and giggling, partners in sexual
intercourse, graphic images of human gentilia, clever advertisements, pictures,
art, musicians performing, dancers dancing, conference delegates staring
bemusedly at a screen, ... the list is endless and&amp;nbsp; probably exhausting. A growing community of
users now dwell on Chatroulette! to connect in this new way that is part speed
dating, part networking, part performance, part voyeurism.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The verdict on
the blogosphere is still not in whether this is a new fad or something more
long-lasting. &amp;nbsp;Irrespective of its
longevity, what Chatroullete! has done is show us a new universe of social
interaction that Digital Natives around the world find appealing. &amp;nbsp;The possibilities of cultural exchange,
collaborative working, love, longing and learning that emerge around
Chatroullete! are astounding.&amp;nbsp; &amp;nbsp;For Digital Natives the appeal of
Chatroullete! is in forging viral and temporary networks which defy the
Facebook way of creating sustained communities of interaction. This is the
defining moment of virtual interaction and online networking –A model that is
no longer trying to simulate ‘Real Life’ conditions online by forming permanent
networks of ‘people like us’. &amp;nbsp;Chatroulette!
marks the beginning of a new way of spreading the message to completely random
strangers, enticing them into thought, exchange and mobilisation through the
world of gaming. The potentials for drawing in thousands of unexpected people
into your own political cause are astounding. It might be all cute cats and
sexual performance now, but it is only a matter of time when Digital Natives
start exploring the possibility of using Chatroulette! to mobilise resources
for dealing with crises in their personal and public environments. The wheel
has been spun. We now wait to see where the ball lands.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/chatroulette'&gt;https://cis-india.org/digital-natives/blog/chatroulette&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Cyberspace</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Gaming</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    

   <dc:date>2012-03-13T10:43:41Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/the-digital-tipping-point">
    <title>The Digital Tipping Point</title>
    <link>https://cis-india.org/digital-natives/blog/the-digital-tipping-point</link>
    <description>
        &lt;b&gt;Is Web 2.0 really the only reason why youth digital activism is so successful in mobilizing public engagement? A look into the transformation of Blank Noise’s blog from a one-way communication medium into a site of public dialogue and collaboration reveals the crucial factors behind the success. &lt;/b&gt;
        
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;What images popped in your head when you hear the term ‘digital
activism’? Those that popped in mine are of campaigns that originated in the
Internet, perhaps with a blog, a Youtube video, or a Facebook group, mobilizing
people to take part in a certain action to advocate for a cause or to respond
to a specific event. Whether the request is to sign a petition for a new
legislation or to wear a specific colour on a specific day, the campaigns also
ask people to spread the message, usually responded by re-tweets, status
updates, and link-shares that appear on my timeline. These campaigns, like the
famous Wear Red for Burma or the Pink Chaddi, are usually responses to certain
events and dwindle after the events have passed.&lt;/p&gt;
&lt;p&gt;With its four blogs,
two Facebook groups, a YouTube channel, and a Twitter account, at first glance Blank
Noise certainly resembles the images in my head. However, they popped one by
one as I got to know Blank Noise better. For one, as I have shared before,
Blank Noise was not a response to a specific event but rather the long term,
ongoing, structural problem of street sexual harassment. For another, street
interventions started as the main core of Blank Noise and have remained a
crucial element despite its prolific online presence. Blank Noise did not start
in the Internet nor did it immediately turn to Web 2.0 for its
mobilization.&lt;/p&gt;
&lt;p&gt;The main blog was created soon after Blank Noise
started in 2003 to serve as an archive, information center, and space to
announce future street events. The diverse online campaigns, lively discussions
in the comment section of blog posts, and abundant blog post contributions by
people who have experienced, witnessed, or committed street sexual harassment
started after two unexpected events that I call ‘the digital tipping point’.&lt;/p&gt;
&lt;p&gt;The first was when
Jasmeen Patheja, the founder of Blank Noise, started uploading pictures of her
harasser, taken with her mobile phone, to the blog in March 2005. The first
picture was of a man who had stalked and pestered her for coffee despite her
rejection to his unwelcomed advances. While some readers applauded her action,
many challenged the post. How is the action different from “Can I buy you a
drink?” Can it trigger the change wanted, especially since the guy might not
even have access to the Internet? Is the action of publicly labeling the man as
a perpetrator of street sexual harassment ethical, especially since the man has
not been proven guilty?&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;These challenges then spiraled into a long
discussion (72 comments!) about the grey areas of street sexual harassment and
the ethics around confronting perpetrators. Although Blank Noise still continue
to upload snapshots of harassers (this intervention is called ‘Unwanted’),
their pictures have since then been blurred until the face is unrecognizable,
including the one in the original post. This event was when Jasmeen realized
that the blog also has the potential of being a space for discussions,
opinions, and debates – the public conversation that Blank Noise aims for.&lt;/p&gt;
&lt;p&gt;The second tipping point was when one of Blank
Noise volunteers proposed an idea of a blogathon to commemorate the
International Women’s Day in 2006. Blogging had become a major trend in India
around 2004 and the blogathon basically asked bloggers around India to write
about their experience with street sexual harassment in their private blogs and
link the post to the Blank Noise blog. The bloggers invited were both women and
men, people who have either experienced, witnessed, or committed street sexual
harassment. The blogathon was an immense success, perhaps due to the
frustration on the silence and downplay of street sexual harassment into eve
teasing. Suddenly, eve teasing became a booming topic on the web and Blank
Noise received media and (mostly the cyber) public attention.&lt;/p&gt;
&lt;p&gt;This is when the idea of online interventions
started. In the following year, Blank Noise created the first of its blogs that
consist entirely of contributions from the public: the &lt;em&gt;Action Heroes &lt;/em&gt;blog, a growing compilation of women’s experiences in
dealing with street sexual harassment. It is then followed by &lt;em&gt;Blank Noise Guys &lt;/em&gt;and &lt;em&gt;Blank Noise Spectators&lt;/em&gt;, which
respectively concentrates on the experiences of men and people who have
witnessed street sexual harassment. Other than the community blogs, the main
blog also introduced collaborative online campaigns in 2008, such as the
‘Museum of Street Weapons’ (a poster project that explores how women uses
everyday objects to defend themselves against street sexual harassment) and
‘Blank Noise This Place’ (a photo collection of places where street sexual
harassment occurs). These interventions were not only online; they were also
collaborative and invited the public to participate.&lt;/p&gt;
&lt;p&gt;These tipping points are intriguing not only for
being the triggers to Blank Noise’s transformation to one of the most important
digital activism in India (Mishra, 2010), but also for the reason why they are
successful in doing so: they are able to attract public participation.&lt;/p&gt;
&lt;p&gt;The first tipping point was able to attract people
to participate by commenting on a post. The said post was very simple; it
consists of a picture and a one-paragraph text that depicts a conversation
between the harasser and the woman:&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;“stalker no.
1: " Excuse me, have we met before?" machlee: no Stalker no. 1: Yes
we have! On commercial street! I work in a call centre. I am a science
graduate." machlee: why are you telling me all this? stalker no. 1: can I
have coffee with you? machlee: can i photograph you? stalker no. 1: yes! sure
you can! stalker no.1: blah blah blah&lt;/em&gt;” (Patheja, 2005)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Having been used to NGO pamphlets and blog posts, I
have come to equate discussion on sexual harassment as a very serious
discussion with long text and formal language. This post is so different from
what I was used to, but it was clear to me that even though the language was
casual, the issue and intention were serious. The casual presentation
spoke to me “we would like
to share our thoughts and activities with you” rather than “we are an
established organization and this is what we do”. It is not the space of
professionals, but passionate people. As a blogger myself, I recognize the
space as being one of my peer’s and immediately felt more attracted and comfortable to jump into the conversation.&lt;/p&gt;
&lt;p&gt;The second tipping
point attracted the more active, substantial participation than commenting;
many people actually created texts, photos, or posters for Blank Noise. It was
possible because Blank Noise opened itself. Jasmeen opened up to an idea of a
volunteer, who opened up to the possibilities offered by the cybersphere.
Instead of depending on a core team to conduct an intervention, Blank Noise
opened up to a project that &lt;strong&gt;entirely&lt;/strong&gt;
depended on the public’s response to be successful. Moreover, Blank Noise
opened up to diverse points of views and many types of experiences with street
sexual harassment.&lt;/p&gt;
&lt;p&gt;It is widely
acknowledged that the success of a digital activism lies on its ability to
attract public collaboration; however, the digital tipping points of Blank
Noise underline several important factors behind the ability. Attracting public
engagement is not always a result of a meticulous pre-planned intervention. On
the contrary, it might spawn from unintentional events that welcome diverse
points of view, adopt a peer-to-peer attitude, invite contributions, and most
importantly, touched an issue that is very important for many different people.
Web 2.0 is an enabling tool and site for dialogue, but it is certainly not the
only reason behind the success of digital activism in galvanizing youth’s
engagement.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;This is the fifth post in the &lt;a href="https://cis-india.org/digital-natives/blog/the-beyond-the-digital-directory" class="external-link"&gt;&lt;strong&gt;Beyond the Digital &lt;/strong&gt;series,&lt;/a&gt; a research
project that aims to explore new insights to understand youth digital activism
conducted by Maesy Angelina with Blank Noise under the Hivos-CIS Digital
Natives Knowledge Programme. &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;u&gt;Reference:&lt;/u&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Mishra, G.
(2010) ‘The State of Citizen Media in India in Three Short Ideas’. Accessed&lt;/p&gt;
&lt;p&gt;19 May 2010
&amp;lt; &lt;a href="http://www.gauravonomics.com/blog/the-state-of-citizen-media-in-india-"&gt;http://www.gauravonomics.com/blog/the-state-of-citizen-media-in-india-&lt;/a&gt;in-three-short-ideas/&amp;gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Patheja, J. (2005) ‘Unwanted. Section 354 IPC.’ Accessed 25 October
2010. &amp;lt; &lt;a href="http://blog.blanknoise.org/2005/03/stalker-no.html"&gt;http://blog.blanknoise.org/2005/03/stalker-no.html&lt;/a&gt;&amp;gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;SOURCE OF PICTURE&lt;/p&gt;
&lt;p&gt;&lt;a href="http://blog.blanknoise.org/2005/07/he-placed-his-hand-on-my-breast-and.html"&gt;http://blog.blanknoise.org/2005/07/he-placed-his-hand-on-my-breast-and.html&lt;/a&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/the-digital-tipping-point'&gt;https://cis-india.org/digital-natives/blog/the-digital-tipping-point&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>maesy</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Cyberspace</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Street sexual harassment</dc:subject>
    
