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    <item rdf:about="https://cis-india.org/digital-natives/pathways/pinning-the-badge">
    <title>Pinning the Badge</title>
    <link>https://cis-india.org/digital-natives/pathways/pinning-the-badge</link>
    <description>
        &lt;b&gt;In a world of competition, badging provides a holistic way of grading and learning, where individual talents are realised and the knowledge of the group is used.&lt;/b&gt;
        
&lt;p&gt;&lt;a class="external-link" href="http://www.indianexpress.com/news/pinning-the-badge/925167/0"&gt;The article by Nishant Shah was published in the Indian Express on March 18, 2012&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I write this column fresh out of being a judge at the Digital Media and Learning contest on “Badging for Life-long Learning” in San Francisco. While the contest focused largely on the American education system and its future, the idea of badging that each person brings a set of skills to a study or workplace is useful to think about, in connection with India. We have now spent some time, in India, hearing about how education in the country has been ruined. There is a constant narrative of the university in shambles, where we seem to lack competent teachers, engaged students, and the resources to build efficient infrastructure for learning. This argument also positions employment as the only aim of education, reducing our humanist and social sciences legacies to skill-based information transmission.&lt;/p&gt;
&lt;p&gt;Digital technologies emerge as a cure for the problems that contemporary education seems to be facing. The availability of resources at affordable costs for anybody online, has been one of the biggest promises of the internet, and it hopes to build a better learning environment and better learners. The condition of being connected to a much larger network of educators and learners, also offers us the possibilities of producing better and innovative knowledge structures. There is also an inherent ambition that the introduction of new digital competencies and skills will encourage both students and teachers to integrate their learning and pedagogy with their lived reality, producing responsible people and citizens. However, in all these expectations around the role of the digital technology in transforming learning, the idea of grading and evaluation remains unquestioned.&lt;/p&gt;
&lt;p&gt;Even in the most radical restructuring of education systems, grades remain an absolute form of quantifying and measuring skills that the student is supposed to demonstrate. Grading might take up different forms — numbers, letters, percentile, etc — or it might take up different methods — continuous grading, take-home exams — but it eventually becomes the only badge that the student takes into the “real world”.&lt;/p&gt;
&lt;p&gt;The idea of a badge as an alternative to this particular kind of quantification oriented learning that sees the grade as a final evaluation and in some ways, a termination of the learning process, opens up huge possibilities for how we understand learning. The badge is not imagined as yet another kind of grading, but instead it is recognition of certain skills and competences that we bring to and build in classrooms with our peers. A badge allows the students to recognise their own investment in the learning process, enabling them to realise their particular skills on the way to learning. In any learning environment, students play many roles. Some are good as connectors, some serve as conduits of information, some are good in specific areas and need help with others, some are mentors, some are translators of knowledge, some help in creating new forms of knowledge. Unfortunately, most of our grading patterns refuse to acknowledge and credit these skills which are crucial for surviving the academic world. The ability of the students to badge themselves, and others in their peer groups, acknowledging their contributions to their collective learning, might be the motivation and encouragement that we are looking for.&lt;/p&gt;
&lt;p&gt;A peer-2-peer system of badging, which enables learners to be critically aware not only of their own interaction with knowledge, but also recognises the ways in which larger communities of knowledge — including the peers and teachers — opens up an extraordinary way of thinking about education. It disrupts the competitive modes of cut-throat modes of education systems we are building and allows us to re-think the function of education and the role of learners in educational environments. The digital systems of social networking and reputation management, already perform some of these tasks, which is why, a student who might not do well in class might be a YouTube sensation, finding thousands of followers worldwide. Or a student who might not show research aptitude in class might be editing complex Wikipedia entries on subjects that high-level researchers are engaging with. All these digital systems acknowledge the roles that people play in learning and knowledge production, and in that reward of recognition, provide incentives for learners to re-examine their role within knowledge systems.&lt;/p&gt;
&lt;p&gt;Such a system of badging, that exceeds the static classroom, allows for students to become stakeholders in their own education, building connected communities of learning. It hints at what the future of education is going to look like. More importantly, it offers a new way of thinking about technology and its role in redesigning education, which is not merely about introducing technologies into classrooms and continuing with the traditional modes of learning through new technology skills. Instead, we have a model for what learning means, how we interact with conditions of knowledge consumption and production, and how, we can form global communities of learning which might find an anchor in the classrooms but also transcend the brick-and-mortar institutions of learning as we understand them.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/digital-natives/pathways/pinning-the-badge'&gt;https://cis-india.org/digital-natives/pathways/pinning-the-badge&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Higher Education</dc:subject>
    
    
        <dc:subject>Researchers at Work</dc:subject>
    
    
        <dc:subject>digital pluralism</dc:subject>
    
    
        <dc:subject>Digital Natives</dc:subject>
    

   <dc:date>2015-05-08T12:34:23Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/research/conferences/conference-blogs/Wikiwars">
    <title>CPOV: Critical Point of View</title>
    <link>https://cis-india.org/research/conferences/conference-blogs/Wikiwars</link>
    <description>
        &lt;b&gt;The Centre for Internet and Society (Bangalore, India) and the Institute of Network Cultures (Amsterdam, Netherlands) seek to bring together ideas, experiences and scholarship about Wikipedia in a reader that charts out detailed user stories as well as empirical and analytical work to produce.. The organisations will jointly host two separate conferences aimed at building a Wikipedia Knowledge Network and charting scholarship and stories about The Wikipedia from around the world. &lt;/b&gt;
        
