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    <item rdf:about="https://cis-india.org/news/international-school-at-the-digital-media-program-of-the-university-of-texas-at-austin-portugal-collaboratory-colab">
    <title>International School at the Digital Media program of the University of Texas at Austin - Portugal Collaboratory (CoLab)</title>
    <link>https://cis-india.org/news/international-school-at-the-digital-media-program-of-the-university-of-texas-at-austin-portugal-collaboratory-colab</link>
    <description>
        &lt;b&gt;Applications are now open for the first International School on Digital Transformation, to be held July 19-24, 2009, at the University of Porto in Porto, Portugal. The School is accepting applications from advanced students and recent graduates from around the world with an interest in how digital technologies are changing societies and the world as a whole.&lt;/b&gt;
        
&lt;p&gt;&lt;a href="http://colab.ic2.utexas.edu/dm/international-school/isdt-student-registration-page/"&gt;Applications are now open for the first International School on Digital Transformation&lt;/a&gt;,
to be held July 19-24, 2009, at the University of Porto in Porto,
Portugal. The School is accepting applications from advanced students
and recent graduates from around the world with an interest in how
digital technologies are changing societies and the world as a whole.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://colab.ic2.utexas.edu/dm/international-school/isdt-student-registration-page/"&gt;&lt;img title="Application" class="aligncenter size-full wp-image-248" src="http://colab.ic2.utexas.edu/dm/wp-content/uploads/2009/01/app_button.jpg" alt="Application" height="35" width="150" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The International School on Digital Transformation will be an
intensive six-day residential program, conducted in English and
bringing together emerging and established scholars and professionals
from around the world. During the week-long session, innovators in
digital communications will serve as teachers and mentors, presenting
their current projects and research and participating in discussions
with advanced students and professionals beginning careers in the
field. Presenters and students will be regarded as peers during the
School.&lt;/p&gt;
&lt;p&gt;The School will focus on these themes:&lt;/p&gt;
&lt;p&gt;•    Democratic transformations of society through digital media&lt;br /&gt;
•    Innovations in transparency and political participation using new online tools&lt;br /&gt;
•    Grassroots civic activities using digital technologies&lt;br /&gt;
•    Building effective communities with the Internet&lt;br /&gt;
•    Reaching out to new users with mobile and online technologies&lt;br /&gt;
•    Prospects for digital communication in developing regions&lt;br /&gt;
•    Digital arts and culture in a globalized, online world&lt;/p&gt;
&lt;p&gt;The goals of the International School include:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;Combining lectures on current research and innovation with practical experience, using accessible, low-cost digital technologies&lt;/li&gt;&lt;li&gt;Providing an informal venue for sharing expertise, perspectives, and best practices and for mentoring advanced students&lt;/li&gt;&lt;li&gt;Fostering a sustainable network of scholars and activists in the field of digital technology, communication and social change&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;Program&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The basic daily schedule will consist of one 90-minute session of
lecture and discussion in the morning: free time for teachers and
students to interact, converse and explore the city in the afternoon;
and two more 90-minute lecture and discussion sessions in the evening,
folowed by a communal meal.&lt;/p&gt;
&lt;p&gt;The confirmed speakers for the International School on Digital Transformation include:&lt;/p&gt;
&lt;ul&gt;&lt;li&gt;Sunil Abraham&lt;br /&gt;
Director of Policy at the Center for Internet and Society, Bangalore, India; and current board member of Mahiti Infotech&lt;/li&gt;&lt;li&gt;Patricia Aufderheide&lt;br /&gt;
Professor, School of Communication, American University; director,&lt;br /&gt;
Center for Social Media at American University&lt;/li&gt;&lt;li&gt;Warigia Bowman&lt;br /&gt;
Assistant Professor, Department of Public Policy Leadership,&lt;br /&gt;
University of Mississippi&lt;/li&gt;&lt;li&gt;Fiorella De Cindio&lt;br /&gt;
Associate Professor, Computer and Information Science Department,&lt;br /&gt;
University of Milan&lt;/li&gt;&lt;li&gt;Martha Fuentes-Bautista&lt;br /&gt;
Assistant Professor, Department of Communication, University of&lt;br /&gt;
Massachusetts at Amherst&lt;/li&gt;&lt;li&gt;Stephanie Hankey/Marek Tuszynski (tentative)&lt;br /&gt;
Co-founders and directors, Tactical Technology Collective&lt;/li&gt;&lt;li&gt;Lisa Nakamura (associate faculty)&lt;br /&gt;
Professor, Institute of Communication Research; Director, Asian&lt;br /&gt;
American Studies Program, University of Illinois at Urbana-Champaign&lt;/li&gt;&lt;li&gt;Tapan Parikh&lt;br /&gt;
Assistant Professor, School of Information, University of California&lt;br /&gt;
at Berkeley&lt;/li&gt;&lt;li&gt;Tiago Peixoto&lt;br /&gt;
Researcher, European University Institute, Florence, Italy&lt;/li&gt;&lt;li&gt;Alison Powell&lt;br /&gt;
SSHRC Postdoctoral Fellow, Oxford Internet Institute, Oxford University&lt;/li&gt;&lt;li&gt;Andrew Rasiej&lt;br /&gt;
Founder of Personal Democracy Forum and techPresident&lt;/li&gt;&lt;li&gt;Nicholas Reville&lt;br /&gt;
Executive director, Participatory Culture Foundation&lt;/li&gt;&lt;li&gt;Scott Robinson&lt;br /&gt;
Professor, Department of Anthropology, Universidad Autónoma Metropolitana&lt;/li&gt;&lt;li&gt;Jorge Martins Rosa&lt;br /&gt;
Assistant Professor, Department of Communication Sciences; Faculty of Social Sciences and Humanities, New University of Lisbon&lt;/li&gt;&lt;li&gt;Christian Sandvig&lt;br /&gt;
Associate Professor, Department of Communication; faculty member,&lt;br /&gt;
Project on Public Policy and Advanced Communication Technology,&lt;br /&gt;
University of Illinois at Urbana-Champaign&lt;/li&gt;&lt;li&gt;Doug Schuler&lt;br /&gt;
Program Director, Public Sphere Project, an initiative of Computer&lt;br /&gt;
Professionals for Social Responsibility&lt;/li&gt;&lt;li&gt;Leslie Regan Shade&lt;br /&gt;
Associate Professor, Department of Communication Studies, Concordia University&lt;/li&gt;&lt;li&gt;Maripaz Silva (associate faculty)&lt;/li&gt;&lt;li&gt;Laura Stein&lt;br /&gt;
Assistant Professor, Radio-Television-Film Department, University of&lt;br /&gt;
Texas at Austin&lt;/li&gt;&lt;li&gt;Siva Vaidhyanathan&lt;br /&gt;
Associate Professor, University of Virginia, Media Studies and Law;&lt;br /&gt;
Fellow, Institute for the Future of the Book&lt;/li&gt;&lt;li&gt;Katrin Verclas&lt;br /&gt;
Co-founder and editor of Mobileactive.org&lt;/li&gt;&lt;/ul&gt;
&lt;p&gt;The International School on Digital Transformation is a program of
the University of Texas Austin-Portugal Colaboratory, or CoLab. The
co-directors of the School are Drs. Sharon Strover and Karen Gustafson,
and Gary Chapman, of the University of Texas at Austin.&lt;/p&gt;
&lt;p&gt;The School will be held at the Rectory, a building of the University
of Porto in the center of the city. Student housing will consist of
nearby hotels, and the cost of the School will include a shared hotel
room, two meals per day (breakfast and dinner) and the program itself.
The week will also include a cultural activity offered to all School
participants.&lt;/p&gt;
&lt;p&gt;The estimated cost of the International School on Digital
Transformation will be between €300 and €400. Travel to Porto,
Portugal, is not supported; students must find and pay for their own
travel to Porto.&lt;/p&gt;
&lt;p&gt;The student application, and more specific information for students, are available at this link.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Porto, Portugal&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Recognized as a UNESCO World Heritage site in 1996, Porto is known
for its spectacular architecture and medieval alleyways, and it is also
compact, allowing visitors to easily explore the central city on foot.
Porto is on the Douro River and also near the Atlantic Ocean. It is
famous for its port wine from the inland Portuguese wine region along
the Douro River valley.&lt;/p&gt;
&lt;p&gt;During the free afternoons, students and teachers may explore the
sidewalk café culture on Santa Catarina Street, a nearby pedestrian
shopping area, or walk across the Dom Luís I Bridge spanning the Douro
River to the promenade, restaurants, and port houses in Vila Nova de
Gaia, directly opposite central Porto. Short river cruises may be taken
in barcos rabelos, flat-bottomed boats traditionally used to ferry
shipments of port wine.&lt;/p&gt;
&lt;p&gt;While Porto is famous for its ancient Roman ramparts and Gothic
churches, it is also home to the Casa da Música concert hall, a superb
example of modern architecture, finished in 2005, that has become an
icon of the city. The Serralves Museum is a major cultural institution
which hosts rotating exhibitions of contemporary art and which features
a world-class garden.&lt;/p&gt;
&lt;p&gt;In the late evenings, Porto hosts a thriving clubbing culture, and the city’s nightspots attract DJs from around the world.&lt;/p&gt;
&lt;p&gt;Porto has an international airport and is also served by trains from
Lisbon and from Spain. By train, Porto is approximately three and a
half hours north of Lisbon.&lt;/p&gt;
&lt;p&gt;Please direct questions regarding the program to Karen Gustafson, at &lt;a href="mailto:kegustafson@mail.utexas.edu."&gt;kegustafson@mail.utexas.edu&lt;/a&gt;.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/news/international-school-at-the-digital-media-program-of-the-university-of-texas-at-austin-portugal-collaboratory-colab'&gt;https://cis-india.org/news/international-school-at-the-digital-media-program-of-the-university-of-texas-at-austin-portugal-collaboratory-colab&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>


   <dc:date>2009-03-27T09:55:53Z</dc:date>
   <dc:type>Page</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/openness/blog-old/international-repository-infrastructure-workshop-amsterdam-16-17-march-2009-a-report">
    <title>International Repository Infrastructure Workshop, Amsterdam, 16-17 March 2009: A Report</title>
    <link>https://cis-india.org/openness/blog-old/international-repository-infrastructure-workshop-amsterdam-16-17-march-2009-a-report</link>
    <description>
        &lt;b&gt;Open Access activist Madhan Muthu recently attended the International Repository Infrastructure Workshop, held in Amsterdam, 16-17 March 2009, in company with CIS Distinguished Fellow Prof. Subbiah Arunachalam. In this entry, as a guest blogger for CIS, he files a report on the proceedings at the workshop.  &lt;/b&gt;
        
