The Centre for Internet and Society
https://cis-india.org
These are the search results for the query, showing results 61 to 75.
Love in the Time of Tinder
https://cis-india.org/raw/indian-express-october-2-2016-nishant-shah-love-in-the-time-of-tinder
<b>Service providers and information aggregators mine our information and share it in ways that we cannot imagine.</b>
<p style="text-align: justify; ">The article was <a class="external-link" href="http://indianexpress.com/article/technology/social/love-in-the-time-of-tinder-3059643/">published in the Indian Express</a> on October 2, 2016.</p>
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<p style="text-align: justify; ">Last week, I met somebody who narrated their digital fairy tale to me. He was waiting in between trains, waiting at a train station, for the connection to arrive. Bored, he opened the dating app Tinder. He swiped right. There was a match. They started chatting. The conversation became interesting. She offered to leave work early and come to the train station to meet him for coffee. They had a five-hour long date. He missed many connections and stayed back with her to spend more time. When he left, they stayed connected using all the digital apps of connection that you can imagine. They started travelling weekends to be with each other. Three years later, he moved countries and jobs to be in the same city as her. Last week, they got engaged to be married. And everybody raised a toast to the resilience of their love, and how they have worked hard at being together. They thanked all the people who have been involved and supportive in helping them through this period. And at the end, she said, she wanted to thank Tinder and WhatsApp, without which they would have never met been able to continue this connection. They were being facetious, but they were also reminding us that we live in appified times.</p>
<p style="text-align: justify; ">Apps are everywhere and they have become so natural and ubiquitous that we have forgotten what it means to live without them. In the case of this fairy tale couple, their very meeting was ordained not by fate and destiny and romantic godmothers, but by a smart app. This app, based on algorithms that judged them to be a good match, drawing from what they like on Facebook and what they share with their friends, presented both of them to each other, causing the first swipe. The app, designed around the principle of FOMO (Fear Of Missing Out), made sure that in the 40 minutes that he was at the train station, both of them looked at their phones, swiped right and had the conversation that began it all. The app created habits that ensured that they trusted each other to meet after a 20-minute chat, to miss trains for the joy of the first extended date. People fell in love, and their love was managed entirely by smart apps.</p>
<p style="text-align: justify; ">These apps are designed to assist us in our mundane lives. Behind their seductive design and intuitive interfaces are scripts, norms, rules, protocols and intentions that are influenced and shaped by corporations and individuals, who have a specific interest in expanding their market domains. The creation of profiles on Tinder required both these people to give Tinder access to a wide variety of their personal activities and profiles. As their romance progressed, they involved more apps in their activities. Personal planners, reminders, e-shopping platforms, social media testimonies, deals to buy cheap tickets — all came into play. And even as they came together in a monogamous relationship, the apps encouraged them into data infidelity, wantonly sharing their data, making it speak with strangers, interact with unknown shadows in the dark, morphing and fusing with predatory algorithms that continued to not only follow them but also predict what their needs are. These smart apps might come with friendly interfaces and helpful suggestions, but they do it by making us transparent — they mine our information and distribute and share it in ways that we cannot imagine to ends that we cannot fathom.</p>
<p style="text-align: justify; ">As the apps become a daily part of our lives, holding our hands and comforting our souls, it is good to remember that behind the apps is a pipeline of service providers, data harvesters, information aggregators, who are learning more and more about us, and then without our consent, in the guise of being helpful, are sharing those secrets with things and people we do not know.</p>
<p style="text-align: justify; ">While they do help us celebrate the moments and make beautiful human connections, they also continue to make oily suggestions and innuendos, gently guiding us into buying more and consuming more. I came home from the engagement party and woke up the next morning with my face being tagged in about 30 pictures on four different social media apps. And each app suggested different things I can do to celebrate this event — buy a new suit for the wedding, buy an engagement gift for the happy couple, get help with planning a bachelor’s party, and get the services of a wedding planning app.</p>
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For more details visit <a href='https://cis-india.org/raw/indian-express-october-2-2016-nishant-shah-love-in-the-time-of-tinder'>https://cis-india.org/raw/indian-express-october-2-2016-nishant-shah-love-in-the-time-of-tinder</a>
</p>
No publishernishantResearchers at WorkRAW Blog2016-10-17T02:07:05ZBlog EntryWho Owns Your Phone?
https://cis-india.org/raw/indian-express-nishant-shah-september-18-2016-who-owns-your-phone
<b>The capacity of companies to defy standards that work tells an alarming story of what we lose when we lose control of our devices.</b>
<p style="text-align: justify; ">The article was <a class="external-link" href="http://indianexpress.com/article/technology/social/who-owns-your-phone-3035925/">published in Indian Express</a> on September 18, 2016.</p>
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<p style="text-align: justify; ">We have a conflicted relationship with our digital devices. On the one hand, everything we own is cutting-edge — your regular smartphone does computation that is more advanced and powerful than the computers currently functioning on the space probe on Mars. On the other, everything that we own, is almost on the verge of becoming old — by the time you are used to your phone, a new model with a different letter or a number is in the market. The TV screen which was the crowning glory of your house now feels old because it is not thin enough, sleek enough or big enough; waiting to be replaced by the Next Big Thing.<br /><br />Strangely, the Next Big Thing is never really big enough for it to have longevity. The next phone that you buy, the new laptop you covet, the app that you update, will already feel temporary. Patricia Fitzpatrick, a historian of new media, calls this phenomenon “Planned Obsolescence”. It means that private corporations think of their digital products as fast-moving and ready to die. They might sell the phone with a 10-year guarantee, but the only guarantee that exists is that in 10 years, they will have discontinued all support for that phone, and you will have forgotten that you owned that device. Planned Obsole-scence is a marketing strategy, where everything that is introduced as a technological innovation has a limited shelf-life and is made to be replaced by something new.<br /><br />What is interesting about this strategy is that it doesn’t mean that your device has become redundant. In fact, even as you desire the new, you know perfectly well that your existing device has many years of functionality. Hence, the companies often produce the new as path-breaking, innovative and futuristic. They want you to feel primitive or out-of-touch by introducing features that you don’t need, transforming the familiar and the habitual device with something that becomes alien, enchanting and mystical.</p>
<p style="text-align: justify; "><iframe frameborder="0" height="260" scrolling="auto" src="http://content.jwplatform.com/players/faRwxnwA-xe0BVfqu.html" width="320"></iframe></p>
<p style="text-align: justify; ">While planned obsolescence has its value — it propels innovation and pushes at the boundary of what is possible — it also needs to be understood as a marketing strategy that keeps us consuming as part of our digital habits. One of the best examples to understand this trend is Apple’s latest announcement that it has removed the standard earphone jack from its new iPhone7 and is presenting us with wireless earplugs that work with the new phone. Apple insists that this is the future, and in its hyperbolic presentation, announced that by removing one of the most enduring industry standard for audio hardware, they are revolutionising the future of music listening.</p>
<p style="text-align: justify; ">This comes particularly as a shock because ever since the 1990s, Apple’s iconic presence in the music industry has been the white dangling ear-bud wire against black silhouettes, marking the Apple music device as a sign of privacy, maturity, creativity, and elite affordability. By replacing recognisable image with a new one is the company’s way of signalling that every Apple device you now own is ready for trash. It is letting you know that your older Apple music player now needs to be replaced by a new one that uses the wireless ear buds. That the only way you can now listen to music on an Apple iPhone is on Apple’s own standards, so that the regular industry hardware will no longer work with this unique phone that eschews universal standards and seeks to create private monopolies.</p>
<p style="text-align: justify; ">The missing headphone jack in the iPhone 7 is a resounding testimony to what happens when we make our digital hardware subject to closed development and production. Instead of building phones that are more durable, more efficient, more connected, more affordable, and more versatile, Apple just showed us how a private company can arrogantly define the future, by turning almost every existing device into “primitive” or “incompatible” with the new phones that it is making. The capacity of companies like Apple to defy standards that work and build their own unique hardware tells an alarming story of what we lose when we lose control of our devices. The digital cultures scholar Wendy Chun had once sagaciously written, “the more our devices turn transparent, the more opaque they become”. And Apple’s move towards making your new iPhone seamless and without holes, mimics how the phone is being designed to both kill fast and die early, promoting corporate ambitions over public interest.</p>
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For more details visit <a href='https://cis-india.org/raw/indian-express-nishant-shah-september-18-2016-who-owns-your-phone'>https://cis-india.org/raw/indian-express-nishant-shah-september-18-2016-who-owns-your-phone</a>
</p>
No publishernishantDigital GovernanceResearchDigital MediaRAW ResearchResearchers at Work2016-09-18T16:18:35ZBlog EntryQuarter Life Crisis: The World Wide Web turns 25 this year
https://cis-india.org/raw/indian-express-september-3-2016-nishant-shah-quarter-life-crisis-the-world-wide-web-turns-25-this-year
<b>With the unexplained ban on websites, the state seems to have stopped caring for the digital rights of its citizens. </b>
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<p>The article was published in the <a class="external-link" href="http://indianexpress.com/article/technology/world-wide-web-internet-25-years-3011720/">Indian Express</a> on September 3, 2016.</p>
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<p style="text-align: justify;">The World Wide Web turned 25 this year. A quarter of a century ago, the first website went live, and since then, the world as we know it has changed. The internet is probably the fastest way a new technology has become old. There are generations who have never known the world without it being connected. And yet, it is safe to say that if put into a corner, most of us might have a tough time trying to exactly describe what the World Wide Web is, and how it operates. Like many massification technologies, the internet has quickly evolved from being the playground for geeks to tinker with and build digital networks, into a blackbox that we access through our seductively designed interfaces.</p>
<p style="text-align: justify;">At a technological level, the internet was a standardisation protocol that allowed for distributed databases on remote computers to interact with each other using digital connections. At the heart of the internet was the impulse to share, and to share safely, new information that would lead to collaborative knowledge production and stronger network communities. The World Wide Web saw this potential of sharing information quickly as one of the most promising aspects of human futures. Sir Tim Berners-Lee, in his first vision of the WWW, had proposed that the capacity to share information, without loss of quality, would create new societies of equality and equity. In this vision, the website was a way of sharing information, expression, political desire, personal longing and social ideas, thus creating connected societies that would be able to consolidate the sum total of all human experience.</p>
<p style="text-align: justify;">That historical moment of the technological architecture and the ideological articulation of the internet and the WWW are critical because as the internet has become increasingly privatised, with intermediaries, Internet Service Providers, and content producers claiming more and more of the digital turf, we have seen continued attack on the principles of sharing. We have, in the last few years, seen draconian crackdowns on people sharing their political views on social media, arresting young people for their political dissent online. We have witnessed the emergence of paywalls that close down content, criminalising students trying to access new knowledge towards their education. We have seen the policing of online creative spaces, monitoring users who engage in cultural production, forcing them into repressive intellectual property regimes that they do not necessarily want.</p>
<p style="text-align: justify;">Most of these attacks on sharing have been fuelled by private companies who see the economic benefits of creating media monopolies out of the internet. These attacks have been particularly vicious because they also recognise the potentials of digital connectivity to completely disrupt the extraordinary powers of crowds who can co-create the biggest encyclopaedia in the word and undermine the corporatisation of cultural objects. And yet, in the interest of profits, there has been persistent lobbying from the private owners of the public goods of the internet, to crack down on sharing and access through legal punishment.</p>
<p style="text-align: justify;">Like many developing countries, India has been resisting the enforcing of Intellectual Property Rights promoted by private lobbyists. In doing so, it recognises that emerging geographies need more open, universal and affordable access to information and that the true potential of digitisation lies in the capacity of the web to enable unfettered access to knowledge and cultural artefacts. Despite pressure from global lobbies, the Indian state has continued to emphasise that access for public good overrides the interest of private right holders, and has favoured the digital user’s right to access material which they might not always have the economic rights for. Some scholars say that this is where the state emphasises that the moral rights of access to information supersede the legal rights that close the possibilities of access.</p>
<p style="text-align: justify;">Or at least, the Indian state recognised the need of its still-being-connected population to have free access till recently. With the new law that enforces a block on torrent and file sharing sites, warnings of punitive action, and an unexplained ban on websites that most users have been using for knowledge and cultural products, the state seems to have buckled under private lobbying and also stopped caring for the rights of its citizens. There will always be a split vote when it comes to figuring out the pros and cons of piracy, and it is important to recognise the right of the cultural and knowledge producer to protect their economic interests. The debates have been interesting because it was difficult to take sides and required a balancing act of negotiation between different parties.</p>
<p style="text-align: justify;">However, with this new intervention, the Indian government seems to have taken sides, and made up its mind, that for the future of Digital India, it is going to favour the corporation, the company, the private profit making entity over the individual, the collective, and the public that sought to access information through the fundamental principle of the digital web — sharing.</p>
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For more details visit <a href='https://cis-india.org/raw/indian-express-september-3-2016-nishant-shah-quarter-life-crisis-the-world-wide-web-turns-25-this-year'>https://cis-india.org/raw/indian-express-september-3-2016-nishant-shah-quarter-life-crisis-the-world-wide-web-turns-25-this-year</a>
</p>
No publishernishantResearchers at WorkRAW Blog2016-09-16T13:25:38ZBlog EntryDo I Want to Say Happy B’day?