&lt;h2 align="center"&gt;&lt;strong&gt;CPOV: Critical Point of View&lt;/strong&gt;&lt;/h2&gt;
&lt;h2 align="center"&gt;&lt;strong&gt;Wikipedia
and the Politics of Open Knowledge&lt;/strong&gt;&lt;/h2&gt;
&lt;div align="left" class="pullquote"&gt;Proposal for a research network, two conferences
and a reader&lt;/div&gt;
&lt;div align="left" class="pullquote"&gt;&amp;nbsp;&lt;/div&gt;
&lt;div class="pullquote"&gt;&amp;nbsp;Organized by Centre for Internet &amp;amp; Society
(Bangalore, India) and the Institute of Network Cultures (Amsterdam,
Netherlands)&lt;/div&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Introduction:&lt;/strong&gt; It would be no exaggeration to state that
Wikipedia is at the brink of becoming the de facto global reference of dynamic
knowledge. The highly visible clashes amongst opinion leaders, university
professors, Web 2.0 ‘evangelists’ and publishers over accuracy, anonymity,
trust, vandalism and expertise only seem to fuel further growth of Wikipedia
and its user base. In this respect, what does it mean to now say that Wikipedia
has become “mainstream”?&lt;/p&gt;
&lt;p&gt;The accelerated growth and scope of Wikipedia as
a knowledge reference of universal ambition is unheard of. The Google search
engine gives preferential treatment to Wikipedia in an attempt to beat search
engine optimizers and to provide a more fruitful experience to its users. Apart
from leaving its modern counterparts &lt;em&gt;Britannica&lt;/em&gt; and &lt;em&gt;Encarta&lt;/em&gt; in
the dust, such scale and breadth places Wikipedia on par with such historical
milestones as Pliny the Elder's &lt;em&gt;Naturalis Historia&lt;/em&gt;, the Ming Dynasty's &lt;em&gt;Wen-hsien
ta-ch' eng&lt;/em&gt;, and the key work of French Enlightenment, the Encyclopédie.&lt;/p&gt;
&lt;p&gt;Wikipedia owns a whole set of characteristics –
including number and automation (bots) of contributors, regularity of updates,
fluidity, ease of search, number of languages, and growing user base. In doing
so, this online encyclopedia might be cited as the most visible and successful
example of the migration of FLOSS (Free/Libre/Open Source Software) principles
into mainstream culture. Those of us who believe in pluralism, and the
possibility of another world have reason to celebrate and defend Wikipedia from
intellectual- property-right-maximalists
and promoters of proprietary models of knowledge production and dissemination.
However, such celebration and defense should contain critical insights,
informed by the changing realities of the Internet at large and the Wikipedia
project in particular.&lt;/p&gt;
&lt;p&gt;The Wikimedia Foundation has recently employed
its first research analyst and provides spaces for “Wikipediology”, including
projects such as the Wiki Project on vandalism studies. Nonetheless, critical
Wikipedia research should also be done outside the self-reflexivity of the
Wikimedia Foundation and its community. There is an urgent need for
quantitative and qualitative research from an Humanities and Arts perspective
that could benefit both the wider user base and the active Wikipedia community
itself.&lt;/p&gt;
&lt;p&gt;More than this though, as one of the largest if
not the largest self-contained general knowledge reference of our time,
Wikipedia offers critical insights into the contemporary status of knowledge,
its organizing principles, function, and impact; its production styles,
mechanisms for conflict resolution and power (re-)constitution. New strategic
and tactical operations of knowledge/power are clearly at work. The concept of
the open remains ambiguous in this formation, serving as both a rallying
concept and masking new agonistic encounters.&lt;/p&gt;
&lt;p&gt;By permanently (re)formulating the open and
inclusive as the guiding Wikipedia principle being formulated by the community
itself, one might also look at this norm as a narrative or even call it a
founding myth. For example, the demographic profile of the Wikipedia editor as
a white male geek with a limited mono-cultural worldview based on Western
rationality remains a concern. However, the question of (non)diversity being
formulated in Wikipedia discussions needs also to be posed beyond existing
stereotypes and at the general level of discourse. The question of
(post)identity and representation is not necessarily resolved via the
discursive construction of 'inclusion', if such inclusion may require leaving
competing knowledge histories and practices at the door and if it puts a
culture of editing not next to a culture of listening/hearing.&lt;/p&gt;
&lt;p&gt;In the most material and perceptional way, every
new technology modifies conditions of possibility for knowledge. The logic of
technologies bleeds into the very structures and organizing principles of
knowledge and today, both medium and message may reflect the&lt;em&gt; &lt;/em&gt;ideas of the (organized) network&lt;em&gt;,&lt;/em&gt; multitude or the Deleuzian
machine&lt;em&gt;.&lt;/em&gt; It is through a selected mix of technological and
normative conditions – the distributed architecture of the net, the Wiki
software platform, commons-based property licenses and the FLOSS zeitgeist –
that Wikipedia as the encyclopedia of the information age emerges, both
continuing and transforming the Enlightenment encyclopedic impulse or &lt;em&gt;will
to know&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;The authors of these proposal are aware of the
seemingly conflicting overarching research agenda: At one level is a
philosophical, epistemological and theoretical investigation of knowledge
artifacts and social, culture construction in terms of , authority and
politics. At the other level the research agenda is an empirical, anecdotal,
sociological investigation of the specific phenomenon of the Wikipedia. This
has been done on purpose so that the learnings from theoretical research
activities can inform practice oriented research and vice-versa.&lt;/p&gt;
&lt;p&gt;Overall the conferences and reader may include
the following areas inviting theoretical, empirical, practical and art-based
contributions:&lt;/p&gt;
&lt;ol type="1" start="1"&gt;&lt;li&gt;&lt;em&gt;WikiTheory
     (opening session)&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Wikipedia and
     Critique of Western Knowledge Production&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Encyclopedia