&lt;p align="left"&gt;&lt;/p&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;p align="left"&gt;I was in Amsterdam
for the International Repository Infrastructure Workshop, with Prof. Subbiah
Arunachalam of &lt;a href="https://cis-india.org/../"&gt;CIS&lt;/a&gt; and other participants
from UK, USA, Japan,
and Australia.&amp;nbsp; The workshop was funded by &lt;a href="http://www.jisc.ac.uk/"&gt;JISC&lt;/a&gt;, &lt;a href="http://www.surffoundation.nl/en"&gt;SURF&lt;/a&gt; and &lt;a href="http://www.driver-repository.eu/"&gt;DRIVER&lt;/a&gt; Project. &amp;nbsp;The aim of the workshop was to draft plans for
the future course of international repositories’ action.&lt;/p&gt;
&lt;p align="left"&gt;The workshop started with a keynote speech by Norbert Lossau of the DRIVER project. Much of his talk focused on
DRIVER experience. Beyond individual repositories and related services, he
explained the need for an internationally coordinated repositories
infrastructure. Soon after the keynote,
participants were divided into four breakout groups to enage in parallel discussion and to
draft action plans on the following topics:&lt;/p&gt;
&lt;div align="left"&gt;
&lt;ul type="disc"&gt;&lt;li&gt;International Organization&lt;/li&gt;&lt;li&gt;Identifier Infrastructure&lt;/li&gt;&lt;li&gt;Citation Services &lt;/li&gt;&lt;li&gt;Repositories Handshake &lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;
&lt;/div&gt;
&lt;p align="left"&gt;I participated in the Repositories ‘handshake’
group.&amp;nbsp; The handshake group, which consisted of
mostly repository practitioners and service providers, was moderated by Peter
Burnhill of &lt;a href="http://edina.ac.uk/"&gt;EDINA&lt;/a&gt;, University of Edinburgh.&amp;nbsp; Initially, there was a bit of effort in reaching
the definition of ‘repositories handshake’ and what it was actually
intended for. After deliberations on service requirements, ingest support
services, machine interoperability and workflow enhancement, the group settled
on 'deposit opportunities' as its focus. Two-side handshakes were considered:
one with authors, where the handshake action naturally twisted to a ‘begging’ action (in the present global repository scenario) and on the other side, handshakes
with service developers by ensuring (minimally sufficient) quality metadata and
interoperability.&lt;/p&gt;
&lt;p align="left"&gt;On the
second day, our group continued its discussions on creating conducive 'deposit
opportunities' on the principles of &lt;em&gt;more&lt;/em&gt;
(content), &lt;em&gt;better&lt;/em&gt; (quality metadata),
&lt;em&gt;easy&lt;/em&gt; (uploading) and &lt;em&gt;rewarding&lt;/em&gt; (for depositor).&amp;nbsp; The group agreed upon eight purposeful handshake
use cases and multiphase action plan. There was a consensus on a first phase work
plan which would achieve, in six months' time, at least a few key use
cases like:&lt;/p&gt;
&lt;div align="left"&gt;
&lt;ul type="disc"&gt;&lt;li&gt;Easy deposit method for multi-authored papers, with different
     affiliations from different countries, in multiple repositories&lt;/li&gt;&lt;li&gt;Communication between institutional, subject and funding
     repositories&lt;/li&gt;&lt;li&gt;Publisher deposits in repositories (IR/SR)&lt;/li&gt;&lt;li&gt;Institute induced deposits&lt;/li&gt;&lt;/ul&gt;
&lt;/div&gt;
&lt;p align="left"&gt;We had two breakout group presentations
during the course of the workshop, in which moderators discussed the progress made
by each group. This helped members of the groups to understand what the other groups were doing.&lt;/p&gt;
&lt;p align="left"&gt;Finally, all participants assembled at
the plenary session of the workshop, at which moderators of each breakout group presented the product
of the one and a half day deliberations. In my view, there was considerable progress made by the Citation
Services group.&amp;nbsp; Leslie Carr, who was the
moderator of the group, talked about the plan of setting up a repository based
citation test bed and developing a competitive text mining algorithm to cull
references from a document in repositories.&lt;/p&gt;
&lt;p align="left"&gt;The next impressive development came from the
Repository Identifiers group. The
moderator of the group talked about strategies of using existing resources to
build identifiers for people, repositories, organisations and objects (see presentation &lt;a class="external-link" href="http://prezi.com/17905/view/#56"&gt;here)&lt;/a&gt;. Dale Peters acknowledged the contribution of Prof. Subbiah Arunachalam at
the ‘International Organisation’ group’s final presentation.&lt;/p&gt;
&lt;p align="left"&gt;Clifford Lynch of &lt;a href="http://www.cni.org/"&gt;CNI&lt;/a&gt; summed up of the outcomes of
the break out groups in his closing remarks.&amp;nbsp;
He envisioned repositories as a component of a larger
knowledge sharing infrastructure rather than as mere archives of institutional outputs.&amp;nbsp; He also prioritised 'Identifier
Infrastructure' as the need of the moment and asked for a quick action on
it.&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;There was a funders' meeting after
the workshop, the outcomes of which are yet to surface.&amp;nbsp; With pre-workshop wiki discussions on
repository use cases and tweets (Twitter messages) during the program, the very form of the workshop was different from anything I had previously experienced.&lt;/p&gt;
&lt;p align="left"&gt;During the workshop, I met a few key
people involved in the &lt;a href="http://www.driver-repository.eu/"&gt;DRIVER&lt;/a&gt; project,
particularly Dr Paolo Manghi from &lt;a href="http://www.isti.cnr.it/"&gt;ISTI-CNR&lt;/a&gt;,
Italy, an organisation that takes care of repository validation. I learned a little about &lt;a href="http://www.driver-repository.eu/"&gt;DRIVER&lt;/a&gt;, which has come up with a set
of crisp metadata and interoperability guidelines to ensure smooth exchange
of data between European repositories and service providers. The guidelines
have been translated into three other languages, showing their international
acceptance. To streamline repository
developments in India, the time is right (since the number of repositories are small) to start a &lt;a href="http://www.driver-repository.eu/"&gt;DRIVER&lt;/a&gt;-like initiative to ensure metadata
uniformity in Indian repositories for easy exchange.&lt;/p&gt;
&lt;p align="left"&gt;-----&lt;img src="https://cis-india.org/openness/blog-old/uploads/madhan.jpg/image_preview" alt="Madhan Muthu" class="image-right" title="Madhan Muthu" /&gt;&lt;/p&gt;
&lt;p align="left"&gt;Guest blogger Madhan Muthu has a Masters in Library and Information Science, and has worked at the National Institute of Technology as an Assistant Librarian since March 2004. He is heavily involved as a volunteer in India's open access movement. Presently, he is 
coordinating the Oriya Books Digitisation project in partnership with other 
libraries. Prior to NIT, he was at the M S Swaminathan Research Foundation 
(MSSRF), Chennai, for about six years.&lt;/p&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/openness/blog-old/international-repository-infrastructure-workshop-amsterdam-16-17-march-2009-a-report'&gt;https://cis-india.org/openness/blog-old/international-repository-infrastructure-workshop-amsterdam-16-17-march-2009-a-report&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Open Access</dc:subject>
    

   <dc:date>2011-08-18T05:01:34Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/news/ica-preconference">
    <title>International Communication Association Pre-Conference on 'India and Communication Studies' </title>
    <link>https://cis-india.org/news/ica-preconference</link>
    <description>
        &lt;b&gt;Sunil Abraham, Director-Policy, CIS, is to take part in a panel discussion on 'Media, Technology, and Governance' at the International Communication Association Pre-Conference on 'India and Communication Studies' on 21 May 2009, 1.00-2.15 pm. &lt;/b&gt;
        
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td align="left"&gt;

		
&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td align="center"&gt;	
			
		        
&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;table&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td class="boxtd"&gt;
        &lt;span class="boxtext"&gt;
&lt;p&gt;&lt;strong&gt;PRECONFERENCE #2&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Sponsored
by the Center for Global Communication Studies, Annenberg School for
Communication, University for Pennsylvania, and Centre for Culture,
Media &amp;amp; Governance, Jamia Millia Islamia University, New Delhi&lt;/p&gt;
&lt;p&gt;Title:&amp;nbsp; India and Communication Studies&lt;/p&gt;
&lt;p&gt;Time:&amp;nbsp; Wednesday, May 20, 13:00 – 19:00 and&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Thursday, May 21, 8:00 – 17:00&lt;/p&gt;
&lt;p&gt;Limit:&amp;nbsp; 50 persons&lt;/p&gt;
&lt;p&gt;Cost: $100.00USD (Includes refreshment breaks, lunch and reception)&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; $50.00USD Students&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Organizers:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;•&amp;nbsp;Monroe Price, Director, Center for Global Communication Studies,
Annenberg School for Communication, University of Pennsylvania&lt;br /&gt;•&amp;nbsp;Biswajit Das, Director, Centre for Culture, Media &amp;amp; Governance, Jamia Millia Islamia University, New Delhi&lt;br /&gt;•&amp;nbsp;Aswin Punathambekar, Assistant Professor, Communication Studies, University of Michigan, Ann Arbor&lt;br /&gt;•&amp;nbsp;Radhika Parameswaran, Associate Professor, School of Journalism, Indiana University, Bloomington&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Overview:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;India plays an increasingly important role in the processes of
globalization, including the global production of culture and the
communications technology industry.&amp;nbsp; At the same time, the field of
communication studies in India is expanding.&amp;nbsp; Yet there is no Indian
Communications Association and little in the way of considered and
formal review of contributions to the field.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;This pre-conference is an effort to create a new coherence and a new
salience for this subject by mapping the area of communication and
culture studies in India; to strengthen ties among leading and emerging
scholars and institutions in India and elsewhere; to develop and
cultivate a research agenda for the field; and to explore the creation
of an Indian Communication Studies Association.&lt;/p&gt;
&lt;p&gt;The pre-conference will take place over 2 days.&amp;nbsp; The first day will
be dedicated to paper presentations from emerging scholars on a diverse
range of issues, including media and cultural representations, gender,
minorities, issues of nationalism and culture, and structural questions
of governance.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;The second day will be centered around three panels, which will
address the development of communication studies in India; issues of
technology, governance and development; and a discussion of scholarship
about India. The organized panels will draw from academia, business,
civil society, and government/policy-making circles.&lt;br /&gt;Schedule for India and Communication Studies ICA Pre-Conference:&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;May 20 (Day One):&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;13.00 – 13.15 Opening Remarks, Monroe Price and organizers&lt;br /&gt;13.15 – 14.30 Paper presentations: Session 1&lt;br /&gt;14.30 – 15.45 Paper presentations: Session 2&lt;br /&gt;15.45 – 16.00 Break&lt;br /&gt;16.00 – 17.15 Paper presentations: Session 3&lt;/p&gt;
&lt;p&gt;Moderators for paper sessions: TBC&lt;/p&gt;
&lt;p&gt;17.30 – 19.00 Reception for pre-conference participants and guests&lt;/p&gt;
&lt;p&gt;&lt;br /&gt;&lt;strong&gt;May 21 (Day Two):&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;8.00 – 9.00: Breakfast for pre-conference participants&lt;/p&gt;
&lt;p&gt;9.00 – 10.15 Opening Keynote Discussion -- India and Cultural Pathways: Reflections on Identity, History and Scholarship:&lt;/p&gt;
&lt;p&gt;The opening keynote will address the history of communications/media
studies in and about India, placing it in the broader context of global
communication studies and globalization and international relations.&lt;/p&gt;
&lt;p&gt;•&amp;nbsp;Biswajit Das, Centre for Culture, Media &amp;amp; Governance, Jamia Millia Islamia University&lt;br /&gt;•&amp;nbsp;Radhika Gajjala, Bowling Green University&lt;br /&gt;•&amp;nbsp;Sevanti Ninan, Honorary Secretary, The Media Foundation (TBC)&lt;br /&gt;•&amp;nbsp;Arvind Singhal, University of Texas (TBC)&lt;br /&gt;•&amp;nbsp;Daya Thussu, University of Westminster&lt;/p&gt;
&lt;p&gt;Moderator: Monroe Price, Center for Global Communication Studies, Annenberg School for Communication, University of Pennsylvania&lt;/p&gt;
&lt;p&gt;10.15 – 10.30 – Coffee Break&lt;/p&gt;
&lt;p&gt;10.30 -- 11.45 Panel One: The Complex Challenge of Developing Communications Studies in India&lt;/p&gt;
&lt;p&gt;This panel will seek to begin mapping the intellectual network of
scholars that has informed communications scholarship in and about
India.&amp;nbsp;&amp;nbsp; Panelists will discuss the history and development of "Indian"
communication studies, including the approaches taken towards this
subject; the competition between production and commercial goals and
theoretical study; and the institutional and other pressures and
challenges encountered by emerging programs..&lt;/p&gt;
&lt;p&gt;•&amp;nbsp;Biswajit Das, Centre for Culture, Media &amp;amp; Governance, Jamia Millia Islamia University&lt;br /&gt;•&amp;nbsp;Vinod Pavarala, University of Hyderabad&lt;br /&gt;•&amp;nbsp;Anjali Monteiro, Tata Institute of Social Sciences&lt;br /&gt;•&amp;nbsp;Atul Tandon, MICA&lt;br /&gt;•&amp;nbsp;Peng Hwa Ang, MICORE&lt;/p&gt;
&lt;p&gt;Moderator: Noshir Contractor, Northwestern University&lt;/p&gt;
&lt;p&gt;11.45 – 13.00 –Lunch&lt;/p&gt;
&lt;p&gt;13.00 – 14.15 Panel Two: "Media, Technology &amp;amp; Governance"&lt;/p&gt;
&lt;p&gt;This panel will be approached through cases as presented by the
panelists.&amp;nbsp; It seeks to (a) open the door to the growing work on the IT
industry and ICT for Development; and (b) outline a tighter set of
analytics to encourage a stronger connection&amp;nbsp; between academic research
&amp;amp; public policy in India.&lt;/p&gt;
&lt;p&gt;•&amp;nbsp;David Page or William Crawley (TBC), Media South Asia Project, Institute of Development Studies, Sussex University, UK&lt;br /&gt;•&amp;nbsp;Victoria Farmer, Department of Political Science and International Relations SUNY-Geneseo&lt;br /&gt;•&amp;nbsp;Steve McDowell, Department of Communication, Florida State University &lt;br /&gt;•&amp;nbsp;Sunil Abraham, Director (Policy), Centre for Internet &amp;amp; Society, Bangalore&lt;br /&gt;&amp;nbsp;&lt;br /&gt;Moderator:
Vibodh Parthasarathi, Associate Professor, Centre for Culture, Media
&amp;amp; Governance, Jamia Millia Islamia University&lt;/p&gt;
&lt;p&gt;14.15 – 14.30 Coffee Break&lt;/p&gt;
&lt;p&gt;14.30 – 15.45 Panel Three: Nodes of Contact: How to Map Scholarship about India&lt;/p&gt;
&lt;p&gt;This panel aims to map the intellectual patterns and trajectories in
media and communications scholarship on India. Panelists will address
specific areas within communications research--gender and
interdisciplinarity, new media, diaspora, television, and media
production and reception--to chart and analyze the theoretical and
empirical terrain that scholars have covered, and to suggest new and
productive directions for future research.&lt;/p&gt;
&lt;p&gt;•&amp;nbsp;Radha Hegde, Department of Media, Culture, and Communication, New York University&lt;br /&gt;•&amp;nbsp;Shanti Kumar, Department of Radio-Television-Film, The University of Texas at Austin&lt;br /&gt;•&amp;nbsp;William Mazzarella, University of Chicago&lt;br /&gt;•&amp;nbsp;Ananda Mitra, Department of Communication, Wake Forest University&amp;nbsp; &lt;br /&gt;•&amp;nbsp;Hemant Shah, School of Journalism &amp;amp; Mass Communication, University of Wisconsin-Madison&lt;/p&gt;
&lt;p&gt;Moderator: Radhika Parameswaran, School of Journalism, Indiana University&lt;/p&gt;
&lt;p&gt;15.45 – 16.15 Concluding Remarks and Wrap-up&lt;/p&gt;
&lt;p&gt;This last part of the ICA Pre-Conference Program will feature open discussion and commentary from the organizers and audience.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;For more information about this pre-conference, please contact Susan
Abbott, Associate Director, Center for Global Communication Studies: &lt;a href="mailto:sabbott@asc.upenn.edu"&gt;sabbott@asc.upenn.edu&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
-----&lt;br /&gt;&lt;br /&gt;&lt;a class="external-link" href="http://www.icahdq.org/conferences/2009/india.asp"&gt;Click here&lt;/a&gt; to read this information on the ICA website. &lt;br /&gt;
&lt;/span&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td align="right"&gt;&lt;img src="http://www.icahdq.org/images/home_boxes/corner3.gif" alt="" /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td align="center"&gt;
   