https://cis-india.org/raw/blog_do-i-want-to-say-happy-bday
<b>When it comes to greeting friends on their birthdays, social media prompts are a great reminder. So why does an online message leave us cold?</b>
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<h4>This article was published in <a class="external-link" href="http://indianexpress.com/article/technology/social/facebook-do-i-want-to-say-happy-bday-notifications-2957653/">Indian Express</a> on August 7, 2016</h4>
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<p>Every morning, I wake up to a Facebook notification that reminds me of the birthdays in my friends group. A simple click takes me to a calendar view that shows me people who are celebrating the day, prompting me to wish them and let them know that I am thinking of them. Just so that I don’t miss the idea, the notifications are surrounded by ribbons and balloons in gold and blue. The message is simple. Somebody I know has a birthday. Social convention says that I should wish them and Facebook has designed a special interface that makes the communication so much simpler, faster, easier.</p>
<p>And yet, every morning I seem to face a small crisis, not sure how to respond to this prompt. Now, I am notorious for forgetting dates and numbers, so I do appreciate this personalised reminder which has enabled me to wish people I love and care for. But I generally find myself hovering tentatively, trying to figure out whether I want to greet these people.</p>
<p>This has perplexed me for a while now. Why would I hesitate in leaving a message on Facebook for people who I have added as “friends”? Why would I not just post on their wall, adding to the chorus of greetings that would have also emerged from the automated reminder on Facebook? I went on to the hive-mind of the social web to figure out if this was a unique problem, customised to specific neuroses, or whether this is more universal. It was a great surprise (and relief) to realise that I’m not alone.</p>
<p>When trying to figure out our conflicted sociality on social media, several conversations pointed to three things worth dwelling on. Almost everybody on that long discussion thread pointed out that the entire process is mechanised.</p>
<p>It feels like Facebook has a script for us, and we are just supposed to follow through. There is very little effort spent in crafting a message, writing something thoughtful, and creating a specific connection because it is going to get submerged in a cacophony of similar messages. Also, the message, though personal, is public. So anything that is personal and affective just gets scrubbed, and most people end up mechanically posting “Happy Birthday” with a few emojis of choice, finding the whole process and the final performance devoid of the personal.</p>
<p>Another emerging concern was that social media sustains itself on reciprocity. However, it is almost impossible to expect the birthday person to respond to every single message and post that comes their way. In fact, as somebody pointed out, if your friend spends their entire day on Facebook, responding to 500 comments and thanking everybody who spent three seconds writing a banal post, you should stage an intervention because it is a clear cry for help. You should have been a better friend and made their day more special by being with them. So the message feels like shouting in a ravine, expecting an echo and getting nothing. This lack of reciprocity, even when expected, is still disconcerting enough for people to shy away from it.</p>
<p>The most frequent experience that was shared was by people who wanted to make the person feel special and cherished. Facebook and the social media sites are now so quotidian and pedestrian that it seems an almost uncaring space. It was intriguing to figure out that people made choices of whom to wish based on their actual proximity and intimacy with the person. If it is a colleague, a distant acquaintance, or just a companion at work, they throw a quick greeting on their wall and move on. But for actual friends, loved ones, families, they take the prompt but then refuse to follow the script. They take that moment to call, to write, to meet, but not perform it on Facebook.</p>
<p>This need for connectivity and the suspicion of its meaning continues to mark our social media interaction. If it were not for social media networks, a lot of us would feel distinctly disconnected, unable to get glimpses in the lives of the large number of people we know.</p>
<p>At the same time, this thinned out connection that characterises most of social media also seems to make us realise that not all friends are the same friends, and that Facebook might be social media, but it isn’t quite personal media.</p>
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For more details visit <a href='https://cis-india.org/raw/blog_do-i-want-to-say-happy-bday'>https://cis-india.org/raw/blog_do-i-want-to-say-happy-bday</a>
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No publishernishantDigital MediaResearchers at WorkRAW BlogSocial Media2016-08-22T09:53:03ZBlog EntryBook Review: Apocalypse Now Redux
https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-august-6-2016-book-review-apocalypse-now-redux
<b>My review for Arundhati Roy and John Cusack's new book that captures their encounter with Edward Snowden, 'Things that can and cannot be said' is now out. It's an engaging, if somewhat freewheeling, political critique of the times we live in. </b>
<p>The review was <a class="external-link" href="http://indianexpress.com/article/lifestyle/books/book-review-apocalypse-now-redux-arundhati-roy-john-cusack-2956413/">published in the Indian Express</a> on August 6, 2016.</p>
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<p style="text-align: justify; "><b>Book:</b> Things That Can and Cannot Be Said<br /> <b>Authors:</b> Arundhati Roy & John Cusack<br /> <b>Publication:</b> Juggernaut<br /> <b>Pages:</b> 132<br /> <b>Price:</b> Rs 250</p>
<p style="text-align: justify; ">The title of the book — Things That Can and Cannot be Said — demands an imperative. It is as if Arundhati Roy and John Cusack, aware of their internal turmoil in dealing with a world that is rapidly becoming unintelligible, though not incomprehensible, are demanding an order where none exists. Hence, they are advocating for certainty and assurance, only to undermine it, ironically, through their own freely associative writing that mimics linear time and causative narrative. This deep-seated irony of needing to say something, but knowing that saying it is not going to shine a divining light on the sordid realities of the world that is being managed through the production of grand structures like valorous nation states, virtuous civil societies, the obsequious NGO-isation of radical action, and the persistent neutering of justice through the benign vocabulary of human rights, defines the oeuvre, the politics and the poetics of the book. Written like a scrap book, filled with excerpts from long conversations scattered over time and space, annotated by reminiscences of books read long ago that have seared their imprints on the mind, and events that are simultaneously platitudinous for their status as global landmarks and fiercely personal for the scars that they have left on the minds of the authors, the book remains an engaging, if a somewhat freewheeling, ride into a political critique that makes itself all the more palatable and disconcerting for the levity, irreverence and the dark sense of humour that accompanies it.</p>
<p style="text-align: justify; ">Composed in alternating chapters, the first half of the book is about Cusack and Roy laying themselves bare. They spare no words, square no edges, and put their personal, political and collective wounds on display with humble pride and proud humility. Cusack’s experience as a screenplay writer comes in handy — he rescues what could have been a long tirade, into a series of conversations. The familiar narratives are rehistoricised and de-territorialised, put into new contexts while eschewing the older ones, thus providing a large landscape that refers to state-sponsored genocide, structural reorganisation of nation states, the dying edge of political action, the overwhelming but invisible presence of capital, and the dithering state of social justice that treats human beings like things. Cusack, identifying the poetic genius of Roy, gives her centre stage, making her the voice in command.</p>
<p style="text-align: justify; ">Roy, for her part, seems to have enjoyed this moment in the soapbox — something that she has been doing quite effectively and provocatively to a national and global audience — and gives it her all. There are moments when the text feels indulgent, when the voice feels a little relentless, when the almost schizophrenic global and historical references become a litany of mixed-up events that might have required further nuance and deeper interpretation. However, the whimsical style of Roy’s narrative, with her sense of what is right, and her demeanour that remains friendly, curious and disarming, saves the text from being heavy handed, even when it does dissolve into cloying poignancy and makes you pause, just so that you can breathe.</p>
<p style="text-align: justify; ">Surprisingly, it is the second part of the book, where the two encounter Edward Snowden along with Daniel Ellsberg, the “Snowden of the 1960s” who had leaked the Pentagon papers, that falters. Snowden had jocularly mentioned that Roy was there to “radicalise him”. She does that, but in a way that doesn’t give us anything more than what we already know. While Cusack and Roy were committed to getting to know Snowden beyond his systems-man image, there wasn’t much that they could uncover, either in dialogue or in discourse, that could have told us more, endeared us further to possibly the most over-exposed person in recent times. However, one realises that the genius of the narrative is actually in reminding us how transparent Edward Snowden has become to us. We know all kinds of things about this young man — from his girlfriends past to his actions future, from his values and convictions to his opinion on the NSA watching people’s naked pictures — and yet, what has been missing in the Snowden files, has been the larger arc of global politics, social reordering, and perhaps, a glimpse of the post-nation future that Snowden might have seen in his act of whistleblowing that is going to remain the landmark moment that defines the rest of this century.</p>
<p style="text-align: justify; ">Once you have gotten over the fact that this is not a book about Snowden, the expectations are better tailored for what is to come, and suddenly, the long prelude to the meeting falls into place. Snowden matches Roy and Cusack in whimsy, irony, political conviction, and the sacred faith in human values that make you want to give them all a fierce hug of hesitant reassurance. What Snowden says, what Roy and Cusack make of it, and how they leave us, almost abruptly at the end, breathless, unnerved, and severely conflicted about some of the 20th century structures like society, activism, nation states, governance, communication, technologies, sharing and caring is what the book has to be read for. The tight screen-writing skills of Cusack meet the perfect timing of Roy’s prose, and all of it becomes surreal, futuristic and indelibly real when it gets anchored on the physical presence of Snowden, who, in exile, talks achingly of the home that has thrown him out and the home that he can never really call his own.</p>
<p style="text-align: justify; ">And while there are lapses — fragments, translations and evocations which might have needed more explanations to have their pedagogic intent shine through — there is no denying that, in all its flaws, much like the narrators, the book manages to first immerse you in the cold shock of a sobering reality, clearly positioning the apocalypse as the now, and then drags you out and wraps you up in a warm blanket, opening up forms of critique, formats of intervention, and functions of political commitment towards saying things that have and have not been said. The book should have, perhaps, been titled what could, would, should have been said, but can’t, won’t, shan’t be said — not because of anything else, but because it seems futile.</p>
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For more details visit <a href='https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-august-6-2016-book-review-apocalypse-now-redux'>https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-august-6-2016-book-review-apocalypse-now-redux</a>
</p>
No publishernishantInternet GovernanceBook Review2016-08-06T04:16:07ZBlog EntryOne Pokémon to Rule Them All
https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-july-17-2016-one-pokemon-to-rule-them-all
<b>America’s head start on the augmented reality game Pokémon Go shows that the interweb is not an egalitarian space.</b>
<p style="text-align: justify; ">The article was <a class="external-link" href="http://indianexpress.com/article/technology/technology-others/one-pokemon-to-rule-them-all-2917316/">published in the Indian Express</a> on July 17, 2016</p>
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<p style="text-align: justify; ">I was busy, writing, when a Telegram message trickled in. It was a friend who asked me if I had looked at the new Pokémon Go game which has been getting more attention than national elections and global warfare in the USA lately. A location-based augmented reality game that involves the users moving around their physical environments “collecting” pokemon characters that appear hiding in different locations has a large part of the American population in a frenzy, leading to aching soles, traffic accidents, and involuntary bumping into things and people as the players move around, their eyes glued to their screens. The global release of the game is still in the pipeline, and so the rest of us will have to make do with the videos and screen grabs of the game.<br /><br />While a big Pikachu fan myself, I don’t see myself going crazy over this game as and when my geography allows me for it, but the friend who had written to me about it is perturbed. An avid gamer and a self-proclaimed Pokémon fan, he is devastated that the users in privileged geography are going to get a head start in the global leader boards that he can never catch up with. The interwebz is already abuzz with players sharing hacks, cracks, bugs, cheat codes, and tips to collect more Pokémon, discover hidden powers, and rise quickly in the ranks as they drive, walk, run and jog around their neighbourhoods, in the quest of catching those delightful monsters on their phones. While my friend is aware that this cloud-based game will have multiple servers for different geographies, and so there will be relative rankings and customised interfaces for each community of players, he was feeling cheated about living in India and not having access to the first release of the game that has all the attention on the social web right now.</p>
<p style="text-align: justify; ">‘It almost makes me want to leave India and move to the USA,’ he said in mock frustration. It made me think about the privilege of geography when it comes to the presumed flatness of the digital world. One of the imaginations of the peer-to-peer architectures of the internet is its promise of flatness. With a series of non-discriminatory principles like #NetNeutrality and #ZeroRating enshrined as the fundamental attributes of the digital internet, we are often led to believe that when we are online, we are equal. This idea is so prevalent that in most of our technology-based development practices and policies, we think of access as the “be all”, if not the “end all”, of our activities. The rhetoric promises that if we get everybody online, we will have an egalitarian society where everybody will have equal access to resources, and equity by participating in the decision-making processes.</p>
<p style="text-align: justify; ">Despite overwhelming evidence that the digital world is anecdotally and systemically a space of exclusion, contestation, and intimidation, we continue to propagate the idea that these are “human” problems. Humans, fragile, frail and foolish in their being, contaminate the digital space. Humans, mired in the analogue systems of hatred and abuse, appropriate technologies to perpetuate these older forms of discrimination. The technological structures are imagined as pure, sterile, and committed to constructing parameters of equality through their neutral promises of universal access and seamless connectivity. Technology is clean, the human being is impure. Technology is robust, the human frail. Technology is flat, human hierarchical. These narratives of a neutral and egalitarian technology consequently lead us to put more importance and faith in algorithmic decisions and data-driven governance and policing. We have come to believe that because technologies are neutral, they will do a better job of regulating us than we do ourselves.</p>
<p style="text-align: justify; ">Pokémon Go, and its obvious geographical privilege reminds us that the digital is not flat. It is oriented towards a very obvious logic of geopolitical, economic, racial, and identity privileging that continues to promote some parts of the world as favoured standards of first access. The exclusive release of Pokémon Go reminds us that the digital is as subject to Euro-American centrism which treat these erstwhile imperial geographies as the beginning points of all digital activities, slowly expanding their fold to other regions through a trickle-down politics and economics. Whether you are waiting impatiently to join the global bandwagon of Pokémon collection, or are ready to shrug this off as another thing that people do on the web, this differential, preferential, and variable access of the internet is something we definitely want to consider as we continue to push for the digital as the solution to human problems.</p>
<p>