     Models-- from 18th to 21th Century&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Wiki Art&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Designing Debate&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Critique of Free and Open&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Global
Politics of Exclusion&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;The
Place of Resistance&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Wikipedia and Education&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Wiki-analytics, Wikipedia as Platform and Software Studies&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Wikipedia and Conditions of Knowledge Production&lt;br /&gt;&lt;/em&gt;&lt;/li&gt;&lt;/ol&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;Descriptions of the Sessions/Fields of Interest&lt;/h3&gt;
&lt;p class="callout"&gt;&amp;nbsp;&lt;em&gt;1. WikiTheory –
     Mining for Concepts (opening session)&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Besides providing a general overview of the
topics to come, and with an emphasis on diverse global approaches, the aim here
is develop concepts that could be used in further research and that could fit
into larger projects on Internet culture and the critique of the free and open.
Is it possible to develop a counter-hegemony of critical practices that
situates itself in the midst of technological cultures? What kind of critical
lessons does Wikipedia provide in the face of overwhelming Web 2.0 hype and P2P
utopianism? How can a radical Wikipedia critique be developed that does not
present itself as the cynical ‘I told you so’ outsider or mimic the
neo-conservatist position of Andrew Keen? What kind of insight can Wikipedia
offer regarding the continuing tension between knowledge and information?&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;2.
Wikipedia and Critical Histories of Western Knowledge Production&lt;/em&gt;&lt;/p&gt;
&lt;div class="pullquote"&gt;This session may include topics like: western vs.
non/post-western knowledge production, textual vs. oral tradition, visual vs.
textual knowledge, Wikipedia and language diversity, and indigenous knowledge.&lt;/div&gt;
&lt;p&gt;The persistence of almost buried
master-narratives: The Western tradition of Enlightenment tends to permeate
both common and official understandings of knowledge on Wikipedia. Mirroring
the Enlightenment itself, Wikipedia both offers a very particular type of
knowledge and simultaneously makes claims upon the universal - e.g. in the
formulation of visionary goals, structure of articles, author positions,
writing style, categorization of entries, conflict resolution models and so on.
The ways in which such ideals persist and continue to bear their mark on the
present in often subtle ways requires further attention. Indeed, the 'grand
narratives' of the Enlightenment that Jean-Francis Lyotard claimed had
retreated with the emergence of 'computerized societies' continue to inform the
popular imaginary in ways largely untouched by the deconstructive moment.
Frederic Jameson once referred to this as the 'persistence of buried
master-narratives', a 'political unconscious' that guides decisions
irrespective of philosophical status. Likewise, this resonates with Foucault's
urge 'to reveal a &lt;em&gt;positive unconscious&lt;/em&gt; of knowledge' as that which
performs the task of subjugation but operates beyond contention. What matters
here is not truth or belief, but operation.&lt;/p&gt;
&lt;p&gt;The predominance of textual or even linguistical
cultures: The current system of Wikipedia citation prejudices textual systems
of knowledge over oral and visual systems of knowledge. This under-values the
knowledge systems of cultural memory and related technique such as mnemo
techniques or oral poetry on the one hand, and illiterate populations on the
other hand.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;3.
Encyclopedia Models-- from 18th to 21th Century&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;The word made durable: In this session we want to
give an overview of various attempts to create a collection of global
knowledge. In order to get a better understanding of the cultural specificity
of the underlying code on which Wikipedia is built, this topic seeks to dig
further into the histories of the encyclopedia. D' Alembert's &lt;em&gt;Preliminary
Discourse&lt;/em&gt; to the &lt;em&gt;Encyclopedie&lt;/em&gt; is often described as the most
succinct statement of European Enlightenment, and the Encyclopedie itself as
the material project of Enlightenment. It is through the &lt;em&gt;Encyclopedie&lt;/em&gt;
that the Enlightenment becomes durable, tangible and disseminated. What can be
learned by examining such historical precedents?&lt;/p&gt;
&lt;p&gt;Encyclopedias have been said to be sources of
national images and stereotypes of the self and the other within Europe. In
Wikipedia image construction tends to be both disembogue and masked in favor of
a cosmopolitan, global self-understanding. This session might interrogate to
what extent knowledge production’s construction of national images is shifted
from a discursive to an automatic georeferencing system of construction.&lt;/p&gt;
&lt;p&gt;As machines think (or maybe Knowing Machines or
The Machinic Intellect): This session may also look to historical attempts to
revolutionize knowledge through the creation of new technologies and to what
extent these alternate histories resonate with Wikipedia specifically and the
technologies of the Net as driven by knowledge imperatives more generally. Examples
include the Mundaneum, the Memex, the Galactic Network and project Xanadu.&amp;nbsp;&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;4.
Wikipedia Art&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Art at the gates: Wikipedia Art is understood
both as artwork and intervention. Taking place largely on Wikipedia itself, the
project Wikipedia Art was considered controversial and was quickly removed (see
recent debate on nettime-l). What does this project reveal about this type of
knowledge production? What is the threshold of legitimacy for this type of
knowledge and how are the boundaries policed? What is at stake in the rejection