    
        <dc:subject>Blank Noise Project</dc:subject>
    
    
        <dc:subject>Beyond the Digital</dc:subject>
    
    
        <dc:subject>Youth</dc:subject>
    
    
        <dc:subject>Social Networking</dc:subject>
    
    
        <dc:subject>movements</dc:subject>
    

   <dc:date>2011-08-04T10:36:56Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/the-class-question">
    <title>The Class Question</title>
    <link>https://cis-india.org/digital-natives/blog/the-class-question</link>
    <description>
        &lt;b&gt;Blank Noise aims to be as inclusive as possible and therefore does not identify any specific target groups. Yet, the spaces and the methods they occupy do attract certain kinds of volunteers and public. This raises the class question: what are the dilemmas around class on digital interventions? Are they any different from the dilemmas on street interventions? &lt;/b&gt;
        
&lt;p class="Normalfirstparagraph"&gt;My first click to Blank Noise’s main blog was a
surprise. Having read so many media coverage about them, I expected to see a
professional, minimalist looking website like other women’s organizations&lt;a name="_ftnref1" href="#_ftn1"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; where
the menu is immediately visible. Instead, I have arrived at the most common and
basic form of blogging: the personal blog.&lt;/p&gt;
&lt;p&gt;I
was greeted by entries on their latest thoughts and activities with photos and
text with red font against a black background. I scrolled down a long list of
permanent links on the right side of the site and arrived only at its
Frequently Asked Questions link on the 28&lt;sup&gt;th&lt;/sup&gt; item while it would be
one of the easiest to spot in other websites. For me, this discovery said, “we
would like to share our thoughts and activities with you” rather than “we are
an established organization and this is what we do”. It is not the space of
professionals, but passionate people. As a blogger myself, I recognize the
space as being one of my peer’s and immediately felt more attracted to it.&lt;/p&gt;
&lt;p&gt;Reflecting
on my own position, my familiarity with the space is due to my background as a
young, urban, educated, English-speaking woman for whom the Internet is a key
part of life. My ‘peers’ who are also attracted to this place apparently share
the same background with me. The main demography of Blank Noise’s volunteers,
almost equally men and women, are those between 16-35 years, urban, and English
speaking (Patheja, 2010). My interviewees were all at least university
educated, some in the U.S. Ivy league, and are proficient users of social
media, most of them being bloggers or Twitter and Facebook users.&lt;/p&gt;
&lt;p&gt;This dominant
base reflects the discourse on the ‘youth of India’, which represents only a
fragment of India’s vast population of young people. The two narratives on the
youth of India are described by Sinha-Kerkhoff (2005) as ‘the haves’ and
‘have-nots’, a reflection on the broader discourse on the deep social economic
inequities in India. ‘The have-nots’ are the majority of Indian youth who are
struggling with the basic issues of livelihood, health, and education, while
‘the haves’ are painted as the children of liberalization: the mostly urban,
middle class, technologically savvy, and highly educated students and young professionals
up who maintain a youthful lifestyle up to their 30s.&lt;/p&gt;
&lt;p&gt;Although
‘the haves’ only consist 10% of the total youth population, they are the ones
identified as &lt;em&gt;the &lt;/em&gt;youth of India by
popular discourses. Lukose (2008) explained this by stating that youth as a
social category in India is linked to the larger sense of India’s
transformation into an emerging global economic powerhouse together with
Brazil, Russia, and China (popular as BRIC) after its liberal economic reform
in the 1990s. India’s information and technology industry is spearheading this
transformation, thus it feeds into the discourse of youth as Digital Natives.&lt;/p&gt;
&lt;p&gt;Although
there are exceptions to this dominant demography, they are far fewer. Does this
then mean that Blank Noise is ‘contextually empowering’ (Gajjala, 2004), given
that it reaches only ‘the haves’ due to the digital divide and their sites of
participation? &amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;The classed
nature of the virtual public space is something Blank Noise fully acknowledges.
Some interviewees stated that this is why street interventions are so
important; they reach people who may not be Internet users. However, people who
have been involved in Blank Noise for more than two years acknowledged that
class issues are also present in the physical public space.&lt;/p&gt;
&lt;p&gt;Dev
Sukumar, one of Blank Noise’s male volunteers, explained to me that the British
colonial legacy still shape the way public spaces in Bangalore are organized.
The commercial areas in the city centre where Blank Noise interventions were
initially organized, such as M.G. Road and Brigade Road, are dominantly inhabited
by English speaking people, but in other parts of the city there are many who
can only speak the local language, Kannada. After recognizing this, Blank Noise
organized street interventions in such places, like the Majestic bus stand, and
making flyers and stencils in Kannada. In order to do this, Blank Noise
specifically called for volunteers who knew the local language.&lt;/p&gt;
&lt;p&gt;The
interventions might be in a non-elite space, but the main actors remain those
from the middle class. Hemangini articulated the class issue in Blank Noise,
saying “Like it or not, a lot of the people in Blank Noise are from the middle
class and a lot of the people we have been talking to on the streets are of a
certain class. What is the ethics in a middle class woman asking ‘why are you
looking at me?’ to lower class men? It is if we already assumed that most
perpetrators are lower class men while it is definitely not true.”&lt;/p&gt;
&lt;p&gt;The
reflexivity Hemangini shows led me to rethink the assumptions around digital
activism. It is often dismissed as catering only to the middle class,
privileging only one side of the digital divide. But then again, the class
issue is also present in the physical sphere. If middle class youth mostly
attracts their peers in their digital activism, is it problematic by default or
is it only problematic when there is no accompanying reflection on the
political implications of such engagement? How is it more problematic than the
ethical dilemma of middle class people addressing their ‘Others’ in street
interventions? Is the problem related to the sphere of activism (virtual versus
physical), or is it more about the methods of engagement and the reflexivity
required for it?&lt;/p&gt;
&lt;p&gt;Hemangini
told me that her dilemma is being shared and discussed with other members in
Blank Noise’s core group, consisting of those who dedicate some time to reflect
on the growth and development of the collective. They have no answer just yet,
but they intend to continue reflecting on it. I have no idea what their future
reflection looks like, but I do know that the class implications of the cyber
sphere will be resolved with more than simply taking interventions to the
streets. Considering that the actors of youth digital activism are, like it or
not, urban, middle class, educated digital natives, Blank Noise’s reflection
will indeed be relevant for all who is interested in this issue. And if you
have your own thoughts on the strategies to resolve this dilemma, why don’t you
drop a comment and reflect together with us?&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;This is the seventh post in the &lt;a href="https://cis-india.org/digital-natives/blog/the-beyond-the-digital-directory" class="external-link"&gt;&lt;strong&gt;Beyond the Digital &lt;/strong&gt;series&lt;/a&gt;, a research
project that aims to explore new insights to understand youth digital activism
conducted by Maesy Angelina with Blank Noise under the Hivos-CIS Digital
Natives Knowledge Programme. &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;References:&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Gajjala, R.
(2004) &lt;em&gt;Cyber selves: Feminist
Ethnographies of South Asian Women. &lt;/em&gt;Walnut Creek: Almitra Press.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoNormalCxSpMiddle"&gt;Lukose, R. (2008) ‘The Children of Liberalization: Youth
Agency and Globalization&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoNormalCxSpMiddle"&gt;in India’, in Dolby, N. and Rizvi, F. (eds.) &lt;em&gt;Youth Moves: Identities and Education in a
Global Perspective, &lt;/em&gt;pp. 133-150.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Patheja, J.
(2010) &lt;em&gt;Case Study: Blank Noise. &lt;/em&gt;Accessed
7 November 2010 &amp;lt;http://www.indiasocial.in/case-study-blank-noise/&amp;gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Sinha-Kerkhoff,
K. (2006) ‘Youth Activism in India’, in Sherrod, L.R., Flanagan, C.A.&lt;/p&gt;
&lt;p&gt;and Kassimir,
R. (eds.) &lt;em&gt;Youth Activism: An
International Encyclopedia, &lt;/em&gt;pp. 340-348. London: Greenwood Press.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Source for
picture: &lt;a href="http://www.facebook.com/home.php?#!/photo.php?fbid=73473166363&amp;amp;set=o.2703755288&amp;amp;pid=2095143&amp;amp;id=687356363"&gt;&lt;em&gt;http://www.facebook.com/home.php?#!/photo.php?fbid=73473166363&amp;amp;set=o.2703755288&amp;amp;pid=2095143&amp;amp;id=687356363&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;div&gt;&lt;br clear="all" /&gt;
&lt;hr align="left" size="1" width="33%" /&gt;
&lt;div id="ftn1"&gt;
&lt;p&gt;&lt;a name="_ftn1" href="#_ftnref1"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; For
example: &lt;a href="http://www.jagori.org/"&gt;http://www.jagori.org/&lt;/a&gt; , one of
the most established women organizations in India.&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/the-class-question'&gt;https://cis-india.org/digital-natives/blog/the-class-question&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>maesy</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Youth</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Blank Noise Project</dc:subject>
    
    
        <dc:subject>Beyond the Digital</dc:subject>
    

   <dc:date>2011-09-22T12:45:35Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/activism-unraveling-the-term">
    <title>Activism: Unraveling the Term</title>
    <link>https://cis-india.org/digital-natives/blog/activism-unraveling-the-term</link>
    <description>
        &lt;b&gt;After discussing Blank Noise’s politics and ways of organizing, the current post explores whether activism is still a relevant concept to capture the involvement of people within the collective. I explore the questions from the vantage point of the youth actors, through conversations about how they relate with the very term of activism.&lt;/b&gt;
        
&lt;p&gt;&lt;/p&gt;