&lt;br /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;table&gt;&lt;/table&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/news/ica-preconference'&gt;https://cis-india.org/news/ica-preconference&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Internet Governance</dc:subject>
    

   <dc:date>2011-04-02T15:56:35Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/research/grants/inclusive-planet/inclusive-planet">
    <title>Inclusive Planet</title>
    <link>https://cis-india.org/research/grants/inclusive-planet/inclusive-planet</link>
    <description>
        &lt;b&gt;&lt;/b&gt;
        
&lt;h3 align="left"&gt;Context&lt;/h3&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;p align="left"&gt;There are approximately 75 million differently-abled persons in 
India.&amp;nbsp; This community is largely excluded from 
civil society and persons with disability continue to have to depend on family 
members or others to meet their basic needs and wants. Neither the Government 
nor private enterprise has had significant success in including this community 
in mainstream society.&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;Vision&lt;/h3&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;p align="left"&gt;Inclusive Planet (“IncP”) aims to
create India’s largest cross disability community for the 75
million differently-abled people in India and their support groups.
IncP will also thereby become the largest provider of products and
services to this community.&lt;/p&gt;
&lt;h3&gt;InclusivePlanet.com&lt;/h3&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;p align="left"&gt;The primary delivery platform for IncP
will be www.inclusiveplanet.com (not yet operational), a Web 2.0
portal. Supplementary delivery platforms will be channel partner web
sites, vendor websites, Inclusive Planet franchisee stores (brick and
mortar), partner stores and mobile phones. The portal will be a
‘one-stop shop’ for the specific requirements of people with
disabilities. The portal will also comprehensively address the daily
needs of persons with disabilities, including specific requirements
for information, everyday requirements of life, employment,
entertainment and assistance. In short, the portal will assist
persons with disabilities with obtaining access to facilities
available to the public at large.&lt;/p&gt;
&amp;nbsp;
&lt;p align="left"&gt;The portal will have channels that
specially cater to the disabled and their support group, for the
following: medical information, legal information, policy
information, news, shopping, service provider listings, career
listings, career guidance, medical expert panel, social networking
(blogs, forums and chat), and entertainment. IncP is working with
several of India’s largest NGOs to provide the back-end for several
of the features of the portal.&lt;/p&gt;
&lt;h3&gt;The Entertainment Channel&lt;/h3&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;p align="left"&gt;This channel of the portal is aimed
primarily at the visually-impaired community. Visually impaired
persons cannot enjoy the same content in the same format as sighted
persons and have to rely on audio content such as audio books and
content in specific computer readable formats. The entertainment
channel is loosely based on the YouTube model and provides for users
to upload and share audio books and other content with each other.
This channel will also have a feature allowing users to request any
specific item of content; this content can be uploaded by other users
or volunteers. This channel will be an integral part of the community
building aspect of IncP.&lt;/p&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/grants/inclusive-planet/inclusive-planet'&gt;https://cis-india.org/research/grants/inclusive-planet/inclusive-planet&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>


   <dc:date>2009-07-09T08:51:28Z</dc:date>
   <dc:type>Page</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/accessibility/publications/uploads/English%20to%20Hindi%20UNICODE%20FILE.pdf">
    <title>Hindi translation WCAG</title>
    <link>https://cis-india.org/accessibility/publications/uploads/English%20to%20Hindi%20UNICODE%20FILE.pdf</link>
    <description>
        &lt;b&gt;&lt;/b&gt;
        
        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/accessibility/publications/uploads/English%20to%20Hindi%20UNICODE%20FILE.pdf'&gt;https://cis-india.org/accessibility/publications/uploads/English%20to%20Hindi%20UNICODE%20FILE.pdf&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>


   <dc:date>2009-07-06T08:36:42Z</dc:date>
   <dc:type>File</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/accessibility/blog/hindi-translation-of-web-content-accessibility-guidelines-2.0">
    <title>Hindi Translation of Web Content Accessibility Guidelines 2.0</title>
    <link>https://cis-india.org/accessibility/blog/hindi-translation-of-web-content-accessibility-guidelines-2.0</link>
    <description>
        &lt;b&gt;A Hindi translation of the Web Content Accessibility Guidelines (WCAG) 2.0 was commissioned by the National Internet Exchange of India (NIXI) and is now available for download. &lt;/b&gt;
        
&lt;p&gt;The National Internet Exchange of India (NIXI) has supported the 
Centre for Internet and Society and its campaign for web accessibility for the disabled. In addition to sponsoring 
the first National Workshop on Web Accessibility to train web developers, held in February 2009, the NIXI has 
now brought out a Hindi translation of the Web Content Accessibility 
Guidelines (WCAG) 2.0. It is hoped that this translated version will help Indian web developers to get a better understanding of the guidelines for 
creating accessible web pages.&lt;/p&gt;
&lt;p&gt;To view a copy of the translated guidelines, in HTML format, click &lt;a href="https://cis-india.org/accessibility/blog/uploads/wcag-guidelines-for-accessibility-html" class="external-link"&gt;here&lt;/a&gt;.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/accessibility/blog/hindi-translation-of-web-content-accessibility-guidelines-2.0'&gt;https://cis-india.org/accessibility/blog/hindi-translation-of-web-content-accessibility-guidelines-2.0&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>


   <dc:date>2011-08-17T08:50:41Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/news/government-websites-access-denied-to-special-users">
    <title>Government websites: Access denied to special users</title>
    <link>https://cis-india.org/news/government-websites-access-denied-to-special-users</link>
    <description>
        &lt;b&gt;Article by L. Subramani in the Deccan Herald, 8 December 2008&lt;/b&gt;
        
&lt;p&gt;The homepages of 23 government agencies have been identified as inaccessible to special users, the city-based Centre for Internet and Society has found.&lt;/p&gt;
&lt;p&gt;The organisation carried out an automated test using software tools, on websites of agencies like the National Informatics Centre, Lok Sabha, Rajya Sabha, Ministry of Social Justice and Empowerment, Ministry of HRD etc, the majority of which have failed to meet even the basic access criteria laid down in the guidelines of Worldwide Web Consortium (W3C).&lt;/p&gt;
&lt;p&gt;“Except for the Reserve Bank of India and CMC Vellore, all the sites don't even meet priority 1 of WCAG (W3C Access Guidelines), which would ensure availability of text for non-text elements (images) and other graphical contents that can't be read out by screen reader software,” said Nirmita Narasimhan, who carried out the tests at CIS. She mentioned that all of the websites failed in priority 2&amp;nbsp; and 3 of the guidelines.&lt;/p&gt;
&lt;p&gt;“Despite being one of the most important sites for persons with disability, the homepage of the Ministry of Social Justice and Empowerment - which contains documents and important government schemes for persons with disability - has completely failed to meet the accessibility criteria.&lt;/p&gt;
&lt;p&gt;This is not only against the spirit of laws that guarantee freedom of information, but also contradicts the government's own policy of making websites accessible to persons with disability,” she added.&lt;/p&gt;
&lt;h3&gt;Handbook &lt;br /&gt;&lt;/h3&gt;
&lt;p&gt;Nirmita pointed out that the Right To Information handbook - an important reference for persons with disability, demanding information from government and private organisations - has been provided in an inaccessible document format.&lt;/p&gt;
&lt;p&gt;She echoed the common contention that persons with disability are deprived of one of the most important aspects of modern technology, despite being empowered by technologies like screen readers and speech recognition software.&lt;/p&gt;
&lt;p&gt;The information, coming soon after the International Day for Persons with Disabilities was observed, raises question marks over the government's commitment to break barriers, and its genuineness in creating an accessible society as per the Persons with Disability act (1995) and the United Nations Convention for the Rights of Persons with Disability, to which it has been one of the early signatories.&lt;/p&gt;
&lt;p&gt;Ganesh Prasad, Director (Systems and Process) at Samarthanam Trust for the Disabled described the test results as ‘not surprising, but certainly disappointing.’&lt;/p&gt;
&lt;p&gt;“Given the urban conditions, visiting a place in person has become one of the most difficult things for persons with disability,” Prasad said.&lt;/p&gt;
&lt;p&gt;Priority 1 of the guidelines calls for text descriptions of images or alternative pages with text contents, while priority 2 asks for the turning off of auto refresh and other deprecated features of W3C technologies, and recommends semantic information of the page for persons with disability to instantly know the contents.&lt;/p&gt;
&lt;p&gt;-----&lt;/p&gt;
Read the article on the Deccan Herald website &lt;a class="external-link" href="http://www.deccanherald.com/Content/Dec82008/state20081208105396.asp"&gt;here.&amp;nbsp;&lt;/a&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/news/government-websites-access-denied-to-special-users'&gt;https://cis-india.org/news/government-websites-access-denied-to-special-users&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Accessibility</dc:subject>
    