of art?&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;5.
Models of Disambiguation and Designing Debate &lt;/em&gt;&lt;/p&gt;
&lt;div class="pullquote"&gt;&lt;em&gt;May
include topics like: &lt;/em&gt;Dissent made visible, After Talk / Alerts /
Mailing Lists, the role of forum software, technical opportunities for
discontent, barnstars/award culture.&lt;/div&gt;
&lt;p&gt;The paradox of neutrality: The Neutral Point of
View policy of Wikipedia does not always accurately depict the state of debate
on topics: The view held by a corporate lobby, using funded research, will find
equal space as the opinions of thousands of disadvantaged persons who might be
impacted by the actions of the corporate lobby. Would it make sense to replace
the NPoV policy and think about Wikipedia as a space of open political
agonality; as a battle for meaning underpinned by the desire for reason?&lt;/p&gt;
&lt;p&gt;New crises of authenticity: As Wikipedia gains
the status of default reference for other printed textual knowledge artifacts –
there are emerging challenges of representation; longevity born digital
references; digital manipulation of sources; and circular referencing.
Shuddhabrata Sengupta of CSDS/Sarai says “Wikipedia encouraged in its community
the active exercise of a critical and skeptical attitude towards any received
form of knowledge”. In this context the evolving notions of authenticity has to
be further interrogated given the rise of peer-produced knowledge and the
diminishing cult of the expert. &lt;em&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;6.
Critique of Free and Open &lt;/em&gt;&lt;/p&gt;
&lt;div class="pullquote"&gt;May include topics like: the parasite model of
free culture (“You work for free, others will make the money from your free
labour.”), governance, the role of developers, economy of Wikipedia, the beliefs
of the founders as the political foundation of Wikipedia, critical
interrogation of knowledge in relation to 'the open'.&lt;/div&gt;
&lt;p&gt;Vacuous collaboration: Master concepts like
freedom and openness are at constant risk of remaining empty or constituting an
‘empty signifier’. The failure to fill such concepts has lead to many
descriptions of Wikipedia as 'collaborations' or even 'ad hoc meritocracies'
(Alex Bruns). Both these second-tier notions also tend to mask the
reconfiguration of the political and new forms of closure.&lt;/p&gt;
&lt;p&gt;Paid and voluntary community manipulation: Many
Wikipedians hold strong opinions on range of sensitive areas including identity,
religion, science, politics, culture, and use sophisticated techniques such as
astro-turfing on Wikipedia. Additionally, some states, corporations and
organized religious groups sometimes pay specialists to engage in astro-turfing
in order to remove critical opinions and rewrite information from Wikipedia.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;7.
Global Politics of Exclusion &lt;/em&gt;&lt;/p&gt;
&lt;div class="pullquote"&gt;&lt;em&gt;May
include topics like: &lt;/em&gt;non-western, language, connectedness, oral
histories, women, non-geeks.&lt;/div&gt;
&lt;p&gt;Tyranny of the connected: In societies which are
compounded by digital and participation divides, the connected usually always
win over those who don't have access and time to spare.&lt;/p&gt;
&lt;p&gt;Gendered Knowledge: While women are strongly
represented among readers, globally, they are&amp;nbsp;
hardly represented among contributors. In offlist chats, women express
that they do not feel comfortable when contributing to Wikipedia conversations.
They even felt silenced by the perception of Wikipedia as a masculine tech
culture. Some women have already created an alternative space of discussion at
wikichix.org. Does the separation of discussion spaces and the marginalization
of domestic issues and social impacts on Wikipedia turn back time?&lt;/p&gt;
&lt;p&gt;Morality laundering: Moral standards that exist
in one country are being exported to other countries via Wikipedia. For
example, photo-realistic images of human bodies on pages dealing with sexuality
and anatomy are being replaced with drawings. Does this type of common
denominator approach undermine the pluralism of global sexuality? The call and
eventual refusal of image censorship for the entry on Mohammad represents a
similar scenario.&lt;/p&gt;
&lt;p&gt;Language diversity: Despite the self-imposed
normative claim of language diversity and the self-description of Wikipedia as
a truly multi-lingual project, English is the Lingua Franca in translingual
meta projects and policy discussions. Also, on the level of content, is the
English Wikipedia the 'Leitmedium' in terms of (content) synchronization. In
what other ways does the language divide operate on Wikipedia?&lt;/p&gt;
&lt;p&gt;Global governance: Governance of Wikipedia has
evolved and become increasingly sophisticated to match its phenomenal growth
and the attention it has garnered. While these changes in governance have
managed to sustain the growth of Wikipedia and prevent its credibility from
being undermined, there is a need to understand the impact that various
governance mechanisms have on the different incarnations of Wikipedia
throughout the world. Such analysis should consider separately (and compare)
different national chapters, plus extend beyond Wikipedia projects to the
governance of the Wikimedia Foundation.&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;Form and format: As the Wikipedia becomes a
standard of documentation and knowledge archive, it becomes important to focus
on traditional, oral and ephemeral knowledges which might die because of the
limitations of technologised platforms to capture them. Oral histories,
community knowledges, incipient systems of documenting personal and collective
memories, etc. start getting lost as the logo-centric, ‘objectively verifiable’
structures of knowledge production come into being. Rather than a critique of
Wikipedia, analysis needs to concentrate on ways by which such knowledge
systems are not lost and further tools which need to be developed in order to
make them accessible and visible.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;8.
The Place of Resistance&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Why do people resign from Wikipedia? Are critical
