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    <item rdf:about="https://cis-india.org/research/conferences/conference-blogs/picnic">
    <title>The Future of Journalism: EJC @ Picnic 2010</title>
    <link>https://cis-india.org/research/conferences/conference-blogs/picnic</link>
    <description>
        &lt;b&gt;Nishant Shah was a speaker at the PICNIC 2010, in Amsterdam, where he made a presentation titled "Citizens in the time of Database Democracies : Information ecology and role of participatory technologies in India"

&lt;/b&gt;
        
&lt;p style="text-align: justify;"&gt;The
relationship between citizenship and government informatics have
historically
been shaped through a series of debates around questions of
citizenship,
security, State-market collaborations, and right based discourse in
India. Even
before the information explosion caused by the emergence of digital and
internet technologies, there has been a strident discourse around
participatory democracy and technology mediated governance as&amp;nbsp; ways of
empowering the citizen's access to rights and resources in the country.
With the emergence of new technologies of storage,
retrieval and dissemination, these expectations have become more
visible.&amp;nbsp; The Indian Government has
officially accepted the transition to become a S.M.A.R.T.&amp;nbsp;
(Simple, Moral, Accountable, Responsible and
Transparent) State, with the rise of&amp;nbsp; 'Netizens' who, in their access
to new digital and internet technologies will change the very shape and
structure of governance.&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;However,
as the digital infrastructure develops and new kinds of citizen
services and consumption come to the fore,
battle-lines are being drawn between stakeholders. On the one hand are
those
who believe that this might be the opening of a Pandora’s Box for a
country
like India where a stark digital divide might create great inequality
in citizens' access to State services and resources, producing unjust
and discriminatory structures based on access, bandwidth and education.
. On the other
hand are those who celebrate the need for transparency, participation
and access to governmentality that these e-governance initiatives usher
in, addressing long standing questions of plutocratic governance,
bureaucratic systems of denial of rights and widespread corruption.&amp;nbsp;
Both the warring factions draw upon partial data – of
failed attempts and projects by different government initiatives to
pilot
studies initiated by different government and civil society
organisations
respectively – to make their arguments for and against the emergence of
a 'Database Democracy' .premised on participatory politics facilitated
by new media practices in the country.&lt;/p&gt;
&lt;p&gt;Especially
with the current rolling out of a Unique Identity Project (named Aadhar
– The
Hindi word for ‘Support’) these discussions have become more severe and
the
arguments have become angrier. It is not only timely but also necessary
to
examine the ecology of participatory technologies and processes in the
country in order
to look at the different sides of the debates and explore the role that
new media practitioners and stakeholders&amp;nbsp; would play in efficiently and
responsibly establishing a protocol
of open and transparent governance structures without compromising
either the privacy,
rights or safety of the citizens. This presentation explores the
project Aadhar as symptomatic of a changing relationship between the
State and its Citizens mediated by ICT technologies and stakeholders,
to look at the ways in which new Citizenships are being forged in
emerging information societies like India.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;More news about the panel on Future of Journalism, arranged by the European Journalism Commission, is available at&lt;/p&gt;
&lt;p&gt;http://futureofjournalism.net/index.php/EJC_at_PICNIC2010&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/conferences/conference-blogs/picnic'&gt;https://cis-india.org/research/conferences/conference-blogs/picnic&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Conference</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Governance</dc:subject>
    

   <dc:date>2010-10-13T07:13:29Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/political">
    <title>Political is as Political does</title>
    <link>https://cis-india.org/digital-natives/blog/political</link>
    <description>
        &lt;b&gt;The Talking Back workshop has been an extraordinary experience for me. The questions that I posed for others attending the workshop have hounded me as they went through the course of discussion, analysis and dissection. Strange nuances have emerged, certain presumptions have been questioned, new legacies have been discovered, novel ideas are still playing ping-pong in my mind, and a strange restless excitement – the kind that keeps me awake till dawning morn – has taken over me, as I try and figure out the wherefore and howfore of things. I began the research project on Digital Natives  in a condition of not knowing, almost two years ago. Since then, I have taken many detours, rambled on strange paths, discovered unknown territories and reached a mile-stone where I still don’t know, but don’t know what I don’t know, and that is a good beginning.&lt;/b&gt;
        &lt;p&gt;	&lt;strong&gt;The researcher in his heaven, all well with the world&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;	This first workshop is not merely a training lab. For me, it was the
 extension of the research inquiry, and collaboratively producing some 
frames of reference, some conditions of knowing, and some ways of 
thinking about this strange, ambiguous and ambivalent category of 
Digital Natives. The people who have assembled at this workshop have 
identified themselves as Digital Natives as a response to the open call.
 They all have practices which are startlingly unique and simultaneously
 surprisingly similar. Despite the great dissonance in their 
geo-political contexts and socio-cultural orientations, they seem to be 
bound together by things beyond the technological.&lt;/p&gt;
&lt;p&gt;	Each one chose a definition for him/herself that straddles so many 
different ideas of how technologies interact with us; there are writers 
who offer a subjective position and affective relation to technologies 
and the world around them; there are artists who seek to change the 
world, one barcode at a time; there are optimist warriors who have waged
 battles against injustice and discrimination in the worlds they occupy;
 there are explorers who have made meaning out of socio-cultural 
terrains that they live in; there are leaders who have mobilized 
communities; there are adventurers who have taken on responsibilities 
way beyond their young years; there are researchers who have sought 
higher grounds and epistemes in the quest of knowledge. The varied 
practice is further informed by their own positions as well as their 
relationship with the different realities they engage with.&lt;/p&gt;
&lt;p&gt;	How, then, does one make sense of this babble of diversity? How does
 one even begin to articulate a collective identity for people who are 
so unique that sometimes they are the only ones in their contexts to 
initiate these interventions? Where do I find a legacy or a context that
 makes sense of these diversities without conflating or coercing their 
uniqueness? This is not an easy task for a researcher, and I have 
struggled over the two days to figure out a way in which I can start 
develop a knowledge framework through which I can not only bring 
coherence to this group but also do it without imposing my questions, 
suggestions or agendas on you. And it is only now, at a quarter to dawn,
 as I think and interact more with the different digital natives that 
things get shapes for me – shapes that are not yet clear, probably 
obscured by the blurriness of sleep and the rushed time that we have 
been living in the last few days – and I now attempt to trace the 
contours if not the details of these shapes.&lt;/p&gt;
&lt;p&gt;	&lt;strong&gt;Questioning the Question&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;	The first insight for me came from the fact that the Digital Natives
 in the workshop talked back – not only to the structures that their 
practice engages with, but also the questions that I posed to them. 
“What does it mean to be Political?” I has asked on the first day, 
knowing well that this wasn’t going to be an easy dialogue. Even after 
years of thinking about the Political as necessarily the Personal (and 
vice versa), it still is sometimes difficult to actually articulate the 
process or the imagination of the Political. It is no wonder that so 
many people take the easy recourse of talking about governments, 
judiciaries, democracies and the related paraphernalia to talk about 
Politics.&lt;/p&gt;
&lt;p&gt;	I knew, even before I posed the question, that this was going to 
lead to confusion, to conditions of being lost, to processes of 
destabilising comfort zones. However, what I was not ready for was a 
schizophrenic moment of epiphany where I tried to ask myself what I 
understood as the Political. And as I tried to explain it to myself, to 
explain it to others, to push my own knowledge of it, to understand 
others’ ideas and imaginations, I came up with a formulation which goes 
beyond my own earlier knowledges. There are five different articulations
 of the legacies and processes of the Political that I take with me from
 the discussions (some were suggested by other people, some are my 
flights of fancy based on our conversations), and it is time to reflect 
on them:&lt;/p&gt;
&lt;p&gt;	&lt;em&gt;&lt;strong&gt;Political as dialogue&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;	This was perhaps, the easiest to digest because it sounds like a 
familiar formulation. To be political is to be in a condition of 
dialogue. Which means that Talking Back was suddenly not about Talking 
Against or Being Talked To. It was about Talking With. It was a 
conversation. Sometimes with strangers. Sometimes with people made 
familiar with time. Sometimes with people who we know but have not 
realised we know. Sometimes with the self. The power of names, the 
strength of being in a conversation – to talk and also to listen is a 
condition of the Political. In dialogue (as opposed to a babble) is the 
genesis of being political. Because when we enter a dialogue, we are no 
longer just us. We are able to detach ourselves from US and offer a 
point of engagement to the person who was, till now, only outside of us.&lt;/p&gt;
&lt;p&gt;	&lt;em&gt;&lt;strong&gt;Political as concern&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;	This particular idea of the political as being concerned was a 
surprise to me. I have, through discourses and practice within gender 
and sexuality fields, understood affective relationships as sustaining 
political concerns and subjectivities. However, I had overlooked the 
fact that the very act of being concerned, what a young digital native 
called ‘being burned’ about something that we notice in our immediate 
(or extended) environments is already a political subjectivity 
formation. To be concerned, to develop an empathetic link to the 
problems that we identify, is a political act. It doesn’t always have to
 take on the mantle of public action or intervention. Sometimes, just to
 care enough, is enough.&lt;/p&gt;
&lt;p&gt;	&lt;em&gt;&lt;strong&gt;Political as change&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;	This is a debate that needs more conversations for me. Politics, 
Knowledge, Change, Transformation – these are the four keywords (further
 complicated by self-society binaries) that have strange permutations 
and combination. To Know is to be political because it produces a 
subjectivity that has now found a new way of thinking about itself and 
how it relates to the external reality. This act of Knowing, thus 
produces a change in our self. However, this change is not always a 
change that leads to transformation. Knowledge for knowledge’s sake can 
often be indulgent. Even when the knowledge produces a significant and 
dramatic change, often this change is restricted to the self.&lt;/p&gt;
&lt;p&gt;	When does this knowing self, which is in a condition of change, 
become a catalyst for transformation? When does this knowing-changing 
translate into a transformation for the world outside of us? Just to be 
in a condition of knowing does not grant the agency required for the 
social transformation that we are trying to understand. Where does this 
agency come from? How do we understand the genesis and dissemination of 
this agency? And what are the processes of change that embody and foster
 the Political?&lt;/p&gt;
&lt;p&gt;	&lt;em&gt;&lt;strong&gt;Political as Freedom&lt;/strong&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;	On the first thought, the imagination of Political as Freedom seemed
 to obvious; commonsense and perhaps commonplace. However, I decided put
 the two in an epistemological dialogue and realised that there are many
 prismatic relationships I had not talked about before I was privy to 
these conversations. Here is a non-exhaustive list: Political Freedom, 
Politics of Freedom, Free to be Political, Political as Freedom, Freedom
 as Political... is it possible to be political without the quest of 
freedom? Is the freedom we achieve, at the expense of somebody else’s 
Political stance? How does the business of being Political come to be? 
Not Why? But How? If Digital Natives are changing the state of being 
political what are they replacing? What are they inventing? Where, in 
all these possibilities lies Freedom?&lt;/p&gt;
&lt;p&gt;	&lt;a href="http://northeastwestsouth.net/brief-treatise-despair-meaning-or-pointlessness-everything#comment-2131"&gt;&lt;em&gt;&lt;strong&gt;Political as Reticence&lt;/strong&gt;&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;	We all talked about voice – whose, where, for whom, etc. It was a 
given that to give voice, to have voice, to speak, to talk, to talk back
 were conditions of political dialogue and subversion, of intervention 
and exchange. So many of us – participants or facilitators – talked 
about how to speak, what technologies of speech, how to build conditions
 of interaction... and then, like the noise in an otherwise seamless 
fabric of empowerment came the idea of reticence. Is it possible to be 
silent and still be political? If I do not speak, is it always only 
because I cannot? What about my agency to choose not to speak? As 
technologies – of governance, of self, and of the social &amp;nbsp;constantly 
force us to produce data and information, through ledgers and censuses 
and identification cards – make speech a normative way of engagement, 
isn’t the right of Refusal to Speak, political?&lt;/p&gt;
&lt;p&gt;	Sometimes, it is necessary to exercise silence as a tool or a weapon
 of political resistance. The non-speaking subject holds back and 
refuses to succumb to pressures and expectations of a dominant 
erstwhile, and in his/her silence, produces such a cacophony of meaning 
that it asks questions that the loudest voices would not have managed to
 ask.&lt;/p&gt;
&lt;p&gt;	&lt;strong&gt;The Beginning of a Start; Perhaps also the other way round&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;	These are my first reflections on the conversations we have had over
 the two days. I feel excited, inspired, moved and exhilarated as I 
carry myself on these flights of ideation, thought and 
conceptualisation. It is important for me that these are questions that I
 did not think of in a vacuum but in conversation and dialogue with this
 varied pool of people who have spent so much of their time and effort 
to not only make their work intelligible but also to reflect on the 
processes by which we paint ourselves political. I have learned to 
sharpen questions of the political that I came with and I have learned 
to ask new questions of Digital Natives practice. I don’t have a 
definition that explains the work that these Digital Natives do. But I 
now have a framework of what is their understanding of the political and
 what are the various points of engagement and investment.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/political'&gt;https://cis-india.org/digital-natives/blog/political&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Political</dc:subject>
    
    
        <dc:subject>Youth</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    
    
        <dc:subject>Digital subjectivities</dc:subject>
    
    
        <dc:subject>Workshop</dc:subject>
    

   <dc:date>2011-08-04T10:30:51Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/talkingback">
    <title>Digital Natives : Talking Back</title>
    <link>https://cis-india.org/digital-natives/blog/talkingback</link>
    <description>
        &lt;b&gt;One of the most significant transitions in the landscape of social and political movements, is how younger users of technology, in their interaction with new and innovative technologised platforms have taken up responsibility to respond to crises in their local and immediate environments, relying upon their digital networks, virtual communities and platforms. In the last decade or so, the digital natives, in universities as well as in work spaces, as they  experimented with the potentials of internet technologies, have launched successful socio-political campaigns which have worked unexpectedly and often without precedent, in the way they mobilised local contexts and global outreach to address issues of deep political and social concern. But what do we really know about this Digital Natives revolution? &lt;/b&gt;
        
