Centre for Internet and Society

Once Upon a Flash

nishant — 2008-11-03T20:25:38Z

The essay was published as a part of Sarai Annual Reader titled 'Turbulence' and explores the aesthetics, politics and form of the flashmobs and their manifestation in India. It looks at the potentials of the flashmob to produce turbulent physical spaces and identities and their encounter with legalities. The essay is also available at http://www.sarai.net/journal/06_pdf/03/04_nishant_shah.pdf

For more details visit https://cis-india.org/publications-automated/cis/nishant/Sarai%20turbulence.pdf

Material Cyborgs; Asserted Boundaries

nishant — 2008-11-03T20:14:45Z

The essay was published in the European Journal of English Studies in a special issue on Multimedia Narratives. Emerging as an epistemological category with the rise of the Information and Communication Technologies, the cyborg leads to a complex set of negotiations about the production of a cyborg identity. This paper looks at the cyborg as a translator, to see the new mechanics of translation that come into play as the cyborg straddles multiple systems of making meaning and producing itself. Analysing the new social networking systems that have emerged in the last few years, the paper posits the cyborg as not only an author of translated texts but also as produced in the processes of translation. Focusing on one particular instance of the production of a cyborg identity, exploring the various players involved in the process of cyborgification and the material consequences of imagining the cyborg, the paper seeks to analyse the new incomprehensibility or illegalities that the cyborg, in its role as a translator, gets produced within.

For more details visit https://cis-india.org/publications-automated/cis/nishant/material%20cyborgs%20ejes.pdf

Nishant Shah

nishant — 2010-02-05T11:15:33Z

This section contains the different essays which have been published over a period of five years, ranging from questions of Internet pornography, digital subjectivities, cyber communities, techno-social conditions, Internet technology and legality, urban restructuration and IT, globalisation, gender and digital forms like blogging, digital video, social networking systems and MMORPGs.

For more details visit https://cis-india.org/publications-automated/cis/nishant

The Anxiety of the Future and Internet Technologies

nishant — 2008-11-06T05:18:48Z

Nishant Shah and Sunil Abraham attended the "Writing the Future" conference organised by the Humanities Department at the IIT Delhi, and supported by the CIS and the Kusuma Trust. Nishant made a presentation at the conference entitled "Some Knowledge in Search of Authority: Cyberspace, Collaborations and Confusions".

The Anxiety of the Future and Internet Technologies

Shashi Deshpande, one of the first generation Indian writers in English, at her plenary speech at IIT Delhiś “Writing the Future” conference, made, to my mind a startling statement: “After all”, said Deshpande, “everybody who writes a blog eventually only wants to publish a book”. In itself, the statement appears to be in resonance with the mainstream discourse around the relationship that Internet Technologies have with the processes of writing, publishing and distribution. Even in some of the more sophisticated scholarship around cyberspatial forms like blogging, it is common practice to posit the blog in opposition to the book – more specifically to the novel form – and the spaces of knowledge production online as simulations of or threats to existing authoritative forms of knowledge. Despite the fact that we are publishing and writing more than ever before (in almost all languages of the world, but especially in English), that more people are reading (the very act of reading – emails, blogs, BBS, discussion forums, descriptions, manuals – in the rapidly transforming Information Societies), and that there is a significant rise in the circulation, distribution and consumption of books and newspapers and other print forms, there is a very consistent paranoia, across various disciplines, but especially in English Departments in the Universities, that believes writing is a dying art and that we will soon live in a bookless world of mediocre writing by uncensored and untrained authors.

The tone that Deshpande adopted in her plenary speech persisted through the various presentations we heard from emerging and established writers, poets, publishers and distributors from the Asia Pacific region who had come together to talk about the idea of the future and the future of ideas. There seemed to be, scattered across the panels, a series of alarms, anxieties and apprehensions which were specifically to do with the role technologies, and especially the digital technologies, play in shaping the future of the written word. And I think it is time to look at these anxieties and see them for what they are – symptomatic of a larger fear and misunderstanding of digital and information and communication technologies and the forms that have emerged therein.