voices silenced by the majority of the mass? Does the exclusion of the
Wikipedia Art project reveal that within Wikipedia is no place for contesting
forms, repertoires, styles that go beyond linguistic approaches? Rituals and
mechanisms of exclusion offers critical insights into the contemporary status
of resistance formation in an paradigmatic age of diversity and inclusion.
Going beyond and extending the thinking of social movement scholars such as
Touraine or Melucci the study of Wikipedia might inform culture and identity
approaches of social movement studies and vice versa.&lt;/p&gt;
&lt;p&gt;Can Wikipedia said to be a social movement and/or
how do social movement actors appropriate the Wikipedia to built alternatives?&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;9.
Media Literacy and Education &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Knowing about knowing: While technologies like
newspapers, television, radio and cinema have given birth to educational
institutions that engage in media studies, thereby providing tools for the
discerning citizen-consumer and future professional, there is still much work
required to develop similar critical models for emerging projects like
Wikipedia. The common institutional (non)response to warn against the ‘dangers’
of Wikipedia-like projects and discourage or ban their use seems grossly
inadequate. The rise of 'prosumers' suggests a need for new 'production
literacies' in addition to the traditional 'consumption literacy'. Furthermore,
there is also a growing number of meta projects on Wikipedia that seek cooperation
with schools and academia. But is the Wikimedia foundation and select national
bodies the legitimate actors to teach media literacy or is this rather a public
relations effort? What would Wikipedia literacy entail?&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;10.
Wiki-analytics, Wikipedia as Platform and Software Studies&lt;/em&gt;&lt;/p&gt;
&lt;div class="pullquote"&gt;&lt;em&gt;Possible Topics: &lt;/em&gt;Protocological
Knowledge, Knowledge vs. Information, Cultural Analytics, Cybernetics in the
present, (Un)dead labour and the posthuman bot.&lt;/div&gt;
&lt;p&gt;Knowledge in the neighborhood of software: Can we
start thinking of Wikipedia as an interplay of editors and technology, since
software and notification systems are such an important part of the Wikipedia
project? Indeed, whilst humans argue over knowledge statements, 'bots' do much
of the dirty work and general knowledge housekeeping – a kind of (un)dead
labour. The presumption here, of code as politics, is that the wiki principles
themselves need to be debated from a perspective of software studies. To what
extent has bot politics triumphed over vernacular expertise&amp;nbsp; or lead to an empowerment of the e-tech geeks
in knowledge projects? Related to this is the question of the cultural history
of Wikipedia as a platform. What is the relation between policy formation and
technical protocols? Is Wikipedia knowledge&amp;nbsp;
Cybernetic?&lt;/p&gt;
&lt;p&gt;Wikipedia as a data set: Besides the automation
participation in the form of the bot, Wikipedia is an information artifact
through and through. What kind of data analysis techniques can contribute to a
radical critique or illuminate network regularities beyond human
interpretation? What additional anonymised data sets of edit and use history
should be released by the Wikimedia Foundation to promote media literacy and
education.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p class="callout"&gt;&lt;em&gt;11.
Wikipedia and Conditions of Knowledge Production&lt;/em&gt;&lt;/p&gt;
&lt;div class="pullquote"&gt;Possible Topics: Politics of knowledge production,
question of authority, The fallacy of objectivity, Wikipedia and the Public
Sphere.&lt;/div&gt;
&lt;p&gt;The alarm that traditional bastions of
knowledge production and consumption (like universities and publishing houses)
raise against Wikipedia, brings into sharp relief, the fact that the Wikipedia
is a part of a much larger knowledge production industry. With the Wikipedia’s
integration into more ‘mainstream’ usage, it becomes necessary to focus on how
the emergence of such a space (and the principles it embodies) also affects the
much larger and global politics, aesthetics and mechanics of knowledge
production. Wikipedia has substantially changed academic trends of publication,
citation, classroom pedagogy and research. It has also been central to many
debates about who produces knowledge and who has the ‘right’ to be an Authority
on the knowledge thus produced.&lt;/p&gt;
&lt;p&gt;Moving beyond the class-room and questions
of plagiarism or teaching, there is need to investigate the pre-conditions and
the contexts within which Wikipedia emerges, and the kind of questions it poses
to processes of knowledge production, consumption and verification.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;&lt;em&gt;Production
Details&lt;/em&gt;&lt;/h3&gt;
&lt;p&gt;Besides setting up a network for critical
Wikipedia research with its own mailing list and organizing two events early
2010 in Bangalore and Amsterdam (to start with), the aim is to gather materials
for a Wikipedia Research Reader that will be published in the INC Reader series
around September-October 2010.&lt;/p&gt;
&lt;div class="pullquote"&gt;Research and editorial group: Geert Lovink and
Sabine Niederer (Amsterdam), Nathaniel Tkacz (Melbourne), Sunil Abraham
(Bangalore), Johanna Niesyto (Siegen), Nishant Shah (Bangalore).&lt;/div&gt;
&lt;h3&gt;&lt;em&gt;Contact
info: &lt;/em&gt;&lt;/h3&gt;
&lt;p&gt;Sunil Abraham: &lt;a href="mailto:sunil@cis-india.org"&gt;sunil@cis-india.org&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Nishant Shah: &lt;a href="mailto:Nishant@cis-india.org"&gt;Nishant@cis-india.org&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;For more information on how to apply to the Bangalore WikiWars conference, please &lt;a title="CPOV - Critical Point of View : Wikiwars" class="internal-link" href="/research/conferences/wikiwars"&gt;click here&lt;/a&gt;.&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/conferences/conference-blogs/Wikiwars'&gt;https://cis-india.org/research/conferences/conference-blogs/Wikiwars&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>Wikipedia</dc:subject>
    