&lt;p class="Normalfirstparagraph"&gt;&lt;strong&gt;&lt;em&gt;Youth's Popular Imagination of Activism&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p class="Normalfirstparagraph"&gt;As a start, I need to clarify
that ‘activism’ is not a concept that the participants are generally concerned
with. For a majority of them, the conversation we had was the first time they
thought of what the term means and reflect whether their engagement with Blank
Noise is activism. Regardless of whether one identifies Blank Noise as a form
of activism or not, all participants share a popular idea of what activism is.&lt;/p&gt;
&lt;p class="Normalfirstparagraph"&gt;&amp;nbsp;Generally speaking, at an abstract level all
participants saw activism as passionately caring about an injustice and taking
action to create social change. At a more tangible level, all participants
mentioned three elements as popular ideas about &lt;em&gt;doing &lt;/em&gt;activism. The first is the existence of a concrete demands as
a solution to the identified problem, such as asking for service provision or
state regulations. Since these demands are structural, activism is also seen
dealing with formal authority figures in the traditional sense of politics, the
state. The second is the intensity and commitment required to be an activist,
for many participants being an activist means having prolonged engagement,
taking risks, and making the struggle a priority in one’s life. In other words,
being an activist means “&lt;em&gt;... being
neck-deep, spending most if not all of your time, energy, and resources for the
cause” &lt;/em&gt;(Dev Sukumar, male, 34). The third element relates to the methods,
called by some as ‘old school’: shouting slogans, holding placards, and doing
marches on the streets – all enacted in the physical public space. This popular
imagination of activism becomes the orientation for participants in deciding whether
Blank Noise is a form of activism and whether they are activists for being
involved in it.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Activism
as the Intention and Action&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p align="right" style="text-align: right;"&gt;&lt;em&gt;“I have an idea of what activism is but not what it exactly
looks like.” &lt;/em&gt;&lt;/p&gt;
&lt;p align="right" style="text-align: right;"&gt;(Apurva Mathad, male,
28).&lt;em&gt; &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;For
those who think that Blank Noise &lt;em&gt;is &lt;/em&gt;a
form of activism, there was a differentiation between the idea at the abstract
level and how it is manifested at a more tangible level. The definition of
activism is the abstract one, while the popular ideas of doing activism do not
define the concept but present the most common out many possible courses of
actions. Blank Noise is fulfils all the elements in the abstract definition: a
passion about an injustice, having an aim for social change, and acting to
achieve the aim. Hence, Blank Noise is activism, but the way it manifests
itself does not adhere to the popular imagination of doing activism. The
distinction between Blank Noise’s methods with popular ones was emphasized,
along with the difference in articulating goals.&lt;/p&gt;
&lt;p&gt;Interestingly,
not all participants who share this line of thinking called themselves as
activists for being involved in an activism. Again, it must be reiterated that
no participants ever really thought of giving a name to their engagement prior
to the interview. Instead of saying ‘I am an activist’, they said ‘I guess I
could be called an activist’ for the fact that they are sharing the passion and
being actively involved in a form of activism, albeit in an unconventional
manner.&lt;/p&gt;
&lt;p&gt;Those
who would categorize Blank Noise as activism but not call themselves activists
related with a particular element on the popular idea of &lt;em&gt;doing &lt;/em&gt;activism, which is getting “neck-deep”. They were helpers,
volunteers, idea spreaders, but not an activist because their lives are not dedicated
for the cause or their involvements were based on availability. On the other
hand, these participants all said that Jasmeen is an activist for being
completely dedicated to Blank Noise from its inception until today.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Activism as Particular Ways of Doing and Being&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p align="right" style="text-align: right;"&gt;&lt;em&gt;“What are the repercussions if activism is so fluidly
defined? It can mean not questioning &lt;/em&gt;&lt;/p&gt;
&lt;p align="right" style="text-align: right;"&gt;&lt;em&gt;privilege... not seeing the class divisions and still call
yourself activist.” &amp;nbsp;&lt;/em&gt;&lt;/p&gt;
&lt;p align="right" style="text-align: right;"&gt;(Hemangini Gupta,
female, 29).&lt;em&gt; &lt;/em&gt;&lt;/p&gt;
&lt;p class="Normalfirstparagraph"&gt;Most participants did not consider
Blank Noise as an activism. Generally, this can be explained by the
discrepancies between Blank Noise and the popular imagination on the tangible
ways of &lt;em&gt;doing &lt;/em&gt;activism. Blank Noise
does not propose a concrete solution or make concrete demands to an established
formal structure nor did it march on the streets and make slogans. However, the
underlying attitude to this point of view is not of a younger generation
finding the ‘old’ ways of doing activism obsolete. Rather, there was an
acknowledgement that the issue itself causes the different ways of reading an
issue and taking actions to address it.&lt;/p&gt;
&lt;p&gt;Furthermore,
there is an appreciation to the achievements and dedication of activists that
deterred them from calling themselves activists. These people referred to their
occasional participation and the fact that Blank Noise is not the main priority
in their lives as a student or young professional despite being a cause they
are passionate about. As reflected in the opening quote, being an activist for
some participants also means deeply reflecting on their self position in terms
of class, acknowledging their privileges, and putting themselves in a position
that will enable them to imagine the experience of people who are also affected
by the issue but has a different position in the society. In other words, being
an activist is not just about &lt;em&gt;doing &lt;/em&gt;but
also about critically reflecting on one’s position in relation to the issue and
how it influences the way an issue is being pushed forward. Thinking that they
are not up to these standards, these youth choose to call themselves
‘volunteers’, ‘helpers’, or ‘supporters’.&lt;/p&gt;
&lt;h2&gt;&lt;em&gt;Youth: The Activist, the Apathetic, and the Everyday&lt;/em&gt;&lt;/h2&gt;
&lt;p align="right" style="text-align: right;" class="Normalfirstparagraph"&gt;&lt;em&gt;“Blank Noise is a public
and community street arts collective that is volunteer-led and attempts to
create public dialogue on the issue of street sexual violence and eve teasing.”
&lt;/em&gt;&lt;/p&gt;
&lt;p align="right" style="text-align: right;" class="Normalfirstparagraph"&gt;&lt;em&gt;(&lt;/em&gt;Jasmeen Patheja)&lt;/p&gt;
&lt;p align="right" style="text-align: right;"&gt;&lt;em&gt;“... a
group of people against street sexual harassment and eve teasing.” &lt;/em&gt;&lt;/p&gt;
&lt;p align="right" style="text-align: right;"&gt;(Kunal Ashok, men, 29)&lt;/p&gt;
&lt;p align="right" style="text-align: right;"&gt;“... &lt;em&gt;an
idea that really works.” &lt;/em&gt;&lt;/p&gt;
&lt;p align="right" style="text-align: right;"&gt;(Neha Bhat, 19)&lt;/p&gt;
&lt;p class="Normalfirstparagraph"&gt;As clarified before, the
participants did not use the words ‘movement’ and very few used ‘activism’
during our conversations. Instead, the terms they used to describe Blank Noise
are represented in the quotes above: collective, community, group, project, and
even as an idea. These phrases do not carry the same political baggage that
‘movement’ or ‘activism’ would; they also do not conjure a particular
imagination that the other two terms would. These phrases are de-politicized
and informal; they imply fluidity, lack of hierarchy, and room for
manoeuvre.&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;The
implied meanings in the terms reflect the debates on the average youth and
political engagement. For the past decade, various youth scholars criticized
the dichotomy of youth as either activists or apathetic in explaining the
global trend of decreased youth participation in formal politics. The activists
are either politically active Digital Natives engaged in new forms of social
movements influenced heavily by new media or sub-cultural resistances, which
only account for a fraction of the youth population that are mostly completely
apathetic. This dichotomy ignored the ‘broad “mainstream” young people who are
neither deeply apathetic about politics on unconventionally engaged’ (Harris et
al, 2010).&lt;/p&gt;
&lt;p&gt;These
mainstream young people actually are socially and politically engaged in
‘everyday activism’ (Bang, 2004; Harris et al, 2010). These are young people
who are personalizing politics by adopting causes in their daily behaviour and
lifestyle, for instance by purchasing only Fair Trade goods, or being very
involved in a short term concrete project but then stopping and moving on to
other activities. The emergence of these everyday activists are explained by
the dwindling authority of the state in the emergence of major corporations as
political powers (Castells, 2009) and youth’s decreased faith in formal
political structures which also resulted in decreased interest in collectivist,
hierarchical social movements in favour of a more individualized form of
activism (Harris et al, 2010). Internet and new media technologies are credited
as an enabling factor, being a space and a medium for young people to express
their everyday activism. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;All
of the research participants, perhaps with the exception of Jasmeen as the only
one who has constantly been the driver Blank Noise its entire seven years, are
these everyday makers, people who were involved with the Blank Noise either on
a daily basis as a commentator, one-time project initiator and leader, or
people who were active when they are available but remain dormant at other
times. Blank Noise is a space where these individual forms of engagement could
be exercised while remaining as a collective. The facilitation is not only by
the flexibility of coming and going, but also the lack of rigid group rules and
the approach of allowing Blank Noise to be interpreted differently by
individuals. Considering that the mainstream urban youth are everyday makers
who would not find ‘old’ or ‘new’ social movements appealing, this can be the
reason why Blank Noise became so popular among youth; however, I would also
argue that the fact that Blank Noise is the first to systematically address eve
teasing is a determining cause.&lt;/p&gt;
&lt;p&gt;The
implications of this finding, together with other concluding thoughts, will be
shared in the next and final post in the Beyond the Digital series.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;This is the &lt;strong&gt;ninth&lt;/strong&gt; post in the &lt;a href="https://cis-india.org/digital-natives/blog/the-beyond-the-digital-directory" class="external-link"&gt;&lt;strong&gt;Beyond the Digital &lt;/strong&gt;series,&lt;/a&gt; a research project that aims to explore
new insights to understand youth digital activism conducted by Maesy Angelina
with Blank Noise Project under the Hivos-CIS Digital Natives Knowledge
Programme. &lt;/em&gt;&lt;/p&gt;
&amp;nbsp;
&lt;p&gt;&lt;em&gt;References:&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Bang,
H.P. (2004) ‘Among everyday makers and expert citizens’. Accessed 21 September
2010. &lt;a href="http://www.sam.kau.se/stv/ksspa/papers/bang.pdf"&gt;http://www.sam.kau.se/stv/ksspa/papers/bang.pdf&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Castells,
M. (2009) &lt;em&gt;Communication Power. &lt;/em&gt;New
York: Oxford University Press.&lt;/p&gt;
&lt;p&gt;Harris,
A., Wyn, J., and Younes, S. (2010) ‘Beyond apathetic or activist youth: ‘Ordinary’
young people and contemporary forms of participaton’, &lt;em&gt;Young &lt;/em&gt;Vol. 18:9, pp. 9-32&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Image source:&lt;/em&gt; &lt;a href="http://blog.blanknoise.org/2010/02/tweet-now-feb-17-27.html"&gt;http://blog.blanknoise.org/2010/02/tweet-now-feb-17-27.html&lt;/a&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/activism-unraveling-the-term'&gt;https://cis-india.org/digital-natives/blog/activism-unraveling-the-term&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>maesy</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Blank Noise Project</dc:subject>
    