All technological innovations, but particularly those technological innovations affecting knowledge production, bring a new set of anxieties and concerns. Lynn Truss, in her hilarious book on the history of manners, for example, talks about how, in the early years of telephone use, there were guidelines issued which said, “When you speak to the person on the other end, keep the receiver at a distance of two inches from your ear, lest the other person, if he suffers from germs, transfer them to you.¨ She subsequently illustrates how the anxieties about the physical and moral well being in the public and academic discourse of that time, around the telephone, were symptomatic of the anxiety about coping with conversation which was not face to face, and sometimes indeed, with strangers. The internet technologies also evoke similar anxieties, which I am going to caricature to ensure that they are, if not resolved, at least redundant.

Here is a list of the top three questions I have been asked in the last three months by students, researchers, journalists, or panellists at conferences:

Q. Is the internet going to replace books?

No. The internet does not compete with books.

Q. Is it going to shut down newspapers?

No. The internet does not compete with newspapers.

Q. Can we believe what we read on the internet?

Can we believe anything we read anywhere?

I use this glib mode to locate in the arrival and emergence of cyberspaces, the anxieties that also marked earlier technologies like print and especially the emergence of the book. These are the anxieties that fruitlessly emerge when we start subscribing to the idea that a blog is an extension of a personal diary or the simulation of a novel (that everybody who blogs basically wants to write a book), the website is a digital brochure, the internet relay chat is merely accelerated passing of notes, the social networking systems are replacing earlier ways in which people made friends, and the Wikipedia is just messed up knowledge.

In my presentation, I urged to that we move beyond these anxieties, to realise that historically, all new technologies have evoked similar anxieties and questions about authorit and credibility. The pre print period and the mode of reproduction of manuscripts are usually characterized as being full of mistakes and incredibly unreliable. This absence of certainty in the early history of the book was attributed to the mistakes made by scribes who had to copy by hand over many hours and were prone to making mistakes, since there was no fool proof method of ensuring the accuracy of the scribes methods.

One of my favourite jokes, about the Bible and its rule of law, is about a scribe who was making copies of the Bible from other copies. The original was locked up in the monastery cellars. The scribe asked the Abbot, ‘Master, I have never seen the original. How do I know that what I am copying is correct and faithful to the word of the lord? If I make mistakes, isn’t it possible that there were mistakes in the first copy of the original and nobody would know of it because nobody sees the original?” The Abbot, after some thought, went down into the cellars to check the validity of the question and compare his copy with the Original Bible. For ten days there was silence except for the rustling of pages and the careful squeaking of the quill. And on the eleventh day, everybody heard loud cries and groans of despair coming from the cellar. When they rushed down to find the cause, fearing the worst, they found the Abbot, almost in tears; he said, “It says Celebrate; Not Celibate. Somebody missed out an R and changed the E”.

Lawrence Liang, in his fantastic essay on “The Brief History of the Internet in the 15th and 16th Century” points out that the typographical fixity that is assumed for books did not always exist. In the first 100 years of print culture, errors were rife in printed books, Papal edicts against “faulty bibles” were issued, forgeries were rampant, manuscripts (as Jon Cook pointed in his excellent Plenary on the first day) were pirated or counterfeited. Print in fact opened up the floodgates of diversity and conflict and at the same time threw up questions about the authority of knowledge which could not easily be addressed. It is this open ended nature of print in making that I am interested in, since it seems to have many parallels with the information revolution that we call the internet. “ Liang’s point about knowledge as not intrinsic (automagically produced, presumed, imagined and installed in a book) but as transitive (constructed, deliberate, established through a knowledge apparatus that concretises the knowledge in a particular object – the book, the movie, the visual etc.) is one of the best responses to these anxieties.

As new technologies of writing and knowledge production and distribution emerge, we need to engage with the questions of authorship, possession, writing, dissemination, circulation, distribution and consumption because these concepts have a clear bearing on the notions of intellectual property, piracy, plagiarism, research and knowledge production. More interestingly, just as we do not confuse the writer with a film maker or a visual artist, it will be a fallacy to presume that the writer that emerged with the print culture is the same writer that is also using words on the digital medium. The conference, which was also supported by the Centre for Internet and Society, was extremely fruitful for us, making us acutely aware of the kind of anxieties we have about the future.