&lt;p&gt;&lt;strong&gt;Press Release&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;	Youth are often seen as potential agents of change for reshaping 
their own societies. By 2010, the global youth population is expected 
reach almost 1.2 billion of which 85% reside in developing countries. 
Unleashing the potential of even a part of this group in developing 
countries promises a substantially impact on societies. Especially now 
when youths thriving on digital technologies flood universities, work 
forces, and governments and could facilitate radical restructuring of 
the world we live in. So, it’s time we start listening to them.&lt;/p&gt;
&lt;p&gt;	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;	Because of the age bias and the dependence of a large section of 
Digital Natives around the world, on structures of authority, there has 
always been a problem of power that has restricted or reduced the scope 
of their practice and intervention. For younger Digital Natives, 
Parental authority and the regulation from schools often becomes a 
hindrance that thwarts their ambitions or ideas. Even when they take the
 initiative towards change, they are often stopped and at other times 
their practices are dismissed as insignificant. In other contexts, 
because of existing laws and policies around Internet usage and freedom 
of expression, the voices of Digital Natives get obliterated or 
chastised by government authorities and legal apparatuses which monitor 
and regulate their practices. The workshop organised at the Academia 
Sinica brings in 28 participants from contested contexts – be it the 
micro level of the family or the paradigmatic level of governance – to 
discuss the politics, implications and processes of ‘Talking Back’.&lt;/p&gt;
&lt;p&gt;	&amp;nbsp;&lt;/p&gt;
&lt;p&gt;	What does it mean to Talk Back? Who do we Talk Back against? Are we 
alone in our attempts or a part of a larger community? How do we use 
digital technologies to find other peers and stake-holders? What is the 
language and vocabulary we use to successfully articulate our problems?&amp;nbsp;
 How do we negotiate with structures of power to fight for our rights? 
These are the kind of questions that the workshop poses. The workshop 
focuses on uncovering the circuitous routes and ways by which Digital 
Natives have managed to circumvent authorities in order to make 
themselves heard. The workshop also dwells on what kind of support 
structures need to be developed at global levels for Digital Natives to 
engage more fruitfully, with their heads held high and minds without 
fear, with their immediate environments.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;The proceedings of the first workshop in Taipei, 16-18th August, 2010 are available at &lt;a class="external-link" href="http://digitalnatives.in/"&gt;http://digitalnatives.in/&lt;/a&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/talkingback'&gt;https://cis-india.org/digital-natives/blog/talkingback&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Youth</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>Workshop</dc:subject>
    
    
        <dc:subject>Digital subjectivities</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    

   <dc:date>2015-05-15T11:50:19Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/research/grants/the-promise-of-invisibility-technology-and-the-city/finalpaper">
    <title>The Making of an Asian City</title>
    <link>https://cis-india.org/research/grants/the-promise-of-invisibility-technology-and-the-city/finalpaper</link>
    <description>
        &lt;b&gt;Nishant Shah attended the conference on 'Pluralism in Asia: Asserting Transnational Identities, Politics, and Perspectives' organised by the Asia Scholarship Foundation, in Bangkok, where he presented the final paper based on his work in Shanghai. The paper, titled 'The Making of an Asian City', consolidates the different case studies and stories collected in this blog, in order to make a larger analyses about questions of cultural production, political interventions and the invisible processes that are a part of the IT Cities. &lt;/b&gt;
        