    
        <dc:subject>Beyond the Digital</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    

   <dc:date>2015-05-14T12:25:05Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/raw/histories-of-the-internet/blogs/revolution-2.0/digiactivprop">
    <title>Inquilab 2.0? Reflections on Online Activism in India*</title>
    <link>https://cis-india.org/raw/histories-of-the-internet/blogs/revolution-2.0/digiactivprop</link>
    <description>
        &lt;b&gt;Research and activism on the Internet in India remain fledgling in spite the media hype, says Anja Kovacs in her blog post that charts online activism in India as it has emerged. &lt;/b&gt;
        
&lt;p&gt;Since the late 1990s when protesters against the WTO in Seattle used a variety of new technologies to revolutionize their ways of protesting so as to further their old goals in the information age, much has been made of the possibilities that new technologies seem to offer social movements. The emergence of Web 2.0 seems to have only multiplied the possibilities of building on the Internet's democratising potentials, so widely heralded since the rise of the commercial Internet in the 1990s, and since then, the use of social media for social change has received widespread media attention worldwide. From Spain to Mexico, activists used the Internet as a central tool in their efforts to organise and mobilise – be it to express their stand against a war in Iraq, against a Costa Rican Free Trade Agreement with the United States, to mobilise support for the Zapatistas of Chiapas, or more recently, to push for a change of guard in Iran.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;In 2009, when Nisha Susan launched the Pink Chaddi campaign, the 'ICT for Revolution' buzz finally seemed to have reached India as well. Phenomenally successful in terms of the attention it generated for the issue it sought to address, the campaign sought to protest in a humorous fashion against attacks on women pub-goers in Karnataka by Hindu right wing elements. In only a matter of weeks, Facebook associated with the campaign – 'The Consortium of Pub-going, Loose and Forward Women', which gathered tens of thousands of members. It was ultimately killed off when Susan's Facebook account was cracked by rivals. The campaign was perhaps the singular most successful account of ‘digital activism’ in India so far, and an impressive one by all measures.&lt;/p&gt;
&lt;p&gt;The creativity of the campaign should not come as a surprise to those familiar with the long and rich history of activism for social change in India. Organised social actors have been critical influences in the emergence of new social identities as well as on critical policy junctures from colonial times onwards, developing a fascinating and unmistakably Indian language of protest in the process (see Kumar 1997 and Zubaan 2006 for examples from feminist movement).&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;As Raka Ray and Mary Faizod Katzenstein (2006) have pointed out, in the post-independence period, such organised activism for long was connected by at least verbal – if not actual – commitment to the common master frame of poverty alleviation and the ending of inequality and injustice, and this irrespective of the particular issues groups were working on. Since the late 1980s, however, a number of far-reaching changes have taken place in India. This period has been marked by the definite demise of secular democratic socialism as the dominant script of the Indian state and its simultaneous replacement by neo-liberalism. Moreover, in the same period, Hindu nationalism as an ideology too has gone from strength to strength, with only in the last five years a slowdown in its ascendancy. While for many traditional social movements of the Left the commitment to social justice remains, in this context a space has undeniably been created for groups with a very different agenda. The considerable popularity of organisations such as Vishwa Hindu Parishad and Rashtriya Swayamsevak Sangh, both Hindu nationalist organisations, are prime indications of these transformations. However, the fragmentation of the activist space did not only benefit reactionary elements of society. The final emergence into visibility of a well-articulated middle class queer politics, for example, too, may well in many ways have been facilitated by the evolutions of the past 20 years. Although this point has been mostly elaborated in the context of the US (Hennessey 2000), in India, too, this seems to ring true at least in some senses.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;The general shape-shifting of activism in India since the 1990s is not the only contextual factor that deserves obvious consideration in a study like this. In addition, since independence a close link has been forged in policy and people's imagination alike between science and technology on the one hand and development paradigms in India on the other. Not everyone agrees on the benefits of this association: all too frequently, the struggles of grassroots social movements are directed precisely against the outcomes or consequences of a supposedly 'scientifically' inspired development policy. The neo-liberal era is no exception to this: as Carol Upadhya (2004) has shown quite convincingly, the economic reform policies that are at the heart of neo-liberalism have been inspired first and foremost by the information technology sector in India, which has also in turn been their first beneficiary. And today as earlier, Asha Achuthan (2009) has pointed out, in the resistance to these policies, the subaltern who is the agent of grassroots social movements is frequently associated with a pre-technological purity that needs to be maintained in order to resist discourses and material consequences of technological change themselves. In popular discourses, at least, attitudes towards technology inevitably come in a binary mode.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Seeing the context in which digital activism in India has emerged, a number of pressing questions regarding the new forms that even progressive activism takes as it adopts new tools and methods, then, immediately offer themselves. Leaving aside the activities of right wing groups in India, who are the actors that occupy this space for activism and what are their relationship with offline activists groups? Which are the issues online activism seeks to address, and what are its master narratives, goals and audiences? Where does it locate problems in today's society, and what kind of solutions does it propose? How does it posit its relation to the global/international and to the offline-local; to dominant understandings of science and technology, development, or desirable social change? How are these understandings reflected in online activism, including in the choice and use of technologies but also in the discourses that are deployed and the audiences that are targeted? What are its methods, its strategies, its ways of organising? What role is played by organisations, collectives, networks, individuals? In what ways is the field marked by the conjuncture at which it emerged? Do those who first occupy (most of) it also set the parameters? Or do its tools fashion online activism's very conditions of existence?&lt;/p&gt;
&lt;p&gt;The value of greater insight into these issues is not immediately apparent to all. For one thing, some would argue that, as connectivity in the emerging IT superpower remains limited, the importance of these questions to those concerned with social justice in India is really marginal. It is true that while commercial Internet services have been available in the country since 1995, for long the number of connections remained abysmally low. Even today, the number of subscriptions has only just crossed the 14 million mark, and barely half of these are broadband subscriptions, severely limiting the usefulness of a wide range of potential online activism tools (Telecom Regulatory Authority of India 2009 – figures are for the second quarter of 2009). According to I-Cube 2008 report (IMRB and Internet and Mobile Association of India 2008), there were an estimated 57 million claimed urban Internet users in the country in September 2008 and an estimated 42 million active urban Internet users. Corresponding figures for Internet users in rural areas in March 2008 were 5.5 million and 3.3 million respectively. Almost 88 million Indians were believed to be computer-literate at the time. Clearly, then, online activists are a tiny section of an already fairly small, privileged group, and at least in a direct sense, the availability of new tools is thus indeed unlikely to affect all activists or activism in the country.