For more details visit <a href='https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-july-17-2016-one-pokemon-to-rule-them-all'>https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-july-17-2016-one-pokemon-to-rule-them-all</a>
</p>
No publishernishantInternet Governance2016-07-25T01:16:04ZBlog EntryThe Gay Pride Charade
https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-july-3-2016-gay-pride-charade
<b>For most of the milllenials, news is formed by trends, what goes viral, and often open to speculation, projection, manipulation and deceit.</b>
<p style="text-align: justify; ">The article was <a class="external-link" href="http://indianexpress.com/article/technology/social/the-gay-pride-charade-2889743/">published in Indian Express</a> on July 3, 2016.</p>
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<p style="text-align: justify; ">The world of social media can be a minefield of misinformation, and it does get difficult to verify facts and ensure the veracity of the information that comes to us on the winged notifications of our apps. This becomes starkly clear in times of crises. Hence, when the historic and heinous shootout at a gay night club in Orlando, USA, shook the world with horror and grief a couple of weeks ago, when the first tweets appeared on my timeline, my initial reaction was denial. Instead of believing those first responders, I was already searching for more credible news lines that could confirm — or hopefully deny — the massacre. It took only a few minutes, though, to realise that #StandWithOrlando was a reality that we will have to accommodate in the story of continued violence and abuse of sexual minorities around the world.</p>
<p style="text-align: justify; ">However, not all deception is bad. One of the most fantastic responses to the shoot-out was from a Quebec-based satirical website called JournalDemourreal.com that published a photoshopped image showing the Canadian PM Justin Trudeau kissing the leader of the Canadian opposition party Tom Mulcair, with a headline that the two, despite their differences, are “united against homophobia”. I know that I liked this fake story four times on different newsfeeds, half-believing, half-wishing that it was true, before I realised that it is a hoax. Morphed as it might be, the doctored image enabled people to talk about the tragedy as demanding a personal and a policy-level action, ranging from acceptance and freedom, to control of guns and protecting the rights of life and dignity for the sexual minorities who continue to remain persecuted in the world.</p>
<p style="text-align: justify; ">The image also allowed many queer people in different parts of the world — especially in the countries where homosexuality continues to be criminalised and severely punished — to participate not only in the global grief but also to demand that their governments take more responsibility towards its queer population.</p>
<p style="text-align: justify; ">While this photoshopped picture was making the rounds, another tweet showed up on my timeline. This time it was a tweet from our media-savvy PM, <a href="http://indianexpress.com/profile/politician/narendra-modi/">Narendra Modi</a>, who claimed that he was “shocked at the shootout in Orlando.”And further added that his “thoughts and prayers are with the bereaved families and the injured”. When I saw this tweet, my reaction again, was that this must be another joke. Because even as queer rights activists in the country struggle to fight for the decriminalisation of homosexuality, through their curative petitions in the Supreme Court in India, PM Modi’s government has continued its hateful diatribe against queer people in the country. His party has called homosexuality “anti-Indian” and “anti-family”. The party’s favourite, Baba Ramdev, continues his hate speech, offering to cure homosexuality through yoga.</p>
<p style="text-align: justify; ">Ever since the current government took power, documented hate crimes against queer people have more than doubled in the country. So when the PM decided to offer his condolences to those in Orlando, I figured that either it was a fake Twitter account masquerading as the PM or it was some kind of a hacker troll — maybe Anonymous, the online guerrilla activists, who recently took over ISIS- friendly websites and filled them up with information about male homosexuality as a response to the shoot-out — had taken control of the Twitter account. But it turned out that this piece of information was not photoshopped or hacked. It was actually true, and we were to believe in earnest that while the government doesn’t care about the millions of queer people being denied their rights to live and love in their country, it is heartbroken about what happened in the USA.</p>
<p style="text-align: justify; ">It does make you wonder about the world we live in, where a photoshopped image sounded more plausible than an undoctored tweet. It emphasises why Orlando cannot be treated as one isolated instance in another country, but that #WeAreOrlando. For right now, Orlando is also in India. It is a reminder that while we have been fortunate not to have such an instance of dramatic violence, there are millions of people in the country who are forced to live and die in deception for their sexual orientation.</p>
<p>
For more details visit <a href='https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-july-3-2016-gay-pride-charade'>https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-july-3-2016-gay-pride-charade</a>
</p>
No publishernishantGenderInternet Governance2016-07-25T01:10:28ZBlog EntryThe Digital is Political
https://cis-india.org/internet-governance/blog/indian-express-march-20-2016-nishant-shah-digital-is-political
<b>To speak of technology is to speak of human life and living. </b>
<p style="text-align: justify; ">The article was <a class="external-link" href="http://indianexpress.com/article/technology/technology-others/the-digital-is-political/">published in the Indian Express</a> on March 20, 2016.</p>
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<p style="text-align: justify; ">“You are supposed to write about the internet, why do you keep talking about all this politics?” I was taken aback when I was faced with this question. It is true – since the year has begun, I have talked about digital education and the ways in which it needs to account for unexpected and underserved communities, about net neutrality and why the Indian government needs to build a stronger, safer, and a more inclusive digital ecosystem. I have written about freedom of speech and expression and how this is going to be the year when we stand together to save the internet from vested interests that seek to convert it from a public commons into a private commodity.</p>
<p style="text-align: justify; ">In my head, all these questions — of inclusion, of access, of presence, of rights — are questions of human life and living, but they are also those that are being hugely restructured by the internet and digital technologies. When faced with the query, I was reminded of a deep-seated division that has been at the heart of digital cultures.</p>
<p style="text-align: justify; ">Way back in the ’90s, when the internet was still a space of science fiction and the World Wide Web was in its nascent stages, there was a distinction made between Virtual Reality (VR) and Real Life (RL). The presumption in the construction of these categories was that the digital is only an escape, the technological is merely a prosthesis, and the internet is just a thing that a few geeks engaged with in their free time. However, the last three decades have made this distinction between VR and RL redundant.</p>
<p style="text-align: justify; ">We live in digital times. The digital is not just something we use strategically and specifically to do a few tasks. Our very perception of who we are, how we connect to the world around us, and the ways in which we define our domains of life, labour, and language are hugely structured by the digital technologies. The digital is ubiquitous and hence, like air, invisible. We live within digital systems, we live with intimate gadgets, we interact through digital media, and even though we might all be equally digital natives, there is no denying the fact that the very presence and imagination of the digital has dramatically restructured our lives. The digital, far from being a tool, is a condition and context that defines the shapes and boundaries of our understanding of the self, the society, and the structures of governance.</p>
<p style="text-align: justify; ">The pervasive nature of the digital technologies and internet can be found at multiple levels. For instance, we do not think about going online anymore, because most of our devices are connected 24×7 to the digital web. Even when we are not online, sunk in a bad network connection, or protecting our precious data usage, we know that our avatars and digital identities are online and talking without us.</p>
<p style="text-align: justify; ">So established is this phenomenon that we even have a name for the anxiety it creates: FOMO — the Fear Of Missing Out. Similarly, the digital can be located at the level of human understanding. We are used to thinking of ourselves as digital systems. We talk about our primary identity as one marked by information overload. We often complain, when faced with too many demands on our time and space, that we don’t have enough bandwidth to deal with new problems, and we are not referring to digital connectivity.</p>
<p style="text-align: justify; ">The digital also has space at the level of policy and governance. If you, like the many millions of Indians, have registered for an Aadhaar card, you have already been marked by a digital identity whether or not you have broadband access. When our government launches Digital India campaigns, it is not merely about an economic model of growth, but it is suggesting that the digital is going to be at the foundations of the new India that we want to build for the future.</p>
<p style="text-align: justify; ">If the digital is so central to our fundamental understanding of the self, the society, and the state, then surely it is time to stop thinking that these technologies have nothing to do with politics? There remains a forced imagination of technologies as devices, as tools, as prostheses which do not have any other role than the performing of a function. However, this is a fallacy, because not only do technologies shape our sense of who we are, but they also prescribe new templates and models of who we are going to be. In the process, these technologies take political action, create social structures, mobilise cultural possibilities, and often, because they are technologies that are still elite and available to the privileged few in the country, they enable decisions which are not always fair, open, and just.</p>
<p style="text-align: justify; ">Hence, a technological decision cannot be read merely as a technical decisions but as human decisions. To speak of technology is to speak of human life and living. To write about technology is to write about politics, because a separation between the two is not only futile but downright dangerous.</p>
<p>
For more details visit <a href='https://cis-india.org/internet-governance/blog/indian-express-march-20-2016-nishant-shah-digital-is-political'>https://cis-india.org/internet-governance/blog/indian-express-march-20-2016-nishant-shah-digital-is-political</a>
</p>
No publishernishantInternet Governance2016-06-05T03:58:46ZBlog EntryA Large Byte of Your Life
https://cis-india.org/internet-governance/blog/indian-express-april-3-2016-nishant-shah-a-large-byte-of-your-life
<b>With the digital, memory becomes equated with storage. We commit to storage to free ourselves from remembering.</b>
<p style="text-align: justify; ">The article was <a class="external-link" href="http://indianexpress.com/article/technology/social/a-large-byte-of-your-life/">published in Indian Express</a> on April 3, 2016.</p>
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<p style="text-align: justify; ">This is the story of a broken Kindle. A friend sent a message to a WhatsApp group that I belong to that she is mourning the loss of her second-generation Kindle, that she bought in 2012, and since then had been her regular companion. It is not the story of hardware malfunction or a device just giving up. Instead, it is a story of how quickly we forget the old technologies which were once new. The friend, on her Easter holiday, was visiting her sister, who has a six-year-old daughter.</p>
<p style="text-align: justify; ">This young one, a true digital native, living her life surrounded by smart screens, tablets, phones, and laptops, instinctively loves all digital devices and plays with them. In her wanderings through her aunt’s things, she came across the old Kindle — unsmart, without a touch interface, studded with keys, not connected to any WiFi, and rendered in greyscale. It was an unfamiliar device. But with all the assurance of somebody who can deal with digital devices, she took it in her hands to play with it.</p>
<p style="text-align: justify; ">Much to her dismay, none of the regular modes of operation worked. The old Kindle did not have a touch screen operated lock. It wasn’t responding to scroll, swipe and pinch. It had no voice command functions. As she continued to cajole it to come to life, it only stared at her, a lock on the digital interface, refusing to budge to the learned demands and commands of the new user. After about 20 minutes of trying to wake the Kindle up, she became frustrated with it and banged it harshly on the table, where it cracked, the screen blanked out and that was the end of the story.</p>
<p style="text-align: justify; ">Or rather, it is the beginning of one. As my friend registered the loss of her clunky, clumsy, heavy, non-intuitive Kindle, and messages of grief poured in, with the condolence that the new ones are so much better and the assurances that at least all her books are safe on the Amazon cloud, I see in this tale, the quest of newness that the digital always has to offer.</p>
<p style="text-align: justify; ">If it has missed your attention, the digital is always new. Our phones get discarded every few seasons, even as phone companies release new models every few months. Our operating systems are constantly sending us notifications that they need to be updated. Our apps operate in stealth mode, continuingly adding updates where bugs are fixed and features are added. Most of us wouldn’t know what to do if we were faced with a computer that doesn’t “heal”, “backup” or “restore” itself. If our lives were to be transferred back to dumb phones, or if we had to deal with devices that do not strive to learn and read us, it might lead to some severe anxiety.</p>
<p style="text-align: justify; ">The newness that the digital offers is also found in our socially mediated lives. Our digital memories are short-lived — relationships rise and fall in the span of days as location-based dating apps offer an infinite range of options to choose your customised partner; celebrities are made and unmade overnight as clicks lead to viral growth and then disappear to be replaced by the next new thing; communities find droves of subscribers, only to become a den of lurkers where nothing happens; must-have apps find themselves discarded as trends shift and new must-haves crop up overnight. Breathless, bountiful and boundless, the digital keeps us constantly running, just to be in the same place, always the same and yet, always new.</p>
<p style="text-align: justify; ">We would be hard pressed to remember that magical moment when we first discovered a digital object. For millennials, the digital is such a natural part of their native learning environments that they do not even register the first encounter or the subsequent shifts as they navigate across the connected world. Increasingly, we tune ourselves to the temporality and the acceleration of the digital, tailoring our memories to what is important, what is now, and what is immediately of use, excluding everything else and dropping it into digital storage, assured in our godlike capacities to archive everything.</p>
<p style="text-align: justify; ">This affordance of short digital memories is enabled partly by the fact that we are subject to information overload, but partly also to the fact that our machines can now remember, more accurately and more robustly than the paltry human, prone to error and forgetfulness. With the digital, memory becomes equated with storage, and the more we commit to storage, the more we free ourselves from the task of remembering.</p>
<p style="text-align: justify; ">The broken Kindle is a testimony not only to the ways in which we discard old devices but also our older forms of individual and collective memory — quickly doing away with information that is not of the now, that is not urgent, and that does not have immediate use value. My friend’s Kindle got replaced in two days. All her books were re-loaded and she was set to go. However, as she told me in a chat, she is not going to throw away her old broken Kindle. Because she wants to remember it — remember the joy of reading her favourite books on it. She is scared that if she throws it away, she might forget.</p>
<p>
For more details visit <a href='https://cis-india.org/internet-governance/blog/indian-express-april-3-2016-nishant-shah-a-large-byte-of-your-life'>https://cis-india.org/internet-governance/blog/indian-express-april-3-2016-nishant-shah-a-large-byte-of-your-life</a>
</p>
No publishernishantInternet Governance2016-06-05T03:35:34ZBlog EntryOnline Censorship on the Rise: Why I Prefer to Save Things Offline
https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-april-17-2016-online-censorship-on-the-rise
<b>As governments use their power to erase what they do not approve of from the web, cloud storage will not be enough.</b>
<p>The article was <a class="external-link" href="http://indianexpress.com/article/technology/social/save-before-you-exit-window/">published in the Indian Express</a> on April 17, 2016.</p>