And perhaps anxiety is a good thing; it stops us from being smug and content in the dominant discourses of shining glories; it makes us stop to think about the way in which the world as we know it gets dismantled and deconstructed and how the past (and perhaps history), even though we might have announced its death, still haunts the idea of the future, as well as the future of ideas.

For more details visit https://cis-india.org/research/conferences/conference-blogs/the-anxiety-of-the-future-and-internet-technologies

Writing the Future - IIT Delhi

nishant — 2008-11-05T05:57:40Z

The First Ever Asia-Pacific Festival of Writing: An internationally-supported event for emerging and established writers, scholars of contemporary literature from Asia and the Pacific, publishers, and all those interested in new writing from the region -- New Delhi and Shimla, India, October 2008

‘WRITING THE FUTURE’

The Indian Institute of Technology, Delhi and the Asia-Pacific Writing Partnership are pleased to collaborate in organising Indian and international support to hold the first ever Asia-Pacific Festival of Writing in New Delhi.

This unique Festival, which combines a regional focus with a truly international reach, seeks to raise the profile of the enormously rich literature and thought of the Asia Pacific region.

As the attached Program shows, the Festival has been planned in some detail and has already generated considerable interest through its website (http://www.apwriters.com)

Several writers and academics of international standing have agreed to be part of the enterprise and have brought their expertise and – above all – enthusiasm to the initiative.

Registered participants include writers and scholars from Australia, Bangladesh, Fiji, the Philippines, Singapore, Indonesia, Pakistan, Papua New Guinea, UK and USA, amongst others. This spontaneous show of interest, we feel, is in itself a true measure not only of the vitality and reach of the Festival but of the felt need for such self-expression and interaction across the region.

AIMS

Our goal is to:

bring the excitement of reading new literature to a wide audience across the region;

enable young writers and university students to interact with well-known writers; and

encourage cultural cross-talk & literary debate across a variety of regional languages

focus on new forms of writing engendered by e-media such as internet (blogs, chats etc.)

To this end, we have organized the following forums for literary interaction:

ACTIVITIES:

Creative writing workshops for emerging writers from the region, taught by writers of international repute - a festival feature that is familiar in the West but has never before been part of South Asian literary events. Emerging writers in the West have over the past decades gained tremendous benefit and advantage from workshops with peers and established writers, but there are few equivalent opportunities in Asia. This festival hopes to change this situation.

Translation workshops, undertaken in collaboration with the Indian Academy of Letters and the Jamia Millia University. These workshops will be held in four languages (Hindi/Urdu, Bengali, Malayalam and Tamil) at venues in Southern India (Mysore) and Eastern India (Kolkata) as well as in Delhi. Translators of national standing are involved in this initiative.

A major academic conference on new writing from Asia and the Pacific

The conference will examine contemporary writing from the region, the value of writing programs, the contrasts and synergies between traditional oral forms of literature and new forms of writing influenced by multi-media, the state of national literary studies, and notions of writing in relation to regional, hybrid and/or diasposric identities globalization, cosmopolitanism, post-colonialism, and other associated issues.

Public events featuring established writers and performers of international repute.

These will include readings by emerging and established writers; panel discussions with publishers, literary agents, and writers; book launches; and cultural performance by Indian poets, theatre-people and singers.

Local and international established writers who conduct workshops and participate in the public events will visit schools and colleges in New Delhi to read from their work and talk about their writing process. Engaging with youth is a very important and intrinsic part of the conceptualisation of this festival.

ADVANTAGES

It is our belief that this Festival is the timely start of an important new form of cultural cooperation which will provide valuable opportunities for new writers in the region for years to come. It will eventually provide a forum that challenges outmoded boundaries between academic and creative texts, between traditional pasts and technological futures, between the new and old media and between genres, cultures and institutions.