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Some of my own starting points while embarking on this study may seem to further give fuel to arguments against the value of this research. The idea of investigating online activism in India as it emerges followed from my observation – and a troubling one at that for me – that so far, and despite all the hype internationally, more traditional grassroots movements in India seem to have been slow to embrace the Internet as an integral part of their awareness raising and mobilisation strategies. Although they may attract the largest numbers of activists offline, the many so-called 'new' social movements that have emerged since the 1970s and that remain important actors pushing for social change seem most conspicuous by their relative absence online. This is especially true of those critical of current development paradigms and practices: movements fighting against dams, special economic zones or land acquisitions for “development” purposes seem visible only in relatively fragmented and generally marginal ways. Instead, middle-class actors addressing middle class audiences on middle class issues seem to be the flag bearers of Internet activism in India – the Pink Chaddi campaign or VoteReport India, a “collaborative citizen-driven election monitoring platform for the 2009 Indian general elections” (see votereport.in/blog/about) perhaps among the most well-known illustrations of this argument.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Both points are valid, and yet, while inquilab it may not be, to conclude from this that the study of online activism automatically is of only very limited value would be short-sighted. Indeed, even if the hypothesis that Internet activism is dominated by middle class actors who address middle class concerns is validated (note that in any case considerable segments of the leadership and cadre of grassroots movements, too, tend to come from middle class backgrounds), this is likely to affect all those interested in affecting social change, even if perhaps in varying degrees. For one thing, it would mean that as the public sphere is reshaped, important new quarters of its landscape are inhabited only be the elite, contradicting the still widely popular and even cherished belief (at least among those who are familiar with the Internet) that the Internet is a democratising force. Instead, the proportional visibility in the public sphere of dissenting viewpoints on development, science, neo-liberalism, progress, the state will only decrease. In addition, then, it may also indicate a further refracting of the activism landscape and its master narratives and methods, where different segments of activists increasingly need to vie with each other for recognition and validation of their respective understandings of political processes and of appropriate forms of engaging with these. As such battles intensify it is not too risky to make a prognosis on who will be the main losers. If, in an era in which the old activist master narrative of justice for all remains under strident attack, civil society has come to occupy at the expense of political society (a useful distinction first made by Parth Chatterjee in Chatterjee 2004) a whole arena of activism, this would indeed need to be a cause of concern for all. In order to gauge its ramifications, it is however, crucial to first of all understand in which ways and to what extent this statement rings true.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;The current study may well not be able to fully develop all the above and other theoretical strands as they emerge in the course of this research. But what it does promise to do is to outline the breaks and continuities that mark the make-up, strategies, audiences and goals of those who embrace the new possibilities that the Internet provides at the same time as the information age so fundamentally reconstitutes our society. As a starting point for the analysis, this research will therefore, attempt to map the online activism that has taken place in India so far, focusing more specifically on the forms of activism that leave a public record on the Internet (a more extensive debate of various definitional issues is in order – I will take this up in a separate blog post, to follow later, however). At the core of the research will be the construction of a database pertaining to online activism in India with links to email lists, blogs, Facebook groups, popular hash tags and the like. Although much of the activism I will be looking at will be centred around what has come to be known as 'social media', my focus is thus broader than that, as older tools such as e-petitions, discussion boards and list servs, too, will be included in this study. The aim is to be as comprehensive as possible, although for the database to ever be complete will, of course, be an impossibility. Moreover, since only data available in the English language will be collected, the database will automatically have its limitations. The database will be further complemented by interviews with activists who have been involved in key online campaigns and, where appropriate, case studies. It is the data thus gathered that will form the basis of our analysis.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;While the scope of the study is thus admittedly ambitious, the fact that online activism in India is a fairly recent affair – little happened before 2002, and it has only really taken off in the past three years or so – makes this venture not an impossible one. The contribution I hope to make through this research is not simply to work on the Indian context, however. Despite the media hype surrounding the possibilities of the Internet for social change, research on the Internet and activism more generally remains limited so far. The paucity is perhaps particularly acute where activism and social media are concerned (Postill 2009). Moreover, the work that does exist, I argue, tends to look mostly at activists' use of one particular tool, for example YouTube, or Facebook. Sight is thus generally lost of the larger cyberecology of communication in which this use must be located, preventing an opportunity for genuine insight into the ways in which activism is reconfigured from materialising. By using a much wider lens, this research hopes to make a beginning to correcting this lacuna. It is in this way that the importance of the changes that are underway in the Indian activist landscape as elsewhere can be appropriately assessed.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&lt;em&gt;&lt;strong&gt;*
Inquilab means revolution&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&lt;strong&gt;References&lt;/strong&gt;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Achuthan, Asha (2009).
Re-Wiring Bodies. Centre for Internet and Society, Bangalore.
&lt;a href="https://cis-india.org/raw/histories-of-the-internet/rewiring/review"&gt;http://www.cis-india.org/research/cis-raw/histories/rewiring/review&lt;/a&gt;,
last accessed on 15 January 2010.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Chatterjee, Partha
(2004). &lt;em&gt;The Politics of the Governed: Reflections on Popular
Politics in Most of the World&lt;/em&gt;.  Delhi: Permanent Black.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Hennessy, Rosemary
(2000). &lt;em&gt;Profit and Pleasure: Sexual Identities in Late Capitalism&lt;/em&gt;.
 London: Routledge.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;IMRB and Internet and
Mobile Association of India (2008). I-Cube 2008: Facilitating Citins,
Altins,  Fortins (Faster, Higher, Stronger) Internet in India.  IMRB
and Internet and Mobile Association of India, Mumbai. &lt;a href="http://www.iamai.in/"&gt;www.iamai.in/&lt;/a&gt;,
last accessed on 15 January 2010.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Kumar, Radha (1997). &lt;em&gt;The
History of Doing: An Illustrated Account of Movements for Women's
Rights and Feminism in India 1800-1990&lt;/em&gt;. New Delhi: Zubaan.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Postill, John (2009).
Thoughts on Anthropology and Social Media Activism.
&lt;em&gt;Media/Anthropology&lt;/em&gt;,
&lt;a href="http://johnpostill.wordpress.com/2009/11/14/thoughts-on-anthropology-and-social-media-activism/"&gt;http://johnpostill.wordpress.com/2009/11/14/thoughts-on-anthropology-and-social-media-activism/&lt;/a&gt;&lt;a href="http://johnpostill.wordpress.com/2009/11/14/thoughts-on-anthropology-and-social-media-activism/"&gt;,
&lt;/a&gt;last accessed on 15 January 2010.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Ray, Raka and Mary
Fainsod Katzenstein (2006). Introduction: In the Beginning, There Was
the Nehruvian State.  In Raka Ray and Mary Fainsod Katzenstein
(eds.).  &lt;em&gt;Social Movements in India: Poverty, Power, and Politics.&lt;/em&gt;
 New Delhi: Oxford University Press.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Telecom Regulatory
Authority of India (2009).  The Indian Telecom Services Performance
Indicators, April-June 2009.  Telecom Regulatory Authority of India,
New Delhi. &lt;a href="http://www.trai.gov.in/"&gt;www.trai.gov.in&lt;/a&gt;&lt;a href="http://www.trai.gov.in/"&gt;,
&lt;/a&gt;last accessed on 15 January 2010.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Upadhya, Carol (2004).  A
New Transnational Capitalist Class: Capital Flows, Business Networks
and Entrepreneurs in the Indian Software Industry.  &lt;em&gt;Economic and
Political Weekly&lt;/em&gt;, 39(48): 5141-5151.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Zubaan (2006). &lt;em&gt;Poster
Women: A Visual History of the Women's Movement in India&lt;/em&gt;. New
Delhi: Zubaan.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/raw/histories-of-the-internet/blogs/revolution-2.0/digiactivprop'&gt;https://cis-india.org/raw/histories-of-the-internet/blogs/revolution-2.0/digiactivprop&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>histories of internet in India</dc:subject>
    