&lt;p&gt;&lt;/p&gt;
&lt;p align="center" style="text-align: center;"&gt;&amp;nbsp;&lt;strong&gt;The
Promise of Invisibility: The Making of an Asian IT City&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Abstract:&lt;/strong&gt;
This paper understands that in emerging Asian contexts, the proliferation and adoption
of Internet technologies leads to two distinct changes in the material
(re)construction of the city:&lt;/p&gt;
&lt;p class="MsoListParagraphCxSpFirst"&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;em&gt;Built Form of the City:&lt;/em&gt;
The physical and material aspects of the city are restructured, redesigned and
realigned to house the infrastructure of Internet Technology economies.&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoListParagraphCxSpLast"&gt;2.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;em&gt;Governance and Administration&lt;/em&gt;:
The technologies of governance (and also, the governance of technologies) that reconfigure
the city for better control, regulation and containment of the subjects of the
state.&lt;/p&gt;
&lt;p&gt;These
changes are articulated and understood, in contemporary scholarship and discourse,
through the tropes of Access and Transparency, which propose Technology as
neutral. These studies also locate technology as outside of the changing
socio-political transformations that the city undergoes in its attempt to
emerge as an IT City. The framework, by contextualising technology differently
– in larger narratives of continuity and disruption – opens up a dialogue
between cybercultures and social sciences to look at conditions of change It
also shows how the It demonstrates how such an approach to technology studies
enables new and nuanced forms of social sciences inquiry into processes like
Dislocation and Migration, which have never addressed the technology question
as central to the phenomena.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Context&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The 21&lt;sup&gt;st&lt;/sup&gt; Century has seen accelerated
urbanisation and spatial restructuration of cities in emerging information
societies around the world. These cities are created as global hubs that shall
not only house the Information and Communication Technology (ICT)
infrastructure, but also embody the aesthetics, politics, practices and
lifestyles that the global cultural revolutions are bringing in. The
technologies are significantly involved in the production of the dominant, the
hegemonic and the coercive, all under the rubric of economic growth and development,
and have affected domains of life, labour and language (Foucault,1998) in
different contexts. It is easy to trace the ways in which lifestyle, cultural
expression (Bagga, 2005), texture of social interaction and mobilisation, and
political and administrative reorganisation (Roy, 2005) have changed in
emerging contexts like India and China.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The efforts at creating
‘global countries’ (Kalam, 2004) that can harness the powers of ICT, have lead
to three distinct forms of changes. These changes can be seen in the built form
of the city, in structures of governance and administration, and in attitudes
and Imagination of technologies as they emerge in popular discourse and
cultural production. Each of these changes is articulated and explained through
the tropes of Transparency and Access. The paper has a specific interest in
looking at sites of dislocation and migration, to illustrate the arguments it
seeks to make. The paper relies on secondary and tertiary literature (often in
translation), unstructured interviews and participant observation to make an
argument about how the aesthetics, mechanics and political &lt;a name="_ednref1" href="#_edn1"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[i]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;
imaginaries of technology are a part of the physically changing and
transforming IT cities in Asia. In order to make the argument, however, a brief
context that explains the material signification of these three kinds of
changes, is necessary to be explicated.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;strong&gt;&lt;em&gt;Beyond the Blogosphere&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;There has been an equal amount of optimism and
scepticism when it comes to talking about the new public spheres that emerge
with the Internet. Clubbed under the short-hand ‘Blogosphere’, both the
evangelists and the critics of the blogosphere, have explored the Habermassian
notion of the engaging public that is crafted with the emergence of new
technologies of literacy, expression and participation. In many ways, the
governance structures that have been discussed earlier, also endorse the
positions taken by these interlocutors. However, much of the discourse,
understands the blogosphere as contained in the digital domains. While a
cause-and-effect model is often posited, the chief interest and focus remains
on the new public, new voices and new spaces within the virtualities of the
World Wide Web. This paper challenges such narrow definitions of the public
sphere, and in fact, goes back to Habermass to locate technologies and public
spaces within a certain historical context. In fact, this paper proposes that
the increasing need for the faith in the blogosphere and the clamour that
surrounds it is symptomatic of how the physical and built public spaces, in
most Asian IT cities, is slowly diminishing.&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;In Shanghai, it is the loss of a political public
space of socialist capital and industry that marks the beginning of this
disappearance. 20 years ago, the announcer on every passenger train entering
Shanghai would introduce the city as “the largest industrial city in China.”
When W. E. B. Du Bois, an African-American writer, visited Shanghai in 1959, he
was particularly invited to visit the balcony of Shanghai Mansion, which sits
at the mouth of the Suzhou River and was the tallest building of its time, to
catch a bird’s eye view of the new urban socialist landscape and the
innumerable factory chimneys that speared the sky (Zhang, 2002).&lt;a name="_ednref2" href="#_edn2"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[ii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Indeed,
an abundant number of factories, warehouses and dockyards cropped up in the
three decades after 1950, and, together with the existing industrial
constructions, made Shanghai a “new metropolis.” Some of them were clustered in
suburban areas, more were scattered in the city area. Some were even squeezed
into &lt;em&gt;Longtangs&lt;/em&gt; (the narrow alleyways
of old Shanghai). The industrial constructions include not only factory
buildings but also workers’ residential buildings in factory-concentrated
areas. The workers’ residential buildings were targeted primarily at the senior
or skilled workers among the industrial population. Life in the residential
buildings became an extension of factory life since neighbours were most
probably co-workers in the same factory. It is precisely the great number of
old and new industrial constructions and the rhythmic life going on in them
that composed the socialist industrial space of Shanghai. Needless to say, it
was the fastest growing space in the forty years after 1949.&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;However, nine out of ten such spaces have been wiped
out during the fifteen-year urban renewal project, which is perhaps embodied in
the restructuring of the Bund as a space of tourist attraction, and eventually
the building of the Pudong skyline that has now become the iconic face of the
city (Yatsko, 1996, pp 59).&lt;a name="_ednref3" href="#_edn3"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[iii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;
Factories—let alone warehouses—within the Inner Ring Road have either closed
down or been removed. With the closing of the factories, the workers also have
no place to work anymore. Dr. Wang XiaoMing, in his essay on the changing
public space mentions how, once the factory he worked in “had its signboard
removed in 1997, the workers have no place to work anymore. The inhabitants of
Caoyang New Village have thrown away the signboard off the gate a long time ago
and could barely remember that the place was once called the “Workers New
Village.” Large factories located on the outskirts of the city are mostly shut
down and the places are as quiet as cemeteries” (forthcoming, 2010).&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;As Americanised industrial parks sprout up in places
such as the Pudong District of Shanghai, and Kunshan and Suzhou to the north of
Shanghai, the socialist industrial space is shrinking rapidly both within and
without Shanghai. Another space that has significantly diminished is the public
political space. One of the most important requirements socialism places on
urban space is to be able to facilitate large-scale political rallies and
parades (Kewen 2006 and Liang 1959).&lt;a name="_ednref4" href="#_edn4"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[iv]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;Therefore, apart from industrial constructions, the
most eye-catching constructions in Shanghai’s new urban constructions from the
1950s to the 1960s were squares and large meeting halls, which include the People’s
Square, the Sino-Russian Friendship Building, the Cultural Plaza, and so on.&lt;a name="_ednref5" href="#_edn5"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[v]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;
Moreover, government agencies of all levels and factories endeavoured to build
conference halls of various sizes for political meetings by transforming
theatre halls or building new ones. In the past, tens of thousands of people
have paraded down the People’s Square to pay tribute to the officials perched
high above on reviewing stands. People rallying in various meeting halls,
changing slogans to express joy, and echoing the instructions from the speakers
on stage, were frequent occurrences. During the Cultural Revolution, the Rebels
staged the final resistance here; in the late 1980s, fervent university
students had swarmed into People’s Square to turn it into a place of revelry (Feuchtwang,
2004).&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;In the blink of an eye, these histories have faded
from the public memory and been completely erased from the city’s architectural
space. Sino-Russia Friendship Building is renamed Shanghai Exhibition Center,
which hosts a constant blur of Expos. After repeated segmentation, People’s
Square is now only a nominal square with a long and narrow driveway and most of
its space has been occupied by new buildings such as the majestic Shanghai
Grand Theatre, the Shanghai Museum, the sunken commercial street and a parking
lot. Cultural Plaza was first transformed into a large flower market which was
later torn down and pushed to a corner to make way for the new “Music Plaza.”
With mass meetings completely eradicated from the life of Shanghai’s residents,
the numerous assembly halls and meeting places of various sizes have naturally
been restructures for other purposes. People participate with zeal in large
assemblies such as concerts, performance competitions, and so on, which have nothing
to do with public politics. It is even possible to say that the audience’s
shrieks in the stadium symbolize the massive decrease of the public political
space in both architectural and spiritual sense (Tang, 2009, pp 327).&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;Another cluster of spaces that have significantly
disappeared are the gossip centres concentrated in areas such as the mouth of
NongTang, Lao Hu Zhao &lt;a name="_ednref6" href="#_edn6"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[vi]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;,
variety store and lane. It is a cultural given that the Shanghainese like to
strike up a conversation with strangers and to engage in gossip; this is indeed
one of the city’s hallmarks. The Shanghainese can always spare time for gossip:
no matter how busy the atmosphere is, there are always some people who loiter
around with hands in pockets; even the working class who work from dawn to dusk
like to exchange a few words with their neighbours after work. It so happened
that the living space was very cramped for the Shanghainese after the 1950s.&lt;a name="_ednref7" href="#_edn7"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[vii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; The
rich can idle away their time in places such as cinemas whereas the low-income
people can only manage to find a free space of leisure near their residences.
The first choice is the mouth of NongTang adjacent to the footpath, from which
all the comings and goings of residents and the traffics on the streets could
be perceived. There will always be a Lao Hu Zhao near the mouth of a big
NongTang, where you can sit for a whole afternoon and exchange hearsays with
neighbours coming for hot water over a cup of tea; or there is a family-run
variety store whose female boss is quite fond of trading rumours and gossip
with customers across the narrow counter. In times of local or national crises,
this is always the first place where the news is spread and gets distorted.&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;Things have now changed. Lao Huo Zhaos are gone.
Variety stores are quickly replaced by different kinds of convenience stores
(Huang, 2004, pp 49-50). Although many similar or even smaller family-run
variety stores are opened at the newly-formed district bordering the city, a
stable communication space cannot form in these stores since the male or female
boss is mostly “non-native population”&lt;a name="_ednref8" href="#_edn8"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[viii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;, who
not only is unable to blend in with the local residents but also may move away
at any time. Although being one of the hallmarks of old Shanghai houses, the
nongtangs have been pulled down in large numbers. Those narrow, winding streets
have been either diverted, or straightened and widened. Shabby houses on both
sides of the streets have disappeared. Also gone are the hustle and bustle, the
interfusion of public and private space, and street gossips, which have been
replaced by heavy traffic with exhaust gas and noise. With the increasingly
neat arrangement of construction space within the city, the influx of transient
population, residents increasingly accustomed to shutting doors to the world and
to their neighbours, the overwhelming clamour in the media, and the young
people’s addiction to internet and game bars, the space where rumours and
gossips are spread via mouths and pointing fingers is naturally contracted
(Yeung, 1996, pp. 78-84).&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;These old spaces of early Shanghainese modernity are
quickly replaced by three new built forms. The first are the various
above-ground, underground, and overhead expressways. Intersecting and
intertwining together, they make the whole city look as if it were trapped in a
python’s nest. The second thing that comes to the mind is commercial space.&lt;a name="_ednref9" href="#_edn9"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[ix]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;
Shopping malls&lt;a name="_ednref10" href="#_edn10"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[x]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;
line both the sides of the streets in downtown Shanghai, whereas hypermarkets
cluster at the periphery of the city (Diao, 2006)&lt;a name="_ednref11" href="#_edn11"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[xi]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;. With
the speedy expansion of space (Li, 2006)&lt;a name="_ednref12" href="#_edn12"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[xii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;, the
style of constructions are increasingly uniform: nearly all of them name
themselves “squares”;&amp;nbsp; shopping malls are
lined with chain stores on every level; chain supermarkets create mazes of
different sizes with dense goods shelves; in office buildings, glass doors and
plastic boards partition the office into many honeycomb-like cubicles, making
the people working in them increasingly look like worker bees; the hospitality
industry is overwhelmed with chain hotels of similar facilities and styles,
even customers often forget which hotel they stay in last time (Fulong, 1999).
The accelerated standardization process in Shanghai’s space highlights a
tendency to obtain the standard outlook of the imagined “international
metropolis” and an urgency to erase the distinct features inherited from the
past.&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;Thirdly, the office space of governments and state
monopolies expands in a unique sense: although the floor area has increased
significantly&lt;a name="_ednref13" href="#_edn13"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[xiii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;,
it is the upgrading and the move towards luxury that marks the change. Since
the early 1990s, luxurious office buildings with halls paved with marble floor,
central air conditioning system, shiny wood floors, CEO office suite with
separate bathroom, were built first by banks, then revenue departments,
telecommunication agencies, newspapers offices, television stations, courts,
and police stations of different levels, and at last governments of municipal,
district and even lower levels.&lt;a name="_ednref14" href="#_edn14"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[xiv]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Not
only the connotation of “work” has been enriched, but also other business
spaces outside the office have expanded with restaurants, coffee bars, official
reception hotels, training centers and vacation centers located in the office
buildings or on the outskirts of town or other cities (Leaf, 1997, pp. 156-159).
&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;The changes in the built form of the new IT City that
has emerged, are particularly important because they signal the ways in which
certain kinds of populations are made redundant in the city as it grows
physically more hostile to their life in it. The erasure of histories, of
public spaces, of spaces of political negotiation is symptomatic of the new
ideologies, policies and dreams that Shanghai-Pudong embody. Most of the
studies that look at these changes, concentrate only on the physical and
material aspects of it, and ignore the aesthetics, politics, and changes that
Internet technologies are bringing in, not only in the imagination of what
constitutes a city, but also in the material and lived practices of the people
in it (Appadurai, 1990). Government policies that ignore technologies, come to
dead-ends in their intervention, as they fail to recognise the new geographies
and terrains that the technology users navigate through. Interventions by the
Development Sector or the Civil Society Movements often fail to recognise the
structures of governance as informed by internet technologies, thus
perpetrating the very evils that they fight against. Dislocation and Migration,
which are complex issues, get reduced to only geography and physical places –
leading to a simplified structure of rehabilitation, largely propelled by the
vocabulary of the market and the state. Remunerations, economic rights and
livelihood are the only questions addressed. In the process Community rights,
structures of communication and networking, relationships within families and
societies, ineffable ties and bonds that keep the communities coherent – these
affective categories which are dislocated and forced to migrate because of the
presence of technologies, fail to register either in the scholarship or in the
practices in these areas. &lt;strong&gt;&lt;u&gt;&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p class="MsoBodyTextIndent"&gt;This is where the blogosphere needs to be located – as
not merely producing a new space of engagement, but helping in recovering the
lost spaces of public participation and community communication. The blogosphere
is not merely the invention of a technology marked digital native or the
discovery of groups seeking alternative narratives. It is recognition of the
fact that the regular mainstream public discourse, interacts with the social
transformations and politics of our time and depend on the sustenance of public
spheres for the socio-cultural categories like communities, neighbourhoods,
public space, etc. to survive. The blogosphere, in the quickly changing,
hyper-real landscape of Shanghai-Pudong’s geography is the new variety store,
the new location for the Lao Hu Zhao and the space that the labyrinthine
networks of nongtangs are mapped on.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;strong&gt;&lt;em&gt;e-Governance and its discontents&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The change in the
physical reorganisation of the city is not only a pragmatic decision. This disappearance of the public
space of gossip, information dissemination and distortion, of informal
conversations and deliberations tied in closely to the three levels of
government in Shanghai – district government, street office and alley office –
being able to increasingly control the leisure life of the Shanghainese through
administrative planning and organisation (Zhang, 2004). There is a clear link
between the government’s imagination of its own territory, the notion of the
citizen who is to occupy these spaces, and the material practices that happen
in these technology marked spaces (Feuchtwang, 2004). While it is an
acknowledged fact that the Chinese government does not follow the structures
and paradigms that a North-Western Democratic Liberal ideology that has
produced the category of Nation-State in most contemporary discourse, there are
still two specific forms of technology inflected governance structures which
China seems to share with other contexts which might be geo-politically different.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The e-Governance models,
which find resonances in most emerging contexts in the Global South, seem to
develop two simultaneous and often ironically related approaches towards
citizenship and administration, especially in the context of China. With its
already forked governance policies, which treat HongKong – its colonial success
story – differently from the rest of Mainland China (and the added complication
of Taiwan) the governance structures are marked by technology in significant
ways. These structures are suffused with irony, because of the tropes of
transparency and invisibility that they use to articulate their rationale and
processes.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The first is the
approach of Rural Development through ICT networks, positing an access based
model of participatory citizenship (Tarlo, 2003) and continuing the Development
rhetoric of uplift and reform of the deprived citizen. This particular kind of
governance structure re-imagines the beneficiary of state/government processes
as existing in a condition of invisibility, and outside of the folds of
technology. The particular emphasis on e-government, while it is located in the
urban settings, is actually intended for reaching the citizen in the remote
parts of the country, who does not have any engagement or direct interaction
with processes of governance. Despite China’s three tiered government
structure, the imagination of e-governance hold a strong currency because it
makes visible, the people, practices and communities which otherwise exist in
the subliminal and grey areas which were hitherto not in the focus of the
government. Fuelling the rhetoric of e-government is the premium on information
dissemination and transparent administration in order to enhance the domains of
life and labour in the rural parts of the country.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;This approach draws its
strength from the Development agenda of reform and uplift as it markedly
emphasises the distance between the ‘haves and the have-nots’. However, the
valourisation of transparency goes hand-in-glove with the production of the
invisible (but cognisable) citizen who needs to be reproduced within the
paradigms of technology. The peasant, who has been at the back-bone of China’s
socialist political ideology, under this new articulation of transparency,
becomes invisible – robbed of the historicity, the cultural iconoclasms and the
empowerment that such policies earlier provided. Instead, the peasant becomes a
worker who needs to be rehabilitated into the changing geographies of Pudong,
the new IT city that requires a worker equipped with new skills and lifestyles.
This approach draws its strength from the Developmental agenda of reform and
uplift as it markedly emphasises the distance between the ‘haves and the
have-nots’ (Jaswal, 2005) and offers ICT enabled development as the panacea for
the problems of unemployment, illiteracy, chronic poverty, etc.&amp;nbsp; This approach is made manifest in the
establishment of Telecentre kiosks, rural BPOs, e-literacy schools and mobile
vans, setting up of mobile and internet technology centres, digitisation of the
state’s resources, digital access centres to important data-sets, initiation of
projects like ‘One Home One Computer’, the e-literacy campaigns, and the
building of special economic zones (SEZ) and IT Corridors under the aegis of
e-governance (Hawks, 2009).&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The second approach is
invested in the massive restructuration of the urban spaces to create
infrastructure that attracts foreign investment and ICT enabled multinational
corporations. This approach uses the language of creating a S.M.A.R.T. (Smart,
Moral, Accountable, Responsive, Transparent) State, modelling the new spaces
and politics around the new models of capital modernity (Appadurai, 1996) like
Singapore, Shanghai, Tokyo and Taipei. This model is nuanced by a vocabulary of
‘global citizenship and globalised economy’ (Abbas, 1997), glorifying the new
economic opportunities, flows of foreign capital, enhancement of lifestyle, and
the promise of hypervisibility in the globalisation networks. The building up
of network-neighbourhoods (Doheny-Farina, 1996), spaces of incessant commercial
consumption, post modern digitalised aesthetics of living and housing,
(Mitchell, 1996) infrastructure for ICT augmented lifestyles, spaces for
sculpting hyperspatial bodies, and recreational zones that offer apolitical
aesthetics of living (Chua, 2000), are all a part of this restructuration.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Contemporary analyses
that deploy both these approaches are often contained within the language and
the universes created by these approaches. Studies on e-governance concentrate
on the processes of infrastructure development, the economic parameters of
efficient administration, questions of rights and transparency and impact
analyses of the public private partnership which is at the basis of most e-governance
projects in India. Urban restructuration has found critique from disciplines
that focus largely upon the promissory implementation of State policies, on the
imbalance in the urban eco-systems, the new patterns of migration in the city,
the cultural and class mobility that the new economies offer, and the emergence
of the new middle class that becomes the figurehead of the IT revolution
(Huang, 2005). Most studies look upon technology as incidental or instrumental;
a tool towards an end. The relationship between ICTs and the State, and the
kind of technosocial evolution they produce are generally zones of silence in
most discourse. Both these discourses produce a certain hyper-visual citizen
subject who is either the champion of the new Information societies or the
victim of the digital divide that has ensued.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;ICTs are often posited
as neutral and transparent because they allow us to look at these two kinds of
citizenships on the opposite end of the digital spectrum. It can be argued that
the divides of ICTs are transparent and hence it offers clearly defined spaces
of intervention and uplift. The development sector around the world has
accepted this as a given and hence, along with the Governments, they have also
been urging a blanket development of infrastructure of access to technology for
a particular section of the society, in an attempt to ‘cure’ certain long
standing problems. As in the case of India, China is also fuelled by this
transparency rhetoric, which allows for the production of the power-user versus
the un-networked and has pinned its hopes on the transformative powers of
Internet Technologies. With more than two decades of ICT development in the
country, and especially in spaces like Shanghai-Pudong, behind them, China
seems to be facing a moment of crisis. On the one hand is its promotion and
adoption of internet and digital technologies, which encourages younger users
entering in “schools, colleges, universities and workforces to transform the
economic conditions” (Heng, 2006). On the other hand is the imagination of
these IT forces as transgressive, uncontrollable and in need of constant
supervision in order to retain existing government-citizenship relationships
and power structures. In the middle of this crisis, is another factor that the
obvious suspects and users of technology, who are more under the radar, are not
the people who are deploying technologies for political negotiation and using
technology platforms for political mobilisation. Despite the efforts at
green-washing its technologies and the production of the infamous Great
Fire-wall of China, there has been a sustained use of internet technologies for
resistance and subversion.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The spaces for
subversion rises from the fact that with the making of the IT city, there has
been a complex phenomenon of dislocation and migration, as several communities
were made redundant in the logic of the IT City and were removed from the city.
Many people from these communities re-entered the city as the new IT workforce
after going through a ‘rehabilitation’ and ‘skill building’ to not only be a
part of the IT labour groups but also to support the IT industry in the
construction of the physical infrastructure. Moreover, there has been a steady
flow of anonymous ‘outsiders’ who have found homes in the older nontangs and
factories, and are in the subliminal zones of regulation. As the city is
re-formed to make these people invisible (Abbas, 1997), their leisure space and
time shrink and they find themselves increasingly forming the new prosumers of internet
in Shanghai. However, in the transparency discourse that unfolds, these
populations remain invisible and find spaces of resistance and political
negotiation that their invisible status provides them. The promise of
Invisibility that treats them as Wetware (the biological combination of a
network consisting of Software and Hardware), allows for hope in the otherwise
diminishing spaces of political articulation in a growing authoritarian regime
in China.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;strong&gt;&lt;em&gt;Invisibility, Transparency and the
Internet&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The paper ends by
re-formulating the relationship between the making of an IT City and the way in
which transparency as a rhetoric and technology-as-instrumental method fail to
account for the different kinds of changes that accompany the restructuring of these
cities. On the one hand, there is shrinkage of physical space and built form,
as new forms of technology infrastructure, global lifestyle and late
capitalistic economies expand to fill up the spaces which were earlier
available for political mobilisation, organisation and inhabitation. On the
other, there is a diminishing political landscape, where, with the integration
of the government with the market, there is a tendency to establish larger
regulation and censorship in order to retain the status quo relationship
between the government and the citizen, in the face of massive governance
transition. Both these conditions are produced by the rise and spread of
Information Technologies.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;In the process, there
are also only two kinds of citizenships that are addressed by the e-governance
structures which work on a double edge: Firstly, they make the direct access
(defined either by abundance or lack of access) citizenships hyper-visual,
robbing them of nuances and looking upon them as implicated only in the discursive
practices of Internet technologies. Second, they render invisible, the other
supporting structures in order to highlight and focus on the economic
development and growth propelled by the rise of the IT industries. In other
words, they make the citizens who are central to the discourse, invisible, by
treating them as embodiments of the new economic markets and aspirations,
removing them from their traditional contexts, histories and spaces. Moreover,
they make invisible/transparent, populations who are not marked by the aura of
the Internet technologies, in order to bring into focus, the extraordinary
changes – both in the physical built form as well as in the realms of
governance – that have been initiated and accomplished with the making of the IT
City Shanghai-Pudong.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;strong&gt;References:&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Abbas, Ackbar. 1997. &lt;em&gt;Hong Kong: Culture and
the Politics of Disappearance&lt;/em&gt;. Hong Kong: Hong Kong University press.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Appadurai, Arjun. 1990. "The Coming
Community." In &lt;em&gt;Global Culture&lt;/em&gt;, edited by Michael Featherstone. London:
Sage.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Feuchtwang, Stephen. 2004. &lt;em&gt;Making Place: State Projects, Globalisation
and Local Responses in China&lt;/em&gt;. New York: Routledge Cavendish&lt;/p&gt;
&lt;p&gt;Hawks, F.L. 2009. &lt;em&gt;A
Short History of Shanghai: Being an account of the growth and development of
the&amp;nbsp; international settlement&lt;/em&gt;.
Beijing: China Intercontinental Press.&lt;/p&gt;
&lt;p&gt;Hiibbard, Peter. 2008. The Bund Shanghai : China Faces
the West. Odyssey Books and Guides.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Huang, Tsung-yi Michelle. 2004. &lt;em&gt;Walking Between Slums and Skyscrapers :
Illusions of open space in HK, Tokyo and Shanghai&lt;/em&gt;. Hong Kong: Hong Kong
University Press.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Leaf, Michael. 1998. ‘Urban planning and urban
reality under Chinese economic reforms’, &lt;em&gt;Journal of Planning Education and
Research.&lt;/em&gt; 18(2): 145–153.&lt;/p&gt;
&lt;p&gt;Li,
Heng. 2006. “Behind the Spectacle of Commercial Real Estate,” &lt;em&gt;Xinmin Weekly&lt;/em&gt;, 3rd issue (2006)&lt;/p&gt;
&lt;p&gt;Mirsky, Jonathan. 2008. &lt;em&gt;The Britannica Guide to Modern China : A comprehensive introduction to
the world’s new economic giant&lt;/em&gt;. London: Constable and Robinson Ltd.&lt;/p&gt;
&lt;p&gt;Diao
Wenjun, “Analysis of the Present situation and Development Trend of
Hypermarkets in Shanghai,” &lt;em&gt;Shanghai
Articles&lt;/em&gt;, 3rd issue (2006)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; (STSN)
Shanghai Times Square
Newsletter. 2008. Issue No. 4. Shanghai.&lt;/p&gt;
&lt;p&gt;Shu, Kewen. 2006. “the dynastic History of
Tiananmen Square”, &lt;em&gt;Life Week&lt;/em&gt;, Issue 11. 27&lt;sup&gt;th&lt;/sup&gt; March.&lt;/p&gt;
&lt;p&gt;Sicheng, Liang. 1959. “Tiananmen Square”, &lt;em&gt;Architectural
Journal&lt;/em&gt; Issue 9-10. pp. 12.&lt;/p&gt;
&lt;p&gt;SSY
(&lt;em&gt;Shanghai Statistical Yearbook) 1986&lt;/em&gt;,
Shanghai Statistics Bureau, (September, 1986), p18, p412.&lt;/p&gt;
&lt;p&gt;SSY(a)
(shanghai Statistical Yearbook) 2005. Shanghai Statistics Bureau. China
Statistics Press. August 2005.&lt;/p&gt;
&lt;p&gt;Stanat, Michael. 2005. &lt;em&gt;China’s Generation Y: Understanding the Future Leaders of the World’s
Next Superpower&lt;/em&gt;. NY: Homa and Sekey Books.&lt;/p&gt;
&lt;p&gt;Tang, Shih-che. 2009. ‘The club and the carrot of
China’s globalization.’ &lt;em&gt;Inter-Asia
Cultural Studies.&lt;/em&gt; Volume 10, Number 2. Delhi: Routledge Journals.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Wu, Fulong. 1999. ‘The global and local
dimensions of place-making: remaking Shanghai as a world city’. &lt;em&gt;Urban
Studies&lt;/em&gt;, 37(8): 1359–1377.&lt;/p&gt;
&lt;p&gt;Xixian, Xu and Xu JianRong. 2004.&lt;em&gt; A Changing Shanghai.&lt;/em&gt; Shangai: Shanghai People’s Fine Arts
Publishing House.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Yeung, Yue-man. 1996. &lt;em&gt;Shanghai: Transformation and Modernization Under China's Open Policy.&lt;/em&gt;
Shanghai: &lt;span class="addmd"&gt;Chinese University Press.&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Zhang,
Jishun. , “The Linong of Shanghai: the political mobilization of grass-roots
and the trend of national social integration (1950-1955),” &lt;em&gt;Chinese Social Sciences Today&lt;/em&gt;, 2nd issue, 2004&lt;/p&gt;
&lt;p&gt;Zhang,
Xudong. 2002. “The Construct of Shanghai: Criticism of Urban Idols,
Non-mainstream Writing and the Diminishment of Modern Myths” &lt;em&gt;Literary Review&lt;/em&gt;, the 5th edition&lt;/p&gt;
&lt;div&gt;&lt;br clear="all" /&gt;
&lt;hr align="left" size="1" width="33%" /&gt;