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<p style="text-align: justify; ">It took me some time to trust the cloud. Growing up with digital technologies that were neither resilient nor reliable — a floppy drive could go kaput without you having done anything, a CD once scratched could not be recovered, hard drives malfunctioned and it was a given that once every few months your PC would crash and need a re-install — I have always been paranoid about making backups and storing information. Once I kicked into my professional years, I developed a foolproof, albeit paranoid, system, where I backed up my machines to a common hard drive, made a mirror image of that hard drive, and for absolutely crucial documents, I would put them on to a separate DVD which would have the emergency documents. It was around 2006, when I discovered the cloud.</p>
<p style="text-align: justify; ">It began with <a href="http://indianexpress.com/tag/google/"><span>Google</span></a>’s unlimited email accounts where you could mail information to yourself and then it would stay there for a digital eternity. I noticed that the size of my digital storage began decreasing. I no longer download videos I find on the web. I don’t save information on a device and I have come to think of the web as one large cloud, relying on the fact that if something is online once, it will always be available to me.</p>
<p style="text-align: justify; ">However, over the last couple of months, I have started noticing something different in my usage patterns. These days, when I do come across interesting information, instead of merely indexing it, I find myself making an offline copy of that information. Tweets enter a Storify folder. YouTube videos get downloaded. I make PDF copies of blogs and take screenshots of digital medial updates. I have been wondering why I am suddenly so invested in archiving the web when, theoretically, it is always there.</p>
<p style="text-align: justify; ">When I voiced this to a group of young students, I was surprised to hear that I wasn’t alone. The web is becoming a space that is crowded with take-downs, deletions, removals, and retractions which leave no archival memory. The students quickly pointed out that these take-downs are not just personal redactions. In fact, what we personally choose to remove has very little chances of actually disappearing from the web. Instead, these are things that are removed by governments, private companies and intermediaries who are being largely held liable for the content of the information that they make available.</p>
<p style="text-align: justify; ">Turkey, recently, demanded that German authorities remove a satirical German video titled Erdowie, Erdowo, Erdogan mocking their President. In response, Germany reminded the Turkish diplomacy of that lovely little thing called freedom of speech, and in the meantime, Extra 3, the group that had released the video on YouTube, added English subtitles to the video. Just for perks. I hope you gave a brownie point to Germany, even as you scrambled to see the video.</p>
<p style="text-align: justify; ">On the home front, though, things are not as celebratory. The minister of state for information and broadcasting, Rajyavardhan Rathore, and the head of the <a href="http://indianexpress.com/tag/bjp/"><span>BJP</span></a>’s information and technology cell, Arvind Gupta, have called for action against journalist Raghav Chopra who tweeted a photoshopped image of PM <a href="http://indianexpress.com/profile/politician/narendra-modi/"><span>Narendra Modi</span></a> bending down to touch the feet of a man dressed in Saudi Arabia’s national dress, to make a political comment about the PM’s recent visit to SA.</p>
<p style="text-align: justify; ">The two politicos, who have not had much to say about the doctored videos that were used to convict innocent students in JNU or the photoshopping that the government’s Press Information Bureau had indulged in to give us that iconic image of the prime minister doing an aerial survey of #ChennaiFloods, have taken umbrage against an image because it seems (obviously) false, and are demanding its takedown.</p>
<p style="text-align: justify; ">My proclivity for saving things offline is perhaps fuelled by this web of partisan censorship and the atmosphere of precarious hostility that governments seem to be supporting. Increasingly, we have seen, in India and around the globe, a rush of political power that exercises its clout to remove information, images and stories that they do not approve of.</p>
<p style="text-align: justify; ">Instinctively, I am reacting to the fact that intellectual questioning or cultural critique is being removed from the web at the behest of these vested powers, and that the cloud, light and airy as it sounds, is prone to some incredible acts of censorship and removal. I have found myself facing too many removal notices and take-down errors when trying to revisit bookmarked sites, that I am beginning to feel that the only way to keep my information safe might be to archive the whole web on a personal server.</p>
<p>
For more details visit <a href='https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-april-17-2016-online-censorship-on-the-rise'>https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-april-17-2016-online-censorship-on-the-rise</a>
</p>
No publishernishantInternet GovernanceCensorship2016-06-05T03:26:50ZBlog EntryFacebook: A Platform with Little Less Sharing of Personal Information
https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-may-8-2016-facebook-a-platform-with-little-less-sharing-of-personal-information
<b>As Facebook becomes less personal, what happens to digital friendship?</b>
<p>The article was <a class="external-link" href="http://indianexpress.com/article/technology/social/eye-2016-facebook-social-personal-information-digital-friendship-2789325/">published in the Indian Express</a> on May 8, 2016.</p>
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<p style="text-align: justify; "><a href="http://indianexpress.com/tag/facebook/">Facebook</a> is worried. Even though usage is growing, something strange is happening on the social network. For the first time since it started its journey as a website to rate datable people on college campuses, to becoming the global reference point that defined friendship in the connected age, people are sharing less personal information on Facebook. For a social media network that positions itself largely as a space where our everyday, banal doings become newsworthy articulations, this is surprising news. But it is true. On Facebook, the traffic is high, but most of it is now sharing of external information. People are sharing links to news, to listicles, to videos, to blogs entries, to pictures and to information that they find interesting, but they are writing less and less about what it is that they are doing and feeling.</p>
<p style="text-align: justify; ">Ironically, this coincides with the latest change in Facebook’s “response” options, where the ubiquitous “Like” button can now expand to other emojis where you can also be appropriately angry, sad, surprised, or happy about the shared content. Even as Facebook is trying to get its users to qualify how they feel and give emotional value to their likes, people seem to be sharing even less of their private lives on Facebook.</p>
<p style="text-align: justify; ">One of the key ways of understanding this drop in people sharing their personal information is through the concept of “context collapse”. It has been a concern since the first instances of disembodied digital communication. In our everyday life, we make sense of information based on the different contexts that surround us. The person who authors the information, the setting within which that information reaches us, the emotional state that we are in when encountering the information, our sense of where we are when processing it, and the preparedness we have for receiving this information are all crucial parameters by which we make sense of the meaning of the information and also our response to it.</p>
<p style="text-align: justify; ">In the case of Facebook, the context within which information and transactions have made sense is “friendship”. The site’s USP was that you could bring in a variety of information, but you were always sharing it with friends. You could have a large audience, but this audience is formed of people you know, people you trust, people you add to your friend groups — there is a sense of intimacy, privacy, and casualness that marks the flow of information. You are able to talk, in an equal breath, about what you had for breakfast, your crush on a celebrity, your random acts of charity, and your strong political rant, one after the other, without requiring to think about what you are posting and how others will receive it.</p>
<p style="text-align: justify; ">However, Facebook is not really a friendship platform. It is a company interested in selling our interactions and data to advertisers who can target us with content and information based on the patterns of our behaviour. To serve its advertisers better, Facebook started privileging “verified” information trying to ensure news and content producers higher attention and more eyeballs. This was further strengthened by their continued integration with third party vendors, who could push and pull information into the social world of Facebook, and is seen as one of the biggest reasons for this drop. Any newsfeed in the last few months has had equal amounts of professional and amateur content, leading to a context collapse, where you no longer feel like your Facebook feed is a private and intimate conversation with friends.</p>
<p style="text-align: justify; ">Similarly, Facebook’s expansive integration of its products —WhatsApp chats, Instagram updates, and Tumblr posts all can collapse into one — produced a confusing space where the personal information that you were once happy to share with your friends, is suddenly being shared along with news and information. Also, digital behaviour works on mirroring, and we often shape our updates to match what we see on our timelines. If we more and more see external content rather than personal statuses, we also start sharing more third party news and links, thus producing a domino effect of everybody shying away from extremely personal or intimate moments.</p>
<p style="text-align: justify; ">Facebook, for the millennials, has been the context within which friendship got structured. Its own transitions have now collapsed that context, leading people to think of it as a content aggregator. It is going to be interesting to see what happens to our digital friendships and networks if Facebook is no longer the space where they are housed.</p>
<p>
For more details visit <a href='https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-may-8-2016-facebook-a-platform-with-little-less-sharing-of-personal-information'>https://cis-india.org/internet-governance/blog/indian-express-nishant-shah-may-8-2016-facebook-a-platform-with-little-less-sharing-of-personal-information</a>
</p>
No publishernishantFacebookInternet Governance2016-06-05T02:38:22ZBlog EntryDigital native: Control A, Backspace
https://cis-india.org/a2k/blogs/indian-express-june-5-2016-nishant-shah-digital-native-control-a-backspace
<b>The rewriting of textbooks should not be compared to the collaborations on Wikipedia, which only goes by evidence.</b>
<p style="text-align: justify; ">The article was <a class="external-link" href="http://indianexpress.com/article/technology/tech-news-technology/digital-native-control-a-backspace-2834199/">published in Indian Express</a> on June 5, 2016.</p>
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<p style="text-align: justify; ">I remember the first time I made an edit on Wikipedia — it was almost 10 years ago, and it was a heady feeling, to realise that here is a global encyclopaedia being written, and that I could be a part of it. It felt strange, because I was brought up to believe that authors are special people with specialised knowledge, which can only be validated from special institutions, and that authorship required years of practice and perseverance.</p>
<p style="text-align: justify; ">However, a historic experiment by Nature magazine showed, that despite the average age of the then Wikipedia editor as somewhere in the late teens, articles in Wikipedia were not any more prone to error than in other established, institutionalised fountains of knowledge like the Encyclopaedia Britannica. In fact, not only were the non-specialised editors of Wikipedia spot on with their knowledge outputs, but that because of its iterative nature, errors, once spotted on Wikipedia could be immediately corrected, thus leading to a more robust source of knowledge.</p>
<p style="text-align: justify; ">Two key principles helped Wikipedia establish this process of reliable and resilient knowledge systems — neutrality of viewpoint, and evidence-based knowledge. In the largely free and open space of Wikipedia editing, the one thing that remained constant is neutrality. Editors, despite their own biases, locations, contexts, experiences or embodied knowledges, could not introduce their opinions or original research into the Wikipedia articles. This necessarily meant that every truth and knowledge claim made in a Wikipedia article needs to be verified through a source. This source could come from different spaces and different formats, but it serves as objective evidence for the information being provided there. In instances — and there are thousands of them, if not more — where two editors disagreed on how to interpret an event, or how to describe a person or a thing, the edit-war was fuelled not by the I-said-You-said never-ending rhetoric, but by relying on the soundness of research conducted by external sources.</p>
<p style="text-align: justify; ">For some years now, Wikipedia has become the de facto global reference system, which still relies on volunteers and non-specialised editors to contribute to complex, complicated and very specialised domains of human knowledge production. Even when the editors are experts or scholars, their contribution has value and merit, only when it is supported by externally verifiable source that supports their view points.</p>
<p style="text-align: justify; ">Wikipedia has become one of the foundational models of the information web, that makes it clear that knowledge can be freely produced, consumed and circulated, and more importantly, it can be negotiated and contested, thereby making our scientific research practices relevant and pertinent beyond the hallowed and often closed halls of the university. Wikipedia became a prime example of how information can be revised, changed, mutated, updated, upcycled, and subjected to deep scrutiny as long as it is informed by an alignment towards neutrality and supported by evidence produced through research.</p>
<p style="text-align: justify; ">I invoke these principles that have fostered one of the most magnificent pieces of collaborative human effort because it directly puts into contrast the revisionist, biased, authoritative and closed practices by which the Indian educational councils seem to be editing textbooks. The removal of the names of historical figures, the rewriting of history to reflect a biased, narrow and unsubstantiated narrative, the erasure of alternative histories and voices of protest and dissent, and the false planting of information which is grounded in the school of “People say” and the university of “I have heard” is an alarming development. Many people unfortunately think of this political revisionism as mimicking the wisdom of the crowds recounting and contestation of information on spaces like Wikipedia.</p>
<p style="text-align: justify; ">It is important to note that these attempts at revising known facts and of producing religious histories of exclusion and violence are not the digital mode of information upcycling. These revisions are firmly rooted in a political agenda that seeks to sanctify the discriminatory violences of our neo-authoritarian governments. They remain challenged by the scholars in the field who have enough evidence — of archives, of tracts, of data, and of information — that show that this information is false. They are entrenched in the politics of power that insist that this is the only true account of things, excluding public discourse, and performing acts of censorship that discourage all access to scientific learning.</p>
<p style="text-align: justify; ">The proponents who want to Make in India, cannot limit their rhetoric only to economic production, but have to extend collaborative and connected making to knowledge and information production. And this entails the unmaking of these authoritarian and fascist attempts at justifying rumours as information, hate speech as free speech, and revisions as conversations.</p>
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For more details visit <a href='https://cis-india.org/a2k/blogs/indian-express-june-5-2016-nishant-shah-digital-native-control-a-backspace'>https://cis-india.org/a2k/blogs/indian-express-june-5-2016-nishant-shah-digital-native-control-a-backspace</a>
</p>
No publishernishantWikimediaWikipediaAccess to Knowledge2016-06-05T02:25:45ZBlog EntryWhatsApps with fireworks, apps with diyas: Why Diwali needs to go beyond digital
https://cis-india.org/internet-governance/blog/the-indian-express-nishant-shah-november-22-2015-whatsapps-with-fireworks-apps-with-diyas-why-diwali-needs-to-go-beyond-digital
<b>The idea of a 'digital' Diwali reduces our social relationships to a ledger of give and take. The last fortnight, I have been bombarded with advertisements selling the idea of a “Digital Diwali”. We have become so used to the idea that everything that is digital is modern, better and more efficient.</b>