One of the more unusual features of this festival is that the IIT will host the ‘Writing the Future’ conference together with a host of other Indian institutions who have generously extended their support. These include:

The Indian Council for Cultural Relations

The Sanskriti Foundation

The Indian Institute for Advanced Studies

The Sahitya Akademi or National Academy of Letters

Jamia Millia Islamia University

Scope Plus

Kusuma Trust and the Centre for Internet and Society

To repeat, this festival, an initiative of the Indian Institute of Technology, Delhi, international scholarly collaboration and the Asia-Pacific Writing Partnership, is the first ever festival of its kind being held in the region. It offers a unique blend of academic interaction, creative writing workshops and public events where writers interact with participants, publishers and other players in the global literary arena.

The aim of the festival is, finally, to together ‘write the future’.

For more details visit https://cis-india.org/research/conferences/conference-blogs/writing-the-future-iit-delhi

Uploads

nishant — 2008-11-01T07:59:16Z

For more details visit https://cis-india.org/internet-governance/blog/uploads

i4D Interview: Social Networking and Internet Access

nishant — 2011-09-22T12:51:57Z

Nishant Shah, the Director for Research at CIS, was recently interviewed in i4D in a special section looking at Social Networking and Governance, as a lead up to the Internet Governance Forum in December, in the city of Hyderabad.

Mechanism of Self-Governance Needed for Social Networks

Should social networking sites be governed, and if yes, in what way?

A call for either monitoring or censoring Social Networking Sites has long been proved ineffectual, with the users always finding new ways of circumventing the bans or the blocks that are put into place. However, given the ubiquitous nature of SNS and the varied age-groups and interests that are represented there, governance, which is non-intrusive and actually enables a better and more effective experience of the site, is always welcome. The presumed notion of governance is that it will set processes and procedures in place which will eventually crystallise into laws or regulations. However, there is also another form of governance - governance as provided by a safe-keeper or a guardian, somebody who creates symbols of caution and warns us about being cautious in certain areas. In the physical world, we constantly face these symbols and signs which remind us of the need to be aware and safe. Creation of a vocabulary of warnings, signs and symbols that remind us of the dangers within SNS is a form of governance that needs to be worked out. This can be a participatory governance where each community develops its own concerns and addresses them. What is needed is a way of making sure that these signs are present and garner the attention of the user.

How do we address the concerns that some of the social networking spaces are not "child safe"?

The question of child safety online has resulted in a raging debate. Several models, from the cybernanny to monitoring the child's activities online ,have been suggested at different times and have more or less failed. The concerns about what happens to a child online are the same as those about what happens to a child in the physical world. When the child goes off to school, or to the park to play, we train and educate them about things that they should not be doing -- suggesting that they do not talk to strangers, do not take sweets from strangers, do not tell people where they live, don't wander off alone -- and hope that these will be sufficient safeguards to their well being. As an added precaution, we also sometimes supervise their activities and their media consumption. More than finding technical solutions for safety online, it is a question of education and training and some amount of supervision to ensure that the child is complying with your idea of what is good for it. A call for sanitising the internet is more or less redundant, only, in fact, adding to the dark glamour of the web and inciting younger users to go and search for material which they would otherwise have ignored.

What are the issues, especially around identities and profile information privacy rights of users of social networking sites?

The main set of issues, as I see it, around the question of identities, is the mapping of the digital identities to the physical selves. The questions would be : What constitutes the authentic self? What is the responsibility of the digital persona? Are we looking at a post-human world where online identities are equally a part of who we are and are sometimes even more a part of who we are than our physical selves? Does the older argument of the Original and the Primary (characteristics of Representation aesthetics) still work when we are talking about a world of 'perfect copies' and 'interminable networks of selves' (characteristics of Simulation)? How do we create new models of verification, trust and networking within an SNS? Sites like Facebook and Orkut, with their ability to establish looped relationships between the users, and with the notion of inheritance (¨friend of a friend of a friend of a friend¨), or even testimonials and open 'walls' and 'scraps' for messaging, are already approaching these new models of trust and friendship.

How do we strike a balance between the freedom of speech and the need to maintain law and order when it comes to monitoring social networking sites?

I am not sure if the 'freedom of speech and expression' and the 'maintaining of law and order' need to be posited as antithetical to each other. Surely the whole idea of 'maintaining law and order' already includes maintaining conditions within which freedom of speech and expression can be practiced. Instead of monitoring social networking sites to censor and chastise (as has happened in some of the recent debates around Orkut, for example), it is a more fruitful exercise to ensure that speech, as long as it is not directed offensively towards an individual or a community, needs to be registered and heard. Hate speech of any sort should not be tolerated but that is a fact that is already covered by the judicial systems around the world.