&lt;div id="edn1"&gt;
&lt;p class="MsoEndnoteText"&gt;&lt;a name="_edn1" href="#_ednref1"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[i]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; The project wants to emphasize that it is
not attempting a historiography of the building of the IT City of
Shanghai-Pudong. Instead, by drawing selectively, different ways in which the
technology imaginaries (technopolises, intellectual labour, globally homogenous
geographies and time-lines, bodies marked by technology in their material
practices, etc ) of the Internet, find structure and form in the emerging IT
cities in Asia.&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn2"&gt;
&lt;p class="MsoEndnoteText"&gt;&lt;a name="_edn2" href="#_ednref2"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[ii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Zhang Chunqiao, Secretary
of the Culture and Education Department of the Shanghai Municipal
Committee&amp;nbsp; who accompanied DuBois to
Shanghai Mansion, specially mentioned DuBois’ visit in an article entitled “To
Climb the New Summit of Victory.”.&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn3"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn3" href="#_ednref3"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[iii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; In 1994, one Shanghai
government officer stated, “the government plans to remove or close down two
thirds of the factories located within [the range of] 106 square kilometers
from the city centre, namely, within the Inner Ring Road.”.&lt;em&gt; &lt;/em&gt;Due to different reasons (one of
the main reasons is the increase of transferee cost because unsolved problems,
such as the proper placement of a large number of former workers, have been
bundled with the factory buildings and factory land), some factories still
remain in their original places, although most of them have already stopped
manufacturing and the workers dismissed. The industrial life/space has
disappeared with the disappearance of the factories. Ruins of this life/space
become some sort of commodity only because the land under the ruins still has
some value.&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn4"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn4" href="#_ednref4"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[iv]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; On the day (1 October
1949) of the founding of the People’s Republic of China, Mao Zedong suggested
rebuilding Tiananmen Square and making it a “grand and magnificent square.” See
(Kewen, 2006). Liang Sicheng, who always insisted on preserving the old Beijing
and opposed massive makeover, finally realized that the makeover was never
about architecture but about politics: “As for the scale of Tiananmen Square …
apart from considering the scale of man as a biological being and the scale of
construction appropriate to the man’s physiology, we should also take into
account the scale for the great collective requested by the political men in
the new society.” Liang, 1959, pp 12).&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn5"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn5" href="#_ednref5"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[v]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; The People’s Square,
transformed in 1953 from the original racecourse (which was nationalized in
1951 by the Municipal Military Control Commission), surrounded by woods, and
paved with tiled and cemented floor, is the largest public space in Shanghai
and can accommodate over one million people. The Sino-Russian Friendship
Building, which was built in 1955 and was covering an area of 80,000 square
meters, was the city’s largest building after the liberation of Shanghai and
still ranks top in terms of its indoor space in today’s Shanghai. The Cultural
Plaza, transformed in 1952 from the Greyhound Racecourse, had 12,500 seats and
was the largest indoor hall in Shanghai.&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn6"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn6" href="#_ednref6"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[vi]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; It is a unique store that
sells boiled water in Shanghai.&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn7"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn7" href="#_ednref7"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[vii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Shanghai’s housing
shortage started in the early 20th century instead of the 1950s. The living
space within Shanghai city is 16,100,000 square meters in total but 3.9 square
meters per capita. During the 32 years from 1952 to 1985, 21,720,000 square
meters of housing were built within the city and the registered population
increased from 5,300,000 to 6,980,000. The housing shortage was still serious
since by 1985, the living space had only reached 5.4 square meters per capita.
(SSY, 1986). What needs to be clarified is that the statics of 1949 does not
include the shabby slum houses commonly referred to as “gun di long.”&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn8"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn8" href="#_ednref8"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[viii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; This is an increasingly popular
new word in Shanghai over the last 20 years, which refers to the people who
come from other provinces, especially the rural areas, and live in Shanghai but
do not have permanent residence in Shanghai. According to the Shanghai
Statistics Bureau’s report on March 2006, the immigrating labor population in
Shanghai was 3,750,000. 2,840,000 of this population is in the manufacturing,
construction, retail, and catering industry and engaged in low-income manual
work. The immigrating population should be over 4 million if the large number
of people (such as those in the household service business) and their children
be taken into calculation.&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn9"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn9" href="#_ednref9"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[ix]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; In Shanghai, the floor
area of shops has increased seven-fold from 4,030,000 square meters in 1990 to
2,857,000 square meters in 2004 and that of hotels has increased three-fold
from 6,580,000 square meters in 1990 to 2,204,000 square meters in 2004. The
increase of commercial space is even greater if that of commercial office
buildings is calculated as well. (SSY(a), 2005, pp. 198)&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn10"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn10" href="#_ednref10"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[x]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Take the area around
Zhongshan Park for example, although it was one of the earliest developed
leisure areas in Shanghai, there was only one small department store in the
mid-1980s and the retail business developed slowly. However, within these ten
years, with the completion of Zhongshan Park Station along the subway line 2
and light rail line 3, five multi-story shopping malls have been built, all
within a radius of 500 meters. The newest among them is a 58-storey building
with four levels of basement and nine levels of shopping mall.&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn11"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn11" href="#_ednref11"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[xi]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; By the end of 2005,
hypermarkets measuring over 5000 square meters within Shanghai have reached 97
and 28 more have chosen their locations and would be opened soon. Because of a
large number of hypermarkets and the intense competition brought about, a
considerable number of them mainly profit from land appreciation rather than
from retail.&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn12"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn12" href="#_ednref12"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[xii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; By the end of 2005, the
commercial real estate in Shanghai has reached a total of 2,900,000 square
meters with 2.6 square meters per capita, far exceeding Hong Kong’s 1.2 square
meters per capita.&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn13"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn13" href="#_ednref13"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[xiii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Barely 6 million square
meters in 1990, the floor area of office buildings in Shanghai reached a total
of 4,012,000 square meters in 2004. See &lt;em&gt;Shanghai
Statistical Yearbook 2005&lt;/em&gt;. Edited by Shanghai Statistics Bureau, published
by China Statistics Press in August 2005, p 198. The statistical material on
the increase of floor area of commercial office building cannot be found for
the present. Even if the material were obtained, it would not be enough since a
large area of commercial office building has been rented by many state-owned
monopoly agencies. However, the expansion of government office space is great
even if it take up only one tenth of the space of office buildings.&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn14"&gt;
&lt;p style="text-align: justify;" class="MsoEndnoteText"&gt;&lt;a name="_edn14" href="#_ednref14"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[xiv]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; Such phenomenon exists
not only in Shanghai but all over the country, especially in cities and towns
of low economic level. The towering and luxurious government, bank, taxation,
and police buildings create an ironic contrast with the low and shabby
constructions close by.&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/grants/the-promise-of-invisibility-technology-and-the-city/finalpaper'&gt;https://cis-india.org/research/grants/the-promise-of-invisibility-technology-and-the-city/finalpaper&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Shanghai</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    
    
        <dc:subject>Architecture</dc:subject>
    
    
        <dc:subject>Censorship</dc:subject>
    
    
        <dc:subject>Communities</dc:subject>
    

   <dc:date>2012-08-10T08:33:48Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/chatroulette">
    <title>The power of the next click...</title>
    <link>https://cis-india.org/digital-natives/blog/chatroulette</link>
    <description>
        &lt;b&gt;P2P cameras and microphones hooked up to form a network of people who don't know each other, and probably don't care; a series of people in different states of undress, peering at the each other, hands poised on the 'Next' button to search for something more. Chatroulette, the next big fad on the internet, is here in a grand way, making vouyers out of us all. This post examines the aesthetics, politics and potentials of this wonderful platform beyond the surface hype of penises and pornography that surrounds this platform.&lt;/b&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;In his
futuristic novel &lt;em&gt;1984&lt;/em&gt;,
George Orwell conceived of a Big Brother who watches us all the time, tracking
every move we make, every step we take, and reminding us that we are being
watched. The Internet has often been seen as the embodiment of this fiction.
There are many who unplug computers, look over surreptitious shoulders and wear
tin-foil hats so that their movements cannot be traced. While this caricatured
picture might seem absurd to funny, there is no denying the fact that we are
being stalked by technologies. As our world gets more connected and our
dependence on digital and internet objects grow, we are giving out more and
more of our private and personal information for an easy trade-off with
convenience and practicality.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;As a reply to
the question “Who watches the watchman?” several Internet theorists had
suggested as a reply, a model where everybody looking at everybody else so that
there is no one person who has exclusive powers of seeing without being seen.
In this utopian state, people would be looking at each other (thus keeping a
check on actions), looking after each other (forming virtual care networks) and
looking for each other (building social networks with familiar strangers).
After about 20 years of the first emergence of this discussion vis-à-vis the
World Wide Web , comes an internet platform that produces a strange universe of
people looking at.for.after each other in a condition of extreme vouyerism,
performance, exhibitionism, surveillance and playfulness. It is a website that
the Digital Natives are flocking to because it changes the way they look at
each other. Literally.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Chatroulette! is
a new MMORPG &amp;nbsp;(Massively Multiple Online
Role Playing Game) that uses a Peer-2-Peer network to constantly pair random
people using their web cams, to look at each other. You start a Game and you
begin a series of ‘lookings’ as people look back at you. Connect, cruise,
watch, interact, boot – that is the anatomy of a Chatroullete! game. If you
like what you see, you can linger a while or begin a conversation, or just
‘boot’ your ‘partner’ and get connected to somebody else in the almost infinite
network. In the process you come across the unexpected, unpredictable and the
uncanny. In the last one month of betting my time on Chatroullete!, I have seen
it all and then some more – masturbating teenagers, strip teasing men and
women, animals (including a very handsome tortoise) staring back at me, groups
of friends eating dehydrated noodles and giggling, partners in sexual
intercourse, graphic images of human gentilia, clever advertisements, pictures,
art, musicians performing, dancers dancing, conference delegates staring
bemusedly at a screen, ... the list is endless and&amp;nbsp; probably exhausting. A growing community of
users now dwell on Chatroulette! to connect in this new way that is part speed
dating, part networking, part performance, part voyeurism.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The verdict on
the blogosphere is still not in whether this is a new fad or something more
long-lasting. &amp;nbsp;Irrespective of its
longevity, what Chatroullete! has done is show us a new universe of social
interaction that Digital Natives around the world find appealing. &amp;nbsp;The possibilities of cultural exchange,
collaborative working, love, longing and learning that emerge around
Chatroullete! are astounding.&amp;nbsp; &amp;nbsp;For Digital Natives the appeal of
Chatroullete! is in forging viral and temporary networks which defy the
Facebook way of creating sustained communities of interaction. This is the
defining moment of virtual interaction and online networking –A model that is
no longer trying to simulate ‘Real Life’ conditions online by forming permanent
networks of ‘people like us’. &amp;nbsp;Chatroulette!
marks the beginning of a new way of spreading the message to completely random
strangers, enticing them into thought, exchange and mobilisation through the
world of gaming. The potentials for drawing in thousands of unexpected people
into your own political cause are astounding. It might be all cute cats and
sexual performance now, but it is only a matter of time when Digital Natives
start exploring the possibility of using Chatroulette! to mobilise resources
for dealing with crises in their personal and public environments. The wheel
has been spun. We now wait to see where the ball lands.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/chatroulette'&gt;https://cis-india.org/digital-natives/blog/chatroulette&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Cyberspace</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Gaming</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    

   <dc:date>2012-03-13T10:43:41Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/dnrepub">
    <title>Digital Natives at Republica 2010</title>
    <link>https://cis-india.org/digital-natives/blog/dnrepub</link>
    <description>
        &lt;b&gt;Nishant Shah from the Centre for Internet and Society, made a presentation at the Re:Publica 2010, in Berlin, about its collaborative project (with Hivos, Netherlands) "Digital Natives with a Cause?" The video for the presentation, along with an extensive abstract is now available here.&lt;/b&gt;
        
&lt;p align="center"&gt;&lt;object height="364" width="445"&gt;&lt;param name="movie" value="about:blank"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed height="364" width="445" src="http://www.youtube.com/v/Cz4KoL3jzi0&amp;amp;hl=en_GB&amp;amp;fs=1&amp;amp;rel=0&amp;amp;color1=0x2b405b&amp;amp;color2=0x6b8ab6&amp;amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Abstract:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;As a growing population in 
emerging Information  Societies, particularly in Asia, experience a 
lifestyle mediated by  digital technologies, there is also a correlated 
concern about the young  digital natives constructing their identities 
and expressions through a  world of incessant consumption, while 
remaining apathetic to the  immediate political and social needs of 
their times. Governments,  educators, civil society theorists and 
practitioners, have all expressed  alarm at how the digital natives 
across the globe are so entrenched in  practices of incessant 
consumption that they have a disconnect with the  larger external 
reality and contained within digital deliriums.&lt;img title="Weiterlesen..." src="http://re-publica.de/10/wp-includes/js/tinymce/plugins/wordpress/img/trans.gif" alt="" /&gt; They  discard the emergent communication and expression trends,
 mobilisation  and participation platforms, and processes of cultural 
production as  trivial or unimportant. Such a perspective is embedded in
 a non-changing  view of the political landscape and do not take into 
account that the  Digital Natives are engaging in practices which might 
not necessarily  subscribe to the earlier notions of political 
revolution, but offer  possibilities for great social transformation and
 participation.&lt;/p&gt;
&lt;p&gt;The oldest Digital Native in the world – if popular definitions of  
Digital Natives are accepted – turned 30 this year, whereas the youngest
  is not yet born. In the last three decades, a population has been  
growing up born in technologies, and mediated their sense of self and  
their interactions with external reality through digital and internet  
technologies. These interactions lead to significant transitions in the 
 landscape of the social and political movements as the Digital Natives 
 engage and innovate with new technologies to respond to crises in their
  local and immediate environments. However, more often than not, these 
 experiments remain invisible to the mainstream discourses. The  
mechanics, aesthetics and manifestation of these localised and  
contextual practices hold the potentials for social transformation and  
political participation for the future. This presentation looks at three
  different case studies to look at how, through processes and  
productions which have largely been neglected as self indulgent or  
frivolous, Digital Natives around the world are actively participating  
in the politics of their times, and also changing the way in which we  
understand the political processes of mobilisation, participation and  
transformation.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/dnrepub'&gt;https://cis-india.org/digital-natives/blog/dnrepub&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Conference</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    
    
        <dc:subject>Digital subjectivities</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    

   <dc:date>2015-05-15T11:35:48Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/research/conferences/conference-blogs/cpovvid">
    <title>Critical Point of View: Videos</title>
    <link>https://cis-india.org/research/conferences/conference-blogs/cpovvid</link>
    <description>
        &lt;b&gt;The Second event for the Critical Point of View reader on Wikipedia was held in Amsterdam, by the Institute of Network Cultures and the Centre for Internet and Society. A wide range of scholars, academics, researchers, practitioners, artists and users came together to discuss questions on design, analytics, access, education, theory, art, history and processes of knowledge production. The videos for the full event are now available for free viewing and dissemination.&lt;/b&gt;
        
&lt;pre&gt;These are the links to the videos of all the talks for the CPoV Conference
in Amsterdam - Enjoy!