<p style="text-align: justify; ">The article was <a class="external-link" href="http://indianexpress.com/article/technology/social/whatsapps-with-fireworks-apps-with-diyas-why-diwali-needs-to-go-beyond-digital/">published in the Indian Express</a> on November 22, 2015.</p>
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<p style="text-align: justify; ">I have WhatsApp messages with exploding fireworks, singing greeting cards that chant mystic sounding messages, an app that turns my smartphone into a flickering diya, another app that remotely controls the imitation LED candles on my windows, an invitation to Skype in for a puja at a friend’s house 3,000 km away, and the surfeit of last minute shopping deals, each one offering a dhamaka of discounts.<br /><br />However, to me, the digitality of Diwali is beyond the surface level of seductive screens and one-click shopping, or messages of love and apps of light. Think of Diwali as sharing the fundamental logic that governs the digital — the logic of counting. As we explode with joy this festive season, we count our blessings, our loved ones, the gifts and presents that we exchange. If we are on the new Fitbit trend, we count the calories we consume and burn as we make our way through parties where it is important to see and be seen, compare and contrast, connect with all the people who could be thought of as friends, followers, connectors, or connections.</p>
<p style="text-align: justify; ">While there is no denying that there is a sociality that the festival brings in, there is also a cruel algebra of counting that comes along with it. It is no surprise that as we celebrate the victory of good over evil and right over wrong, we also simultaneously bow our heads to the goddess of wealth in this season.</p>
<p style="text-align: justify; ">Look beyond the glossy surface of Diwali festivities, and you realise that it is exactly like the digital. Digital is about counting. It is right there in the name — digits refers to numbers. Or digits refer to fingers — these counting appendages which we can manipulate and flex in order to achieve desired results. At the core of digital systems is the logic of counting, and counting, as anybody will tell us, is not a benign process. What gets counted, gets accounted for, thus producing a ledger of give and take which often becomes the measure of our social relationships.</p>
<p style="text-align: justify; ">I remember, as a child, my mother meticulously making a note of every gift or envelope filled with money that ever came our way from the relatives, so that there would be precise and exact reciprocation. I am certain that there is now an app which can keep a track of these exchanges. I am not suggesting that these occasions of gifting are merely mercenary, but they are embodiments of finely calibrated values and worth of relationships defined by proximity, intimacy, hierarchy and distance. The digital produces and works on a similar algorithm, which is often as inscrutable and opaque as the unspoken codes of the Diwali ledger.</p>
<p style="text-align: justify; ">There is something else that happens with counting. The only things that can have value are things that have value. I don’t know which ledger counts the coming together of my very distributed family for an evening of chatting, talking, sharing lives and laughter. I don’t know how anybody would reciprocate that one late night when a cousin came to our home and spent hours with my younger brother making a rangoli to surprise the rest of us. I have no idea how they will ever reciprocate gifts that one of the younger kids made at school for all the members of the family.</p>
<p style="text-align: justify; ">Diwali is about the things, but like the digital system, these are things that cannot be counted. And within the digital system, things that cannot be counted are things that get discounted. They become unimportant. They become noise, or rubbish. Our social networks are counting systems that might notice the low frequency of my connections with my extended family but they cannot quantify the joy I hear in the voice of my grandmother when I call her from a different time-zone to catch up with her. Digital systems can only deal with things with value and not their worth.</p>
<p style="text-align: justify; ">I do want to remind myself that there is more to this occasion than merely counting. And for once, I want to go beyond the digital, where my memories of the past and the expectations of the future are not shaped by the digital systems of counting and quantifying. Instead, I want Diwali to be analogue. I shall still be mediating my collectivity with the promises of connectivity, but I want to think of this moment as beyond the logics and logistics of counting that codify our social transactions and take such a central location in our personal functioning. This Diwali, I am rooting for a post-digital Diwali, that accounts for all those things that cannot be counted, but are sometimes the only things that really count.</p>
<p>
For more details visit <a href='https://cis-india.org/internet-governance/blog/the-indian-express-nishant-shah-november-22-2015-whatsapps-with-fireworks-apps-with-diyas-why-diwali-needs-to-go-beyond-digital'>https://cis-india.org/internet-governance/blog/the-indian-express-nishant-shah-november-22-2015-whatsapps-with-fireworks-apps-with-diyas-why-diwali-needs-to-go-beyond-digital</a>
</p>
No publishernishantDigital MediaInternet Governance2015-11-23T13:27:37ZBlog EntryMaterial Cyborgs; Asserted Boundaries: Formulating the Cyborg as a Translator
https://cis-india.org/raw/material-cyborgs-asserted-boundaries-formulating-the-cyborg-as-a-translator
<b>In this peer reviewed article, Nishant Shah explores the possibility of formulating the cyborg as an author or translator who is able to navigate between the different binaries of ‘meat–machine’, ‘digital–physical’, and ‘body–self’, using the abilities and the capabilities learnt in one system in an efficient and effective understanding of the other. The article was published in the European Journal of English Studies, Volume 12, Issue 2, 2008. [1]</b>
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<p><em>Download the paper <a href="https://cis-india.org/publications-automated/cis/nishant/material%20cyborgs%20ejes.pdf/at_download/file" class="external-link">here</a></em>.</p>
<p><em>Read the original paper published by Taylor & Francis <a class="external-link" href="http://www.tandfonline.com/doi/abs/10.1080/13825570802151504">here</a></em>.</p>
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<h2>I, the cyborg</h2>
<p>The cyborg, a combination of hardware, software and wetware, stands as one of the most visible figures of the cybernetic age. A portmanteau of two words: cybernetic and organism, the term cyborg refers to a biological being with a kinetic state that can be transferred with ease from one environment to another, able to adapt to changing environments through technological augmentation. The first living Cyborg to find its way into the human family tree was a rat. Manfred Clynes and Nathan Kline – two astrophysicists, in 1960, thought of a ‘hybrid-organism’ system (a rat with an osmotic pump) that provided biological stability to an organism in response to its constantly changing environment. In their paper in Astronautics they wrote:</p>
<blockquote>For the exogenously extended organizational complex ... we propose the term ‘cyborg’. The Cyborg deliberately incorporates exogenous components extending the self-regulating control function of the organism in order to adapt it to new environments. (Clynes and Kline, 1960: 1)</blockquote>
<p>Notwithstanding this, the cyborg is most commonly thought of in a futuristic vein, escaping the confines of the physical body and recreated through various digital forms like databases, networks and archives.</p>
<p>With the emergence of the WorldWide Web, the cyborg has strategically evolved in our imaginations as a metaphor of our times.We are already in the age where the ‘first living cyborg’ (Warwick, 2000: 15) has announced his arrival. In his autobiography I, Cyborg, Stephen Warwick, a professor of cybernetics and robotics, unveils how he became the first human cyborg through a series of path-breaking experiments. He begins his narrative by saying, ‘I was born human. But this was an accident of fate – a condition of time and place. I believe it’s something we have the power to change’ (Warwick, 2000: 5). Cybercultures theorist David Bell, on the other hand, especially with the proliferation of new digital technologies, in his preface to The Cybercultures Reader, locates the cyborg in ‘the crucial mechanics of urban survival’ (Bell, 2000: xxi) that produce everyday cyborgs through digital transactions and technologically augmented practices. Sherry Turkle, looking at the experiments in genetic engineering and reproductive practices, traces the processes of ‘cyborgification’ in the production of ‘techno-tots’ (Turkle, 1992: 154) – a new generation of designer babies who have been augmented by technology to have the perfect genetic composition.</p>
<p>In this paper, I seek to explore the possibility of formulating the cyborg as an author or translator, who is able to navigate between the different binaries of ‘meat– machine’, ‘digital–physical’, ‘body–self’, using the abilities and the capabilities learnt in one system in an efficient and effective understanding of the other. What does the cyborg as a translator add to our understanding of the processes of translation? If we were to examine the formation of a cyborg identity embedded in the digital circuits of the World Wide Web, what is the text of translation? What are the translated objects? Who performs these translations? Is the user the omnipotent translator who brings to this site, her special knowledge of distinct systems to make meaning? When inflected by technology, does the process of translation, performed by the cyborg, enter into realms of incomprehensibility which get translated as illegality? How does the figure of the translating cyborg enable an analysis of the cyborg as materially bound and geographically contained, rather than the earlier ideas of the cyborg as residing in a state of ‘universal placelessness’ (Sorkin, 1992: 217)?</p>
<h2>Configuring the cyborg as a translator</h2>
<p>The cyborg, as fashioned by science fiction narratives, cinema and cartoons, conjures images of human–machine hybrids and the physical merging of flesh and electronic circuitry. Different representations of the cyborg abound in science fiction narratives in print, film, animation and games, from reengineered human bodies showcasing fin de millennia nostalgia for large robotic machines of power and strength to sleek and suave microchip-implanted silicon-integrated human beings who work in their artificially mutated enhancements. The cyborg has covered a wide imaginative range from looking at a happy human–machine synthesis to a degenerate human body made grotesque by machinistic implants to a rise of a potent cyborg community that threatens to overcome the human world of biological certainty and mortality. Some of the most famous instances of cyborgs in popular narratives illustrate this wide spectrum; from Maria the robot in Metropolis (Fritz Lang, 1927) to Lara Croft in the The Tomb Raider series (Toby Gard, 1996); from Case in William Gibson’s Neuromancer (1984) to Mr Anderson a.k.a. Neo in The Matrix Trilogy (The Wachowski Brothers, 1999–2003); from Johnny Quest (Hannah-Barbara Cartoons, 1996–7) in the eponymous animated series to avatars created on social networking sites and MMORPGs <a name="fr2" href="#fn2">[2]</a> like Second Life.</p>
<p>However, with the popularization and democratization of new digital technologies of information and communication (ICTs), we see a certain evolutionary production of the cyborg as an increasing number of people interact with digital spaces and sites and adopt mobile gadgets of computation and information dissemination as an extension of their bodies. The cyborg, as imagined within the digital realms of cyberspace, is imagined differently from the more hyper-real, hypervisible constructs within the fictional narratives.</p>
<p>Arjun Appadurai (1996), in his formulation of post-electronic modernity, explores how electronic media offer new everyday resources and disciplines for the imagination of the self and the world. He argues that the individual body and its ownership are wedded to the logic of capitalism and the notion of ownership that characterized most of the twentieth century. Appadurai suggests that the body becomes a site of critical inquiry and contestation because a capitalist state grants the individual the rights to his/her body and the choice to fashion that body through consumption patterns. When talking of Technoscapes <a name="fr3" href="#fn3">[3]</a>, Appadurai posits the idea of a technologically enhanced sphere of activities and identity formation that defy the processes of capitalism and produce new instabilities in the creation of subjectivities.</p>
<p>Cyberspace has become such a site where the individual body, marked in its being (genetically, biologically, socially and culturally) and circumscribed by the (physical, reluctant and cumbersome) space, can free itself from the relentless materiality of a capitalist set of reference points, to create a truly global self and a universally accessible space. Katie Hafner and Matthew Lyon, in their comprehensive history of the origins of the web, mention how in 1968 Joseph Carl Robnett Licklider and Robert Taylor, who were research directors of the United States of America’s Department of Defense’s Advanced Research Projects Agency (ARPA) and who also set in place the first online community (ARPANET), prophesied that online interactive communities ‘will consist of geographically separated members, sometimes grouped in small clusters and sometimes working individually. They will be communities not of common location but of common interest’ (Hafner and Mathew, 1996: 44). This prophesy was realised by the end of the twentieth century, as scholars announce the construction of the ‘discontinuous, global agoras’ (Mitchell, 1996: 27) and the arrival of the new commons shaped within the technoscapes of the internet. The imagination of the internet as the new public sphere of communication, interaction and collaboration also brought into focus the skills that a cyborg requires in order to materially exist on the intersections of various domains. Donna Haraway, in her seminal essay ‘A cyborg manifesto’ (1991), posited one of the most influential imaginations of the cyborg as residing in the ‘optical illusion between social reality and science fiction’ (Haraway, 1991: 151) Haraway’s cyborg hints at the possibility of imagining the cyborg as a translator:</p>
<blockquote>The cyborg is resolutely committed to partiality, irony, intimacy, and perversity. It is oppositional, utopian and completely without innocence. No longer structured by the polarity of public and private, the cyborg defines a technological polis based partly on a revolution of social relations in the oikos, the household.<br />(Haraway, 1991: xxii)</blockquote>
<p>This cyborg, in the blurring of the public and the private, in the diffusion of the physical and the virtual, and in the yoking together of economic practices and social identities, becomes an agential subjectivity that translates one system into another, using the referents of meaning making and processes of knowledge production in one system for deciphering and navigating through the other system. Haraway’s cyborg is a willing and conscious extension; an illustration of what Judith Butler, in Bodies That Matter (1993) calls the ‘performative’, thus infusing the figure of the cyborg with the ability to negotiate with its immediate environment and shape it through the material practices it engages with. The cyborg as a translator, thus has an interesting role as a mediator between the two systems. The cyborg no longer makes the distinction between an original and a translated text – the two systems occupy equal and often contesting zones of reality and authenticity for the cyborg.</p>
<p>Sandy Stone, in her anthropological study on technosociality – the technologised social order that emerges with ICTs and the social order of the technologised communities – emphasizes this very critical role of the cyborg:</p>
<blockquote>In technosociality, the social world of virtual culture, technics is nature. When exploration, rationalisation, remaking, and control mean the same thing, then nature, technics, and the structure of meaning have become indistinguishable. The technosocial subject is able successfully to navigate through this treacherous new world. S/he is constituted as part of the evolution of communication and technology and of the human organism, in a time in which technology and organism are collapsing, imploding, into each other.<br />(Stone, 1991: 81)</blockquote>
<p>Stone’s idea of the cyborg as collapsing the binary between the organism and technology is indicative of how the cyborg, in its processes of translation, reproduces both the worlds, and in fact allows for a dual process of translation between the two so that systems implode to form a complex set of references that determine the meanings of the text. This dual process of translation produces a critical episteme to revisit the notion of translation where the skills of the translator and the figure of the translator are generally looked upon as residing in a nuanced and close reading of the original text and the interpretative techniques by which it is reproduced in the ‘new’ or translated text, making sure that the original gets suffused with the meaning and ironies of the other language. Stone also adds to Haraway’s conception of the cyborg as she recognizes another distinction that the cyborg as a translator blurs in its being – the distinction between technique and the structure of meaning.</p>