   <dc:date>2011-04-02T16:17:22Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/news/getting-the-net-out-of-its-web">
    <title>Getting the net out of its web</title>
    <link>https://cis-india.org/news/getting-the-net-out-of-its-web</link>
    <description>
        &lt;b&gt;Article by Malvika Tegta in Daily News and Analysis (DNA), 8 March 2009&lt;/b&gt;
        
&lt;p&gt;Artists, academicians, tech heads and lawyers have come together to give the country a voice in technology, study, polity and discourse, says Malvika Tegta&lt;/p&gt;
&lt;p&gt;-----&lt;br /&gt;The Internet has changed lives in ways we haven't stopped to grasp — the real feeding into the virtual and the other way round. Also, how the Internet interacts with individuals varies across cultures and societies. Narratives on the medium originating in the West cannot size up the complexities of the developing world. In the absence of a voice from the "global south" in affecting the direction of the Internet, technologies continue to be designed for a certain kind of end user, with underlying assumptions. "That apart, as the Internet grows, it doesn't necessarily always grow for the better, with things like cyber terrorism, cyber bullying, pornography, identity theft, gambling, internet addiction, being the by-products of the information revolution," says Nishant Shah, director-research and one of the brains behind the Centre for Internet and Society (CIS), initiated in August 2008, set up to take note of what we passively allow to direct our lives.&lt;/p&gt;
&lt;p&gt;These are the issues that led Gibraltar-based Anurag Dikshit, co-founder of PartyGaming, parent company of online poker site PartyPoker.com, to think that "the time had come for India to have a voice in technology study, polity and discourse, as we quickly find ourselves becoming an Information Society". He, along with Alternative Law Forum's legal theorist Lawrence Liang, Shah and Sunil Abraham, brought CIS into being, pooling in the finest minds from the field of arts, academia, law and technology. CIS, since, has set out to produce local and contextual histories of the Internet to make voices "emerging out of Asia more visible in international dialogues around technology".&lt;/p&gt;
&lt;p&gt;Their approach: research, awareness and advocacy. Their goal: to make sense of how the Internet is changing the world around us, with India at the heart.&lt;/p&gt;
&lt;p&gt;CIS looks at, among other things, the way copyrights, closed standards and an absence of public policy in certain areas have affected access, innovation and kept the Internet from being less democratic and vibrant. "Copyright law is kind of a monolithic thing, like a 'one size fits all' kind of solution for encouraging creativity. It doesn't really work especially when you look at an equitable system of access," says programme manager Pranesh Prakash. He adds: "Copyright proves to be a huge barrier to promotion of accessibility, and in the Indian context needs some kind of relaxation." Programme manager at CIS, Nirmita puts this in perspective, in the particular case of internet access for the visually impaired and those with cognitive disabilities. "A blind person cannot read the written word, so you record an audio cassette or you have an e-version of it and a screen reader reads it for you. That inverts the conversion of a format, which is not permitted legally under the copyright law in India. Every time you want to convert it, you need to take permission of the copyright holder. So what that is essentially doing is depriving you of your right to read," she says. "Our country should have a law that is universal. We have signed United Nations Convention on the Rights of Persons with Disabilities that says that everything on the Internet should be in accessible formats, but it's not binding and we don't have a law on it."&lt;/p&gt;
&lt;p&gt;In the area of science and academics, copyrights pose another challenge, that of impeding innovation by keeping from the taxpayer, results of at least the research that is funded by tax a notion CIS has been pushing for. "Scientific literature is propounded on the principles like everyone is allowed to review it and that knowledge spreads to a number of people," says Prakash. Both the scientist and the reader want that. But what we see today is that a few publishers control most of all scientific literary output, so most of it is not accessible because a month's subscription sometimes amounts to the entire library budget of an institution. That is especially a big problem for developing countries.&lt;/p&gt;
&lt;p&gt;By the end of this year, CIS hopes that individual institutions take up open access policy. "It may not always have to be a top down approach," he says.&lt;/p&gt;
&lt;p&gt;In the realm of governance, CIS identifies use of closed standards software as not only unwise strategy, but also socially and ethically a bad decision, and is looking at policy change in the area. Explains Sunil Abraham, director-policy, in his paper: "If I were to store data, information or knowledge in .doc, .xls or .ppt format, my ability to read my own files expires the moment the licence for my copy of Microsoft Office expires." He adds that governments have a responsibility to use open standards, especially for interactions with the public and where the data handled has a direct impact on democratic values. "In developing countries, governments have greater responsibility because most often they account for over 50% of the revenues of proprietary software vendors," he writes.&lt;/p&gt;
&lt;p&gt;They are also exploring bridging digital divides without ignoring the "complex interplay, in the case of India for instance, of caste, language, affordability, education, literacy, and in some cases, even religion" and how the Internet is changing the landscape of higher education in India.&lt;br /&gt;As Shah puts it: "Internet technologies are now becoming tools that we think with. We cannot write without the cursor blinking on an empty screen, we cannot talk in public without the aid of a digital presentation..."&lt;/p&gt;
&lt;p&gt;It's about time, then, that we thought about the one thing that's becoming one of the bigger movers in our lives and build a discourse around it.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;-----&lt;/p&gt;
&lt;p&gt;To read the article in DNA's e-paper, click &lt;a class="external-link" href="http://epaper.dnaindia.com/dnabangalore/newsview.aspx?eddate=3/8/2009&amp;amp;pageno=14&amp;amp;edition=20&amp;amp;prntid=2819&amp;amp;bxid=27996052&amp;amp;pgno=14"&gt;here&lt;/a&gt;.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/news/getting-the-net-out-of-its-web'&gt;https://cis-india.org/news/getting-the-net-out-of-its-web&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Research</dc:subject>
    

   <dc:date>2011-04-02T16:11:22Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/publications-automated/curricula/courses-taught-and-designed-by-cis/gender-and-technology">
    <title>Gender and Technology</title>
    <link>https://cis-india.org/publications-automated/curricula/courses-taught-and-designed-by-cis/gender-and-technology</link>
    <description>
        &lt;b&gt;A course module designed by CIS for the Centre for the Study of Culture and Society, Bangalore&lt;/b&gt;
        