SESSION 1
&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10605801"&gt;http://vimeo.com/10605801&lt;/a&gt; Ramon Reichert (AT)
Rethinking Wikipedia: Power, Knowledge and the Technologies of the Self

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10606220"&gt;http://vimeo.com/10606220&lt;/a&gt; Jeanette Hofmann (DE)
Wikipedia between Emancipation and Self-Regulation

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10606547"&gt;http://vimeo.com/10606547&lt;/a&gt; Mathieu O’Neil
(AU) The Critique of Law in Free Online Projects

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10696489"&gt;http://vimeo.com/10696489&lt;/a&gt; Gerard Wormser(FR)
The Knowledge Bar

SESSION 2


&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10607993"&gt;http://vimeo.com/10607993&lt;/a&gt; Joseph Reagle (USA)
Wikipedia and Encyclopedic Anxiety

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10608291"&gt;http://vimeo.com/10608291&lt;/a&gt; Charles van den Heuvel (NL)
Authoritative Annotations, Encyclopedia Universalis Mundaneum, Wikipedia
and the Stanford Encycloped

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10697853"&gt;http://vimeo.com/10697853&lt;/a&gt; Dan O’Sullivan (UK)
An Encyclopedia for the Times: Thoughts on Wikipedia from a His- torical
Perspective

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10699949"&gt;http://vimeo.com/10699949&lt;/a&gt; Alan Shapiro (USA/DE)
Gustave Flaubert Laughs at Wikipedia

&lt;a class="moz-txt-link-freetext" href="http://www.vimeo.com/10607690"&gt;http://www.vimeo.com/10607690&lt;/a&gt; Discussion session 2 Encyclopedia Histories
Moderaror: Nathaniel Tkacz
Speakers: Joseph Reagle, Charles van den Heuvel, Dan O'Sullivan, Alan Shapiro

SESSION 3

&lt;a class="moz-txt-link-freetext" href="http://www.vimeo.com/10701587"&gt;http://www.vimeo.com/10701587&lt;/a&gt; Hendrik-Jan Grievink (NL)
Wiki Loves Art

&lt;a class="moz-txt-link-freetext" href="http://www.vimeo.com/10702729"&gt;http://www.vimeo.com/10702729&lt;/a&gt; Scott Kildall (USA)
Wikipedia Art: Citation as Performative Act

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10741921"&gt;http://vimeo.com/10741921&lt;/a&gt; Patrick Lichty (USA)
Social Media, Cultural Scaffolds, and Molecular Hegemonies. Musings on
Anarchic Media, WIKIs, and De-territorialized Art

&lt;a class="moz-txt-link-freetext" href="http://www.vimeo.com/10607690"&gt;http://www.vimeo.com/10607690&lt;/a&gt; Discussion session 3 Wiki Art
Moderator: Rachel Somers Miles
Speakers: Hendrik-Jan Grievink, Scott Kildall, Patrick Lichty

SESSION 4

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10747211"&gt;http://vimeo.com/10747211&lt;/a&gt; Felipe Ortega (ES)
New Trends in the Evolution of Wikipedia

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10748335"&gt;http://vimeo.com/10748335&lt;/a&gt; Stuart Geiger (USA)
Bot Politics: The Domination, Subversion, and Negotiation of Code in
Wikipedia

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10748727"&gt;http://vimeo.com/10748727&lt;/a&gt; Hans Varghese Mathews (IN)
Clustering the Contributors to a Wikipedia Page

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10748888"&gt;http://vimeo.com/10748888&lt;/a&gt; Esther Weltevrede  (NL) and Erik Borra (BE/NL)
Controversy Analysis with Wikipedia

&lt;a class="moz-txt-link-freetext" href="http://www.vimeo.com/10749027"&gt;http://www.vimeo.com/10749027&lt;/a&gt; Discussion session 4 Wiki Analytics
Moderator: NIshant Shah
Speakers: Felipe Ortega, Stuart Geiger, Hans Varghese Mathews, Esther
Weltevrede &amp;amp; Erik Borra

SESSION 5

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10750350"&gt;http://vimeo.com/10750350&lt;/a&gt; Lawrence Liang (IN)
Wikipedia and the authority of knowledge

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10750495"&gt;http://vimeo.com/10750495&lt;/a&gt; Teemu Mikkonen (FI)
Kosovo War on Wikipedia, Tracing the Conflict and Concensus on the
Wikipedia Talk pages

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10799887"&gt;http://vimeo.com/10799887&lt;/a&gt; Andrew Famiglietti (USA)
Negotiating the Neutral Point of View: Politics and the Moral Economy of
Wikipedia

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10772241"&gt;http://vimeo.com/10772241&lt;/a&gt; Florian Cramer(DE/NL)
The German WikiWars and the limits of objectivism

&lt;a class="moz-txt-link-freetext" href="http://www.vimeo.com/10799600"&gt;http://www.vimeo.com/10799600&lt;/a&gt; Discussion session 5 Designing Debate
Moderator: Caroline Nevejan
Speakers: Lawrence Liang, Teemu Mikkonen, Andrew Famiglietti, Florian Cramer

SESSION 6

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10772313"&gt;http://vimeo.com/10772313&lt;/a&gt; Mayo Fuster Morell (IT)
Wikimedia Governance: The Role of the Wikimedia Foundation and the Form
and Geopolitics of its Internationalization

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10800562"&gt;http://vimeo.com/10800562&lt;/a&gt; Athina Karatzogianni (UK)
Wikipedia’s Impact on the Global Power-Knowledge Hierarchies

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10800100"&gt;http://vimeo.com/10800100&lt;/a&gt; Maja van der Velden (NL/NO)
When Knowledges Meet: Database Design and the Performance of Knowledge

&lt;a class="moz-txt-link-freetext" href="http://vimeo.com/10800206"&gt;http://vimeo.com/10800206&lt;/a&gt; Amit Basole (IN)
Knowledge Satyagraha: Towards a People’s Knowledge Movement

&lt;a class="moz-txt-link-freetext" href="http://www.vimeo.com/10800354"&gt;http://www.vimeo.com/10800354&lt;/a&gt; Discussion session 6 Global Issues and Outlooks
Moderator: Johanna Niesyto
Speakers: Mayo Fuster Morell, Athina Karatzogianni, Maja van der Velden,
Amit Basole
&lt;/pre&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/conferences/conference-blogs/cpovvid'&gt;https://cis-india.org/research/conferences/conference-blogs/cpovvid&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Conference</dc:subject>
    
    
        <dc:subject>Art</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    
    
        <dc:subject>Communities</dc:subject>
    
    
        <dc:subject>CPOV</dc:subject>
    

   <dc:date>2010-04-20T20:04:31Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/dn2">
    <title>Colour Me Political</title>
    <link>https://cis-india.org/digital-natives/blog/dn2</link>
    <description>
        &lt;b&gt;What are the tools that Digital Natives use to mobilise groups towards a particular cause? How do they engage with crises in their immediate environments? Are they using their popular social networking sites and web 2.0 applications for merely entertainment? Or are these tools actually helping them to re-articulate the realm of the political? Nishant Shah looks at the recent Facebook Colour Meme to see how new forms of political participation and engagement are being initiated by young people across the world.&lt;/b&gt;
        
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;On Facebook, now acclaimed as one of the most popular social
networking sites in the world, the one thing that almost all the users engage
is, in updating their status updates. These updates can be varied – capturing
personal moods and emotions, reporting on things that strike one in the course
of a normal day, offering political opinions, suggesting movies and books to
friends, and often making public announcements of important events in life. The
updates appear as a live feed, updates in almost-real time, letting people in
networks connect, know, discuss and share information about their personal
lives. Often, to outsiders, these updates would appear pointless; I remember
somebody asking me, “But why would I want to know what you had for breakfast?”
Many status updates indeed border on the everyday and ordinary, of no interest
to anybody but the immediate networks.&lt;/p&gt;
&lt;p&gt;However, in the first half of January in 2010, Facebook
users across the world started observing a strange pattern. Many people in
their networks were making one word status updates with the name of a colour.
Just that. A colour. Facebook users woke up to find “Green!”, “Red!”, “White!” “Black!”
in their live feed. No explanations and a cryptic silence. It was a viral
phenomenon, with the colours appearing across the board, in different parts of
the world, spanning all languages, cultures, and contexts. Also, it was
observed, almost all of the users putting this update, were women. It created a
lot of discussion, speculation, curiosity and conspiracy theories. Blog posts
discussing this phenomenon started appearing. People were twitting about it.
There was an element of surprise, and perhaps of frustration, because the
people making those colour updates were refusing to offer any explanations.&lt;/p&gt;
&lt;p&gt;Eventually, after a few internet years (about 3 days, I
think!) the word got out. It was a meme. A meme is an internet gene (because it
replicates) which spreads virally, through different social communication and
networking sites. It invites people to participate in a series of actions,
either to answer a question or perform a certain act, and pass it along. The
colour updates were a part of the meme which was doing the rounds on the
internet:&lt;/p&gt;
&lt;p&gt;&amp;nbsp;"Some fun is
going on.... just write the color of your bra in your status. Just the color,
nothing else. And send this on to ONLY girls, no men .... It will be neat to
see if this will spread the wings of cancer awareness. It will be fun to see
how long it takes before the men will wonder why all the girls have a color in
their status."&lt;/p&gt;
&lt;p&gt;

What the message managed to do was take an
important cause and through fun, and play, and a little bit of excitement, got
young women around the world to ponder on the possibility, cure and prevention
of breast cancer. What was just a personal update capturing space suddenly
became a place of political mobilisation and participation. Both, men and
women, reading those colours, took a moment to think about breast cancer and
spread the word among their friends. Discussions, which started with curiosity,
ended with a sombre note. While there are speculative theories about how some
women in Detroit started this particular meme, there is no credible source of
information.&lt;/p&gt;
&lt;p&gt; What is particularly of interest, is how, without any apparent
funding, or organisation, or the infrastructure that generally accompanies such
behemoth projects, this viral meme captured more attention and had more people
participating than most campaigns started by traditional activists or
governments. What Facebook, and other spaces like it offer, is the
infrastructure and the potential for such massive movements. As the Digital
Natives grow up with new technologies, they change the landscape of political
and social transformation. And the cryptic colour updates is telling us the
story of how things will change in the future.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/dn2'&gt;https://cis-india.org/digital-natives/blog/dn2&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Cyberspace</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Youth</dc:subject>
    
    
        <dc:subject>Social Networking</dc:subject>
    

   <dc:date>2011-08-04T10:34:27Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/digital-natives/blog/dn1">
    <title>Meet the Web 2.0 Suicide Machine</title>
    <link>https://cis-india.org/digital-natives/blog/dn1</link>
    <description>
        &lt;b&gt;Digital Natives live their lives differently. But sometimes, they also die their lives differently! What happens when we die online? Can the digital avatar die? What is digital life? The Web 2.0 Suicide machine that has now popularly been called the 'anti-social-networking' application brings some of these questions to the fore. As a part of the Hivos-CIS "Digital Natives with a Cause?" research programme, Nishant Shah writes about how Life on the Screen is much more than just a series of games. &lt;/b&gt;
        
&lt;p&gt;
In the new year, 2010, one of the most startling stories was of mass 
suicides. About 50,000 people were affected. Legal cases were filed. The
 interwebz were abuzz with the tale of how they did it. There was talk 
about a website that was responsible for this. The blogosphere went into
 a frenzy discussing the ‘new lease of life’ that these suicides 
provided. Videos of people caught in the act found their way onto 
popular video distributing spaces. And for everybody who talked about 
it, it was partly a joke and partly a gimmick. However, for a 
significant population, across the globe, the news came as a shock and a
 moment of self-reflection.&lt;/p&gt;
&lt;p&gt;
Meet the Web 2.0 Suicide Machine. It is a simple online machine which 
helps people commit digital suicide by destroying their digital 
identities on popular social networking sites like Facebook, Twitter, 
LinkedIn and Myspace. It is software that deletes every single 
transaction which you may have ever performed in your digital avatar. 
Messages sent to and received from friends, stored notes, results of 
viral quizzes, pictures of the last party that you attended, status 
messages describing state of mind, high scores and social assets on 
social networking games, links shared, videos uploaded – everything gets
 deleted, allowing you one last chance to re-live your digital life 
before it locks you out of the 2.0 web for once and for all. To many 
this might sound funny, but for the people, whose lives are lived, 
stored, shared and experienced in the online spaces that Web 2.0 has 
developed.&lt;/p&gt;
&lt;p&gt;
We find them in universities and colleges, multitasking, preparing a 
classroom presentation while chatting with friends and keeping track of 
their online gaming avatars. We encounter them in offices, glued with 
equal passion, to dating or social networking sites, and moderating geek
 mailing lists. We chance upon them in homes and bedrooms, sharing the 
most private and intimate details of their lives using live cam feeds 
and audio/video podcasts. If these images are familiar to you, you have 
encountered a digital native. It might have, recently, been a ‘child’ 
who knows how to use the mobile phone more effectively than you do, or a
 teenager who can connect your machine online while thumb typing on the 
cell phone, in a language which is not very familiar to you. It could 
also be the saucy colleague in office, who is always on the information 
highway, making jazzy presentations and animations or playing games with
 their virtual avatars, or the taxi driver who has learned the power of 
GPS maps or even the &lt;em&gt;chaiwallah&lt;/em&gt; around the corner who uses his 
mobile phone to download new music and conduct a romantic affair.&lt;/p&gt;
&lt;p&gt;
These techno-mutants are slowly, but surely taking over the world. By 
the end of 2010, the global youth population will be about 1.2. Billion 
and 85 per cent of it will be in the developing countries of the world, 
growing up with digital and Internet technologies as an integral part of
 their life. They might not be a significant number now, but they are 
going to be the citizens of the future, taking important decisions about
 the destinies of nations and states, creating businesses and running 
economies, educating young learners and shaping public opinions. And 
they are learning the fundamentals of these actions in their online 
interactions on Web 2.0 spaces using digital tools to morph, mobilise, 
mutate, and manage their social, cultural and political lives and 
identities. It is of these people that this column writes of – people 
who are marked by digital and Internet technologies in strange and 
unprecedented ways.&lt;/p&gt;
&lt;p&gt;Originally published at http://www.hivos.net/Hivos-Knowledge-Programme/Themes/Digital-Natives-with-a-Cause/News as a part of the Knowledge Programme: "Digital Natives with a Cause?"&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/blog/dn1'&gt;https://cis-india.org/digital-natives/blog/dn1&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Cyberspace</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Agency</dc:subject>
    