<p>The cyborg as a translator, because it produces its identities through the same techniques that it produces the translated texts, internalizes the very techniques of translation. However, this process of internalization, instead of making the techniques invisible, foregrounds them as essential to the comprehension and understanding of the meanings which have been produced in this dual process of translation. The next section of this paper does a close reading of an instance of particular cyberspatial form – the social networking systems – to illustrate the dual processes of translation and the textuality of the texts involved.</p>
<h2>Lost in translation</h2>
<p>Both Haraway and Stone imagine the cyborg in a process of self-authorship through the interaction with the digital technologies. However, both of them only deal with the conceptual category of the cyborg and do not really examine the specific practices that this cyborg produces. Within cyberspaces, social networking systems, blogs, MMORPGs, multiple user dungeons (MUD), discussion boards, media sharing platforms, p2p networks <a name="fr4" href="#fn4">[4]</a>, etc., all create different conditions within which the physical users, through their digital avatars, interact with each other and form complex models of social networking and personal narratives. In this section I look at the notion of this self-authoring cyborg, embedded in the social networking system of ‘Orkut’, to illustrate and examine the discussions in the preceding section.</p>
<p>Orkut, a Google project, is one of the most thriving social networking systems that allows people to reacquaint themselves with people they have known in the past – friends, colleagues, acquaintances, family – who might be distributed across geography and lifestyles. Orkut also enables people with similar interests to form communities and interact, network and form new relationships with strangers in an unprecedented fashion. Orkut follows the AmWay <a name="fr5" href="#fn5">[5]</a> Economic model for its social networking, whereby an individual person inherits the friends of friends, thus often connecting themselves down more than 50 levels of friendship. Such a connection, such possibilities of networking, and the overall feeling of belonging to a dynamic, ever-growing network, gives the users a heady rush of emotions, using Orkut for various personal and professional reasons – from dating to holding meetings, from public performances to professional networking.</p>
<p>Most users within Orkut find themselves members of communities which are created around themes, hobbies, issues, ideas, movies, heroes, idols, books, religions, universities and schools, organizations, institutions, subjects, disciplines and music. One of the pre-requisites for using the various services on Orkut to their full potential is the creation of a profile. The profile, unlike a personal ad, is a concentrated effort at translating the ‘physical’ self of the person into ‘digital’ avatars that refer to the ‘original’ user behind the profile. Because of the pseudonymous nature of cyberspatial interactions, there is also an extra effort at making these avatars more verifiable, more real and more trustworthy. As an increasing number of users use social networking systems to find friends, to connect with partners and form communities that often translate back into the physical world, they spend a lot of effort on their profiles, trying to simulate (or translate) their personal identities and ideas into the digital world.</p>
<p>Most users put pictures of their face, along with populating their own virtual photo album with pictures of their pets, partners, friends, family and places they have visited. Profiles often change, adding ‘new pictures uploaded’ as a caption, to invite friends to visit their space and find out what is new about their virtual lives. Users can also keep track of all the changes that the people in their networks are making to their profiles, thus giving the sense of a fluid and a changing persona rather than a static description. Applications which allow the users to track birthdays, special dates, online calendars and the important events in their friends’ lives, add to the nature of communication and interaction. Most profiles have a fairly detailed narrative, using poetic imagery, exaggerated style, witticisms and pop philosophy to translate the person behind the screen. The profiles are also filled with their favourite activities, TV shows, music and books. This process of mapping a virtual body and producing texts of the physical body is the first level of translation that the users perform. The model of cyborgs that Haraway and Stone posit look upon the possibility of role playing, of fantasy, of adaptation and of authoring the self, in this process of cyborgification, as extremely liberating and subversive.</p>
<p>The social networking system and the related profiles also draw our attention to the dynamic interactions of the translated self within the digital domains. Through a metonymic process, the digital profile – the translated self – comes to stand in for the bodies of the users who not only create the translated self but also mark it with desires and aspirations. The translated self is largely under the control of the physical body. And yet, there are several ways in which the translated self does not allow for the physical body to emerge as the original, the authentic or the primary self within the dynamics of this site. On the one hand, it is the physical body of the user that authors the digital self, and hence it should be looked upon as the primary or the authentic text. On the other hand, the interactions that happen within the social networking system are interactions of the authored/translated self. The responses that the profile receives, the way in which the self is represented, the techniques used to engage with more people or invite strangers to communicate, are all the practices of the digital self.</p>
<p>Within Orkut, the profile of the person is bound to the physical body of the user behind the profile. While it is of course necessary to invoke a virtual avatar, because of the nature of social networking with people one already knows or has known, there is a certain disinvestment of fantasy within Orkut. Several users select pseudonyms which allow them to remain totally anonymous, but most of them have a visible face which tries to approximate their real-life persona online. Unlike the circuits of blogging or role playing games, Orkut emphasizes the need to be a ‘real’ person, thus validating its unique feature of ‘scrapping’. By employing it, users are encouraged to publicly perform their intimacies and relationships, which can be easily documented and tracked by others outside the one-to-one interaction. Thus, there seems to be a specific need to narrativize the self though the profile and the various functionalities available on Orkut. Members of the Orkut community are encouraged to think of themselves as part of a larger database – transmutable, transferable sets of data which they have authored for themselves – and can mobilize their virtual self across different networks to enhance their sense of social interaction and networking.</p>
<p>Also, the digital self is not translated solely by the physical user. Orkut has a feature of testimonials where the people in the networks of the translated self, also author opinions, observations and endorsements for the profile. Moreover, the public nature of communication and the archiving of this, add to the meaning and the functioning of this translated self. This production of the meta-data introjects the translated self into a circuit of meaning making and producing narratives that is beyond the scope of the physical body. Thus, there is a strange tension between the physical body of the user and the translated self that the user produces, which leads to the emergence of a cyborg identity. The cyborg is neither the physical body nor the translated digital self. It resides in the interface between the two, each constantly referring to the other, creating an interminable loop of dependence. The cyborg, because it is produced by the very technologies of the two systems that it is straddling, makes these techniques or the technologisation of the self synonymous with the processes of producing the narratives or making meaning.</p>
<p>This production of narratives of the self through different multimedia environments is not simply a process of writing biography or making self-representations. The users on Orkut (as well as other social networking sites like MySpace or blogging communities like Livejournal) are authoring avatars or substitute selves which are intricately and extensively a part of who they are. These translated selves do not live independent lives, but are firmly entrenched in the physical body and practices of the users. While there is a certain flexibility in the scripting of the avatar, the projections are more often than not premised upon the possibility of a Real. The avatars are also scripted as engaging in extremely mundane and daily activities to create verisimilitude and to map the physical body on to the avatar. To leave status messages like ‘stepped out for lunch’ or ‘Working really hard’ or ‘I am bored, entertain me’ is common practice for the users. As increasingly more users stay connected but are not always present on these digital platforms, they also let the avatars ‘sleep’ or ‘eat’ or ‘go away for some time’, synchronizing the avatar’s actions with their own.</p>
<p>A look at many other similar sites like blogging communities on ‘Livejournal’, or dating communities like ‘Friendster’, can give us an idea that the first stage in authoring a cyborg rests in creating these profiles, or avatars. Users spend an incredible amount of time trying to create for themselves the best avatars, which will be continued projections of the self. These tend to rely mainly on the visual component, as in games like ‘Second Life’ and chatting platforms like ‘Yahoo!’, but they can also rely on a combination of visual and verbal elements. Thus, the cyborg starts a process of translation whereby both the physical body and the translated self are distilled into data sets that get distributed across different practices and platforms, changing continuously and feeding into each other. Thus, just the first step of translation – the translation of the physical body into the digital avatar – is already a complex state, where we it is not as if the cyborg exists ex-nihilo and then translates from one system to the other but that the cyborg is produced in this very process of translation. Moreover, the translated text is not simply the sole authorship of the cyborg but has other players, who are a part of either of the systems, adding meanings and layers to the text.</p>
<p>The second step in this process is a reverse translation. Even within role playing games, where the alienation of the avatar from the body reaches its highest levels, there is an invested effort on the part of the gamer to provide physical and material contexts to the imagined bodies which they have created. Mizuki Ito (1992), in her work about online gamers, looks at how, with an increased investment in the digital lives, users tend to shape their own physical selves around their projected avatars. Many chronic users of cyberspaces have their language, their social interaction and even the way they dress and behave affected by their practices online. Sherry Turkle, in her analysis of the MUD world in Life on the Screen (1996), points out that an increasing number of users start looking upon their screen lives as a constitutive part of their reality rather than an escape from it.</p>
<blockquote>A computer’s ‘windows’ have become a potent metaphor for thinking about the self as a multiple and distributed system. The hypertext links have become a metaphor for a multiplicity of perspectives. On the internet, people who participate in virtual communities may be ‘logged on’ to several of them (open as several open-screen windows) as they pursue other activities. In this way, they may come to experience their lives as a ‘cycling through’ screen worlds in which they may be expressing different aspects of self.<br />(Turkle, 1996: 43)</blockquote>
<p>In another essay, titled ‘Playblog: Pornography, Performance and Cyberspace’ (Shah, 2005), I illustrate how the process of ‘reverse embodiment’ takes place in the lifecycle of bloggers. This process entails a mapping of the translated avatar on to the physical body of the users. This process of reverse translation often leads to the users abandoning their avatars, cutting down on their public presence or sometimes actually committing ‘digital suicides’, killing their own selves to start new identities and networks. Julian Dibbell, in his celebrated essay, ‘A Rape Happened in Cyberspace’ (1994) looks at the dynamics of this reverse mapping or inverted translation as well. Dibbell was witness to one of the most popular cases of ‘digital violence’ in the late 1990s, when in an MUD, a particular user called Dr Bungle, devised a ‘voodoo doll’ on the Lambda MOO MUD, which gained control over two of the other users, making them enter into a series of involuntary sexual acts of deviousness and perversion, in a public ‘room’ where all the other users could see them. What might be looked upon as a simple gaming aesthetic of a more powerful player taking over the avatars of two players with lesser power became a topic of huge discussion as the physical users behind the translated avatars complained of feeling violated and ‘raped’. This claim had very serious consequences because it no longer allowed for a linear notion of the physical body being translated into a digital avatar but insisted that the translated avatar is always, because of the users’ emotional involvement but also because of the practices that the avatar initiates, mapped back on to the body of the physical user. This is a process of reverse embodiment where the presumed ‘original’ is now re-shaped and re-configured to suit the translated object. Such a phenomenon is perhaps possible only in the domains of the cyberspace. Also, the cyborg, generally presumed as residing in the physical body, is now relocated in this two-way process, at the borders where it not only facilitates meaning but also realizes itself in the process of facilitation.</p>
<p>The digital transactions in which the users within such spaces engage have huge social, economic and cultural purport. The authoring of these selves, of these digital avatars, leads to the idea of the cyborg as not simply a synthesis – a site upon which the synthesis happens – but as a dynamic situation in which all subjects participate, producing and supporting its own identity. The cyborg exists in the interstices of the different oppositions of the real and the virtual, the physical and the digital, the temporal and the spatial, the biological and the technological. Moreover, the cyborg does not reside simply within the digital domains but becomes and embodied technosocial being, with a material body that enters into other realms of authorship and subjectification. It is necessary to recognize that the cyborg is not simply a self authored identity but is also subject to various other realms of governance. These material cyborgs, then, assert the need for the body as central to their imagination.</p>
<p>This bounded cyborg is also subject to the territories that it resides within. The last section of the paper looks at the State as a critical part of the production of these material cyborg identities and analyses how the incomprehensibility of this particular identity reproduces it in a condition of illegality, rescuing it from the boundless universal imagination and reasserting the geographical and the territorial boundaries that the cyborg exists within. In this particular analysis, because of my own familiarity with the context and also because new digital technologies are still emerging and unfolding into new forms in India, I shall speak specifically of the Indian State but hope that the particular case that I analyse shall have resonances for other geo-cultural and socio-political contexts as well.</p>
<h2>The state of the cyborg</h2>
<p>The cyborg, thus residing on the interstices of so many different paradigms, can no longer be limited to aesthetized representations and narratives, but is becoming a part of everyday practices of global urbanism. The range of human–machine relationships is diverse and increasingly varied. We might not be complete cyborgs but we do deal with ‘intimate machines’ (Turkle, 1996: 142) and live in ‘cyborg societies’ (Haraway, 1991: 179). The cities where we we live constantly remind us of the machinations we are dependent on; sometimes they blind us of our dependence on the technology, sometimes they make it starkly visible. Different organizations like the Military, Space Studies, Medicine, Human Research and Education are using new forms of organism–technology interactions in the increasingly urbanised world. Just like the interactions of the translated avatara and the physical users, David Bell and Barbara Kennedy, in their introduction to The Cybercultures Reader, look at the interactions with various different technologies of communication and transport, and posit the notion of an ‘Everyday Cyborg’ that gets produced in everyday practices:</p>
<blockquote>Taking Viagra, or [using] a pacemaker, or riding a bike, or withdrawing cash from an ATM, or acting out [our] fantasies as Lara Croft in the latest Tomb Raider game or as a Nato bomber pilot blitzing Kosovo, or anyone watching footage from Kosovo live on the late-night news.<br />(Bell, 2000: ix)</blockquote>
<p>In their list, the authors are more interested in looking at human–machine interaction and making historical continuities to the production of a technosocial identity or a cyborg self. This ‘naturalized’ cyborg robs the cyborg of its criticality or importance. It seems to posit the cyborg as simply a coupling of organism and machine, and hence a benign cultural formulation which can now be decontextualized and analysed in the digital domains. The cyborg as a translator – initiating a complex and intricate set of relationships between the different systems of meaning making that it</p>
