Centre for Internet and Society

Digital Humanities and the Alt-Academy

sneha — 2015-11-13T05:29:48Z

The emergence of Digital Humanities (DH) has been contemporaneous to the ‘crisis’ in the humanities, spurred by changing social and economic conditions which have urged us to rethink traditional methods, locations and concepts of research and pedagogy. This blog post examines the emergence of the phenomenon of the alt-academy in the West, and examines the nuances and possibilities of such a space in the Indian context.

From a brief exploration of the problem of new objects and methods of research in the digital context, we have come to or rather returned to the problem of location or contextualising DH, and whether it may be called a field or discipline in itself.

As some of the previous blog posts have illustrated, most of the prominent debates around DH have largely been within the university context, or have least focussed around the university as the centre, and therefore emphasise the move away from more traditional ways of doing humanities, or at a larger level the more established and disciplinary modes of knowledge formation.

In the context of pedagogy, DH seems to be developing in a very specific role, which is that of training in a certain set of skills and areas which the existing disciplines have so far not been able to provide. The university or more specifically the traditional classroom offers a specific kind of teachinglearning experience which may not always have within its ambit the necessary resources or strategies to foster new methods of knowledge production, and a lot of DH work has been posited as trying to plug knowledge gaps in precisely this area.

The notion of a ‘digital classroom’ has been made possible by the proliferation of new digital tools and the internet; with increased access to open access archives and dynamic knowledge repositories such as Wikipedia, there is a move towards a more open, participatory and customised model of learning based on collaboration.

DH has been characterised by many as a space, or method that intervenes in the traditional ‘hierarchies of expertise’ [1] —– not only in terms of people but also spaces, methods and objects of learning — to present a significant ‘alternative’ that is now slowly becoming more mainstream. A rather direct example of this is the growth of a number of ‘alt- academics’ [2] who now inhabit what previously seemed to be a rather nebulous space between academics and an array of practices in computing, art and community development among many others. However, it is the in-between, or the liminal space that holds the potential for new kinds of knowledge to be generated. The connotations of this notion however are many and problematic, as seen particularly in the emphasis on new kinds of skills or competences that is now required to inhabit such a space, as also the narrative of loss of certain critical skills that are part of the disciplinary method and the resistance from certain quarters to the university to acknowledge such a trend. Conversely, it is also reflective of how certain kinds of skills in writing, reading, visualisation and curation have now become essential and therefore visible. It may be useful to explore this change further to arrive at some idea of whether such a space exists in the Indian context, and how it informs the way we conceptualise DH; as practitioners, researchers, teachers or the lay person.

This state of being within and to a certain extent outside of a certain predominant discourse is a peculiar one with several possibilities, and DH, owing to its interdisciplinary content and methods, seems to be a suitable space to foster these new and alternate knowledge-making practices.While the early DH debates in the Anglo-American context seemed to be dominated by certain disciplines like English, media studies and computational and information sciences, practitioners and researchers alike have branched out significantly, with research focussing more on questions of data-mining, mapping and visualisation with an increasing focus on processes and design, and using a diverse range of texts or objects.

In India, which significantly borrows the discourse from the same context, and also is still a multi-layered technological space very much in a moment of transition to the digital, the debates remain largely confined to the English and History departments and to some extent library and archival spaces. Outside of the academic circle however, there are a number of initiatives, such as online archival efforts, media, art and design practices and research (some discussed in the earlier blog posts as well), which would be likely spaces where one may see DH–related work being done. An important part of the discourse in the context of education is the access to and a more substantial and critical engagement with technology in the classroom. Educational or instructional technology has grown by leaps and bounds in the last decade or so in India, as evidenced by the number of initiatives taken to introduce ICTs in the classroom, and this has been supported by several large-scale digitisation projects as well but the digital divide still persists, as a result of which these initiatives come with a peculiar set of problems of their own (as discussed in the earlier blog post on archival practice) the most important being the lack of connection among such practices, research and pedagogy.

While education technology is a separate field which works on better interactions between teaching-learning practices and technology, it does form part of the context within which DH is to develop either as a discipline, practice or a pedagogic approach, and the two areas are very often conflated in some parts of the discourse in India. While moving beyond the ICTs debate — which is premised primarily around access to knowledge, DH has been posited as making an intervention into prevailing systems of knowledge — so that the mode of understanding both technology and the humanities, and the interaction between the two domains (assuming that they are separate) undergoes a significant change.