    
        <dc:subject>Social media</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Cyberspace</dc:subject>
    
    
        <dc:subject>Access to Medicine</dc:subject>
    
    
        <dc:subject>internet and society</dc:subject>
    
    
        <dc:subject>Research</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    

   <dc:date>2011-08-02T09:25:30Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/raw/histories-of-the-internet/blogs/revolution-2.0/whats-in-a-name-or-why-clicktivism-may-not-be-ruining-left-activism-in-india-at-least-for-now">
    <title>What's in a Name? Or Why Clicktivism May Not Be Ruining Left Activism in India, At Least For Now</title>
    <link>https://cis-india.org/raw/histories-of-the-internet/blogs/revolution-2.0/whats-in-a-name-or-why-clicktivism-may-not-be-ruining-left-activism-in-india-at-least-for-now</link>
    <description>
        &lt;b&gt;In a recent piece in the Guardian titled “Clicktivism Is Ruining Leftist Activism”, Micah White expressed severe concern that, in drawing on tactics of advertising and marketing research, digital activism is undermining “the passionate, ideological and total critique of consumer society”. His concerns are certainly shared by some in India: White's piece has been circulating on activist email lists where people noted with concern that e-activism may be replacing “the real thing” even in this country. But is the situation in India really this dire?&lt;/b&gt;
        