    
        <dc:subject>Cyborgs</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    

   <dc:date>2011-08-04T10:34:22Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/research/conferences/conference-blogs/cpov">
    <title>CPOV : Wikipedia Research Initiative</title>
    <link>https://cis-india.org/research/conferences/conference-blogs/cpov</link>
    <description>
        &lt;b&gt;The Second event, towards building the Critical Point of View Reader on Wikipedia, brings a range of scholars, practitioners, theorists and activists to critically reflect on the state of Wikipedia in our contemporary Information Societies. Organised in Amsterdam, Netherlands, by the Institute of Network Cultures, in collaboration with the Centre for Internet and Society, Bangalore, the event builds on the debates and discussions initiated at the WikiWars that launched off the knowledge network in Bangalore in January 2010. Follow the Live Tweets at #CPOV&lt;/b&gt;
        
&lt;p&gt;Second international conference of the &lt;em&gt;CPOV Wikipedia Research 
Initiative&lt;/em&gt; :: March 26-27, 2010 :: OBA (Public Library Amsterdam, 
next to Amsterdam central station), Oosterdokskade 143, Amsterdam.&lt;/p&gt;
&lt;p&gt;Wikipedia is at the brink of becoming the de facto global reference 
of dynamic knowledge. The heated debates over its accuracy, anonymity, 
trust, vandalism and expertise only seem to fuel further growth of 
Wikipedia and its user base. Apart from leaving its modern counterparts 
Britannica and Encarta in the dust, such scale and breadth places 
Wikipedia on par with such historical milestones as Pliny the Elder’s 
Naturalis Historia, the Ming Dynasty’s Wen-hsien ta- ch’ eng, and the 
key work of French Enlightenment, the Encyclopedie. &lt;span id="more-10604"&gt;&lt;/span&gt;The multilingual Wikipedia as digital 
collaborative and fluid knowledge production platform might be said to 
be the most visible and successful example of the migration of FLOSS 
(Free/ Libre/ Open Source Software) principles into mainstream culture. 
However, such celebration should contain critical insights, informed by 
the changing realities of the Internet at large and the Wikipedia 
project in particular.&lt;/p&gt;
&lt;p&gt;The CPOV Research Initiative was founded from the urge to stimulate 
critical Wikipedia research: quantitative and qualitative research that 
could benefit both the wide user-base and the active Wikipedia community
 itself. On top of this, Wikipedia offers critical insights into the 
contemporary status of knowledge, its organizing principles, function, 
and impact; its production styles, mechanisms for conflict resolution 
and power (re-)constitution. The overarching research agenda is at once a
 philosophical, epistemological and theoretical investigation of 
knowledge artifacts, cultural production and social relations, and an 
empirical investigation of the specific phenomenon of the Wikipedia.&lt;/p&gt;
&lt;p&gt;Conference Themes: Wiki Theory, Encyclopedia Histories, Wiki Art, 
Wikipedia Analytics, Designing Debate and Global Issues and Outlooks.&lt;/p&gt;
&lt;p&gt;Follow the live tweets on http://twitter.com/#search?q=%23CPOV&lt;/p&gt;
&lt;p&gt;Confirmed speakers: Florian Cramer (DE/NL), Andrew Famiglietti (UK), 
Stuart Geiger (USA), Hendrik-Jan Grievink (NL), Charles van den Heuvel 
(NL), Jeanette Hofmann (DE), Athina Karatzogianni (UK), Scott Kildall 
(USA), Patrick Lichty (USA), Hans Varghese Mathews (IN), Teemu Mikkonen 
(FI), Mayo Fuster Morell (IT), Mathieu O’Neil (AU), Felipe Ortega (ES), 
Dan O’Sullivan (UK), Joseph Reagle (USA), Ramón Reichert (AU), Richard 
Rogers (USA/NL), Alan Shapiro (USA/DE), Maja van der Velden (NL/NO), 
Gérard Wormser (FR).&lt;/p&gt;
&lt;p&gt;Editorial team: Sabine Niederer and Geert Lovink (Amsterdam), Nishant
 Shah and Sunil Abraham (Bangalore), Johanna Niesyto (Siegen), Nathaniel
 Tkacz (Melbourne). Project manager CPOV Amsterdam: Margreet Riphagen. 
Research intern: Juliana Brunello. Production intern: Serena Westra.&lt;/p&gt;
&lt;p&gt;The CPOV conference in Amsterdam will be the second conference of the
 CPOV Wikipedia Research Initiative. The launch of the initiative took 
place in Bangalore India, with the conference WikiWars in January  2010.
 After the first two events, the CPOV organization will work on  
producing a reader, to be launched early 2011. For more information or 
submitting a &lt;a href="http://networkcultures.org/wpmu/cpov/reader"&gt;reader&lt;/a&gt;
 contribution.&lt;/p&gt;
&lt;p&gt;Buy your ticket &lt;a href="http://networkcultures.org/wpmu/cpov/practical-info/tickets/"&gt;online&lt;/a&gt;
 (with iDeal), or register by sending an email to: info (at) 
networkcultures.org. One day ticket: €25, students and OBA members: 
€12,50. Full conference pass (2 days): €40, students and OBA members:  
25.&lt;/p&gt;
&lt;p&gt;Organized by the Institute of Network Cultures Amsterdam, in 
cooperation with the Centre for Internet and Society in Bangalore, 
India.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/conferences/conference-blogs/cpov'&gt;https://cis-india.org/research/conferences/conference-blogs/cpov&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Conference</dc:subject>
    
    
        <dc:subject>Open Standards</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Governance</dc:subject>
    
    
        <dc:subject>Digital Access</dc:subject>
    
    
        <dc:subject>Public Accountability</dc:subject>
    
    
        <dc:subject>Research</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    

   <dc:date>2011-08-23T02:52:25Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/research/grants/the-promise-of-invisibility-technology-and-the-city/itcity4">
    <title>10 Legendary Obscene Beasts</title>
    <link>https://cis-india.org/research/grants/the-promise-of-invisibility-technology-and-the-city/itcity4</link>
    <description>
        &lt;b&gt;In the second of his articles, Nishant Shah analyses a peculiar event of vandalism which has now become the core of free speech and anti-censorship debates in mainland China. Looking at the structure of user generated knowledge websites and the specific event on the Chinese language encyclopaedia, 'Baidu Baike', he shows how, in cities where spaces of political spectacle and public protest are quickly diminishing, the Internet has become a tool for producing new public spaces of demonstration and protest. The story about 'Cao Ni Ma' stands as an iconic representation of the playful processes by which young people in different contexts and cultures engage with the politics in their immediate environments.&lt;/b&gt;
        
&lt;p&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;strong&gt;User Generated Knowledge sites:&lt;/strong&gt; The world of knowledge production was never as shaken as it was
with the emergence of the Wikipedia – a user generated knowledge production
system, where anybody who has any knowledge, on almost anything in the world
can contribute to share it with countless users around the world. The camps
around Wikipedia are fairly well divided: there are those who swear by it and those who swear against it. There are scholars, activists and
lobbyists who celebrate the democratisation of knowledge production as the next
logical evolutionary step to the democratic access to knowledge. They
appreciate the wisdom of crowds and revel in the joy that in the much discussed
&lt;em&gt;Nature&lt;/em&gt; magazine experiment, the
number of errors in Wikipedia and its biggest opponent, &lt;em&gt;Encyclopaedia Britannica&lt;/em&gt;, were almost the same. And then there are
those who think of the Wikipedia and other such peer knowledge production and
sharing systems as erroneous, unreliable and a direct result of collapsing
standards that the vulgarisation of knowledge has succumbed to in the age where
information has become currency. Add to this the hue and cry from academics
around the globe who lament about falling research standards as the copy and paste
generations (Vaidhyanathan; 2008) in classrooms skim over subjects in Wikipedia
rather than analysing and studying them in detail from those hallowed
treasuries of knowledge – reference books.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;As can be expected, the
questions about the veracity, verifiability, trustworthiness and integrity of
Wikipedia and other such user generated knowledge sharing sites (including
Youtube, Flickr, etc.) are carried on in sombre tones by zealots who are
devoted to their beliefs. However, the one question that remains unasked, in
the discussion of these sites, is&amp;nbsp; what purpose it might serve
beyond the obvious knowledge production exercise.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;strong&gt;The Story:&lt;/strong&gt; In China,
where the government exerts great control over regulating online information,
Wikipedia had a different set of debates which would not feature in the more
liberal countries – the debates were around what would be made accessible to a
Wikipedia user from China and what information would be blanked out to fit
China’s policy of making information that is ‘seditious ‘and disrespectful’,
invisible. After the skirmishes with Google, where the search engine company
gave in to China’s
demands and offered a more censored search engine that filtered away results
based on sensitive key-words and issues, Wikipedia was the next in line to
offer a controlled&amp;nbsp; Internet knowledge base to users in China.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;However, another
user-generated knowledge site, more popular locally and with more stringent
self-regulating rules than Wikipedia, became the space for political
commentary, satire, protest and demonstration against the draconian censorship
regimes that China is trying to impose on its young users. The website Baidu
Baike (pinyin for Baidu Encyclopaedia), became popular in 2005 and was offered
by the Chinese internet search company Baidu. With more than 1.5 million Chinese
language articles, Baidu has become a space for much debate and discussion with
the Digital Natives in China.
Offered as a home-grown response to Wikipedia, Baidu implements heavy
‘self-censorship to avoid displeasing the Chinese Government’ (BBC; 2006) and
remains dedicated to removing ‘offensive’ material (with a special emphasis on
pornographic and political events) from its shared space.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;It is in this restrictive
regime of information sharing and knowledge production, that the Digital
Natives in China,
introduced the “10 legendary obscene beasts” meme which became extremely
popular on Baidu. Manipulating the Baidu Baike’s potential for users to share
their knowledge, protestor’s of China’s
censorship policy and Baidu’s compliance to it, vandalised contributions by
creating humorous pages describing fictitious creatures, with names vaguely
referring to Chinese profanities, with homophones and characters using
different tones.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The most famous of these
creations was &amp;nbsp;Cao Ni Ma&amp;nbsp; &lt;span class="apple-style-span"&gt;&amp;nbsp;(Chinese: &lt;/span&gt;&lt;span class="apple-style-span"&gt;草泥&lt;/span&gt;&lt;span class="apple-style-span"&gt;马&lt;/span&gt;&lt;span class="apple-style-span"&gt;), literally "Grass Mud Horse", which uses the same
consonants and vowels with different tones for the Chinese language profanity
which translates into “Fuck Your Mother”&amp;nbsp;
&lt;/span&gt;&lt;a title="Mandarin Chinese profanity" href="http://en.wikipedia.org/wiki/Mandarin_Chinese_profanity#Mother"&gt;cào nǐ mā&lt;/a&gt;&lt;span class="apple-style-span"&gt; (&lt;/span&gt;&lt;span class="apple-style-span"&gt;肏你妈&lt;/span&gt;&lt;span class="apple-style-span"&gt;) . This mythical animal belonging to the Alpaca race had dire
enemies called héxiè (&lt;/span&gt;&lt;a title="w:zh:河蟹 (網路用語)" href="http://en.wikipedia.org/wiki/zh:%E6%B2%B3%E8%9F%B9_(%E7%B6%B2%E8%B7%AF%E7%94%A8%E8%AA%9E)"&gt;河蟹&lt;/a&gt;&lt;span class="apple-style-span"&gt;), literally translated
as “river crabs”, very close to the word héxié (&lt;/span&gt;&lt;span class="apple-style-span"&gt;和&lt;/span&gt;&lt;span class="apple-style-span"&gt;谐&lt;/span&gt;&lt;span class="apple-style-span"&gt;) meaning harmony, referring to
the government’s declared ambition of creating a “harmonious society” through
censorship. The Cao Ni Ma, has now become a popular icon appearing in videos
distributed on YouTube, in fake documentaries, in popular Chinese internet
productions, and even in themed toys and plushies which all serve as mobilising
points against censorship and control that the Chinese government is trying to
control. &lt;/span&gt;&lt;img src="file:///C:/Users/owner/AppData/Local/Temp/moz-screenshot-3.png" alt="" /&gt;&lt;img src="file:///C:/Users/owner/Desktop/caonima1.jpg" alt="" /&gt;&lt;/p&gt;
&lt;div align="center"&gt;&lt;object height="313" width="384"&gt;&lt;param name="movie" value="http://www.youtube.com/v/wKx1aenJK08&amp;amp;hl=en_GB&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed width="384" height="313" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://www.youtube.com/v/wKx1aenJK08&amp;amp;hl=en_GB&amp;amp;fs=1"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;
&lt;p style="text-align: justify;"&gt;&lt;span class="apple-style-span"&gt;However, the reaction from those
who do not understand the entire context is, predictably, bordering on the
incredulous. Most respondents on different blogs and meme sites, think of these
as mere puns and word-plays and juvenile acts of vandalism. The Chinese
monitoring agencies themselves failed to recognise the profane and the
political intent of these productions and hence they survived on Baidupedia, to
become inspiring and iconic symbols of the slow and steady protest against
censorship and the right to information act in China. Following these brave acts,
Baidu’s user base also experimented v&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;ery successfully with well-for&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;med parodies
and satires, opening&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt; &lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;up the first spaces in modern Chinese history, for
political criticism and negotiation&lt;/span&gt;&lt;a name="_ftnref1" href="#_ftn1"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span class="apple-style-span"&gt;. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p align="center" style="text-align: justify;"&gt;&lt;span class="apple-style-span"&gt;What is&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt; discar&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;ded or ove&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;rlooke&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;d as jes&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;t or harmles&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;s p&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;r&lt;/span&gt;&lt;span class="apple-style-span"&gt;&lt;/span&gt;&lt;span class="apple-style-span"&gt;anks, are
actually symptomatic of a new generation using digital tools and spaces to
revisit what it means to be politically active and engaged. The 10 obscene
legendary creatures, can be easily read as juvenile fun
and the actions of a youth that is quickly losing its connection with the
immediate contemporary questions. However, a contextual reading, shows that this is symptomatic of a new internet public in a country where physical public spaces of political protest and demonstration are quickly diminishing. In Shanghai, the iconic People's Square, once an area where thousand assembled in order to realise a political dream has already been cut down to five times its original size, to make way for the malls and hotels and multiplexes that now surround the token park in the centre. At the Bund, the presence of the paramilitary, that monitors any form of 'undesriable' activity by the native Chinese can often be frightening. As physical spaces come under abundant surveilance and places shrink to house the demands of the IT city, the young people quickly find new spaces of political engagement and the Cao Ni Ma story is about how this political negotiation is informed by the aesthetics of gaming, viral distribution, irreverence and playfulness that the Internet technologies shape. &lt;/span&gt;&lt;/p&gt;
&lt;div&gt;
&lt;hr align="left" size="1" width="33%" /&gt;