What then goes into promoting more institutional stability for DH, in other words, in teaching and learning it — will be a question to contend with in the years to come, as more universities take to incubating research around digital technologies and related components and incorporating this into the existing curricula.

Dr. Abhijit Roy, Assistant Professor at the Department of Media, Communication and Culture, Jadavpur University speaks about the changes he sees in pedagogy and research with the advent of digital technologies, particularly in traditional humanities disciplines like History and languages.

While some of these changes are elementary, such as the use of digital technologies in classroom teaching and learning exercises, it is in the practice of research, which he sees even with his students now, through the use of blogs and social media and the possibilities to publish and engage in discussions with other researchers through platforms like Academia.edu or Scalar, that he finds a vast change. It not only makes the process more transparent but also encourages an ethos of constant sharing, dissemination and a network of usage and storage online. This has transformed the way research and pedagogy can be imagined now, and opened up several possibilities.

It is in realising this potential for new research and pedagogical models that universities have slowly begun to adopt digital technologies but the institutional efforts at building curricula specifically around DH-related concerns have been few with the prominent ones in India being the courses at Jadavpur University and Presidency University in Kolkata.

Curriculum development in DH comes with its own issues too, and they stem largely from the fact that one is still unable to understand fully the nature of the digital and its facets — we also inhabit a time when there is a transition from analogue to digital — but the rate of change is faster than with other domains of knowledge, so much so that the curricula developed may often seem provisional or arcane, which makes it doubly challenging to demonstrate its various facets in practice, particularly in the classroom. A useful distinction would be between DH being brought in as a problem-solving approach to address the extant issues of the humanities (thus also seen as a threat to the disciplines themselves), and having its own epistemological concerns which may be related to but also distinct from the humanities - in short to help us ask new questions, or provide new ways of asking old ones.

What this essentially refers to is the alternate modes of knowledge production that an increased interaction with digital and internet technologies now engenders. Wikipedia is an existing example of this, and illustrates some of the core concerns of and about DH as it calls into question notions about authorship, expertise and established models of pedagogy and learning. Lawrence Liang describes this as a larger conflict over the authority of knowledge, [3] the origins of which he locates in the history of the book, and specifically in the print revolution and pre-print cultures of the fifteenth to eighteenth centuries. He likens the debate over Wikipedia’s credibility, or more broadly over technologies of collaborative knowledge production ushered in by the internet to similar phenomena seen before in early print culture and how it contributed to the construction and articulation of the idea of authority itself. He says: “The authority of knowledge is often spoken of in a value-neutral and a historical manner. It would therefore be useful to situate authority in history, where it is not seen to be an inherent quality but a transitive one 6[4] located in specific technological changes. For instance, there is often an unstated assumption about the stability of the book as an object of knowledge but the technology of print originally raised a host of questions about authority. In the same way, the domain of digital collaborative knowledge production raises a set of questions and concerns today, such as the difference between the expert and the amateur, as well as between forms of production: digital versus paper and collaborative versus singular author modes of knowledge production. Can we impose the same questions that emerged over the centuries in the case of print to a technology that is barely ten years old?”

He further goes on to elaborate that the question of the authority of knowledge should ideally be located within a larger ‘knowledge apparatus’, comprising of certain technologies and practices, (in this case that of reading, writing, editing, compilation, classification and creative appropriations) which help inflate the definitions of authority and knowledge even more.

The above argument throws into sharp relief the notion of the ‘alternate’— often posited as the outlier or a vantage point, or even as being in resistance to a certain dominant discourse or body of knowledge.

While resistance itself is discursive; the ‘alternate’ has also always existed in various forms, such as the pre-print cultures illustrated in the argument above, and particularly in India where several kinds of practices and occupations are but alternatives — from alternative medicine to education — to the already established system in place. As mentioned earlier, these practices may just be increasingly visible and acknowledged now.

The attempts to subsume these alternate practices, which began as and may perhaps have been relegated to the status of a sub-culture for long within academia then seem to be one way of trying to circumvent the authority of knowledge question. Another aspect of this is the invisible ‘technologised’ history of the humanities, which therefore prompts us to rethink the separation between the humanities and technology as mutually exclusive domains. By extension then, the term DH itself therefore may be a misnomer or yet another creative re-appropriation of various knowledge practices already in existence. This is perhaps the underlying challenge to the ontological and epistemological stake in the field.