<p>straddles – questions this trvialization of the cyborg and instead helps produce the cyborg identity as an epistemological category which needs to be analysed to see the processes that produce it and the crises it produces in the pre-digital understanding of text and textuality.</p>
<p>It is with these questions that I begin the analysis of what has popularly been dubbed as the ‘Lucknow Gay Scandal’ in India. In India, under the Section 377 of the Indian Penal Code, as a part of larger ‘Unnatural Sex Acts’, homosexual activity is a punishable offence <a name="fr6" href="#fn6">[6]</a>. However, the reading of this particular act has always been invoked in dealing with the act of same-sex sexual behaviour and not to punish a particular identity. However, when the queer rights and gay collectives started gaining momentum because of the rise of digital technologies (Singh, 2007), the production of the queer cyborg produced an anxiety about the fantasies, the digital avatars and the material practices of the users behind the avatars. In January 2006, policemen in the city of Lucknow, masquerading as gay men, registered with a popular queer dating website called ‘Guys4men’. Explicitly a gay dating site, it allows users to create their profiles, add pictures and text, translate their personal data in a scripted space, exchange messages and chat. Like the earlier discussed social networking sites, Guys4men also allows users to search and befriend each other, encouraging public discussions and arranging for physical encounters at a personal or a collective level.</p>
<p>These policemen created profiles and listed themselves as gay men, to start interacting with the members of the site. They solicited sex and meetings and finally invited five men to come and meet them in a public garden in Lucknow. When four of the five men turned up for the rendezvous, they were arrested on charges of obscenity, of soliciting sex in public and engaging in homosexual fantasies. The media reported this as ‘Gay Club Running on the Net Unearthed’ (The Times of India, 5 January 2006). The website was looked upon as a physical space where people indulged in ‘unnatural sex acts’.</p>
<p>The four men were punished, not for anything that they did in public or in the physical world but for their projected fantasies online. They were publicly humiliated, exhibited to the media as a ‘homosexual coup’ and put under arrest by the police. While a large part of the political society in India erupted in fury at the gross violation of the human rights and the punishment of fantasies, leading to a raging court case which still has not found resolution, what this paper hopes to glean from this particular case are four interesting points. Firstly, three of the four men, in their physical existence, were married and had children. They were not suspected to have homosexual inclinations by their family or friends, to whom this came as a huge shock. The evidence of the material practices of their physical bodies was not looked upon as strong enough to acquit them. Secondly, the policemen who were luring these men towards a homosexual encounter were themselves projecting similar fantasies. However, as theirs were sanctioned by some high authority, they gained validity and were not to be punished. It was almost as if the fantasies and the avatars that the policemen had were legitimate, sanctified translations of their selves, which made them different. Thirdly, while the men were caught in the physical meeting space, the charges against them were all based on their online activities. What was being produced was not even the act of translating their physical bodies into digital avatars. What was at stake in the particular case was the fact that, in the processes of translation, a reverse translation was also set into place, where the digital avatars and the circuits of consumption and interaction that these avatars entered into were mapped on to the physical bodies, reconfiguring them and marking them as queer. The men were punished not because they claimed a queer identity or because they had fantasies online which did not subscribe to the State’s directive. These men were being punished for the production of a cyborg self – a self which on the one hand was contained by the physical bodies of the users, thus subject to the processes of governance and administration applicable in the geography that they are located in, and on the other hand produced by the imagined selves – the translated avatars which reside outside of the geo-territorial regimes. It is this production of the queer cyborg, residing on the boundaries of sexuality, of nationality and subjectivity that was sought to be punished in this particular case.</p>
<p>On the whole, this case seems to prove that there is a very definite move, on the part of the State, towards the recognition of online avatars as not only extensions of the self but as more powerful identities than the physical self. The State imagines the users of cyberspace as ‘real’ cyborgs and conceives their online activities, fantasies and role-plays as punishable offences. The State also recognizes their translated selves – their datasets that they authored – as verifiable proof of their existence and actions online. The story of the Lucknow incident brings to the fore the possibility that there might also be reluctant cyborgs. The notion of the translator is always somebody who is in a conscious condition of deploying knowledge in order to bridge the gap between different paradigms. However, as the digital world becomes more democratic and becomes a part of our daily transactions, an increasing number of users enter into conditions of translation which they might not recognize as translation. It is also imaginable that a large number of users might resort to the cyberspace to reach a particular aim, without wishing to produce any elaborate narratives of themselves. They might be completely unaware of the processes of reverse translation which follow. However, because of the State’s investment in digital technologies and its infrastructures, individuals get authored as cyborgs, having to take responsibility for their actions and fantasies online, against their will and outside of their knowledge.</p>
<p>The implication of the State or other State-like bodies in the production of these cyborg identities and texts makes us aware of the fact that processes of translation are not simply about the intention and the effort of the translator, but are also severely embedded in the techniques used for translation and the contexts within which the translator and the translated identities are produced. In earlier discussions of testimonials and scraps on Orkut or commentating and editing on blogging platforms, we had already looked upon how the translated text, even when it is a self-narrative, on the digital interfaces, is already a product of multiple authorships and can no longer be attributed to a single individual translator. Similarly, the cyborg identity that is produced in the processes of translation – the cyborg as a translator – is also not a product of individual desire or intention but is often brought into being through the various other players within the internet as well as within the physical contexts of the users.</p>
<h2>Why cyborg?</h2>
<p>The everyday embodied cyberspace cyborg thus becomes subject to the state as well as the technology. People who enter the digital matrices are made accountable for their actions and travels in cyberspaces. There is an increased anxiety around monitoring these processes of translation, of reverse translation and production of translated cyborg identities that are becoming such an integral part of cyberspatial platforms.</p>
<p>The virtual avatars are re-mapped onto the body of the user, thus reconfiguring the notion of the self and the body. The state, through its efforts, becomes a major player in the authoring of the cyberspace cyborg. Other surveillance technologies like Close Circuit Television (CCTV) for instance, also produce unwilling or unwitting technologized narratives of the users caught under the camera. It is possible to use CCTV in public spaces and capture users in different actions which they can be held responsible for later. However, the cyberspace cyborg differs significantly from this model because the users of cyberspace are willing participants of the spaces which they occupy.</p>
<p>The positing of the cyborg as a translator and as an identity that emerges out of translation practices defines a clearer role for translation and a larger definition for translation as it gets inflected by digital technologies. Instead of the universal hyperreal agent, the cyborg as a translator emphasizes one of the fundamental principles of understanding translation – the context of the translator, the agential negotiations of the translator with the original text, the processes by which the self of the translator get produced and the importance of the technologies within which the translation occurs. The collaborative nature of digital technologies and cyberspatial forms illustrates how the process of translation is not singular and that the relationship between the presumed original and the translated text also need to be re-visited. However, more that anything else, the cyborg as a translator makes it clear that the translated text is not produced in isolation or by a single author. There are various contributions that emerge from the networks within which the cyborg translator operates and from the different technologies of governance that the cyborg translators as well as the translated texts are subject to. On the other hand, to the body of cybercultures which has sustained interest in the production and imagination of the cyborg, the cyborg as a translator offers a different way of locating the cyborg identity – not as an identity produced through cyberspaces, but as an embodied cyborg that emerges as an epistemological category to explain the processes of collaboration, sharing, collective authoring and possession of the new digital spaces.</p>
<h2>Notes</h2>
<p>[<a name="fn1" href="#fr1">1</a>] This paper owes huge intellectual and emotional debt to Rita Kothari who first invited me to contribute to this issue, helping me formulate the germ of the idea and to Elena Di Giovanni who has been an extremely patient editor, guiding me through the many drafts that gave shape to this final version.</p>
<p>[<a name="fn2" href="#fr2">2</a>] MMORPG – Massively Multiple Online Role – playing game is a genre of gaming in which a large number of players interact with one another in a virtual world. The MUDs that Sherry Turkle studied can be looked upon as the direct antecedents to MMORPGs like Second Life and War of Warcraft – two of the most popular gaming platforms in current times.</p>
<p>[<a name="fn3" href="#fr3">3</a>] Technoscapes are the landscapes of technology. They refer to technology as both high and low, informational and mechanical, and the speed at which it travels between previously impassible boundaries. Appadurai uses the idea of Technoscape to imagine a fluid and transmittable topography of technology, where the different transactions and the identities formed online have material consequences in economic flows and societal formations. The cyborg thus produced actively chooses and negotiates its identity. Identities are no longer solid, but become fractured, in that we no longer have to choose the identities or accept the ideas of the local community. We are actively choosing our programming based on that which is available to us. While the cyborg may choose to act in a manner most appropriate or relative to the cultures and geographies it is embedded within, that is no longer the only programming option available to it and many are choosing to look beyond their own cultural arenas.</p>
<p>[<a name="fn4" href="#fr4">4</a>] P2P networks – peer-to-peer networks – inherit the cyberspatial aesthetics of decentralized networks; of nodes being distributed across the circuits of the internet and talking to each other, collaborating in projects, sharing information and exchanging digital material. The p2p networks have been under severe focus because they allow for unmonitored piracy and exchange of information</p>
<p>[<a name="fn5" href="#fr5">5</a>] AmWay emerged in the 1960s as the first of its kind of multi-level marketing company where the individuals inherit each other’s customers and profits through a simple system of multi-directional networking.</p>
<p>[<a name="fn6" href="#fr6">6</a>] The Wikipedia entry for IPC Section 377 reads: ‘Homosexual relations are technically still a crime in India under an old British era statute dating from 1860 called Section 377 of the Indian Penal Code which criminalises ‘‘carnal intercourse against the order of nature.’’ Since this is deliberately vague in the past it has been used against oral sex (heterosexual and homosexual), sodomy, bestiality, etc. The punishment ranges from ten years to lifelong imprisonment’. The relevant section reads: ‘Whoever voluntarily has carnal intercourse against the order of nature with any man, woman or animal, shall be punished with imprisonment for life, or with imprisonment of either description for a term which may extend to ten years, and shall also be liable to fine’.</p>
<h2>References</h2>
<p>Appadurai, Arjun (1996). <em>Modernity At Large</em>. New Delhi: Oxford UP.</p>
<p>Bell, David (2000). ‘Introduction I Cybercultures Reader: a User’s Guide’. <em>The Cybercultures Reader</em>. Eds David Bell and Barbara M. Kennedy. London and New York; Routledge.</p>
<p>Butler, Judith (1993).<em> Bodies That Matter: On the Discursive Limits of ‘Sex</em>’. New York: Routledge.</p>
<p>Clynes, Manfred and Nathan Kline (1960). ‘Cyborgs in Outerspace’ 20 November 2002. <a href="http://search.nytimes.com/library/cyber/surf/022697surf-cyborg.html">http://search.nytimes.com/library/cyber/surf/022697surf-cyborg.html</a>.</p>
<p>Dibbell, Julian (1994). ‘A Rape in Cyberspace, or How an Evil Clown, a Haitan Trickster Spirit, Two Wizards, and a Cast of Dozens Turned a Database into a Society’.<em> The Village Voice</em>.</p>
<p>‘Gay Club Running on Net Unearthed’. <em>The Times of India</em>. 5 January 2006. <a href="http://timesofindia.indiatimes.com/Cities/Lucknow/Gay_club_running_on_Net_unearthed/articleshow/msid-1359203,curpg-2.cms">http://timesofindia.indiatimes.com/Cities/Lucknow/Gay_club_running_on_Net_unearthed/articleshow/msid-1359203,curpg-2.cms</a>.</p>
<p>Gibson, William (1994). <em>Neuromancer</em>. New York: Ace Books.</p>
<p>Hafner, Katie and Mathew Lyon (1996). <em>Where Wizards Stay up Late: The Origins of the Internet</em>. New York: Simon and Shuster.</p>
<p>Haraway, Donna (1991). ‘A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century’. <em>Simians, Cyborgs, and Women</em>. New York: Routledge, 149–81.</p>
<p>Ito, Mizuko (1992). ‘Inhabiting Multiple Worlds: Making Sense of SimCity2000TM in the Fifth Dimension’. <em>Cyborg Babies: From Techno-Sex to Techno-Tots</em>. Eds Robbie Davis-Floyd and Joseph Dumit. New York: Routledge.</p>
<p>Licklider, C. R. and Robert Taylor (1968) ‘The Computer as Communication Device’. <em>Science and Technology</em>, 21–31 April. <a href="http://www.cc.utexas.edu/ogs/alumni/events/taylor/licklider-taylor.pdf">http://www.cc.utexas.edu/ogs/alumni/events/taylor/licklider-taylor.pdf</a>. Accessed 5 November 2005.</p>
<p>Mitchell, William (1996). <em>City of Bits: Space, Place and the Infobahn</em>. Cambridge: MIT.</p>
<p>Shah, Nishant (2005). ‘Playblog: Pornography, Performance and Cyberspace’. <a href="http://networkcultures.org/blog/publication/the-art-and-politics-of-netporn/">http://networkcultures.org/blog/publication/the-art-and-politics-of-netporn/</a>.</p>
<p>Singh, Pawan Deep (2007). ‘Inside Virtual Queer Subcultures’. MA Thesis. Hyderabad Central University.</p>
<p>Sorkin, Michael (1992). ‘See you in Disneyland’. <em>Variations on a Theme Park: The New American City and the End of Public Space</em>. New York: Noonday Press.</p>
<p>Stone, Sandy (1991). Cyberspace: First Steps. Ed. Michael Benedikt. Cambridge, MA: MIT Press. 81–118.</p>
<p>Turkle, Sherry (1992). ‘Cyborg Babies and Cy-dough-plasm’. <em>Cyborg Babies: From Techno-Sex to Techno-Tots</em>. Eds Robbie Davis-Floyd and Joseph Dumit. New York: Routledge.</p>
<p>Turkle, Sherry (1996). <em>Life on the Screen: Identity in the age of the internet</em>. London: Weidenfeld and Nicolson.</p>
<p>Warwick, Stephen (2000). <em>I, Cyborg</em>. London: University of Reading Press.</p>
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For more details visit <a href='https://cis-india.org/raw/material-cyborgs-asserted-boundaries-formulating-the-cyborg-as-a-translator'>https://cis-india.org/raw/material-cyborgs-asserted-boundaries-formulating-the-cyborg-as-a-translator</a>
</p>
No publishernishantBodyResearchCyborgsNet CulturesPublicationsResearchers at Work2015-10-25T05:57:08ZBlog EntryBetween the Stirrup and the Ground: Relocating Digital Activism
https://cis-india.org/raw/between-the-stirrup-and-the-ground-relocating-digital-activism
<b>In this peer reviewed research paper, Nishant Shah and Fieke Jansen draws on a research project that focuses on understanding new technology, mediated identities, and their relationship with processes of change in their immediate and extended environments in emerging information societies in the global south. It suggests that endemic to understanding digital activism is the need to look at the recalibrated relationships between the state and the citizens through the prism of technology and agency. The paper was published in Democracy & Society, a publication of the Center for Democracy and Civil Society, Volume 8, Issue 2, Summer 2011.</b>
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<p><span class="Apple-style-span"><em>Cross-posted from <a class="external-link" href="http://www.democracyandsociety.com/blog/wp-content/uploads/2011/08/CDACS-DS-15-v3-fnl.pdf">Democracy and Society</a></em>.</span></p>