What perhaps, is needed online, is a mechanism of self-governance where the community should be able to decide the kinds of actions and speech which are valid and acceptable to them. People who enter into trollish behaviour or hate speak, automatically get chastised and punished in different ways by the community itself. To look at models of better self-governance and community mobilisation might be more productive than producing this schism between freedom of speech on the one hand and the maintenance of law and order on the other.

Link to original article on i4donline.net

For more details visit https://cis-india.org/internet-governance/blog/i4d-interview-social-networking-and-internet-access

Histories of the Internet

nishant — 2010-06-17T07:45:03Z

For the first two years, the CIS-RAW Programme shall focus on producing diverse multidisciplinary histories of the internet in India.

Histories of internets in India

The CIS-RAW programme is designed around two-year thematics. Every two years, we shall, looking at our engagement and the questions that are emerging around us, come up with new themes that we would like to commission, enable and encourage research on.

The selection of the theme of the History of Internet and Society is a unanimous decision made by our researchers in-house, the members of the Society, distinguished fellows, supporters, and peers who all gathered for a launch workshop for the CIS. There is a severe dearth of material on the histories of Internet and Society in India and we find it necessary to contextualise and historicise the contemporary in order to fruitfully and critically engage with the questions and concerns we are committed to. In the first two years of its programme, the CIS-RAW hopes to come up with alternative histories of the Internet and Society, which chart a wide terrain of the field that we are engaging with and produce one of the first such resources for researchers working in this field.

Scope of the Theme:

We are looking at a wide range of accounts of the different forms, imaginations, materialities and interactions of the internets in India. As we excavate its three-decade growth in India, it becomes increasingly clear that there is no homogenised Internet that has evolved in the country; Instead, what we have is a technology, which, through its interactions and intersections with various objects, people, contexts and regulation, has emerged in many different ways. The theme of 'Histories of internets in India' hopes to address these pluralities of the internets and how they have been shaped in the unfolding of these technologies.

We have collaborated on the following histories with different researchers in India:

Rewiring Bodies - Asha Achuthan, Centre for Contemporary Studies, Indian Institute of Sciences, Bangalore.
Archive and Access - Rochelle Pinto (Centre for the Study of Culture and Society, Bangalore; Aparna Balachandran, Centre for the Study of Culture and Society, Bangalore; and Abhijit Bhattacharya, Centre for Sudies in Social Sciences, Calcutta.
Pleasure and Pornography - Namita Malhotra, Alternative Law Forum, Bangalore
Transparency and Politics - Zainab Bawa, Centre for the Study of Culture and Society
Rethinking the Last Mile Problem - Ashish Rajadhyaksha, Centre for the Study of Culture and Society, Bangalore
Using the Net for Social Change - Anja Kovacs, (Research) Fellow, Centre for Internet and Society, Bangalore
Queer Histories of the Internet - Nitya Vasudevan, Centre for Study of Culture and Society and Nithin Manayath, Mount Carmel College

For more details visit https://cis-india.org/raw/histories-of-the-internet/histories-of-the-internets

Home images

nishant — 2008-09-25T09:25:05Z

The images to be plugged on the home page. The folder is to be excluded from navigation. ALWAYS

For more details visit https://cis-india.org/home-images

Digital Pluralism

nishant — 2009-02-06T06:31:50Z

The Internet, when referred to with a capital I, often gives the notion of a centralised, homogenised, consolidated network of access, protocols and people. Popular representations and imaginations of the Internet ‘make invisible’, the extremely complex, intricate, and varied nature, not only of the uses and the stakeholders of the Internet but also the many forms that Internet itself takes. The notion of pluralism – the belief in multiple knowledges and perspectives, the availability of different frameworks and truths, and the transmit-ability and transmutability of information – is built into the very form of the Internet. It is perhaps more appropriate, given the wide scope and range of the internet and the many different ways in which it intersects with the world around us, to talk of many different kinds of internets.