&lt;div id="ftn1"&gt;
&lt;p&gt;&lt;a name="_ftn1" href="#_ftnref1"&gt;&lt;span class="MsoFootnoteReference"&gt;&lt;span class="MsoFootnoteReference"&gt;[1]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; A more
serious political satire that moves beyond just punning and avoiding censorship
was found in the now-deleted entry for revolutionary hero Wei Guangzheng (伟光正, taken from 伟大, 光荣, 正确, "great, glorious, correct"). An excerpt from it is
included here for sampling.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Wei Guangzheng&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Comrade Wei Guangzheng is a superior
product of natural selection. In the course of competition for survival,
because of certain unmatched qualities of his genetic makeup, he has a great
ability to survive and reproduce, and hence Wei Guangzheng represents the most
advanced state of species evolution.&lt;/p&gt;
&lt;p&gt;Here is the evolution of Wei Guangzheng's
thinking: Since the day of his birth, comrade Wei Guangzheng established a
guiding ideology for the people's benefit, and in the course of connecting it
with the real circumstances of his beloved Sun Kingdom, a process of repeated
comparisons that involved the twists and turns of campaigns of encirclement and
suppression, his ideology finally realized a historic leap forward and
generated two major theoretic achievements. The first great theoretic leap was
the idea of leading a handful of people to take up arms to cause trouble,
rebellion, and revolution in order to build a brave new world, and to successfully
seize power. This was the "spear ideology." The second great
theoretic leap was a theory, with Sun
 Kingdom characteristics,
in which Wei Guangzheng was unswervingly upheld as leader and the people were
forever prevented from standing up. This was the "shield theory."
Under the guidance of these two great theoretic achievements, comrade Wei
Guangzheng won victory after victory. Practice has proven, "Without Wei
Guangzheng, there would be no Sun
 Kingdom." Following
the road of comrade Wei Guangzheng was the choice of the people of the Sun Kingdom
and an inevitable trend of historical development.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/grants/the-promise-of-invisibility-technology-and-the-city/itcity4'&gt;https://cis-india.org/research/grants/the-promise-of-invisibility-technology-and-the-city/itcity4&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>


   <dc:date>2010-03-05T06:27:53Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/research/conferences/conference-blogs/wwrep">
    <title>WikiWars - A report</title>
    <link>https://cis-india.org/research/conferences/conference-blogs/wwrep</link>
    <description>
        &lt;b&gt;The Centre for Internet and Society, Bangalore and the Institute of Network Cultures, Amsterdam, hosted  WikiWars – an international event that brought together scholars, researchers, academics, artists and practitioners from various disciplines, to discuss the emergence and growth of Wikipedia and what it means for the information societies we inhabit. With participants from 15 countries making presentations about Wikipedia and the knowledge ecology within which it exists, the event saw a vigorous set of debates and discussions as questions about education, pedagogy, language, access, geography, resistance, art and subversion were raised by the presenters. The 2 day event marked the beginning of the process that hopes to produce the first critical reader – Critical Point of View (CPOV) - that collects key resources for research and inquiry around Wikipedia.&lt;/b&gt;
        
&lt;p style="text-align: justify;"&gt;The
debates around Wikipedia, the de facto dynamic knowledge production system
online, are very fairly divided into two competing camps. There is a group of
people who swear by Wikipedia – celebrating its democratic processes of
knowledge production, ease of access, and the de-canonisation of knowledge to
produce the ‘WikiWay’; And then there is a group of people who swear at
Wikipedia – raising concerns over authenticity, reliability, vulgarisation of
knowledge and the de-hierarchisation of knowledge systems that Wikipedia seems
to embody. The debates between the two groups are often passionate and situated
in wildly speculative and often personal interests and investments in Wikipedia
and the Web 2.0 Information Revolution that it seems to be a symptom of. The
debates also play out in various international locations, most of them relying
on personal anecdotes, experiences and half hearted data that does not stand
the tests of rigour.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;WikiWars,
then, concentrated on things which are about Wikipedia but also not about Wikipedia.
In many ways, as Geert Lovink, the Director of INC suggested, WikiWars was a
recognition of the fact that Wikipedia has come of age and can now be
systematically and philosophically examined as a work in progress that has
long-term implications about our future. It was the ambition of the Editorial
team (consisting of Geert Lovink, Sabine Nerdeer, Nathaniel Tkacz, Johanna
Niyesito, Sunil Abraham and Nishant Shah) to veer away from the recognised
battle-lines drawn in, around and about Wikipedia, and instead examine the
fault-lines that run under many of our assumptions, prejudices and imaginations
of Wikipedia. And Wikiwars, through careful screening and invested interests,
became one of the first platforms in the world to initiate a critical discourse
on Wikipedia, seeking to engage with its histories, it contemporary
manifestations and practices, and the futures that it seeks to inhabit.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The
different presentations brought in located debates, theoretical and
philosophical concepts and personal experiences to build frameworks that
explain and contextualise Wikipedia as one of the most contested spaces online.
The eight panels across two days dealt with four major thematic areas which
need to be summarised in brief:&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpFirst"&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;strong&gt;&lt;u&gt;Education, Pedagogy and
Knowledge:&lt;/u&gt;&lt;/strong&gt; At the very basis of Wikipedia (and
other structures like it) is the question of knowledge production, the
possibility of using it as an educational tool and the potentials it has for
introducing new pedagogies and learning practices in and outside of institutionalised
education. Presenters from various disciplines engaged with these questions in
interesting ways.&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpFirst"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;Usha
Raman from Teacher Plus in Hyderabad, brought in the question of primary
education, the need for teacher training programmes and the ways by which
infrastructure development needs to be thought through when talking of
Wikipedia and education in the Indian context. The
necessity of locating Wikipedia in a much larger debates on learning were also
echoed by Noopur Rawal and Srikeit Tadepalli, students from Christ University
who brought their experience of Wikipedia and the expectations from classroom
education and learning in their presentation.&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;In
the same field, but from a different approach, a panel&amp;nbsp; examined Wikipedia as a site to critique
Western Knowledge production systems. Stian Haklev and Johanna Niyesito
concentrated on the questions of language and knowledge production. Haklev made
an impassioned argument deconstructing the utopian idea of Wikipedia’s
multilingual dreams and instead made a call for recognising the black-holes
when it comes to non-English production and consumption of knowledge on
Wikipedia. He further explored the implications that linguistic imbalance has
on the very governance structure of Wikipedia and its communities. Niyesito
challenged the ‘global’ and ‘cosmopolitan’ image that Wikipedia has built for
itself and posited the idea of Wikipedia as a translingual space where
different languages and cultures negotiate common understandings and processes
of producing knowledge. HanTeng
Liao explored knowledge production through the market economy of key-words to
see how the linguistic biases of search engines that harvest these keywords,
determines the access and visibility of different Wikipedia pages.&lt;/p&gt;
&lt;strong&gt;&lt;u&gt;Resistance, Diversity
and Representation:&lt;/u&gt;&lt;/strong&gt; &amp;nbsp;While these questions were present as
undercurrents to most of the presentations at WikWars, they were perhaps most
fiercely present in the debates that followed the presentations by Eric Ilya
Lee (Academia Sinica, Taiwan), YiPing Tsou (National Central University,
Taiwan), William Beutler and Eric Zimmerman (IDC, Israel).
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;For
Lee and Tsou, the responses to the Chinese language Wikipedia from popular
media and personal experiences, were demonstrative of the fact that the lack of
diverse means of representation and participation lead to a strong resistance
of Wikipedia in Taiwan. Beutler
looked at the heavily contested editorial space and policies of Wikipedia to
make a point about how lack of effective governance systems based on
mutual&amp;nbsp; tolerance and diversity lead to
stressful and often traumatic experiences for users who might not be
represented through the mainstream ideas and&amp;nbsp;
ideologies of an English speaking populace.&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;Zimmerman
took a startling position, calling for a regime of attribution and dissolving
the pseudonymous structures of knowledge production in Wikipedia in order to
build designs of trust and verification into the system, thus leading to better
and more credible research tools and representations.&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;The
tone of debates was altered with presentations by Mark Graham (Oxford Research
Institute) and the team of artists Nathaniel Stern and Scott Kildal, the team
responsible for the Wikipedia Art Project. Graham
showed the complexity of visualising space and how the production of space (or
physical geography) on Wikipedia often reflects the virtual density of access
and presence online. Showing a nuanced set of images that help mapping these
new geographies for a richer diversity and representation, Graham showed how
systems like Wikipedia ‘cannot know what they cannot know’ despite the reliance
on the wisdom of crowds.&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;Stern
and Kildall, in giving an account of their project which used Wikipedia’s
policies to undermine and challenge it, show how the institutionalisation of a
space and its ‘canonisation’ can quickly lead to a new set of problems where
the space becomes the very thing it had set itself against.&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;3.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;strong&gt;&lt;u&gt;Politics of Free, Open
and Exclusion:&lt;/u&gt;&lt;/strong&gt; The rhetoric of free and open have been
built into all popular discourses around Wikipedia. However, the presentations
at WikiWars showed that these need to be taken with at least a pinch of salt
and further examined for what they signify. Alok
Nandi of Architempo made a dramatic and creative revisit of these guiding
principles of Wikipedia. He showed how an inquiry into rituals of
participation, distortion and access on Wikipedia can promote, not merely
looking at the politics of exclusion but also at the politics of inclusion and
the problems therein.&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;Dror
Kamir’s evocative narrative of ‘Your side, my side and Wikipedia’ illustrated
how the question of boundaries, of knowledges, of facts and truths get
distorted as language, community, nationality, etc. come into play in recording
and documenting knowledge on Wikipedia. Concentrating on conflict zones in the
Middle East, he talked about the lack and perhaps the impossibility of
producing neutrality the way in which Wikipedia demands of its users. These
ideas resonated with the propositions that ShunLing Chen from Harvard had
floated in the opening panel to explore the ‘boundary work’ of Wikipedia and
how it defines and produces itself in relation to external forces and
controversies. These
discussions on the politics of presence, absence, inclusion and exclusion were
further layered by presentations by Linda Gross, Elad Weider, Heather Ford and
Nathaniel Tkacz who produced a critique of the Free and Open, taking a
cautionary step away from accepting these as inherently good.&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoListParagraphCxSpMiddle"&gt;While
Gross explored the structure of egalitarianism that Wikipedia builds for
itself, Ford presented an analysis of the licensing regimes of the knowledge
produced within Wikipedia and the problems they pose to traditional knowledges
and non-mainstream information. Weider,
trained as a lawyer, critiqued the neo-liberal discourse around Wikipedia and
tried to correlate the communities with markets. Tkacz’s historical overview of
Free and Open, resulted in a compelling inquiry into the very structures that
inform the shape and functioning of objects like Wikipedia.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Twitter:
#WikiWars &lt;a href="http://twitter.com/wikiwars"&gt;http://twitter.com/wikiwars&lt;/a&gt;
and &lt;a href="http://www.twitter.com/jackerhack/wikiwars"&gt;www.&lt;strong&gt;twitter&lt;/strong&gt;.com/jackerhack/&lt;strong&gt;wikiwars&lt;/strong&gt;&lt;/a&gt;&lt;cite&gt;&lt;/cite&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Flickr:
&lt;a href="http://www.flickr.com/photos/30479432@N03/sets/72157623193288710/"&gt;http://www.flickr.com/photos/30479432@N03/sets/72157623193288710/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;

CPOV blog : &lt;a href="http://networkcultures.org/wpmu/cpov/"&gt;http://networkcultures.org/wpmu/cpov/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;The videos fom the Wikiwars event are embedded below:&lt;/p&gt;
&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHM_HIA"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHM_QoA"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHM_RgA"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHM_z4A"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHN2T4A"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHN2gMA"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHN2iUA"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHN2z0A"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHN3C4A"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHN3QYA"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHN3QYA"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHOgCwA"&gt;&lt;/embed&gt;

&lt;embed height="250" width="250" allowfullscreen="true" allowscriptaccess="always" type="application/x-shockwave-flash" src="http://blip.tv/play/AYHOgGgA"&gt;&lt;/embed&gt;

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        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/conferences/conference-blogs/wwrep'&gt;https://cis-india.org/research/conferences/conference-blogs/wwrep&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Digital Governance</dc:subject>
    
    
        <dc:subject>Wikipedia</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    
    
        <dc:subject>Workshop</dc:subject>
    
    
        <dc:subject>CPOV</dc:subject>
    

   <dc:date>2010-10-06T11:21:56Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/Introduction">
    <title>IT, The City and Public Space </title>
    <link>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/Introduction</link>
    <description>
        &lt;b&gt;In the Introduction to the project, Pratyush Shankar at CEPT, Ahmedabad, lays out the theoretical and practice based frameworks that inform contemporary space-technology discourses in the fields of Architecture and Urban Design. The proposal articulates the concerns, the anxieties and the lack of space-technology debates in the country despite the overwhelming ways in which emergence of internet technologies has resulted in material and imagined practices of people in urbanised India. The project draws variously from disciplines of architecture, design, cultural studies and urban geography to start a dialogue about the new kinds of public spaces that inform the making of the IT City in India. You can also access his comic strip visual introduction to the project at http://www.isvsjournal.org/pratyush/internet/Dashboard.html&lt;/b&gt;
        