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<h2>Introduction</h2>
<p>The first decade of the 21st century has witnessed the simultaneous growth of the Internet and digital technologies on the one hand and political protests and mobilization on the other. As a result, some stakeholders attribute magical powers of social change and political transformation to these technologies.</p>
<p>In the post-Wikileaks world, governments try to censor the use of and access to information technologies in order to maintain the status quo (Domscheit-Berg 2011). With the expansion of markets, technology multinationals and service providers are trying to strike a delicate balance between ethics and profits. Civil Society Organizations for their part, are seeking to counterbalance censorship and exploitation of the citizens’ rights. Within discourse and practice, there remains a dialectic between hope and despair: Hope that these technologies will change the world, and despair that we do not have any sustainable replicable models of technology-driven transformation despite four decades of intervention in the 6eld of information and communication technology (ICT).</p>
<p>This paper suggests that this dialectic is fruitless and results from too strong of a concentration on the functional role of technology. The lack of vocabulary to map and articulate the transitions that digital technologies bring to our earlier understanding of the state-market-citizen relationship, as well as our failure to understand technology as a paradigm that defines the domains of life, labour, and language, amplify this knowledge gap.</p>
<p>This paper draws on a research project that focuses on understanding new technology, mediated identities, and their relationship with processes of change in their immediate and extended environments in emerging information societies in the global south (Shah 2009). We suggest that endemic to understanding digital activism is the need to look at the recalibrated relationships between the state and the citizens through the prism of technology and agency.</p>
<h2>Context</h2>
<p>It is appropriate, perhaps, to begin a paper on digital activism, with a discussion of analogue activism[<a href="#1">1</a>] (Morozov 2010). In the recent revolutions and protests from Tunisia to Egypt and Iran to Kryzygystan, much attention has been given to the role of new media in organizing, orchestrating, performing, and shaping the larger public psyche and the new horizons of progressive governments. Global media has dubbed several of them as ‘Twitter Revolutions” and “Facebook Protests” because these technologies played an important role in the production of :ash-mobs, which, because of their visibility and numbers, became the face of the political protests in di)erent countries. Political scientists as well as technology experts have been trying to figure out what the role of Twitter and Facebook was in these processes of social transformation. Activists are trying to determine whether it is possible to produce replicable upscalable models that can be transplanted to other geo-political contexts to achieve similar results,[<a href="#2">2</a>] as well as how the realm of political action now needs to accommodate these developments.</p>
<p>Cyber-utopians have heralded this particular phenomenon of digital activists mobilizing in almost unprecedented numbers as a hopeful sign that resonates the early 20th century rhetoric of a Socialist Revolution (West and Raman 2009). (ey see this as a symptom of the power that ordinary citizens wield and the ways in which their voices can be ampli6ed, augmented, and consolidated using the pervasive computing environments in which we now live.</p>
<p>In a celebratory tone, without examining either the complex assemblages of media and government practices and policies that are implicated in these processes, they naively attribute these protests to digital technologies.</p>
<p>Cyber-cynics, conversely, insist that these technologies are just means and tools that give voice to the seething anger, hurt, and grief that these communities have harboured for many years under tyrannical governments and authoritarian regimes. They insist that digital technologies played no role in these events — they would have occurred anyway, given the right catalysts — and that this overemphasis on technology detracts from greater historical legacies, movements, and the courage and efforts of the people involved.</p>
<p>While these debates continue to ensue between zealots on conflicting sides, there are some things that remain constant in both positions: presumptions of what it means to be political, a narrow imagination of human-technology relationships, and a historically deterministic view of socio-political movements. While the objects and processes under scrutiny are new and unprecedented, the vocabulary, conceptual tools, knowledge frameworks, and critical perspectives remain unaltered. They attempt to articulate a rapidly changing world in a manner that accommodates these changes. Traditional approaches that produce a simplified triangulation of the state, market and civil society, with historically specified roles, inform these discourses, “where the state is the rule-maker, civil society the do-gooder and watchdog, and the private sector the enemy or hero depending on one’s ideological stand” (Knorringa 2008, 8).</p>
<p>Within the more diffuse world realities, where the roles for each sector are not only blurred but also often shared, things work differently. Especially when we introduce technology, we realize that the centralized structural entities operate in and are better understood through a distributed, multiple avatar model. For example, within public-private partnerships, which are new units of governance in emerging post-capitalist societies, the market often takes up protostatist qualities, while the state works as the beneficiary rather than the arbitrator of public delivery systems. In technology-state conflicts, like the well-known case of Google’s conflict with China (Drummond 2010), technology service providers and companies have actually emerged as the vanguards of citizens’ rights against states that seek to curb them.</p>
<p>Similarly, civil society and citizens are divided around the question of access to technology. The techno-publics are often exclusive and make certain analogue forms of citizenships obsolete. While there is a euphoria about the emergence of a multitude of voices online from otherwise closed societies, it is important to remember that these voices are mediated by the market and the state, and often have to negotiate with strong capillaries of power in order to gain the visibility and legitimacy for themselves. Additionally, the recalibration in the state-market-citizen triad means that there is certain disconnect from history which makes interventions and systemic social change that much more difficult.</p>
<h2>Snapshots</h2>
<p>We draw from our observations in the “Digital Natives with a Cause?”[<a href="#3">3</a>] research program, which brought together over 65 young people working with digital technologies towards social change, and around 40 multi-sector stakeholders in the field to decode practices in order to gain a more nuanced understanding of the relationships between technology and politics.</p>
<p>The first case study is from Taiwan, where the traditionally accepted uni-linear idea of senders-intermediaries-passive receivers is challenged by adopting a digital information architecture model for a physical campaign.[<a href="#4">4</a>] The story not only provides insight into these blurred boundaries and roles, but also offers an understanding of the new realm of political intervention and processes of social transformation.</p>
<p>As YiPing Tsou (2010) from the Soft Revolt project in Taipei explains, "I have realised how the Web has not only virtually reprogrammed the way we think, talk, act and interact with the work but also reformatted our understanding of everyday life surrounded by all sorts of digital technologies."</p>
<p>Tsou’s own work stemmed from her critical doubt of the dominant institutions and structures in her immediate surroundings. Fighting the hyper-territorial rhetoric of the Internet, she deployed digital technologies to engage with her geo-political contexts. Along with two team members, she started the project to question and critique the rampant consumerism, which has emerged as the state and market in Taiwan collude to build more pervasive marketing infrastructure instead of investing in better public delivery systems. The project adopted a gaming aesthetic where the team produced barcodes, which when applied to existing products in malls and super markets, produced random pieces of poetry at the check-out counters instead of the price details that are expected. The project challenged the universal language of barcodes and mobilized large groups of people to spread these barcodes and create spaces of confusion, transient data doubles, and alternative ways of reading within globalized capitalist consumption spaces. The project also demonstrates how access to new forms of technology also leads to new information roles, creating novel forms of participation leading to interventions towards social transformation.</p>
<p>Nonkululeko Godana (2010) from South Africa does not think of herself as an activist in any traditional form. She calls herself a storyteller and talks of how technologies can amplify and shape the ability to tell stories. Drawing from her own context, she narrates the story of a horrific rape that happened to a young victim in a school campus and how the local and national population mobilized itself to seek justice for her. For Godana, the most spectacular thing that digital technologies of information and communication offer is the ability for these stories to travel in unexpected ways. Indeed, these stories grow as they are told. They morph, distort, transmute, and take new avatars, changing with each telling, but managing to help the message leap across borders, boundaries, and life-styles. She looks at storytelling as something that is innate to human beings who are creatures of information, and suggests that what causes revolution, what brings people together, what allows people to unify in the face of strife and struggle is the need to tell a story, the enchantment of hearing one, and the passion to spread it further so that even when the technologies die, the signal still lives, the message keeps on passing. As Clay Shirky, in his analysis of the first recorded political :ash-mob in Phillipines in 2001, suggests, "social media’s real potential lies in supporting civil society and the public sphere — which will produce change over years and decades, not weeks or months."</p>
<h2>Propositions</h2>
<p>These two stories are just a taste of many such narratives that abound the field of technology based social transformation and activism. In most cases, traditional lenses will not recognize these processes, which are transient and short-lived as having political consequence. When transformative value is ascribed to them, they are brought to bear the immense pressure of sustainability and scalability which might not be in the nature of the intervention. Moreover, as we have seen in these two cases, as well as in numerous others, the younger generation — these new groups of people using social media for political change, often called digital natives, slacktivists, or digital activists — renounce the earlier legacy of political action. They prefer to stay in this emergent undefined zone where they would not want an identity as a political person but would still make interventions and engage with questions of justice, equity, democracy, and access, using the new tools at their disposal to negotiate with their immediate socio-cultural and geo-political contexts.</p>
<p>In their everyday lives, Digital Natives are in different sectors of employment and sections of society. They can be students, activists, government officials, professionals, artists, or regular citizens who spend their time online often in circuits of leisure, entertainment and self-gratification. However, it is their intimate relationship with these processes, which is often deemed as ‘frivolous’ that enables them, in times of crises, to mobilize huge human and infrastructural resources to make immediate interventions.</p>
<p>It is our proposition that it is time to start thinking about digital activism as a tenuous process, which might often hide itself in capillaries of non-cause related actions but can be materialized through the use of digital networks and platforms when it is needed. Similarly, a digital activist does not necessarily have to be a full-time ideology spouting zealot, but can be a person who, because of intimate relationships with technologized forms of communication, interaction, networking, and mobilization, is able to transform him/ herself as an agent of change and attain a central position (which is also transitory and not eternal) in processes of social movement. Such a lens allows us to revisit our existing ideas of what it means to be political, what the new landscapes of political action are, how we account for processes of social change, and who the people are that emerge as agents of change in our rapidly digitizing world.</p>
<h3>About the Authors</h3>
<p><span class="Apple-style-span">NISHANT SHAH is Director-Research at the Bangalore based Centre for Internet and Society. He is one of the lead researchers for the “Digital Natives with a Cause?” knowledge programme and has interests in questions of digital identity, inclusion and social change.</span></p>
<p><span class="Apple-style-span">FIEKE JANSEN is based at the Humanist Institute for Development Cooperation (Hivos). She is the knowledge officer for the Digital Natives with a Cause? knowledge programme and her areas of </span><span class="Apple-style-span">interest are the role of digital technologies in social change processes.</span></p>
<h2><span class="Apple-style-span">References</span></h2>
<p>Domscheit-Berg, Daniel. 2011. <em>Inside Wikileaks: My Time with Julian Assange at the World’s Most Dangerous Website</em>. New York: Crown Publishers.</p>
<p>Drummond, David. 2010. “A New Approach to China.” Available at: http:// googleblog.blogspot.com/2010/01/new-approach-to-china.html.</p>
<p>Godana, Nonkululeko. 2011. “Change is Yelling: Are you Listening?” <em>Digital Natives Position Papers</em>. Hivos and the Centre for Internet and Society publications. Available at: http://www.hivos.net/content/download/ 40567/260946/file/Position%20Papers.pdf. Retrieved: February 3, 2011.</p>
<p>Knorringa, Peter. 2010. A Balancing Act — Private Actors in Development, Inaugural Lecture ISS. Available at: http://www.iss.nl/News/Inaugural-Lecture-Professor-Peter-Knorringa. Retrieved: February 3, 2011.</p>
<p>Morozov, Evgeny. 2011. <em>The Net Delusion: The Dark Side of Internet Freedom</em>. New York: Public Affairs.</p>
<p>Shirky, Clay. 2011. “The Political power of Social Media: Technology, the Public Sphere, and Political Change.” <em>Foreign Affairs</em> 90, (1); p. 28-41.</p>
<p>Shah, Nishant and Sunil Abraham. 2009. “Digital Natives with a Cause.” Hivos Knowledge Programme. Hivos and the Centre for Internet and Society publications. Available at: http://cis-india.org/research/dn-report. Retrieved: February 3, 2011.</p>
<p>Tsou, YiPing. 2010. “(Re)formatting Social Transformation in the Age of Digital Representation: On the Relationship of Technologies and Social Transformation”, <em>Digital Natives Position Papers</em>. Hivos and the Centre for Internet and Society publications. Available at: http://www.hivos.net/ content/download/40567/260946/file/Position%20Papers.pdf. Retrieved: February 3, 2011.</p>
<p>West, Harry and Parvathi Raman. 2009. <em>Enduring Socialism: Exploration of Revolution and Transformation, Restoration and Continuation</em>. London: Berghahn Books.</p>
<h2><span class="Apple-style-span">End Notes</span></h2>
<p class="discreet"><a name="1">[1]</a> Morozov looks at how ‘Digital Activism’ often feeds the very structures against we protest, with information that can prove to be counter productive to the efforts. The digital is still not ‘public’ in its ownership and a complex assemblage of service providers, media houses and governments often lead to a betrayal of sensitive information which was earlier protected in the use of analogue technologies of resistance.</p>
<p class="discreet"><a name="1"> </a></p>
<p class="discreet"><a name="2">[2]</a> Following the revolutions in Egypt, China, worried that the model might be appropriated by its own citizens against China’s authoritarian regimes, decided to block “Jan25” and mentions of Egypt from Twitter like websites. More can be read here: <a href="http://yro.slashdot.org/story/11/01/29/2110227/China-Blocks-Egypt-On-Twitter-Like-Site">http://yro.slashdot.org/story/11/01/29/2110227/China-Blocks-Egypt-On-Twitter-Like-Site</a>.</p>
<p class="discreet"><a name="3">[3]</a> More information about the programme can be found <a href="http://www.hivos.net/Hivos-Knowledge-Programme/Themes/Digital-Natives-with-a-Cause">here</a>.</p>
<p class="discreet"><a name="4">[4]</a> Models of digital communication and networking have always imagined that the models would be valid only for the digital environments. Hence, the physical world still engages only with the one-to-many broadcast model, where the central authorities produce knowledge which is disseminated to the passive receivers who operate only as receptacles of information rather than bearers of knowledge. To challenge this requires a re-orientation of existing models and developing ways of translating the peer-to-peer structure in the physical world.</p>
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For more details visit <a href='https://cis-india.org/raw/between-the-stirrup-and-the-ground-relocating-digital-activism'>https://cis-india.org/raw/between-the-stirrup-and-the-ground-relocating-digital-activism</a>
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