The Centre for Internet and Society sets out to examine the multiplicity of Internet by looking at the notion of digital pluralism. We seek to theorise the particular concept to investigate the many intersections that the internet has with the world around us. Given the scope and persuasiveness of internet technologies, it would be redundant to produce a list of possible meanings of the internet. Instead, we conceptualise the internet at three different levels, each demanding its own history, context, materiality and specificities, to produce a more comprehensive understanding of what the internet means and how it responds and reacts to the digitised and networked times we live in.

Internet as Technology

At the primary level, the Internet is a set of protocols, which allows the transfer of data over a complex and almost interminable network. It is necessary, as the internet increasingly becomes central to the crucial mechanics of survival, to recognise it as a technology. The arrival of internet technologies has made a significant impact in the domains of life, labour, language and history, changing the way we understand certain older structures like property, economy, capital, possession, ownership, etc.

So persuasive is the seductive power of the internet, that it often makes invisible the larger questions of freedom, access, and production, in its unfolding. The call to re-emphasise the internet as technology is to examine the economic rhetoric of globalisation, urbanisation and new digital technologies on the one hand, and the alarmist calls around piracy, security, theft and ownership on the other.

Communities of gift economy, of open access to content online, of advocating Free/Libre/Open Source Software (FLOSS), of promoting greater inclusion and pluralism of non-licensed softwares and protocols have all emerged around the questions of Internet as Technology. Despite the gravity of the concerns they raise and the unequivocal merit of their activities, very little attention is given to them either by the private sector or civil societies or the government. While there has been a long (and often raging) debate on the internet around these issues, the mainstream media and the larger public remain outside its scope and continue getting implicated in softwares, platforms and digital forms while compromising their rights.

The Centre for Internet and Society hopes, through a model of consultation and collaboration, to actively intervene in this field, to promote the digital pluralism of internet technologies and resist any hegemonic and coercive practices of larger corporate conglomerates and state bodies that may act against public interest.

Internet and its Materiality

The Internet has material consequences. Cybercultures theory, augmented by other instrumental discourses on the internet, incessantly confines cyberspaces to a schism between virtual reality and real life. Such a view of the internet renders the material transactions and consequences of the internet invisible.

As the internet technologies become more pervasive and persuasive, they become an integral part of the mechanics of modern survival. The internet has now become central to the domains of life, labour and language, affecting crucial questions of identity, subjectivity, sexuality, freedom and expression. How do we think of ourselves, not only in relation to technology but also as technologised beings; in a condition of becoming cyborgs? What are the forms of subjectivities that emerge in the technologised transactions of every day? How do we understand the different forms of sexual interactions, mediated and shaped by internet technologies? What are the new kinds of sexual identities which are produced and mobilised by the internet? Is the internet, as is often celebrated in popular discourse, really creating alternative public spheres of freedom or is it producing new forms of exclusion and discrimination?

The Centre for Internet and Society believes that while these questions have cropped up variously, and often emphatically, in the last four decades of Internet presence, there has been very little academic or theoretical attention given to them. The approaches that exist are primarily focussed on the object of change rather than the technologies that shape the change. The accounts provided also, instead of drawing from the mechanics and aesthetics of the technologies, rely on earlier technologised forms to make meaning of the new form. We find it imperative to work for a better understanding of the way the globalised technologised world is being shaped through the wide-spread penetration of Internet Technologies and their material consequences.

Internet and Cyberspaces

Cyberspaces, though a smaller part of the Internet, are the most visible face of the Internet networks. The arrival of the GUI, social networking applications, innovative forms of interaction and networking, online gaming, role-playing and expression platforms like blogging, and virtual worlds, have created a fascinating network of users, distributed across lifestyles and geographies, interacting with each other in unprecedented forms. Cyberspaces, with their ability to immerse the users entirely into the medium, creating a world of incessant interaction – with technologies, with technologised forms, with cultural products, and with the other users, who have translated themselves, using the structures of anonymity and desire – have led to new forms of social, cultural and economic practices which require critical thought and analysis.