    
        <dc:subject>art and intervention</dc:subject>
    
    
        <dc:subject>cybercultures</dc:subject>
    
    
        <dc:subject>digital subjectives</dc:subject>
    
    
        <dc:subject>Vandalism</dc:subject>
    
    
        <dc:subject>digital art</dc:subject>
    
    
        <dc:subject>digital pluralism</dc:subject>
    

   <dc:date>2009-07-13T09:07:42Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/publications-automated/curricula/courses-taught-and-designed-by-cis/cyberspace-in-its-plurality-cybercultures-workshop-at-tiss-mumbai">
    <title>Cyberspace in its Plurality: Cybercultures Workshop at TISS, Mumbai</title>
    <link>https://cis-india.org/publications-automated/curricula/courses-taught-and-designed-by-cis/cyberspace-in-its-plurality-cybercultures-workshop-at-tiss-mumbai</link>
    <description>
        &lt;b&gt;Cyberspace has become one of the most potent and persuasive metaphors of our times, enveloping and embracing a wide range and scope of areas across disciplines and perspectives. The cybercultures workshop is designed to be an introduction to the multiplicity of cyberspaces and internet technologies and the key questions which have emerged in the almost four decades of cyberculture theory. The workshop is designed across four days; each day dealing with a certain understanding of cyberspace – in its materiality, in its imagination, in its instrumentality – in order to present a comprehensive view of the vast terrain of cyberspace and its intersections with the contemporary worlds we live in.&lt;/b&gt;
        
&lt;h3&gt;Workshop @ Centre for Media and Cultural Studies, TISS, Mumbai&lt;br /&gt;&lt;/h3&gt;
&lt;p&gt;The four day workshop at the &lt;a class="external-link" href="http://www.comminit.com/en/node/265160"&gt;Centre for Media and
Cultural Studies&lt;/a&gt;, Tata Institute of Social Sciences, Mumbai, sees CIS engaging with one of the most exciting spaces in the Indian
academia; we design and administer an introduction course on
cyberspace and its plurality to students of media and cultural
studies. The workshop is a part of the Centre for Internet and
Society's larger concern on providing a multidisciplinary,
multi-media approach towards the internet and contextualising it in
India.&lt;/p&gt;
&lt;p&gt;Structured on a seminar model, the workshop hopes to
bring together the questions in academic debate as well as in the
realm of cultural production, for students to understand the internet
technologies and cyberspaces as not only important cultural outputs
but also crucial forms that shape the world we live in.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Objectives:&lt;/strong&gt;
The four day cybercultures workshop hopes to achieve the following
objectives:&lt;/p&gt;
&lt;ol&gt;&lt;li&gt;To introduce the students
to the multiplicity and complexity of ‘cyberspace’.&lt;/li&gt;&lt;li&gt;To introduce ‘cyberspace’
as an epistemological category to emphasise the centrality of
cyberspaces in understanding the mechanics of urban survival in the
contemporary.&lt;/li&gt;&lt;li&gt;To orient the students
towards understanding the textuality of cyberspace; rescuing it from
the confines of digital networks and locating it in the transactions
of globalization and urbanization in Asia.&lt;/li&gt;&lt;li&gt;To introduce the key
debates in cybercultures theory: body, gender, sexuality, authorship,
ownership, access and information democratization.&lt;/li&gt;&lt;/ol&gt;
&lt;p&gt;&lt;strong&gt;Design:&lt;/strong&gt;
The cybercultures workshop is designed to be conducted over four days with two
sessions (of three hours each) per day. Each day is thematically divided to
look at a particular idea of cyberspace; the sessions are further
sub-divided to introduce a particular perspective on the day’s
theme. Each session has its set of individual pre-readings which will
serve more as indicators of the stake of the debate rather than as texts around which the class will be centred. The readings shall remain as introductory
material, and the class room discussions, while referring to them,
will not concentrate on explaining the material.&lt;/p&gt;
&lt;h3&gt;Day 1: Cyberspace – Form, Textuality and Frameworks&lt;/h3&gt;
&lt;blockquote&gt;
&lt;h3&gt;Session 1: Exploring Cyberspace:&lt;/h3&gt;
&lt;p&gt;Definitions, explanations, locations&lt;/p&gt;
&lt;p&gt;Cyberspace and Digital Technologies&lt;/p&gt;