&lt;h2 class="western"&gt;Introduction:&lt;/h2&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;Let
us begin with three statements of facts and reflect upon them:&lt;/p&gt;
&lt;ol&gt;&lt;li&gt;
&lt;p align="left"&gt;In
	the Metropolitan Museum of Art, New York, ninety per cent of the
	paintings are about women, and ninety percent of the painters are
	men.&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="left"&gt;In
	Star Trek, the space ship is a mother ship that is guided by Captain
	Kirk.&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="left"&gt;George
	Eliot, the famous author of novels like Middlemarch and Mill on The
	Floss is a woman, who wrote under a man’s name. &lt;/p&gt;
&lt;/li&gt;&lt;/ol&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;These
sound like disjointed bits of trivia, and indeed, are probably facts
that are all too familiar to us. But what joins them together? What
are the common implications that these three statements are
suggesting to us? We need to see, that the theme that runs common in
all the three statements is that they are all about women and their
relationship with technology in some form. Let us look at all the
three sentences in detail and see if we can work out the
implications:&lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In
the Metropolitan Museum of Art, New York, ninety per cent of the
paintings are about women, and ninety percent of the painters are
men.&lt;/em&gt;&lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;Does
this imply that women are less artistic than men? Surely, the
question is no; in fact, men who take to the arts, are often
perceived as feminine and that arts and culture are in the domain of
the women. We, of course, can make a certain historical reading and
suggest that art as a profession belonged to the realm of the public
and hence women did not have access to these arenas – the choice to
be a female painter, or artist, or writer. And that is indeed a valid
reading of such a statement. However, deeper than that is the
relationship that women had with technology. We often forget that
even arts when they first were taken up institutionally, were
techniques and technologies. That historically, the art of painting –
which was indeed a technology that had its heyday in Renaissance
Europe – was also a technology, and one that was unavailable to
women for a very long time. It is only when these technologies get
superseded by newer technological inventions that they become rare,
private, and feminine enough to be granted to women. &lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;However,
that does not mean that women did not have any relationship with
technology. What the statement draws our attention to is that women
were indeed the major subject of technologised cultural productions –
as mythical creatures, as objects of erotic representation, as
monsters, as demons, as beasts, as goddesses and as sometimes
representative of abject and frail human conditions, women have been
almost obsessively at the centre of all technology imagination. Even
now, when we look around us, at billboards, and advertisements, we
constantly see the messages of consumption and selling, as etched on
the body of a woman; even in instances when the product being sold or
the body of the woman have nothing in particular. &lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;And
 Virginia Woolf draws our attention to exactly that. At the 
Ox-bridge library that she is in, she discovers a long list of 
“women and…”&lt;a class="sdendnoteanc" name="sdendnote1anc" href="#sdendnote1sym"&gt;&lt;sup&gt;i&lt;/sup&gt;&lt;/a&gt;
and then reflects,  “Why does Samuel Butler say, ‘Wise men never
say what they think of women’? ‘Wise men never say anything else
apparently.” (Chapter 2, just before footnote 3) &lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;Let
us remain with these thoughts for a moment then: that there is, when
we talk of technology and technologised production, a certain
gendered relationship; that women did not always have access to acts
of production and control over technology, and that they were
obsessively the subjects of technology and technologised production;
and as an aside, that what we today understand as ‘arts’ or
‘artistic’ was historically in the domains of technology and
science and that such shifts happen due to a series of
socio-political and econo-cultural events which we will think of
sometime later. And now let us look at the second statement:&lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In
Star Trek, the space ship is a mother ship that is guided by Captain
Kirk.&lt;/em&gt;&lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;If
you throw back your mind to some of the most iconic and cult
representations of technology in almost any of your favourite sci-fi
movies, you might realize, that most of these representations are
women. Starting all the way from the movie Metropolis, where you have
the demonized robot Maria, to Star Trek, where the mother ship is
indeed, a mother; to Lara Croft Tomb Raider to the ghost in the
machine – the mother board, the mother ship, the robots and the
systems that need to be controlled and tamed, are always women or
appropriating the female form or feminine in nature. In the slight
variations from the law, you have an occasional character like Sonny
in the movie &lt;em&gt;I,
Robot&lt;/em&gt;,
but there too, we also have the feminine V.I.K.I. who turns out to be
the actual villain of the story. We need to look into why, our
imaginations of technology – and we are not looking at
technologised production right now, but technology itself – are so
gendered in nature. Why is it that we always have a particular idea
of technology as feminine, as irrational, as demonic, as something
that needs to be tamed and controlled, preferably by men? &lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;Isn’t
it a strange thing that on the one hand, we identify science as the
domain of the masculine and the male, and the technologies that
govern science as feminine in nature? We are going to perhaps
complicate our first ideas about the gendered nature of technology
now: We are going to say that it is not as if the gendered biases or
construction of technology are limited to the cultural production and
technologised arts but to the very imaginations of technology itself.
When we talk of even our daily electrical gadgets – computers,
laptops, cellphones, ipods, wiis we catch ourselves talking about
them in a feminine form – objects of consumption, objects we have
an eroticized relationship with, and objects which need certain
control and mastery. Now keeping these in mind, let us go to the
third statement that we began with:&lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;George
Eliot, the famous author of novels like Middlemarch and Mill on The
Floss is a woman, who wrote under a man’s name.&lt;/em&gt;&lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;It
sounds alien to our ears, used to listening to the Arundhati Roys and
Jhumpa Leharis of our time, to imagine that there was a time when
women were not allowed to write; and if they were allowed to write,
they were allowed to write only a particular kind of things, and that
even if they were allowed to write, they were not necessarily allowed
to become published authors within a publishing industry market. It
seem perhaps funny, to imagine that there was a time when women tried
on the names of men to write; just like it must have seemed funny, to
somebody in the eighteenth century, to think that women would have to
wear men’s clothes in order to enter the professional world. Once
we remove the ‘funny’ quotient from this particular statement,
what remains is the hard fact that technologies are a part of the
culture industry – there are markets, there are audiences and
consumers, there is an economics of visibility and distribution which
is at work. And as with other technologies, for a very long time, the
technologies of print and writing, also kept women as either the
audiences to their products or the subject of their production, but
very rarely at the centre, as creators and masters of those
technologies. So that, when women wanted to write, not mere romances,
but larger fictions, they had to take on the guise of men and write
without their own names and identities.&lt;/p&gt;
&lt;p align="left"&gt;To
go back to the question of technology, then, we also need to look at
the gender and technology question as not simply a question of art
and expression, but also that of economic forces that shape these
ideas and reinforce certain kind of images within us. &lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;h2 class="western"&gt;Reading 1: (Virginia Woolf, A Room of One’s
Own, Chapter 3 available at
&lt;u&gt;&lt;a href="http://ebooks.adelaide.edu.au/w/woolf/virginia/w91r/chapter3.html"&gt;http://ebooks.adelaide.edu.au/w/woolf/virginia/w91r/chapter3.html&lt;/a&gt;&lt;/u&gt;
)&lt;/h2&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;Let
us take for example, the case study that Virginia Woolf gives us,
about Judith Shakespeare – William Shakespeare’s imaginary
sister.&lt;/p&gt;
&lt;p align="left"&gt;(Please
refer to the text and addresses the following questions on technology
and gender relationships:)&lt;/p&gt;
&lt;ol&gt;&lt;li&gt;
&lt;p align="left"&gt;Why
	is technology always thought of as more easily accessible to men
	than women? Is it in the inherent nature of technology that it makes
	itself available to men or is there an entire social construct to
	legitimize only some kinds of usages of technology as valid? The
	story of Judith Shakespeare that Woolf draws, addresses these
	questions quite effectively. It also points out how, the question of
	livelihood and gender is also closely linked in with our
	understanding of technology.&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="left"&gt;How
	does this masculine imagination of technology change the very nature
	of the person who controls technology? For example, a man who is not
	very good at different technologies would be considered effeminate
	or not masculine enough. On the contrary, men who are more adept at
	certain kinds of technologies are also considered not male enough.
	Similarly, women who enter into certain kinds of technology oriented
	roles, will always be looked upon as ‘women in a man’s world’
	or sometimes as ‘one of the boys’; gendered with masculinity,
	beyond her own control.  Extending that logic, women have their own
	technologies and women who do not take to those are also labeled as
	aberrant or deviant. We are now trying to posit the idea that it is
	not as if being a man or a woman precedes technology; but in fact,
	the socio-political gendered contexts within which technologies
	operate, indeed create us as men and women, masculine and feminine,
	in our access to technologies, in our role within the technology
	paradigm, and our ability to control certain kinds of technologies. &lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="left"&gt;The
	common sense understanding that technologies follow gender – in
	books like Why Men won’t listen and women can’t read maps; or in
	bio-deterministic assumptions that boys should be good at numbers
	and women should be good with languages – needs to be questioned.
	There is a small (and perhaps very clever) claptrap that comes into
	being when we try and dismantle these notions. When we question, as
	Woolf does, any of the tenets of technology, at the level of the
	imaginary, the arguments that are posited against it are at the
	level of material technologies. Let’s take that example of the
	very popular book title, ‘Why Men won’t listen and Women Can’t
	read maps”. If we were to suggest, keeping the technology and
	gender relationship in mind, that the maps reading exercise,
	requires a certain kind of masculine identity, which women are not
	encouraged to perform and hence, even though they might have the
	capacity to read maps, they are never trained or indeed
	discriminated against if they can read maps, the argument that is
	given to us is that in a given sample, certain percentage of female
	participants responded in an identifiable pattern which is their
	inability to read map. The evidence presented is at the level of
	majority acts, of biological and neural research – research that
	presumes that technology is a neutral tool to which the brain
	responds without any kind of external influence; research that
	further presumes that the brain is an autonomous independent entity
	that innately responds to certain kinds of technologised stimuli. We
	need to avoid this kind of oppositional dialectic between the
	scientific and the cultural, and perhaps learn to understand that
	science is indeed a social construct and arises out of different
	cultural practices, and that culture is not merely in the realms of
	the imaginary but also has very material and significant
	consequences. &lt;/p&gt;
&lt;/li&gt;&lt;/ol&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;p align="left"&gt;We
have so far deduced a few things:&lt;/p&gt;
&lt;ol&gt;&lt;li&gt;
&lt;p align="left"&gt;&lt;em&gt;That technology and
	gender are not mutually exclusive domains of understanding but that
	technology, in its very conception, is gendered.&lt;/em&gt;&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="left"&gt;&lt;em&gt;That different
	technologies are made accessible to certain kinds of gendered
	behaviours through complex socio-cultural and economic processes.&lt;/em&gt;&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="left"&gt;&lt;em&gt;That technologies
	are not neutral, and indeed, in their imaginary (and sometimes
	material) construct, demand a masculine or a feminine identity on
	the part of the person they are interacting with.&lt;/em&gt;&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="left"&gt;&lt;em&gt;That technologised
	productions are indeed about representation and their politics but
	they are also about the politics of access and livelihood and create
	a relationship between genders; where one is produced and the other
	is the producer. &lt;/em&gt;&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="left"&gt;&lt;em&gt;That the
	relationship between gender and technology is one of transactions,
	where, technology is often treated as the feminine, which would then
	need to be tamed, domesticated or exorcised of its excesses, and
	brought under the control of Man with a capital M.&lt;/em&gt;&lt;/p&gt;
&lt;/li&gt;&lt;/ol&gt;
&lt;p align="left"&gt;It
is with these ideas in the back of our mind that we need to now look
at a new relationship between technology and gender. Let us look at
how technologies indeed become feminized – not only in their
representations and access, but in their economic development and
proliferation. &lt;/p&gt;
&lt;p align="left"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;h2 class="western"&gt;Reading
2 (Jennifer Light. When Computers Were Women. Available at
&lt;u&gt;&lt;a href="http://www.journalism.wisc.edu/~gdowney/PDF/Light%20J%201999%20T&amp;amp;C.pdf"&gt;http://www.journalism.wisc.edu/~gdowney/PDF/Light%20J%201999%20T&amp;amp;C.pdf&lt;/a&gt;&lt;/u&gt;)&lt;/h2&gt;
&lt;p align="justify"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p align="justify"&gt;As
with the earlier part of the module, let us again begin with looking
at three examples, but this time in the very specific realms of
digital technologies and computers. We shall go through three
exercises and then see if we can bind them together to talk about a
different dimension to explore the gendered nature and the gendering
role of technologies.&lt;/p&gt;
&lt;ol&gt;&lt;li&gt;
&lt;p align="justify"&gt;
	Starting
	with the Father: If you paid attention to the history of computing
	in your school days, you will remember that the father of the
	Computer is Charles Babbage. One is not particularly sure what
	Fatherly function Mr. Babbage performed, but it must be something
	unmentionable with a circuit board and some vacuum tubes. In the
	history of technology – even as it is unfolding right now - there
	are a few names that emerge as the architects, the creators, the
	fathers, the grandfathers, the builders and the miracle workers of
	technology. &lt;/p&gt;
&lt;/li&gt;&lt;/ol&gt;
&lt;p align="justify"&gt;
&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p align="justify"&gt;
Especially
in the very accelerated world of computers and internet, we always
hear of new names cropping up as THE people who made the internet,
the www, and now the web 2.0, what it is now. Let us do a quick
exercise and try to list down ten names that we think are influential
in our contemporary understanding of technology. Let me give you a
few of the more obvious ones – Bill Gates, Steve Jobs, Sabeer
Bhatia, Jimmy Wales… you can continue with this list till you have
exhausted the most famous of your internet icons – the people who
made the internet. And now let us pause and review the list. Chances
are, that your list doesn’t have any women in them. If there are
women, they might be less than one third of your list. &lt;/p&gt;
&lt;p align="justify"&gt;
&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p align="justify"&gt;
Why
does this discrepancy happen? When you look at the IT city of
Bangalore, you realize that there are as many women as men employed
in the IT sector. Indeed, if we expand the scope of IT to include
mobile and networked economies like the BPO and the Outsourcing
industry, we know for a fact that the number of women employed and
involved by these new economies is significantly higher than the
number of men employees. Why then, is the IT still treated as  a.) an
essentially male domain created and dominated by men b.) as the play
ground of the alpha male nerd who controls technology c.) as
dangerous or not conducive to women?&lt;/p&gt;
&lt;ol start="2"&gt;&lt;li&gt;
&lt;p align="justify"&gt;
	Let’s
	stay with those questions and see if we can tie them up with the
	next thing we need to do. Here is a small news-paper clipping from
	not so very long ago in Bangalore -
	&lt;u&gt;&lt;a href="http://timesofindia.indiatimes.com/articleshow/1098752.cms"&gt;http://timesofindia.indiatimes.com/articleshow/1098752.cms&lt;/a&gt;&lt;/u&gt;
	Let’s discuss what are the issues that the article is raising up.
	Can we see a certain kind of connection between gender and
	technology being created here, even if it is not clearly spelled out
	for us? While violence against working women who enter the public
	sphere, is indeed a concern, the specific nature of the call centre
	and its technologised economy and related lifestyle is actually more
	a concern than the women who are working and the violence that
	affects them. The article, and indeed, much of the discourse that
	followed this particular case of a call centre employee raped and
	murdered by the cab driver, very vocally suggested that technology
	creates conditions of terror for women. Perils and dangers seem to
	attach themselves to women in the IT industry. There is an
	underlined sense of danger and fear that is etched whenever it comes
	to talking about gender and technology and this is one such
	instance.&lt;/p&gt;
&lt;/li&gt;&lt;/ol&gt;
&lt;p align="justify"&gt;
&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;ol start="3"&gt;&lt;li&gt;
&lt;p align="justify"&gt;
	The
	third exercise we want to do is to do a bit of profiling. We will
	look at a list of words and try and imagine what kind of gendered
	images we produce out of our popular understanding of them:&lt;/p&gt;
&lt;ol type="a"&gt;&lt;li&gt;
&lt;p align="justify"&gt;
		Nerd&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="justify"&gt;
		Geek&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="justify"&gt;
		IT
		engineer&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="justify"&gt;
		Call
		Centre employee&lt;/p&gt;
&lt;/li&gt;&lt;li&gt;
&lt;p align="justify"&gt;
		Systems
		Administrator&lt;/p&gt;
&lt;/li&gt;&lt;/ol&gt;
&lt;/li&gt;&lt;/ol&gt;
&lt;p align="justify"&gt;How
are these terms gendered and how does our perception of these terms
reflect the biases of technology and the material bodies that are
made to bear the burden of technologies?  How are we conditioned to
think of our bodies in relation to technology? How, lastly, do
economic factors determine what kind of bodies inhabit what kind of
activities, and which, activities, indeed, become more visible,
public and masculine.&lt;/p&gt;
&lt;p align="justify"&gt;The
reading for this module deals especially with these questions. Light,
shows us, in her history of computing, that there was a time when
there was a reversal of roles and a reversal in recognizing the most
important parts of computing. The system administrator, the Man who
created the entire mainframe where the computing took place, was the
obviously most important person(s) in the system. The system
administrators were able to control the operating system, fix the
bugs, and direct women, fresh mathematics graduates, who did the
actually computing, to carry the data from one source to another so
that results could be aggregated. In those times, when computers were
so large that people were actually able to walk through the machines,
the women, were actually called computers! &lt;/p&gt;
&lt;p align="justify"&gt;However,
as mainframes started shrinking, and as we entered the era of
personal computing, the system admin guy was a fast disappearing
category. His job was taken over by a reliable assembly line and
automated programme aggregators that ensured that assembled machines
with pre-installed operating systems were being delivered to the
individual users. The women, on the other hand, were the first
programmers as we understand them. They had intricate knowledge of
the ways in which computing worked and were the only people who
actually knew how to write programmes in different languages and lead
them to a fruitful execution. &lt;/p&gt;
&lt;p align="justify"&gt;With
the change in the nature of programming, the systems admin men slowly
took over the role of the programmers and through various figures,
like the nerd, and the geek, and the maths wiz, reinforced an older
idea that women were not good at numbers, that the new computers were
technologised demons which needed to be mastered, and that it is a
man’s job to work with the machines and so women should not be
considered an integral part of it. So quick and invisible was this
transition, that they literally re-wrote history, so that we never
really understand the role women played in the history of computing
and we don’t remember any mothers of computers or the female
architects of the internets. How does such a shift happen? What are
the kind of forces that allow for such a radical re-writing of the
history? How do economic and market forces, feminize and masculinise
technologies, so that the role and the contributions of women in
those areas become obliterated and certain prototypical stereotypes
get reinforced in a loop? &lt;/p&gt;
&lt;p align="justify"&gt;Light’s
essay brings into question the gendered relationship between
technology and human beings, but it also draws our attention to
questions of livelihood, which we need to ask, following our earlier
questions of access. Technologies get gendered, not only through
questions of access or historical constructs, but often through
figuring out its public reach and market worth. It would be a
worthwhile experiment to see, for instance, how, if it is a feminine
trait to keep in touch and network, the credit for inventing the
first social networking systems, goes to men? What are the
institutional processes that keep women’s contribution, labour and
efforts within a technology domain as invisible?&lt;/p&gt;
&lt;p align="justify"&gt;And
following these, are the concerns of how, even though we see women in
the fields of technology, participating and evolving these new
technologies, why do we buy so easily into the idea that the
relationship between women and technology is always one of danger or
terror? Why do we often reinforce the idea that digital technologies
is necessarily a domain of the masculine, when it comes to the
production of the spaces, but again, the domain more of the feminine,
when it comes to consumption of these technologies?  Light’s essay
demonstrates to us that apart from the imaginary role of technology
and its feminization/demonization, there are also material forces and
processes by which these technologies get defined as not only
available to  male or female performers but also marked as feminine
or masculine in the kind of roles that it demands from the
participants. The material history of technology, from a gender
perspective, makes us aware of the fact that the imaginary biases of
technology have very real consequences in the lived practices around
us and often are subject to the forces of market economies and
emerging cultural practices. &lt;/p&gt;
&lt;p align="left"&gt;&amp;nbsp;&lt;/p&gt;
&lt;div id="sdendnote1"&gt;
&lt;p align="left"&gt;&lt;a class="sdendnotesym" name="sdendnote1sym" href="#sdendnote1anc"&gt;i&lt;/a&gt;&lt;sup&gt;&lt;/sup&gt;
	The list that Woolf makes in the second chapter and her immediate
	reflections after that: “&lt;em&gt;Condition in Middle Ages of,&lt;br /&gt;Habits
	in the Fiji Islands of,&lt;br /&gt;Worshipped as goddesses by,&lt;br /&gt;Weaker in
	moral sense than, Idealism of,&lt;br /&gt;Greater conscientiousness
	of,&lt;br /&gt;South Sea Islanders, age of puberty among,&lt;br /&gt;Attractiveness
	of,&lt;br /&gt;Offered as sacrifice to,&lt;br /&gt;Small size of brain
	of,&lt;br /&gt;Profounder sub–consciousness of,&lt;br /&gt;Less hair on the body
	of,&lt;br /&gt;Mental, moral and physical inferiority of,&lt;br /&gt;Love of
	children of,&lt;br /&gt;Greater length of life of,&lt;br /&gt;Weaker muscles
	of,&lt;br /&gt;Strength of affections of,&lt;br /&gt;Vanity of,&lt;br /&gt;Higher education
	of,&lt;br /&gt;Shakespeare’s opinion of,&lt;br /&gt;Lord Birkenhead’s opinion
	of,&lt;br /&gt;Dean Inge’s opinion of,&lt;br /&gt;La Bruyere’s opinion of,&lt;br /&gt;Dr
	Johnson’s opinion of,&lt;br /&gt;Mr Oscar Browning’s opinion of, . . .&lt;/em&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;em&gt;Here I drew breath and added, indeed, in the
	margin, Why does Samuel Butler say, ‘Wise men never say what they
	think of women’? ‘Wise men never say anything else apparently.
	But, I continued, leaning back in my chair and looking at the vast
	dome in which I was a single but by now somewhat harassed thought,
	what is so unfortunate is that wise men never think the same thing
	about women. Here is Pope:&lt;/em&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;em&gt;Most women have no character at all.&lt;/em&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;em&gt;And here is La Bruyère:&lt;/em&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;em&gt;Les femmes sont extrêmes, elles sont meilleures ou
	pires que les&lt;br /&gt;hommes——&lt;/em&gt;&lt;/p&gt;
&lt;p align="left"&gt;&lt;em&gt;a direct contradiction by keen observers who were
	contemporary. Are they capable of education or incapable? Napoleon
	thought them incapable. Dr Johnson thought the opposite. Have they
	souls or have they not souls? Some savages say they have none.
	Others, on the contrary, maintain that women are half divine and
	worship them on that account. Some sages hold that they are
	shallower in the brain; others that they are deeper in the
	consciousness. Goethe honoured them; Mussolini despises them.
	Wherever one looked men thought about women and thought differently.
	It was impossible to make head or tail of it all, I decided,
	glancing with envy at the reader next door who was making the
	neatest abstracts, headed often with an A or a B or a C, while my
	own notebook rioted with the wildest scribble of contradictory
	jottings. It was distressing, it was bewildering, it was
	humiliating. Truth had run through my fingers. Every drop had
	escaped.”&lt;/em&gt;&lt;/p&gt;
&lt;p class="sdendnote"&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/publications-automated/curricula/courses-taught-and-designed-by-cis/gender-and-technology'&gt;https://cis-india.org/publications-automated/curricula/courses-taught-and-designed-by-cis/gender-and-technology&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>