At best then DH may be seen as the result of a set of changes in the last couple of decades, the advancements in technology being at the forefront of them, whereby certain new and alternative modes of knowledge production have been brought to the foreground, which have also challenged the manner in which we asked questions before to a certain extent. As the field gains institutional stability, it remains to be seen what the new areas of enquiry that emerge shall then be in the years to come.

References:

# Alt-Academy: 01 - Alternative Careers for Humanities Scholars, July 2011 Accessed July 27, 2014 http://mediacommons.futureofthebook.org/alt-ac/
Davidson, Cathy N. & David Theo Goldberg, The Future of Thinking: Learning Institutions in a Digital Age (The John D. and Catherine T. MacArthur Foundation Reports on Digital Media and Learning) ( Cambridge: MIT Press, 2010) Accessed March 15, 2014 http://mitpress.mit.edu/books/future-thinking
See Liang, Lawrence “A Brief History of the Internet from the 15^th to the 18^thcentury” in INC Reader#7 Critical Point of View: A Wikipedia Reader, Geert Lovink and Nathaniel Tkacz (eds), Amsterdam: Institute of Network Cultures, 2011, p.50-62

[1] . See Cathy N. Davidson and David Theo. Goldberg, The Future of Thinking: Learning Institutions in a Digital Age The John D. and Catherine T. MacArthur Foundation Reports on Digital Media and Learning Cambridge: MIT Press, 2010

[2] . For more on this see # Alt-Academy: 01 - Alternative Careers for Humanities Scholars, July 2011 http://mediacommons.futureofthebook.org/alt-ac/

[3] . See Lawrence Liang, “A Brief History of the Internet from the 15^th to the 18^th Century” in INC Reader#7Critical Point ofView: A Wikipedia Reader, Geert Lovink and Nathaniel Tkacz (eds), Amsterdam: Institute of Network Cultures, 2011

[4] Adrian John’s as quoted in Liang. See Adrian Johns, The Nature of the Book: Print and Knowledge in the Making, Chicago: Univ. of Chicago Press, 1998.

For more details visit https://cis-india.org/raw/digital-humanities/digital-humanities-and-alt-academy

July 2014 Bulletin

praskrishna — 2014-08-11T05:46:53Z

Seventh issue of the newsletter (July 2014) below:

We at the Centre for Internet & Society (CIS) welcome you to the seventh issue of the newsletter (July 2014). Archives of our newsletters can be accessed at: http://cis-india.org/about/newsletters

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Highlights
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Nehaa Chaudhari participated in the 28^th session of the World Intellectual Property Organisation Standing Committee on Copyright and Related Rights (WIPO-SCCR) held in Geneva from June 30 to July 4, 2014. The Centre for Internet and Society (CIS) gave its statements on the Limitations and Exceptions for Libraries and Archives and Proposed Treaty for the Protection of Broadcasting Organizations.
India became the first country to ratify the Marrakesh Treaty and the Accessible Books Consortium was launched. Nehaa Chaudhari who participated in the 28^th session of the WIPO-SCCR reports on this in a blog entry.
Vikrant Narayan Vasudeva produced a research paper on patent valuation and license fee determination as part of the Pervasive Technologies project.
Our grant application to the Wikimedia Foundation was approved. CIS has been awarded Rs. 12,000,000 for the next one year for the Access to Knowledge (Wikipedia) project.
CIS and the University of Mysore organized the Open Knowledge day in Mysore on July 15, 2014. Six volumes of Kannada Vishwakosha was re-released under the Creative Commons (CC license).
We helped the Ministry of Science and Technology draft the Open Access Policy for the DST/DBT.
The first of the seven proposed roundtable meetings on “Privacy and Surveillance” conducted by CIS in collaboration with the Cellular Operators Association of India and the Council for Fair Business Practices was held in Mumbai on June 28, 2014. Anandini K. Rathore has blogged on this.
Bedavyasa Mohanty has produced a blog entry that analyses the nuances of interception of communications under the Indian Telegraph Act and the Indian Post Office Act.
Vinayak Mithal has written a blog entry on the Constitutionality of Indian surveillance law that analyses ICANN's reactive transparency mechanism, comparing it with freedom of information best practices. He describes the DIDP and its relevance for the Internet community.
Nishant Shah speaks on the right to freedom of speech and expression in the latest interview conducted as part of the Cybersecurity series being done with a grant from the International Development Research Centre (IDRC), Ottawa.
Nishant Shah’s peer reviewed article “Asia in the Edges: A Narrative Account of the Inter-Asia Cultural Studies Summer School in Bangalore” was published in Inter-Asia Cultural Studies Journal, Volume 15, Issue 2, on July 3, 2014. Nishant gives a narrative account of the experiments and ideas that shaped the second Summer School, “The Asian Edge” hosted in Bangalore, India, in 2012.
CIS recruited two new staff members in its Bangalore office. Rohini Lakshane joined as a Program Officer in the Pervasive Technologies project and K.N. Medini joined as a Senior Accounts Officer. Their profiles can be accessed at http://cis-india.org/about/people/our-team.