&lt;p&gt;Form, text, textuality&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Pre-reading:&amp;nbsp;&lt;/strong&gt; Shah, Nishant, 2005. “Playblog:
Pornography, Performance, and Cyberspace” available&lt;a class="external-link" href="http://www.cut-up.com/news/issuedetail.php?sid=413&amp;amp;issue=20"&gt; here&lt;/a&gt;&lt;/p&gt;
&lt;h3&gt;Session 2: The Digital DNA – Database, Networks,
Archives&lt;/h3&gt;
&lt;p&gt;The Database Imperative: Sorting, information,
databases&lt;/p&gt;
&lt;p&gt;The Networking Impulse: Social Networking Systems and
the condition of networking&lt;/p&gt;
&lt;p&gt;The Archiving Aspirations: Intention, aspiration and
archiving the present&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Pre-reading:&lt;/strong&gt; &amp;nbsp;Manovich, Lev, 2001. “The
Database as a Symbolic Form” available &lt;a class="external-link" href="http://transcriptions.english.ucsb.edu/archive/courses/warner/english197/Schedule_files/Manovich/Database_as_symbolic_form.htm"&gt;here&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3&gt;Day 2: Information technology and
human engineering&lt;/h3&gt;
&lt;blockquote&gt;
&lt;h3&gt;&lt;strong&gt;Session 3 : &amp;nbsp;Gender, Technology and Cyberspace&lt;/strong&gt;&lt;/h3&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;Gendering of Technology; Gendered Technologies&lt;/p&gt;
&lt;p&gt;The body and its boundaries&lt;/p&gt;
&lt;p&gt;Physical bodies; Digital selves; cyborgs&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Pre-reading: &lt;/strong&gt;Light, Jennifer, 1999. “When Computers Were Women” available&lt;a class="external-link" href="http://tinyurl.com/Jennifer-light"&gt; here&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Dibbell, Julian, 1991. “A Rape in Cyberspace: How an Evil Clown, a
Haitian Trickster, Two Wizards, and a Cast of Dozens Turned a
Database into a Society” available &lt;a class="external-link" href="http://www.juliandibbell.com/texts/bungle_vv.html"&gt;here&lt;/a&gt;&lt;/p&gt;
&lt;h3&gt;&amp;nbsp;Session 4: Techno-social Worlds&lt;/h3&gt;
&lt;p&gt;&amp;nbsp;Orkut Deaths : The distributed self&lt;/p&gt;
&lt;p&gt;&amp;nbsp;Role playing and identity : The real and the authentic&lt;/p&gt;
&lt;p&gt;&amp;nbsp;DPS MMS: The trajectories of selves&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3&gt;Day 3- 4 : Cyberspace and the
Infobahn&lt;/h3&gt;
&lt;blockquote&gt;
&lt;h3&gt;Session 5: Movie Screening: &lt;a class="external-link" href="http://www.goodcopybadcopy.net/"&gt;Good Copy, Bad Copy&lt;/a&gt;
(followed by discussion) &lt;br /&gt;&lt;/h3&gt;
&lt;h3&gt;Session 6: Who owns Cyberspace?&lt;/h3&gt;
&lt;p&gt;Ownership and Possession&lt;/p&gt;
&lt;p&gt;Licensing and access&lt;/p&gt;
&lt;p&gt;Open source and the gift economy&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Pre-reading:&lt;/strong&gt; UNCTAD essay on copyright and related
questions, available &lt;a class="external-link" href="http://www.unctad.org/en/docs/iteipc200610_en.pdf"&gt;here&lt;/a&gt;&lt;/p&gt;
&lt;h3&gt;Session 7: 18 Reasons Why Piracy is Good for You&lt;/h3&gt;
&lt;p&gt;The need for piracy&lt;/p&gt;
&lt;p&gt;Piracy, theft, and property&lt;/p&gt;
&lt;h3&gt;Session 8: The Cultural Value of Intellectual
Property&lt;/h3&gt;
&lt;p&gt;The Digital Millenium Rights&lt;/p&gt;
&lt;p&gt;The Copy Right and the Copy Left&lt;/p&gt;
&lt;p&gt;Open Access and the Creative Commons&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;&amp;nbsp;Outputs&lt;/p&gt;
&lt;ol&gt;&lt;li&gt;&lt;a class="external-link" href="http://community.livejournal.com/authenticpirate/"&gt;http://community.livejournal.com/authenticpirate/&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="external-link" href="http://myspaceformusic.livejournal.com/"&gt;http://myspaceformusic.livejournal.com/&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="external-link" href="http://jennyontherocks.livejournal.com/"&gt;http://jennyontherocks.livejournal.com/&lt;/a&gt;&lt;/li&gt;&lt;/ol&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/publications-automated/curricula/courses-taught-and-designed-by-cis/cyberspace-in-its-plurality-cybercultures-workshop-at-tiss-mumbai'&gt;https://cis-india.org/publications-automated/curricula/courses-taught-and-designed-by-cis/cyberspace-in-its-plurality-cybercultures-workshop-at-tiss-mumbai&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>cybercultures</dc:subject>
    