&lt;p&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;strong&gt;Introducion:&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;There has been, in the fields of design and architecture, a close link between the shape and imagination of the city spaces and the dominant technologies of the time. The study of space (Architecture, Public places and City form) can lead to very interesting insights into the expression of the society with respect to the dominant technologies. Manuels Castells argues that space is not a mere photo-copy (reflection) of the society but it is an important expression. Fredric Jameson, in his identification of the condition of post-modernity demonstrates how the transition into new technologies is perhaps first and most visibly reflected in the architecture, as physical spaces get materially reconstructed, not only to house the needs and peripheries of the emerging technologies but also to embody their aesthetics in their design and built form.Earlier technologies have led to new understandings of the notions of
the public and commons. Jurgen Habermas argues, how the emergence of print
cultures and technologies led to a structural transformation of the public
sphere by creating new and novel forms of participation and political
engagement for the print readers. Within cinema studies in India, Ashish
Rajadhyaksha and Madhav Prasad have looked at the ‘cinematic city’ - how
material conditions of the city transform to house the cinema technologies, and
how the imagination of certain cities is affected by the cinematic
representations of these spaces. Mike Davis’ formulations of an ‘Ecology of
Fear’ and Sean Cubbit’s idea of ‘The Cinema Effect’ also show the integral
relationship that technologies have with the imagination and materiality of
urban spaces.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;em&gt;Research Area:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/em&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The rise of the Internet in India in last decade poses interesting
questions concerning ways of studying city spaces and its architecture. The
Internet evokes and represents space in more than one way. Communities that
represent the present urban social processes often mediate this visual and
textual reference to space on the Internet but it is also an unwitting
expression of way people choose to imagine their city, its places and its built
form. It is important and pertinent for example to understand how Internet
communities choose to abstract their own city through various direct or
indirect discourses. The following will be the key questions&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
It will be interesting to observe how the idea of
a city gets represented on the Internet through both intended and casual
references. For example is the City seen as a finite clarified artifact (as
many political leadership would like us to believe) or is it seen as complex set
of relationships or systems of places.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
How does the city get represented through the
Internet with reference to its regional physical context (both geographical and
cultural landscape)? Such an enquiry can help us in knowing how representation
of city through the Internet acknowledges, neglects or fails to read its
relationship with the local fundamental conditions&lt;a name="_ednref1" href="#_edn1"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[i]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; (of topography, water and
culture)&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The actual morphological context of the city will then become an
important precursor for such an enquiry. The structure and flows in the city
have often been compared to the Internet itself in popular discourses. This
assumption can be further analyzed through spatial study of the city as a node
in large region and as many several nodes within the city itself. The idea of
Spaces of Flow in metropolis cities and places as nodes serving the flow has
been very well articulated by Manuel Castells at a generic level. The issue of
place&lt;a name="_ednref2" href="#_edn2"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[ii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; and its representation
(through internet) can be another area that can offer us very interesting
insights into the relationship between the Cartesian and imagined space. The
evolution of a new graphic language on the Internet needs closer examination
from both its use of spatial symbolism as well as its impact on urban space.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;However the contextual issue of an Indian idea of space will becomes
the important narration as a background to such studies. This inquiry needs
examination from a more contextual point of view: from both geographical
(nature of cities) and building typology perspectives (spatial and programmatic
types)&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoCommentText"&gt;The
following questions will be investigated further&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoCommentText"&gt;a.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
How do the current Internet technology, processes
and language reflect in Architecture and urban spaces of cities?&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoCommentText"&gt;b.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Will the form of the City and its Architecture understood
any differently now&lt;a name="_ednref3" href="#_edn3"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[iii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;?&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The relationship between the building skin and spatial typology of
some recent architectural and urban design project can form an interesting
narrative to understand these issues. Here the issue of urban and architectural
lighting, signage and graphics can be examined more closely and hence a study
of the building skins and typology. The other largely ignored area of study
concerns the role of the Government of India with the Internet. When was the
last time we visited the railway reservation center to get a ticket or stood in
a queue for hours to be the first on the window? Many Indians still do, but for
many an Internet based on-line tickets reservation site largely substitutes
that experience of the place (railway reservation center), people and the early
morning tea on the gate. This needs closer examination from point of view of
understanding the transformation and gentrification of some of the most
democratic public service spaces in India such as the Railway stations, Municipal
offices and banks. Apart from the material practices of the people, it is
interesting to see how the integration of technologies within various urban
governance practices affect the way in which cities morph, develop and change.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;em&gt;Methodology: &lt;/em&gt;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoCommentText"&gt;The
aim is to engage with the spatial context of Indian cities while teasing out
issues of the cultural phenomenon associated with the Internet. The following
will be the key methods used in research&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoCommentText"&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
To identify and narrate the social structures and
processes that engage both with the intangible (meanings, symbols,
communication etc.) and the tangible (morphology, structure, geography) in
select Indian cities. This elaboration will form an important theoretical
premise specific to further understanding space in Indian Cities.&amp;nbsp;&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoCommentText"&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
To document stories of individuals and groups of
the city that demonstrates the typical changes that are taking place in various
social and economic processes as related to the Internet. The aim will be to
address both the tangible and intangible aspects while narrating the stories&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoCommentText"&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
To map the spatial implication (structure and
nature of spaces) of the above mentioned changes on the city&lt;/p&gt;
&lt;p style="text-align: justify;" class="MsoCommentText"&gt;·&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
To derive a broader narrative while weaving
through different stories, that attempts to address the issue of Internet,
society and space in Indian Cities&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The research can be largely narrated through documentation of such
representative situations but will require a clear articulation of the
theoretical premises at the onset.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;A review literature chapter which specifically marks the different
contours of city-technology relationship – from IT cities which are planned to
house technologies, to SEZ’s which emerge as new forms of technologised cities,
to the gradual transformation and restructuration of city spaces and publics
would also be undertaken. Moreover it will combine the contextual based study
of cities, their public place and Architecture along with studies of the
discourses on the Internet. The project will look at different actors who play
an active, but often invisible role in the transformation of these spaces.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;&lt;em&gt;Dissemination and Outputs:&lt;/em&gt;&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;The project shall bring forth a monograph (approximately 50,000 words)
that looks at a relationship between internet technologies and the city with a
historical perspective, in order to explore the notions of public, built form,
city spaces etc. within the Indian context.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;A journal paper that engages with the contemporary discourses in
Architecture and produces a new theoretical formulation of the city-technology
relationship.&lt;/p&gt;
&lt;p&gt;

Part of the research
method could possibly include an elective course or workshop at CEPT University
to tap on variety of narrations through different students to strengthen both
the premise and contextual focus of the study.

&lt;br /&gt;&lt;/p&gt;
&lt;hr align="left" size="1" width="33%" /&gt;
&lt;p&gt;

&lt;/p&gt;
&lt;div id="edn1"&gt;
&lt;p class="MsoEndnoteText"&gt;&lt;a name="_edn1" href="#_ednref1"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[i]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;
This is to say that city form and its perception is very much a result of the
both the local geographical and cultural context&lt;/p&gt;
&lt;/div&gt;
&lt;div id="edn2"&gt;
&lt;p class="MsoEndnoteText"&gt;&lt;a name="_edn2" href="#_ednref2"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[ii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;
“Place” can be defined through both space and character of an area and where
the human experience is important. We experience places and hence understand it
as they hold different processes and meanings.&lt;/p&gt;
&lt;/div&gt;
&lt;p class="MsoEndnoteText"&gt;&lt;a name="_edn3" href="#_ednref3"&gt;&lt;span class="MsoEndnoteReference"&gt;&lt;span class="MsoEndnoteReference"&gt;[iii]&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; So
does the presence of Internet in our lives impact the way we begin to
understand the Architecture of our city?&lt;/p&gt;
&lt;p class="MsoEndnoteText"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="MsoEndnoteText"&gt;&lt;strong&gt;Bibliography&lt;/strong&gt;&lt;/p&gt;
&lt;p class="MsoEndnoteText"&gt;Venturi, Robert. &lt;em&gt;Learning from Las-Vegas : the forgotten symbolism of architectural
form. &amp;nbsp;&lt;/em&gt;MIT Press, 1976&lt;/p&gt;
&lt;p&gt;Castell, Manuel. &lt;em&gt;The Rise of the Networked
Society. &lt;/em&gt;Oxford:&lt;em&gt; &lt;/em&gt;Blackwell Publishers, 2000&lt;/p&gt;
&lt;p&gt;Adorno Theoder. &lt;em&gt;The Culture Industrty (Routledge Classics). &lt;/em&gt;Routledge, 2001&lt;/p&gt;
&lt;p&gt;Benjamin Walter. &lt;em&gt;The Arcade Project.&lt;/em&gt; Belknap Press of Harvard University Press, 2002&lt;/p&gt;
&lt;p&gt;Jameson Fredric. &lt;em&gt;Postmodernism or The Cultural Logic of Late Capatalism.&lt;/em&gt; Verso, 1999&lt;/p&gt;
&lt;p&gt;&lt;span class="visualHighlight"&gt;&lt;/span&gt; Davis Mike. &lt;em&gt;Ecology
of Fear: Los Angeles and the Imagination of Disaster&lt;/em&gt;. Random House, 1998&lt;/p&gt;
&lt;p&gt;Ashish Rajadhayaksha. &lt;em&gt;Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
(South Asian Cinemas). &lt;/em&gt;&lt;/p&gt;
&lt;p class="MsoEndnoteText"&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/Introduction'&gt;https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/Introduction&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Cyberspace</dc:subject>
    
    
        <dc:subject>City</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    
    
        <dc:subject>Architecture</dc:subject>
    
    
        <dc:subject>Communities</dc:subject>
    

   <dc:date>2011-08-02T06:07:02Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/topic_images">
    <title>Topic Images</title>
    <link>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/topic_images</link>
    <description>
        &lt;b&gt;&lt;/b&gt;
        
        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/topic_images'&gt;https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/topic_images&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>


   <dc:date>2010-07-29T05:43:58Z</dc:date>
   <dc:type>Folder</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/research/grants/digital-natives-with-a-cause/dntweet">
    <title>Fill The Gap: Global Discussion on Digital Natives</title>
    <link>https://cis-india.org/research/grants/digital-natives-with-a-cause/dntweet</link>
    <description>
        &lt;b&gt;More often than not people don't understand the new practices inspired by Internet and digital technologies. As such a series of accusations have been leveled against the Digital Natives.  Educators, policy makers, scholars, and parents have all raised their worries without hearing out from the people they are concerned about. Hivos has initiated an online global discussion about Digital Natives. So, to voice your opinion, start tweeting with us now #DigitalNatives.&lt;/b&gt;
        
&lt;div class="content-view-full"&gt;
&lt;div class="class-event"&gt;
&lt;div class="pagecontent"&gt;
&lt;h2&gt;If you cannot attend Fill The Gap, you can also join us in a global discussion on some of the issues being discussed at #DigitalNatives&lt;br /&gt;&lt;/h2&gt;
&lt;br /&gt;
&lt;p&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Are
you an apolitical consumer, or do you have ambitions?&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.tweetworks.com/groups/view/DigitalNatives" target="_blank"&gt;http://www.tweetworks.com/groups/view/DigitalNatives&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;2.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Are
you a little prince or princess, who only wants to talk to like minded people
or are you different?&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.tweetworks.com/groups/view/DigitalNativesPrincess" target="_blank"&gt;http://www.tweetworks.com/groups/view/DigitalNativesPrincess&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;3.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Is
Wikipedia your bible or do you really know something?&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.tweetworks.com/groups/view/DigitalNativesWiki" target="_blank"&gt;http://www.tweetworks.com/groups/view/DigitalNativesWiki&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;4.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Are
you a digital dinosaur? They say you don’t know anything about ICT!&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.tweetworks.com/groups/view/DigitalDinosaur" target="_blank"&gt;http://www.tweetworks.com/groups/view/DigitalDinosaur&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;5.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Why
use the Internet, why don’t you march the streets?&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.tweetworks.com/groups/view/DigitalNativesProtest" target="_blank"&gt;http://www.tweetworks.com/groups/view/DigitalNativesProtest&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;6.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
Plans
to change the world? What do you need?&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.tweetworks.com/groups/view/DigitalNativesChanceTheWorld" target="_blank"&gt;http://www.tweetworks.com/groups/view/DigitalNativesChanceTheWorld&lt;/a&gt;&lt;/p&gt;
&lt;br /&gt;If you are in Amsterdam, here is the information you will need to attend the event:&lt;br /&gt;
&lt;h2&gt;Fill the Gap! - 7&lt;/h2&gt;
&lt;h3&gt;
R U Online?&lt;/h3&gt;
&lt;div class="date"&gt;Date: 				15 January 2010 				&amp;nbsp;&lt;/div&gt;
&lt;div class="date"&gt;Time: 									 12.30 											until
					
											17.00 hour&lt;/div&gt;
&lt;div class="date"&gt;Location: Het Sieraad, Postjesweg 1, Amsterdam&lt;/div&gt;
&lt;br /&gt;
			
			&lt;strong&gt;&lt;/strong&gt;The seventh edition of Fill the Gap! is all about the power of youth
and IT in developing countries. How can their skills be strengthened
and put to use for a better world? Hivos, apart from cohosting the
event, will be involving digital natives to hear their stories about
ICT and engagement. 
&lt;br /&gt;
&lt;p&gt;
An Open Space event on the potential of new (mobile) media and youth in
developing countries. For everyone in politics, the profit and the
non-profit sectors who is interested in ICT and international
development cooperation.&lt;/p&gt;
&lt;p&gt;
The use of new (mobile) technology is the most natural thing in the world for the youth of today.&lt;/p&gt;
&lt;p&gt;
Shaped by the digital era and at ease with creativeity, these
innovators use new media to change the world. Just think of the Twitter
revolution in Iran. What can the international development sector learn
from this? How could international development cooperation use the
potential power of youth to tackle development problems?&lt;/p&gt;
&lt;p&gt; The seventh edition of Fill the Gap! is all about the power of
youth and IT in developing countries. How can their skills be
strengthened and put to use for a better world? The kick-off will be
hosted by Jennifer Corriero, co-founder of Taking IT Global: the
international platform for youth and the use of new media for a better
world. Then the floor is open to discuss your own ideas with people
from new media, the business world and the international development
sector during the Open Space sessions. Join in: come to Amsterdam on
Friday January 15th and be inspired during Fill the Gap!&lt;br /&gt;
 &lt;br /&gt; Registration is free. The programme is in English.&lt;/p&gt;
&lt;br /&gt;&lt;a href="http://www.fill-the-gap.nl/Fill_the_gap_7?" target="_blank"&gt;» Fill the Gap&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/grants/digital-natives-with-a-cause/dntweet'&gt;https://cis-india.org/research/grants/digital-natives-with-a-cause/dntweet&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Social media</dc:subject>
    
    
        <dc:subject>Digital Activism</dc:subject>
    
    
        <dc:subject>Digital Governance</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    
    
        <dc:subject>Agency</dc:subject>
    
    
        <dc:subject>Youth</dc:subject>
    
    
        <dc:subject>Featured</dc:subject>
    
    
        <dc:subject>Cybercultures</dc:subject>
    
    
        <dc:subject>New Pedagogies</dc:subject>
    
    
        <dc:subject>Digital subjectivities</dc:subject>
    
    
        <dc:subject>ICT</dc:subject>
    

   <dc:date>2010-01-22T10:54:13Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>




</rdf:RDF>