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Accessibility and Inclusion
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Under a grant from the Hans Foundation we are doing two projects. The first project is on creating a national resource kit of state-wise laws, policies and programmes on issues relating to persons with disabilities in India. We compiled the National Compendium of Policies, Programmes and Schemes for Persons with Disabilities (29 states and 6 union territories). We will be publishing this soon. The draft chapters along with the quarterly reports can be accessed on the project page. The second project is on developing text-to-speech software for 15 Indian languages. The progress made so far in the project can be accessed here.

►NVDA and eSpeak

Monthly Update

Work Report for July (by Suman Dogra, July 31, 2014).

Blog Entry

India's Ratification of the Marrakesh Treaty Celebrated; Accessible Books Consortium Launched (by Nehaa Chaudhari, July 1, 2014): India became the first country to ratify the Marrakesh Treaty.

Media Coverage

SpicyIP Tidbit: India ratifies the Marrakesh Treaty for the Visually Impaired (by Thomas J. Vallianeth, Spicy IP, July 1, 2014).

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Access to Knowledge
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As part of the Access to Knowledge programme we are doing two projects. The first one (Pervasive Technologies) under a grant from the International Development Research Centre (IDRC) is for research on the complex interplay between pervasive technologies and intellectual property to support intellectual property norms that encourage the proliferation and development of such technologies as a social good. The second one (Wikipedia) under a grant from the Wikimedia Foundation is for the growth of Indic language communities and projects by designing community collaborations and partnerships that recruit and cultivate new editors and explore innovative approaches to building projects.

►WIPO

Participation in Event and Statements
Nehaa Chaudhari participated in the 28^th session of WIPO-SCCR held in Geneva from June 30 to July 4, 2014. The following have been the outputs from the event:

Statement on the Proposed Treaty for the Protection of Broadcasting Organizations at WIPO SCCR 28 (by Nehaa Chaudhari, July 2, 2014).
Opening Comments by India on Limitations and Exceptions for Libraries and Archives at WIPO SCCR 28 (posted by Nehaa Chaudhari, July 7, 2014). This was the statement made by the Indian delegation at WIPO-SCCR 28^th session on July 2, 2014.
Statement on the Limitations and Exceptions for Libraries and Archives at WIPO SCCR 28 (by Nehaa Chaudhari, July 3, 2014).
28th Session of the WIPO SCCR: Report on the Proposed Treaty for the Protection of Broadcasting Organizations (by Nehaa Chaudhari, July 29, 2014).

► Pervasive Technologies

Research Papers

Patent Valuation and License Fee Determination in Context of Patent Pools (by Vikrant Narayan Vasudeva, July 9, 2014). Vikrant has produced research that examines patent valuation and license fee determination in detail.
Grounds for Compulsory Patent Licensing in United States, Canada, China, and India (by Maggie Huang, July 29, 2014). In her research paper Maggie tries to answer questions about the grounds of compulsory licensing in international treaties with specific examples from America and Asia.

►Wikipedia
As part of the project grant from the Wikimedia Foundation we have reached out to more than 3500 people across India by organizing more than 100 outreach events and catalysed the release of encyclopaedic and other content under the Creative Commons (CC-BY-3.0) license in four Indian languages (21 books in Telugu, 13 in Odia, 4 volumes of encyclopaedia in Konkani and 6 volumes in Kannada, and 1 book on Odia language history in English).

Announcement
Our grant application to the Funds Dissemination Committee (FDC) of the Wikimedia Foundation was approved by its board which met in Frankfurt from May 21 to 24, 2014. CIS had requested a grant of Rs. 18,406,454 and were awarded Rs. 12,000,000 for the next one year.