Cyberspaces produce many questions – some legal, some judicial, and some about safety, danger, and harm – which need to be answered and engaged with at a serious level. Given the unmoderated nature of access and production on cyberspaces, how do we make a call for safety and caution without compromising the rights of the individual for freedom of expression, speech and being? How do we protect the innocent or the uninitiated, from scandals, scams or situations which might be harmful to them, without making a call for censorship and regimentation? As familial interactions get mediated with technologies, how do we understand the notion of family and the economies that surround it? With new political and cultural mobilisations coming in effect, how do we imagine the space of the public and the political?

Questions like these have a direct bearing on the ideas of individual freedom and right to non-discrimination, while simultaneously asking for a moderated and controlled cyberspatial experience. The design, form, shape and content of cyberspaces all have different implications in these questions, and an analysis of not only the user behaviour or the impact but the very epistemological origins and functions of such forms is important to be studied. These concerns also bolster the idea of digital pluralism of a certain kind – not a neo-liberal call for solipsistic individualism but concentrating on and bolstering the relationships that the individual has with the society and how internet technologies mediate these relationships.

For more details visit https://cis-india.org/about/substantive-areas/digital-pluralism/digital-pluralism-1

Cyberspace in its Plurality: Cybercultures Workshop at TISS, Mumbai

nishant — 2008-10-31T10:38:17Z

Cyberspace has become one of the most potent and persuasive metaphors of our times, enveloping and embracing a wide range and scope of areas across disciplines and perspectives. The cybercultures workshop is designed to be an introduction to the multiplicity of cyberspaces and internet technologies and the key questions which have emerged in the almost four decades of cyberculture theory. The workshop is designed across four days; each day dealing with a certain understanding of cyberspace – in its materiality, in its imagination, in its instrumentality – in order to present a comprehensive view of the vast terrain of cyberspace and its intersections with the contemporary worlds we live in.

Workshop @ Centre for Media and Cultural Studies, TISS, Mumbai

The four day workshop at the Centre for Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai, sees CIS engaging with one of the most exciting spaces in the Indian academia; we design and administer an introduction course on cyberspace and its plurality to students of media and cultural studies. The workshop is a part of the Centre for Internet and Society's larger concern on providing a multidisciplinary, multi-media approach towards the internet and contextualising it in India.

Structured on a seminar model, the workshop hopes to bring together the questions in academic debate as well as in the realm of cultural production, for students to understand the internet technologies and cyberspaces as not only important cultural outputs but also crucial forms that shape the world we live in.

Objectives: The four day cybercultures workshop hopes to achieve the following objectives:

To introduce the students to the multiplicity and complexity of ‘cyberspace’.
To introduce ‘cyberspace’ as an epistemological category to emphasise the centrality of cyberspaces in understanding the mechanics of urban survival in the contemporary.
To orient the students towards understanding the textuality of cyberspace; rescuing it from the confines of digital networks and locating it in the transactions of globalization and urbanization in Asia.
To introduce the key debates in cybercultures theory: body, gender, sexuality, authorship, ownership, access and information democratization.

Design: The cybercultures workshop is designed to be conducted over four days with two sessions (of three hours each) per day. Each day is thematically divided to look at a particular idea of cyberspace; the sessions are further sub-divided to introduce a particular perspective on the day’s theme. Each session has its set of individual pre-readings which will serve more as indicators of the stake of the debate rather than as texts around which the class will be centred. The readings shall remain as introductory material, and the class room discussions, while referring to them, will not concentrate on explaining the material.

Day 1: Cyberspace – Form, Textuality and Frameworks

Session 1: Exploring Cyberspace:

Definitions, explanations, locations

Cyberspace and Digital Technologies

Form, text, textuality

Pre-reading: Shah, Nishant, 2005. “Playblog: Pornography, Performance, and Cyberspace” available here

Session 2: The Digital DNA – Database, Networks, Archives

The Database Imperative: Sorting, information, databases

The Networking Impulse: Social Networking Systems and the condition of networking

The Archiving Aspirations: Intention, aspiration and archiving the present

Pre-reading: Manovich, Lev, 2001. “The Database as a Symbolic Form” available here