   <dc:date>2011-08-20T22:47:46Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/accessibility/blog/follow-up-letter-in-support-of-wipo-treaty-for-reading-disabled">
    <title>Follow-up Letter in Support of WIPO Treaty for Reading Disabled</title>
    <link>https://cis-india.org/accessibility/blog/follow-up-letter-in-support-of-wipo-treaty-for-reading-disabled</link>
    <description>
        &lt;b&gt;CIS has sent another letter to the Department of Higher Education, Ministry for Human Resource Development, petitioning it to support the WIPO Treaty for the reading disabled. &lt;/b&gt;
        
&lt;p&gt;In November last year, CIS launched &lt;a href="https://cis-india.org/a2k/blog-1/wbu-proposal-for-a-wipo-treaty-for-the-visually-impaired-and-reading-disabled" class="external-link"&gt;a nation wide 
signature campaign&lt;/a&gt; to support the treaty for the blind, visually impaired and 
other reading disabled proposed by the World Blind Union to the WIPO. Since then, the list of signatories &lt;a href="https://cis-india.org/openness/blog/signatory-list" class="external-link"&gt;was updated&lt;/a&gt;. In May 2009, WIPO's Standing Committee on Copyright and Related Rights (SCCR) held another meeting, and in light of this, the endorsement of the treaty and appeal to the government to support it was resubmitted, by an increased number of signatories, including members of the DAISY Forum of India.&lt;/p&gt;
&lt;p&gt;
The letter and list of signatories is available below.&lt;/p&gt;