&lt;p align="JUSTIFY"&gt;Among those
who consider themselves activists in a more traditional fashion,
critical debates on what it means to be an activist certainly remain
alive and well.  Among India's social movements, perhaps most
prominent, over the past decade, have been those that protest against
large-scale “development” projects and the displacement they tend
to cause – projects of which especially India's tribal people, or
&lt;em&gt;adivasis&lt;/em&gt;,
often are the victims.  In these circles, arguments against the use
of the Internet for activism often focus on the elitist character of
this tool: in a country where Internet penetration rates continue to
hover around a meagre five percent, frequently neither the people
affected nor the wider groups that need to be mobilised have access
to this resource.  Clearly then, organising online is never
sufficient and, perhaps not surprisingly, debates about what is
called “armchair activism” consequently are both common and
intense.  In a recent &lt;a href="http://www.youtube.com/watch?v=bTnncO8kc-Y"&gt;video&lt;/a&gt;
posted on YouTube, for example, the respected Himanshu Kumar – who
everyone will recognise as a grassroots activist –
called on the nation to support the &lt;em&gt;adivasis&lt;/em&gt;
and their causes.  In the same video, he also explicitly requested
people to get off the Internet: &lt;/p&gt;
&lt;blockquote&gt;
&lt;p align="JUSTIFY"&gt;
&lt;em&gt;Is
me jo shehero me rehne wale log hai, mujhe unse khas tor se kehna hai
ki aap sheher me baithe rahenge, net par thoda sa likh denge – usse
sarkar ko koi farak padne wala nahi hai.  Na janta Internet padthi
hai na sarkar Internet padthi hai. Hum jo activist hai wohi aapas
mein Internet par pad lethe hai. Usse sarkar ki koi policiyan nahi
badal payenge, sarkar par pressure nahi create kar payenge. Jab tak
ham aam janta ke beech mein nahi jayenge, na to hame desh ki problems
pata challenge, na ham desh ke logon ko jaga payenge. &lt;/em&gt;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;
[To
the people in the cities, I want to especially say that, you keep
sitting in the cities, you write something on the Internet - it
doesn't make any difference to the government. Neither do people read
the Internet, nor does the government read the Internet.  Only
activists like you and me read on the Internet.  Through that, we
cannot change the policies of the government, we cannot create
pressure on the government.  As long as we don't go among/approach
the common people, neither will we come to know the country's
problems, nor will we be able to awaken the people].  &lt;/p&gt;
&lt;/blockquote&gt;
&lt;p align="JUSTIFY"&gt;Not
everybody I spoke to would have agreed with Kumar's argument.  The
importance of mass mobilisation and the need to be in touch with
grassroots realities are recognised by all movement activists, as is
consequently the requirement to get active offline as much as online.
 But whether mass mobilisation at the grassroots is the &lt;em&gt;only&lt;/em&gt;
way forward is not something that everyone is convinced of.  In the
context of the &lt;a href="http://www.binayaksen.net/"&gt;Free Binayak Sen
campaign&lt;/a&gt;, for example, there is considerable recognition that the
website was a vital complement to a well-organised offline campaign
to free Dr. Binayak Sen from jail, which kicked off in the spring of
2008.  Sen is a community health doctor and civil liberties activist
who had worked for more than twenty five years among the &lt;em&gt;adivasis&lt;/em&gt;
of Chhattisgarh, the heart of the current Maoist conflict, when he
was arrested on the basis of what many considered completely
baseless, yet non-bailable charges of being a Maoist himself, and
left to languish in jail for two years.  A regularly updated website,
and related Facebook group and email list, soon became the focal
point for a massive outpouring of support for Sen from different
parts of the world, including in the form of a letter from twenty
Nobel Prize winners, as well as an important source of information on
the campaign for activists within the country.  In May 2009, the
Indian Supreme Court finally released granted bail to Dr. Binayak
Sen.  The Doctor's trial is currently ongoing.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;In
this context of critical debates, how do those who do see themselves
as activists, yet draw on the Internet as a significant tool to
publicise struggles, justify themselves?  If the Internet can play a
role in changing matters at the grassroots, and has proven to do so
in the past, does it become possible to intensely use this tool and
still be recognised as an activist in a more traditional reading of
this word?  The fact that most middle-class English speaking cadres
of movements are online, despite their protestations against online
activism for being elitist, may well play in the favour of advocates
of online protest: it does open up a space to argue for the relevance
of this medium, even if for a limited group, and for the importance
of its responsible use.  Indeed, it may well be for this reason that
it is possible to watch on YouTube a number of videos in which
Himanshu Kumar shares his experiences at the grassroots, his own
discomfort with the medium notwithstanding.  But it is not this
ambiguity that is at the heart of the claims to credibility of
advocates of online activism.  Rather, as has always been the case,
it is their continued connectedness to the grassroots.  How much you
are in the know of what happens at the grassroots; whether you have
physically joined struggles; to what extent you get your hands dirty
offline and show up for meetings, rallies, poster pasting, rather
than limiting your engagement to the online route – these are the
kind of elements that determine whether you are an online &lt;em&gt;activist&lt;/em&gt;.
 What you do offline remains as important as ever. To only
work online is not sufficient.       &lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Importantly,
such readings are frequently mirrored by those who do not have such
connections to the grassroots.  In my research, I have more than once
come across “online activists” who started their conversation
with me by stating that they were not, in fact, activists at all. 
Interestingly, Maesy Angelina has observed a similar reluctance to
identify as an activist among participants in the &lt;a href="http://www.blanknoise.org/"&gt;Blank
Noise&lt;/a&gt; project (personal communication and Angelina, forthcoming),
a campaign to combat street sexual harassment and, with its extensive
use of online tools over the seven years of its existence, one of the
paragons of online activism in India.  While Maesy herself will blog
more about how Blank Noise participants understand activism later on
&lt;a href="https://cis-india.org/research/dn"&gt;here,&lt;/a&gt; (earlier
posts are available as well) at least in my research, the reason why
people refused the “activist” label was generally not because
they disapproved of what it might stand for.  Rather, they saw a
clear difference between their own contribution and that of the
full-time activists who ceaselessly mobilise and organise people on
the ground, those who in many cases draw on a distinct and
easily-recognisable language of protest that infuses everything from
the shape protests take to activists' dressing sense in the process –
the “jholawallahs”, as
one person I follow on Twitter calls them, after the trademark cotton
bag that they often carry around.  Those who refused the namecard of
an “activist” were clear that they would never have chosen such a
full-time activist's life; what new technology allowed them to do,
however, was to nevertheless make a contribution, even if often on a
smaller scale, of their own.  As one person put it quite movingly:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p align="JUSTIFY"&gt;
I believe that, I think that ordinary people, and I am &lt;em&gt;convinced&lt;/em&gt;,