Day 2: Information technology and human engineering

Session 3 : Gender, Technology and Cyberspace

Gendering of Technology; Gendered Technologies

The body and its boundaries

Physical bodies; Digital selves; cyborgs

Pre-reading: Light, Jennifer, 1999. “When Computers Were Women” available here

Dibbell, Julian, 1991. “A Rape in Cyberspace: How an Evil Clown, a Haitian Trickster, Two Wizards, and a Cast of Dozens Turned a Database into a Society” available here

Session 4: Techno-social Worlds

Orkut Deaths : The distributed self

Role playing and identity : The real and the authentic

DPS MMS: The trajectories of selves

Day 3- 4 : Cyberspace and the Infobahn

Session 5: Movie Screening: Good Copy, Bad Copy (followed by discussion)

Session 6: Who owns Cyberspace?

Ownership and Possession

Licensing and access

Open source and the gift economy

Pre-reading: UNCTAD essay on copyright and related questions, available here

Session 7: 18 Reasons Why Piracy is Good for You

The need for piracy

Piracy, theft, and property

Session 8: The Cultural Value of Intellectual Property

The Digital Millenium Rights

The Copy Right and the Copy Left

Open Access and the Creative Commons

Outputs

For more details visit https://cis-india.org/publications-automated/curricula/courses-taught-and-designed-by-cis/cyberspace-in-its-plurality-cybercultures-workshop-at-tiss-mumbai

Conferences & Workshops

nishant — 2009-07-10T07:28:21Z

The Centre for Internet and Society firmly endorses the model of collaboration, consultation and feedback, and looks upon conferences within various disciplines, which engage with questions of Internet technologies and their bearing upon the times we live in, as extremely fruitful forums of engagement with the peers. This is where we document the different conferences that we are institutionally or individually participating in and the ideas that emerge out of them.

For more details visit https://cis-india.org/research/conferences

CIS Publications

nishant — 2010-07-28T04:50:15Z

Recent Publications in the field by the staff and members of the Centre for Internet and Society including coverage in the press.

For more details visit https://cis-india.org/publications-automated/cis

Curricula & Teaching

nishant — 2008-10-11T10:28:26Z

Courses designed and taught by members of the Centre for Internet and Society, at different organisations, universities and institutes

For more details visit https://cis-india.org/publications-automated/curricula

People

nishant — 2020-08-04T05:52:57Z

The Centre for Internet and Society (CIS) brings together a range of people with backgrounds in various disciplines who have made significant interventions and impacts in the newly emerging area of Internet and Society. Functioning through a model of collaborations, consultations and peer-networking, our works feature some of the most innovative and relevant ideas embodied by the different people we work with. We also undertake research, advocacy, and educational programmes which involve an extensive network of researchers, practitioners, artists, and institutions partnering with us intellectually and programmatically.

Centre for Internet and Society

Once Upon a Flash

Material Cyborgs; Asserted Boundaries

Nishant Shah

The Anxiety of the Future and Internet Technologies

The Anxiety of the Future and Internet Technologies

Writing the Future - IIT Delhi

Uploads

i4D Interview: Social Networking and Internet Access

Mechanism of Self-Governance Needed for Social Networks

Should social networking sites be governed, and if yes, in what way?

Histories of the Internet

Home images

Digital Pluralism

Internet as Technology

Internet and its Materiality

Internet and Cyberspaces

Cyberspace in its Plurality: Cybercultures Workshop at TISS, Mumbai

Workshop @ Centre for Media and Cultural Studies, TISS, Mumbai

Day 1: Cyberspace – Form, Textuality and Frameworks

Session 1: Exploring Cyberspace:

Session 2: The Digital DNA – Database, Networks, Archives

Day 2: Information technology and human engineering

Session 3 : Gender, Technology and Cyberspace

Session 4: Techno-social Worlds

Day 3- 4 : Cyberspace and the Infobahn

Session 5: Movie Screening: Good Copy, Bad Copy (followed by discussion)

Session 6: Who owns Cyberspace?

Session 7: 18 Reasons Why Piracy is Good for You

Session 8: The Cultural Value of Intellectual Property

Conferences & Workshops

CIS Publications

Curricula & Teaching

People

Board and Society Members

Distinguished Fellows

Fellows

Staff