&lt;p&gt;To&lt;/p&gt;
&lt;p&gt;Mr. R. P. Aggarwal&lt;br /&gt;
Secretary&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Department of Higher Education&lt;br /&gt;Ministry
of Human Resource Development&lt;br /&gt;‘C’ Wing, Shastri Bhavan &lt;br /&gt;New Delhi-110001&lt;br /&gt;
&lt;br /&gt;
&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Dear Sir,&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;Re: Letter
of support for the proposed Treaty for the blind and visually impaired
submitted by the World Blind Union.&lt;/p&gt;
&lt;p style="text-align: justify;"&gt;We were extremely gratified that the Government took note of
our letter in November, 2008, containing endorsements of 16 organisations
urging the government to support the Treaty for the Blind, which was&amp;nbsp; proposed by the World Blind Union in the WIPO
SCCR meeting from Nov 1&lt;sup&gt;st&lt;/sup&gt;-6&lt;sup&gt;th&lt;/sup&gt;,2008. In light of the fact
that there is another SCCR meeting scheduled from May 25&lt;sup&gt;th&lt;/sup&gt;-29&lt;sup&gt;th&lt;/sup&gt;,
where this issue is to be taken up, we are resubmitting our endorsement and urgent
plea to the Government to actively support this treaty, since it will be
extremely beneficial to all blind, visually&amp;nbsp;
challenged and print disabled persons in India. The list of endorsers
has expanded to include about &amp;nbsp;50 more
organizations. There are many more who have verbally expressed support. We look
forward to an active response from the Government on this. Thanking you,&lt;/p&gt;
&lt;p&gt;Yours Faithfully,&lt;/p&gt;
&lt;p&gt;Nirmita Narasimhan&lt;br /&gt;Programme Manager&lt;br /&gt;(Centre for Internet and Society)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;table class="MsoNormalTable" align="left"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;Sr. No&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Name of
  Organization&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Contact
  Person&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;1&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Akhil
  Bharatiya Drishtiheen Kalyan&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
  Sangh,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. Ajay M. Joshi&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;2&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Amulya
  Sahara&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Ashok Kumar Goyal&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;3&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Andhjan
  Kalyan Trust,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. Praful N. Vyas&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;4&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Arushi&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Anil Mudgal&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;5&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Astha&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms Radhika M. Alkazi,&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;6&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Atmajyoti
  Vikas Samitee&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mrs. Priti Yadav&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;7&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Blind
  People's Association&amp;nbsp; (Ahmedabad)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. R.P. Soni&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;8&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Blind
  Person's Association (Kolkata)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. Amiyo Biswas&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;9&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Blind
  Welfare Council&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Yusuf Kapadiya&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;10&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Centre
  For Internet And Society&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sunil Abraham,&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;11&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Devnar
  Foundation for the Blind&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Dr. A. Saibaba Goud&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;12&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Discipleship
  Centre&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. John A&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;13&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Farook
  College&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Prof. K. Kuttialikutty&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;14&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Hans Raj Mahila Maha Vidyalaya&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. Prabha Puran Sharma&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;15&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Human
  Development Institute&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. R.C. Meena&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;16&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Indian
  Association for the Blind&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. S.M.A. Jinnah,&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;17&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Indira Mahila
  Mandal Hudco New Nandeds&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Nagnath Ramji Kadam&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;18&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Jamia
  Millia Islamia&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Prof. Zubair Meenal,&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;19&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Janta
  Adarsh Andh Vidyalaya&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mrs. Kalpana Sharma&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;20&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Jawahar
  Navodaya Vidyalaya&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Rajesh Gupta&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;21&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Jyoti Sroat School&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Bertha G. Dkhar&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;22&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;L.V.
  Prasad Eye Institute&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr./Ms. Beula Christy&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;23&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Lakshmi
  Bai College&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Dr. Nalini Govind&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;24&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Maulana&lt;/p&gt;
&lt;p&gt;AzadLibrary(AligarhMuslim
  &lt;br /&gt;
  Universit)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. Shakeel Ahmad Khan Mr. Shakeel Ahmad Khan&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;25&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mitra
  Jyothi&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. Madhu Singhal&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;26&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Montfort
  Centre For Education&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. Michael Mathew&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;27&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind, Delhi&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;28&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;NAB-Phiroze&lt;/p&gt;
&lt;p&gt;&amp;amp;NoshirMerwanjiRehabilitationCentre
  for the Blind (Mount Abu)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Vimal Kumar Dengla&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;29&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind (Uttarakhand)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. Shyam Dhanak,&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;30&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind (Chandigarh)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Vinod Chadha&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;31&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National&lt;/p&gt;
&lt;p&gt;Association
  for the Blind (H.)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. Shalini Vats Kimta&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;32&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind (India)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Suhas V. Karnik&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;33&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind(Jharkhand)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Ar. Sahay&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;34&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind(Junagad)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. Rinaben V. Jasani&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;35&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind&lt;/p&gt;
&lt;p&gt;(Karnataka),&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;(Mrs.) Saroja Ramachandra&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;36&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind (Kerala)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Manoj Kurian&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;37&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind (Sikkim Branch)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. Rajesh Verma&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;38&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind(West Bengal)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Arup Chakroborty&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;39&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Federation of the Blind (Guwahati)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mohd. Imran Ali&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;40&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;North Ex. Blind Welfare &amp;amp; Educational Society&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Subhash Garg&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;41&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Orissa
  Association for the Blind&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Bihari Nayak&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;42&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Rajasthan
  Netraheen Kalyan Sangh&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Jitendra Bhargava&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;43&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ramakrishna
  Mission Blind Boys' Academy&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Sunilbaran Pattanayak&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;44&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Saksham&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. Deepika Sood,&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;45&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Salwan
  Public School&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mrs. Vandana Puri&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;46&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Samarthanam
  Trust for the Disabled&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Ganesh&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;47&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Samrita
  Trust&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Seetarama Sastry Nori&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;48&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;School
  for the Deaf Mutes Society&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Dr. Homiyar Mobedji&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;49&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Score
  Foundation,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;George Abraham&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;50&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Shikshit
  Yuva Sewa Samiti Basti&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. Gopal Krishna Agarwal&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;51&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Shree
  Andhjan Vividhlaxi Talim Kendra,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Prakash Mankodi&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;52&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Shri
  Navchetan Andhjan Mandal,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Himanshu Sampura&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;53&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Shri
  Venkateswara College&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ayesha Maliwal&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;54&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Shri Vrajlal
  Durlabhji Parekh Andh Mahila Vikas Grah,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. P.J. Mankodi&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;55&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Shruti
  Information Centre of Yashoda Charitable Trust&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. Sonal Sena&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;56&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Shubham&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Dr. Sangeeta Agarwal&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;57&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Springdales
  School&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. Sonali Bose&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;58&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;St.
  Mary's School&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;59&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Tagore
  International School,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. Aparna Sharma&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;60&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;The
  Blind Relief Association (Delhi)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sh. Kailash Chandra Pande&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;61&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;University
  of Hyderabad&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Dr. Madhireddy Anjaneyulu&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;62&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Venu Eye
  Institute &amp;amp; Research Centre&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ms. Tanuja Joshi&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;63&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Victoria
  Memorial School for the Blind&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mrs. Radha Subrahmanian&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;64&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Welfare
  Centre For Visually Handicapped,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr. Profulla Kumar Rout&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;65&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Welfare
  Society for the Blind,&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Smt. Jharna Sur&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;66&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Xavier's
  Resource Centre for the Visually Challenged (XRCVC)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Dr. Sam Taraporevala&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;67&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Sense
  International (India)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Akhil
  Paul&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;68&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;N.
  Krishnaswamy Barrier Break Technologies (Mumbai)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Shilpi
  Kapoor&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;69&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Association for the Blind (NAB) Bangalore&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mr.&amp;nbsp; Pruthviraj&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;70&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;National
  Federation for the Blind (Delhi)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;S.K.Rungta&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;71&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Mitrajyoti
  (Bangalore)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Madhu
  Singhal&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;72&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Accessability
  (New Delhi)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Vikas
  Sharma&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;73&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Alternative
  Law Forum (Bangalore)&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Lawrence
  Liang&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;74&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;Acrodelon
  Technologies Pvt Ltd(Chennai)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Rahul
  Cherian&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;75&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Enable
  India&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Shanthi
  Raghavan&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;76&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;College
  Students and Graduates Association of the Blind(Chennai)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Ponmudi&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;77&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Indian
  Association for the Blind(Chennai)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;S.M.A.
  Jinnah&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;78&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Prayatna(Chennai
  &amp;amp; Bangalore)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Aruna
  Sankaranarayanan&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td&gt;
&lt;p&gt;79&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Worth
  Trust, Katpadi (TN)&lt;/p&gt;
&lt;/td&gt;
&lt;td&gt;
&lt;p&gt;Venki/Mike&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/accessibility/blog/follow-up-letter-in-support-of-wipo-treaty-for-reading-disabled'&gt;https://cis-india.org/accessibility/blog/follow-up-letter-in-support-of-wipo-treaty-for-reading-disabled&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Accessibility</dc:subject>
    

   <dc:date>2011-08-25T08:43:42Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/events/fear-and-gender-in-public-space">
    <title>Fear and Gender in Public Space</title>
    <link>https://cis-india.org/events/fear-and-gender-in-public-space</link>
    <description>
        &lt;b&gt;A discussion of work on the body and the city and collaborative interventions on the theme of Fear and Gender in Public Space&lt;/b&gt;
        
&lt;p&gt;Fear and Gender in Public Space is the theme of multiple,  
collaborative interventions being held during 14th to 28th January  
2009 in Bangalore city. A confluence of artists, designers and  
practitioners will mobilize the workshop theme across select  
locations in various formats. The outcome of these interactions will  
be presented to local groups at intervals during the two weeks.&lt;/p&gt;
&lt;p&gt;At one of these intervals, CIS-India researchers will discuss their  
works on the body and the city in conjunction with interim  
discussions on the ongoing interventions being carried out in the city.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Contact:&lt;/strong&gt; &lt;a href="mailto:zeenath.hasan@gmail.com"&gt;zeenath.hasan@gmail.com&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Venue:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The Centre for Internet and Society&lt;/p&gt;
&lt;p&gt;
No. D2, 3rd Floor,&lt;/p&gt;
&lt;p&gt;Sheriff Chambers&lt;/p&gt;
&lt;p&gt;14, Cunningham Road,&lt;/p&gt;
&lt;p&gt;Bangalore 560052&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Map:&lt;/strong&gt;&lt;a class="external-link" href="http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;geocode=&amp;amp;q=centre+for+internet+and+society+bangalore&amp;amp;jsv=128e&amp;amp;sll=37.0625,-95.677068&amp;amp;sspn=61.070016,113.203125&amp;amp;ie=UTF8&amp;amp;cd=1&amp;amp;latlng=12988395,77594450,9857706471034889432&amp;amp;ei=5QXRSKLrNYvAugPX4YSAAg"&gt; Google Maps&lt;/a&gt;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/events/fear-and-gender-in-public-space'&gt;https://cis-india.org/events/fear-and-gender-in-public-space&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Miscellaneous</dc:subject>
    

   <dc:date>2011-04-05T04:41:10Z</dc:date>
   <dc:type>Event</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/events/experimental-economy-camp">
    <title>Experimental Economy Camp</title>
    <link>https://cis-india.org/events/experimental-economy-camp</link>
    <description>
        &lt;b&gt;Open Discussion&lt;/b&gt;
        