that they can do, can use this medium to actually make a difference,
you know or bring about change, to change the world.  You know, these
dreams that you have sometimes, “I want to change the world in some
way” [laughs]. You know?  I do believe that... it's possible.  And
you don't have to be an activist or working in an NGO. You can be
working anywhere, you can be doing anything as your day job, you
know, or your regular job.  But, you can contribute.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p align="JUSTIFY"&gt;Clearly,
then, critical readings of what it means to be an activist are common
not only among those who are activists in a more traditional sense,
but among those who focus on exploring the use of new tools for
social change as well: the kind of credibility, based on offline
experience, that attaches to more traditional activists is not
something they claim for themselves.  But what they understand is
that new technologies have facilitated a qualitatively new kind of
engagement with movements, with activism, with social change.  And
what such “not-activists” do claim is that this has made it
possible for ordinary people to now also make a difference, even
though small that difference often may be.  &lt;/p&gt;
&lt;p align="JUSTIFY"&gt;In
many ways this type of involvement is actually not new, as
contributions of non-activists have always played an important role
in the survival and evolutions of movements, especially at times of
great urgency: doctors who are ready to treat patients for free;
lawyers who supply legal advice without expecting anything in return;
people with comfortable jobs in the private sector who one knows one
can rely on for donations when required (most movements in India
survive financially by relying solely or mostly on donations by
private persons).  What is new with the introduction of the Internet
is that the possibility of contributions by people who are not
activists are now extended into new areas, as it has become much
easier to contribute to publicising and building community around
issues that are close to movements' heart as well.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;So
how to evaluate White's claim that clicktivism is ruining Left
activism in the Indian context then?  For one thing, it is important
to remember that we simply do not – or not yet at least – have
platforms such as &lt;a href="http://moveon.org/"&gt;MoveOn&lt;/a&gt; or &lt;a href="http://avaaz.org/"&gt;Avaaz&lt;/a&gt;,
that draw, as White explains, on market ideology to conveniently
break down a seemingly endless number of political campaigns into
little bites for easy individual consumption with the click of a
mouse button.  Left activism in India, even online, remains firmly
embedded in &lt;em&gt;communities&lt;/em&gt;
of engagement.  Surely e-petitions, for example, are popular here as
much as elsewhere.  But the point to remember is that they rarely
circulate in isolation.  Instead, they emerge from the email lists,
from the postings and repostings as well as conversations on
Facebook, from the blogs around which much Left activism online
revolves.  And crucial to these uses of the Internet as a tool for
social change is not clicking, but engagement and conversation. 
Perhaps it is for this reason that even a landmark campaign such as
Free Binayak Sen has hardly received any attention in the
international online activists' arena: campaigns such as this do not
revolve around the number of clicks they get, nor around flash-points
or events shaped to satisfy the hunger of the international media,
valuable as some may argue these can be; rather, they are intended
for the long haul, as they attempt to build on existing collectives
to extend the communities of solidarity around issues that move and
drive the Left in this neoliberal age.  Even online, the politics can
and does infuse the method, at least for now. &lt;/p&gt;
&lt;p align="JUSTIFY"&gt;This,
then, gives something to ponder over.  It is true that working among
people, offline, remains of crucial importance if Left movements in
the country are to achieve their goals.  But perhaps it is worth
considering more seriously the value and role of this pool of people
willing and available to help building such communities in a more or
less sustained fashion online (I am not talking about the accidental
activist here), without necessarily wanting to take on a core
“activist”'s role. Yes,  perhaps their work does not amount to
activism as we know it.  But nevertheless, it may well be that in
many cases the efforts of these committed individuals do not amount
to distractions, but to gravy: extras that help ensuring that more
and more people start to care as the message of social movements is
amplified to a much larger audience than might have otherwise been
the case, perhaps even getting many more people involved, while also
acutely aware of their own limitations when it comes to achieving
fundamental, lasting social change.  In fact, perhaps the Left would
also do well to wonder whether it can afford to lose this valuable
support: as I will document in a future blog post, with the rise of
the Internet in India, online initiatives have also emerged that take
neither of the stances described above, but that instead explicitly,
and at times aggressively, seek to present themselves as a
forward-looking &lt;em&gt;alternative&lt;/em&gt; to the existing progressive
politics in this country.  A lack of engagement on the part of the
Left with supporters online would effectively entail a ceding of the
space to such challengers.  &lt;/p&gt;
&lt;p align="JUSTIFY"&gt;The
point to remember for now, however, is that many of those active in
online campaigns are acutely aware themselves not only of the
potential of their work, but also of its limitations.  What we do
need to do, however, is to keep firmly alive this tension and debate
surrounding what it means to be an activist, as well as to remain
vigilant that the dazzling charms of the tools do not, in the long
term, blind us to our politics.    At the moment, it seems to be the
continuing vibrancy of the Left in India that makes it difficult for
anyone who wants to get seriously involved with movement politics to
consider online activism a sufficient replacement. It is the
endurance of these attitudes of continuous critical inquiry that will
ensure that, clicktivism or not, Left activism will remain firmly
alive in this country in the future as well – in  the hearts and
minds of activists and non-activists alike. &lt;br /&gt;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&lt;em&gt;With
thanks to Prasad Krishna for assistance with the translation.&lt;/em&gt;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&lt;strong&gt;References&lt;/strong&gt;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;Angelina,
M. (forthcoming). 'Beyond the Digital: Understanding Contemporary
Youth Activism in Urban India' (working title). MA thesis. The Hague,
International Institute of Social Studies – Erasmus University of
Rotterdam.&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="JUSTIFY"&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/raw/histories-of-the-internet/blogs/revolution-2.0/whats-in-a-name-or-why-clicktivism-may-not-be-ruining-left-activism-in-india-at-least-for-now'&gt;https://cis-india.org/raw/histories-of-the-internet/blogs/revolution-2.0/whats-in-a-name-or-why-clicktivism-may-not-be-ruining-left-activism-in-india-at-least-for-now&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>anja</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>histories of internet in India</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>movements</dc:subject>
    
    
        <dc:subject>Research</dc:subject>
    

   <dc:date>2011-08-02T09:25:39Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>




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