    
        <dc:subject>teaching</dc:subject>
    
    
        <dc:subject>cyberspaces</dc:subject>
    
    
        <dc:subject>pedagogy</dc:subject>
    
    
        <dc:subject>education</dc:subject>
    
    
        <dc:subject>digital pluralism</dc:subject>
    

   <dc:date>2008-10-31T10:38:17Z</dc:date>
   <dc:type>Blog Entry</dc:type>
   </item>


    <item rdf:about="https://cis-india.org/research/research-programmes">
    <title>Research Programmes</title>
    <link>https://cis-india.org/research/research-programmes</link>
    <description>
        &lt;b&gt;The Research Portfolio at the Centre for Internet and Society seeks to develop new pedagogic practices, plural and unique knowledges, multidisciplinary perspectives, and reflexive interventions in the field of Internet and Society. &lt;/b&gt;
        
&lt;h3&gt;&lt;strong&gt;Context&lt;/strong&gt;&lt;/h3&gt;
&lt;p align="left"&gt;We
work on the premise that very little work has gone into understanding
or exploring the internets in their plurality, leading to
simultaneous mythification and demonisation of the internet. However, instead
of trying to define what the internet means or enumerating its many
manifestations, the Centre for Internet and Society
is invested in producing new pedagogical devices and frameworks to
analyse the various layers of the internet as it interacts with
socio-cultural and geo-political contexts.&lt;/p&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;p align="left"&gt;Most
frameworks that address questions of Internet and Society work with
borrowed terminologies (of older technologies and technological
forms) and institutional perspectives (arising out of traditional
disciplines and interventions of earlier paradigms) that are no
longer adequate for serious engagement with the complex relationship
between internet and society. We
recognise three dominant strains that are influential in most of the
research and intervention in the field of Internet and Society.&lt;/p&gt;
&lt;p align="left"&gt;The
first is a focus on the science and technologies of the internet -- looking at innovation, experimentation and development of the
technologies to build a faster, more effective and more robust web of
applications and protocols. The second is a sustained philosophical
engagement that explores the aesthetic and ethical implications of
the digital worlds, networks, communities and identities that cyberspaces evolve. The third is an instrumental approach to
technology that focuses on the effects of the internet and its growth as well as
the potential it has for further development and impact.&lt;/p&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;p align="left"&gt;These
approaches create a schism between internet technologies and social structures, obscuring the inextricable nature of their
intertwining. The focus is either on the purely technological, where
the social fades into the background, or on the severely
socio-cultural, where internet technologies are&amp;nbsp; looked upon
merely as instrumental in nature. The
Centre for Internet and Society, instead of making this either-or
choice, seeks to invest its energies in emphasising and excavating
the processes, transactions, negotiations and mechanics by which internet technologies engage with society.&lt;/p&gt;
&lt;div align="left"&gt;&amp;nbsp;&lt;/div&gt;
&lt;h3 align="left" style="text-align: justify;"&gt;&lt;strong&gt;CIS
Research Programmes&lt;/strong&gt;&lt;/h3&gt;
&lt;p align="justify"&gt;The
Research Portfolio currently houses three different research
programmes, each aimed at different audiences and researchers:&lt;/p&gt;
&lt;ol&gt;&lt;li&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/research/cis-raw" class="internal-link" title="CIS-RAW"&gt;The
CIS-RAW&lt;/a&gt;:&lt;/strong&gt; The Centre for Internet and Society’s Researchers At
Work programme encourages innovative ideas and perspectives that
emerge from dialogue and exchange, structured around a theme that
changes every two years. The CIS-RAW is targeted at &lt;strong&gt;&lt;em&gt;established
scholars&lt;/em&gt;&lt;/strong&gt; willing to engage with the specific themes that CIS is
immediately interested in. It offers full financial support towards
quantified academic productions. To know more about the CIS-RAW
programme, please &lt;a href="https://cis-india.org/research/cis-raw" class="internal-link" title="CIS-RAW"&gt;click here&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/research/ict4arts" class="internal-link" title="ICT4Arts"&gt;The ICT4A Fellowships&lt;/a&gt;:&lt;/strong&gt; The Centre for Internet and Society
recognises that some of the most innovative ideas and experiments
with philosophical concepts and practice based projects are in the
intersections between Information and Communication Technologies and
the Creative Arts. Artists experimenting with form, shape,
installations, processes and pedagogy create significant projects
with high intervention and public value while forcing us to revisit
the relationship between the internet and society. The ICT4A (Internet
and Creative Technologies of Art) Fellowships are for &lt;strong&gt;&lt;em&gt;artists&lt;/em&gt;&lt;/strong&gt;
who are interested in examining the
aesthetics, politics and pragmatics of internet technologies and
their relationships with different socio-cultural and geo-political
phenomena. To know more about the ICT4A Fellowships, please &lt;a href="https://cis-india.org/research/ict4arts" class="internal-link" title="ICT4Arts"&gt;click
here&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;&lt;a href="https://cis-india.org/research/projects-inception-grant" class="internal-link" title="Collaborative Projects Programme"&gt;Collaborative Projects Programme:&lt;/a&gt;&lt;/strong&gt; CIS sees its role as that of an enabler and think
tank for new ideas, methods and frameworks within the field of Internet and Society. Given
the scope of internet technologies and the persuasive way in which
they embrace various facets of contemporary life, we envision various
disciplines engaging with the concerns of Internet and Society in the
future. The Collaborative Project Programme is structured to provide
initial head-space, ideation resources, and intellectual
infrastructure to &lt;strong&gt;&lt;em&gt;senior researchers and/or practitioners&lt;/em&gt;&lt;/strong&gt; to work
towards a larger project that intersects with our vision. The Collaborative Projects Programme offers CIS an opportunity to enter into a financial, intellectual and administrative collaboration for up to six months with individuals or organisations who are
looking at funding for the inception work towards a project
(research, intervention, or otherwise) in the field of Internet and
Society. To learn more about the modalities, CIS’ involvement and
the nature of support for the Collaborative Projects, please &lt;a href="https://cis-india.org/research/projects-inception-grant" class="internal-link" title="Projects Inception Grant"&gt;click
here&lt;/a&gt;.&lt;/li&gt;&lt;/ol&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;

        &lt;p&gt;
        For more details visit &lt;a href='https://cis-india.org/research/research-programmes'&gt;https://cis-india.org/research/research-programmes&lt;/a&gt;
        &lt;/p&gt;
    </description>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>nishant</dc:creator>
    <dc:rights></dc:rights>

    
        <dc:subject>research</dc:subject>
    
    
        <dc:subject>cyborgs</dc:subject>
    
    
        <dc:subject>cybercultures</dc:subject>
    
    
        <dc:subject>digital pluralism</dc:subject>
    
    
        <dc:subject>digital subjectivities</dc:subject>
    
    
        <dc:subject>cyberspaces</dc:subject>
    
    
        <dc:subject>pedagogy</dc:subject>
    
    
        <dc:subject>e-governance</dc:subject>
    

   <dc:date>2009-01-15T12:02:51Z</dc:date>
   <dc:type>Page</dc:type>
   </item>




</rdf:RDF>