&lt;p&gt;&lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;&lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;n.e.w.s. is a platform for participatory development of artistic and &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;curatorial projects in contemporary art and new media framed by &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;curatorial contributions from around the globe, bringing together &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;voices and images from North, East, West and South. n.e.w.s. reflects &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;geographic diversity and facilitates a framework for collaboration, &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;content and visions of change outside the normal parameters of the &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;established art world networks. &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;&lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;&lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;Recently, n.e.w.s. won the ‘Competition of Ideas’ for authoring a &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;book proposal entitled “Arbitrating Attention”, which would explore &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;new economic and social contexts for art. This 100-page text will be &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;published at the beginning of next year. One of things they hope to do &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;in the book is tap the undercurrent of new economic experiments in the &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;way artistic activities can be de-framed yet incorporate survival &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;tactics for sustainability.&lt;/p&gt;
&lt;p&gt;&lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;At the Experimental Economy Camp at CIS, n.e.w.s. contributors &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;Renée Ridgway, Stephen Wright and Prayas Abhinav will present certain &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;ideas, seeking counter-points, information and queries, which lend &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;different perspectives to the questions at hand, in order to outline &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;possible strategies and targets. The discussions thereafter will &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;attempt to draw learnings from the dynamic media, academic and &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;scientific community with which CIS interacts, imagining 'new social &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;and economic contexts for art.' At this camp, n.e.w.s hopes to meet &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;and interact with people and researchers with an interest in the &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;creative industries, entrepreneurial and economic experiments.&lt;/p&gt;
&lt;p&gt;Further &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;interested individuals and institutions can take part in a symposium  &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;and brainstorming event that n.e.w.s will organize in July 2009 in &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;Bangalore. &lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;&lt;span class="moz-txt-citetags"&gt; &lt;/span&gt;n.e.w.s. will also run an online forum during the symposium in July (&lt;a class="moz-txt-link-freetext" href="http://northeastwestsouth.net/"&gt;http://northeastwestsouth.net&lt;/a&gt;&lt;span class="moz-txt-citetags"&gt;&lt;/span&gt;)&lt;span class="moz-txt-citetags"&gt;. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;h3&gt;&lt;span class="moz-txt-citetags"&gt;Speakers&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;div class="content clear-block"&gt;
&lt;p&gt;&lt;strong&gt;Renée Ridgway &lt;/strong&gt;is an artist,
free-lance curator and writer, based in Amsterdam, the Netherlands.
Since completing her studies in fine art at the Rhode Island School of
Design, (BFA) and Piet Zwart Institute (MA), she has exhibited widely
in the Netherlands and abroad (P.S.1 MoMA Hotel New York, Centraal
Museum Utrecht, Gouda Museum) She has made numerous public
presentations at various conferences and forums and taught at several
universities in the Netherlands and abroad. From 2005-6 she served on
the board of the former Gate Foundation, whose artists archive and
library were given as a gift to the Van Abbemuseum, and where in 2007
she organised a panel as part of the Be(com)ing Dutch caucus, entitled
'Gate Foundation- Past, Present and Future'. For 2009 Ridgway is
organising ‘Negotiating Equity’, a collaborative project at &lt;a href="http://www.dutchartinstitute.nl/"&gt; DAI, (Dutch Art Institute)&lt;/a&gt;   involving the n.e.w.s. platform and her contributors that examines the artist and 'the curatorial'.&lt;/p&gt;
&lt;p&gt;As an artist Ridgway is presently preparing the latest installment
of her 10-year 'Manhattan Project': 'Beaver, Wampum, Hoes'- a series of
installations and public interventions at various locations in and
around NYC and the Netherlands in 2009. This focuses on the value of
the contemporary ‘cultural currency’ of Dutchness, in relation to the
Dutch colonial past (US, Indonesia, South Africa, Suriname); the
next presentation will be at De Lakenhal in Leiden, May 16th-August
31st 2009.&lt;/p&gt;
&lt;p&gt;Ridgway is a co-initiator of n.e.w.s. Her website is &lt;a class="external-link" href="http://reneeridgway.net/"&gt;http://reneeridgway.net/&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Stephen Wright&lt;/strong&gt; is a Paris-based art theorist, writer, and Editorial Director of the Biennale de Paris. In 2004, he curated &lt;em&gt;The Future of the Reciprocal Readymade&lt;/em&gt; (Apexart, New York), in 2005 &lt;em&gt;In Absentia&lt;/em&gt; (Passerelle, Brest), in 2006 &lt;em&gt;Rumour as Media&lt;/em&gt; (Aksanat, Istanbul) and &lt;em&gt;Dataesthetics&lt;/em&gt; (WHW, Zagreb), and is currently preparing, amongst other projects, &lt;em&gt;Withdrawal: The Performative Document&lt;/em&gt;
(New York) as part of a series of exhibitions examining art practices
with low coefficients of artistic visibility, which raise the prospect
of art without artworks, authorship or spectatorship. He has also
written extensively on the theoretical dimensions of such practices,
and, following a writing residency at Artexte (Montréal, 2006) a
book-length essay on the subject, dealing with the challenges of
performatively archiving and documenting disappearance, is forthcoming.
Wright’s writing has also focused on the use-value of art, particularly
in contexts of collaborative practices outside the performative
framework of the artworld. A former programme director at the Collège
international de philosophie (2000-2007), and corresponding editor of &lt;em&gt;Parachute&lt;/em&gt; magazine (1999-2005), he is currently on the editorial advisory committee of the journal &lt;em&gt;Third Text&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Born in 1963 in Vancouver, Canada, he lives and works in Paris.&lt;/p&gt;
&lt;div class="content clear-block"&gt;
&lt;p&gt;&lt;strong&gt;Prayas Abhinav&lt;/strong&gt; is a writer and artist
working and living in Bangalore, India. He has an interest in
re-vitalizing and re-imagining urban spaces. Through his work he
explores how public and semi-public spaces can be utilized for cultural
and civic uses. He explores the potential of low-fi technologies to
connect communities and resources.&lt;/p&gt;
&lt;p&gt;He has been part of efforts to seed open content movements in India
and in 2007 helped with launching the Creative Commons India licenses in
India. In 2007, he also initiated a long-term engagement with urban
food systems by using public-spaces to grow vegetables and make them
openly accessible through recipe-based maps. In 2008, he spent a month
at Khoj Workshops to work on modular toolkits for anarchic protests in
cities. In 2006 he made a short film with the Public Service
Broadcasting Trust in which he narratively mapped the spaces which the
homeless in Mumbai use to sleep at night. In 2005, as a fellow at
Sarai-CSDS, he responded to the way urban spaces were used for
advertising through poetry and photographs. He edited the &lt;em&gt;Crimson Feet&lt;/em&gt; magazine from 2003-2005 (after which it died).&lt;/p&gt;
&lt;p&gt;Prayas' projects are documented at &lt;a title="http://prayas.in" href="http://prayas.in/"&gt;http://prayas.in&lt;/a&gt; and &lt;a title="http://cityspinning.org" href="http://cityspinning.org/"&gt;http://cityspinning.org.&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;h3&gt;Time and Date&lt;/h3&gt;
&lt;p&gt;Friday, 17 April 2009; 5.30-7.30 pm&lt;/p&gt;
&lt;h3&gt;Venue&lt;br /&gt;&lt;/h3&gt;
&lt;p&gt;Centre for Internet and Society, No. D2, 3rd Floor, Sheriff Chambers, 
14, Cunningham Road, Bangalore - 560052&lt;/p&gt;
&lt;h3&gt;Map &lt;br /&gt;&lt;/h3&gt;
&lt;p&gt;For a map, please click &lt;a class="external-link" href="http://maps.google.com/maps?f=q&amp;amp;hl=en&amp;amp;geocode=&amp;amp;q=centre+for+internet+and+society+bangalore&amp;amp;jsv=128e&amp;amp;sll=37.0625,-95.677068&amp;amp;sspn=61.070016,113.203125&amp;amp;ie=UTF8&amp;amp;cd=1&amp;amp;latlng=12988395,77594450,9857706471034889432&amp;amp;ei=5QXRSKLrNYvAugPX4YSAAg"&gt;here&lt;/a&gt;.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/events/experimental-economy-camp'&gt;https://cis-india.org/events/experimental-economy-camp&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Research</dc:subject>
    

   <dc:date>2011-04-05T04:36:50Z</dc:date>
   <dc:type>Event</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/events/event-blogs">
    <title>Event Blogs</title>
    <link>https://cis-india.org/events/event-blogs</link>
    <description>
        &lt;b&gt;&lt;/b&gt;
        
        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/events/event-blogs'&gt;https://cis-india.org/events/event-blogs&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>


   <dc:date>2011-08-20T22:27:02Z</dc:date>
   <dc:type>Folder</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/accessibility/publications/Draft%20Comments.doc">
    <title>Draft Comments</title>
    <link>https://cis-india.org/accessibility/publications/Draft%20Comments.doc</link>
    <description>
        &lt;b&gt;&lt;/b&gt;
        
        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/accessibility/publications/Draft%20Comments.doc'&gt;https://cis-india.org/accessibility/publications/Draft%20Comments.doc&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Accessibility</dc:subject>
    
    
        <dc:subject>Publications</dc:subject>
    

   <dc:date>2011-08-22T12:52:14Z</dc:date>
   <dc:type>File</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/news/does-india-need-its-own-bayh-dole">
    <title>Does India need its own Bayh-Dole?</title>
    <link>https://cis-india.org/news/does-india-need-its-own-bayh-dole</link>
    <description>
        &lt;b&gt;Article by Pranesh Prakash, Programme Manager at Centre for Internet and Society in the Indian Express, 24 April 2009 &lt;/b&gt;
        
&lt;p&gt;Across the world battlelines are being drawn in the normally quiet
areas of academia and research. The opposing sides: those in favour of
open and collaborative research and development as a means to promote
innovation, and those in favour of perpetuating the profits of big
pharma companies and academic publishers. Currently before a Select
Parliamentary Committee is a controversial law that will deny basic
healthcare to millions by making medicines much more expensive, lock up
academic knowledge, and help privatise publicly-funded research. The
law titled the Protection and Utilisation of Public Funded Intellectual
Property Bill 2008 (“PUPFIP Bill”, http://bit.ly/pupfip-bill) was
tabled last December in the Rajya Sabha by the Minister for Science and
Technology. It was created in utmost secrecy by the Department of
Science and Technology, without so much as a draft version having been
shared with the public for comments.&lt;/p&gt;
&lt;p&gt;The PUPFIP Bill is an Indian version of a 1980 US legislation, the
Bayh-Dole Act, and as per its statement of objects and reasons, it
seeks to promote creativity and innovation to enable India “to compete
globally and for the public good”. It aims to do so by ensuring the
protection of all intellectual property (meaning copyright, patent,
trade mark, design, plant variety, etc.) that is the outcome of
government-funded research. The IP rights will be held by the grant
recipient, or by the government if the recipient does not choose to
protect the IP. This might seem like a good way to enable technology
transfer from research institutes to the industry, but that would be a
very myopic view, disregarding all evidence related to the failure of
the Bayh-Dole Act. Last year Prof. Anthony So of Duke University
co-authored an extensive analysis of the Bayh-Dole Act, and warned of
the consequences of such legislation in developing countries.&lt;/p&gt;
&lt;p&gt;First, such a law will shift the focus of research.
Researchers will be inclined to to concentrate their efforts on issues
of interest to industry, and which can have immediate benefit. This
would force vital fundamental research into neglect since it cannot be
commercialised with ease. Research by Saul Lach and Mark Schankerman
shows that scientists are influenced by royalty rates, and will thus
tend to work on industrial research rather than fundamental research.
This creates, or at least exacerbates, what is popularly known as the
“90/10 gap”: the fact that ninety per cent of medical research money
goes into problems affecting ten per cent of the world’s population,
since that ten per cent is richer.&lt;/p&gt;
&lt;p&gt;Secondly, this law will have chilling effects on scholarly
communications and promote secrecy. The Bill has requirements of
non-disclosure by the grantee and the researcher to enable the
commercialisation of the research, and requires researchers and
institutions to inform the government before all publication of
research. Such bureaucratisation of research publications will stultify
intellectual pursuits. Such secrecy and permission-raj culture is
anathema to intellectual and academic pursuits, where knowledge is
sought to be freely disseminated, to be criticised and further revised
by others. In South Africa, academics affected by the recent passage of
a PUPFIP-type legislation there are questioning its constitutionality
as it restrains freedom of speech.&lt;/p&gt;
&lt;p&gt; Thirdly, this will lead to our pillars of learning and
research becoming like businesses. US universities like Columbia and
Duke have found themselves at the receiving end of criticism for their
brazen commercialism, encouraged by the Bayh-Dole Act. Instead of
promoting greater access to health for the poor, and spending money on
research, the universities were spending money on patent litigation in
court. The outcome of one of these cases was the rejection of Duke
University’s research exemption defence (universities are generally not
bound to observe patents when they wished to conduct research). The
court held that the university had “business interests” which the
research unmistakably furthered. This points at a fundamental divide
between universities as places of learning and as places of
profiteering. The Open Source Drug Discovery (OSSD) project that the
Council of Scientific and Industrial Research (CSIR) is currently
pursuing is a good attempt at promoting a culture of openness and
transparency and collaboration, and thus ensuring cheaper and more
efficient drug discovery. Even the US government is currently seeking
to clear the way for generic versions of biotech drugs. In such an
environment, it is counter-intuitive to bring in a regressive law, and
goes against innovative efforts such as the OSSD, and will harm the
generics industry.&lt;/p&gt;
&lt;p&gt;Fourthly, the Bill assumes — erroneously, as an ever-growing
amount of research demonstrates (Boldrin &amp;amp; Levine, Bessen &amp;amp;
Meurer, etc.) — that intellectual property is the best and only way to
promote creativity and innovation. All forms of intellectual property
are state-granted monopolistic rights. At a basic level, competition
promotes innovations while monopoly retards it. Much of modern science
developed without the privilege of patents. Surely, Darwin and Newton
were not encouraged by patents. And even whole industries — like the
software industry — flourish without patent protection in most of the
world.&lt;/p&gt;
&lt;p&gt; The commendable aim of ensuring knowledge transfer can be
accomplished much better if we refrain from giving away to private
corporations (whether pharmaceutical manufacturers or publishers)
exclusive rights to the product of publicly-funded research. Scientists
and researchers can be encouraged to be consultants to various
industrial projects, thereby ensuring that their expertise is tapped.
Importantly, open access publishing which helps to ensure wide
distribution and dissemination of knowledge is surely more desirable.
That is the trend being followed the world over currently. The US
president recently signed into law the Consolidated Appropriations Bill
which makes permanent the National Institutes of Health’s open access
policy. By doing so, he symbolically rejected calls (such as the
much-criticised Conyers Bill) to privatise publicly funded research
outputs. Thus, there are many ways by which the government can
encourage innovation and creativity, and further public interest. The
PUPFIP Bill, which will have deleterious unintended consequences if it
is passed, is not one of them.&lt;/p&gt;
&lt;p&gt;-----&lt;/p&gt;
&lt;p&gt;To read the article at the Indian Express website, &lt;a class="external-link" href="http://www.indianexpress.com/story-print/450560/"&gt;click here&lt;/a&gt;.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/news/does-india-need-its-own-bayh-dole'&gt;https://cis-india.org/news/does-india-need-its-own-bayh-dole&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>sachia</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Intellectual Property Rights</dc:subject>
    

   <dc:date>2011-04-02T15:58:46Z</dc:date>
   <dc:type>News Item</dc:type>
   </item>




</rdf:RDF>