The following were done this month:

Articles / Blog Entries

Aircel & Wikimedia Foundation announce Wikipedia Zero (by Dr. U.B.Pavanaja, Prajavani, July 3, 2014). As per this, users of Aircel need not pay for data for accessing Wikipedia.
ଇଣ୍ଟରନେଟରେ ଓଡ଼ିଆ ଅକ୍ଷରସଜ୍ଜା (by Subhashish Panigrahi, Samaja, July 4, 2014).
State of Odia Language in Computing and Future Steps (by Subhashish Panigrahi, Sovereign, July 7, 2014).
ଓଡ଼ିଆ ଭାଷା ବିକାଶର ରାସ୍ତା (by Subhashish Panigrahi, The Sambad, July 23, 2014).
University of Mysore Re-releases Kannada Vishwakosha (Encyclopaedia) under Creative Commons Free License (by Dr. U.B.Pavanaja, July 24, 2014). Leading English and Kannada dailies like Andolana Kannada, City Today, Deccan Herald, Hosa Diganta, Kannada Jana Mana, Kannada Prabha, Rajya Dharma, Samyukta Karnataka, The Hindu, The New Indian Express, Udayavani, Vijaya Karnataka, and Vijaya Vani published about this. Scanned versions of the published articles can be downloaded here.
Wiki Loves Pride 2014 and Adding Diversity to Wikipedia (by Dorothy Howard, Wikimedia Blog, July 25, 2014).
Doctors and Translators Are Working Together to Bridge Wikipedia's Medical Language Gap (by Subhashish Panigrahi, Global Voices, July 27, 2014). This was re-published on the Wikimedia Blog, July 30, 2014.
Classical Odia Language in the Digital Age (by Subhashish Panigrahi, Odisha Review, posted on July 28, 2014). The essay was published in the magazine’s June edition.

Event Organized

Open Knowledge Day (co-organized by Mysore University and CIS-A2K, Kuvempu Institute of Kannada Studies, University of Mysore, July 15, 2014). The event coincided with the Open Knowledge Festival in Berlin from July 15 to 17. Dr. U.B.Pavanaja conducted the event. On this occasion Mysore University released six volumes of Kannada Vishwakosha under the Creative Commons (CC) license.

Participation in Events

National Level Seminar on Computer Application and Odia Language (organized by Institute of Odia Studies and Research, July 6, 2014). Subhashish Panigrahi was a panelist.
Open Knowledge Festival 2014 (organized by Google, Omidyar, et.al., Berlin, July 15 – 17, 2014). Subhashish Panigrahi represented India as the India Ambassador of OpenGLAM local and made a presentation.
#NAMA: The Future of Indic Languages (organized by Medianama, The Oberoi Hotel, Bangalore, July 24, 2014). Subhashish Panigrahi participated in the event.

News and Media Coverage
CIS-A2K team gave its inputs to the following media coverage:

Wikipedia edit-a-thons to add content on LGBTs (by Renuka Phadnis, The Hindu, July 7, 2014).
Font problem hits Odia (by Bibhuti Barik, The Telegraph, July 7, 2014).
Four volumes of Kannada Encyclopaedia digitised (by R. Krishna Kumar, The Hindu, July 12, 2014).
‘ಕನ್ನಡ ವಿಶ್ವಕೋಶ’ಕ್ಕೆ ಇನ್ನು ಲೈಸೆನ್ಸ್ ಹಂಗಿಲ್ಲ (Prajavani, July 14, 2014).
Soon, all 14 volumes of Kannada encyclopaedia to be online (by R. Krishna Kumar, The Hindu, July 15, 2014).
ವಿಕಿಪಿಡಿಯಾಗೆ ಕನ್ನಡ ವಿಶ್ವಕೋಶ (Kannada Prabha, July 15, 2014).
ಕನ್ನಡ ವಿಶ್ವಕೋಶದ ಆರು ಸಂಪುಟ ವಿಕಿಪೀಡಿಯಾಗೆ (Udayavani, July 15, 2014).
ವಿಕಿಪೀಡಿಯಾದಲ್ಲಿ kannada ವಿಶ್ವಕೋಶ : ಈಗ ಆನ್ ಲೈನ್ ನಲ್ಲಿ 6 ಸಂಪುಟಗಳು ಮುಕ್ತ…ಮುಕ್ತ……( Just Kannada, July 15, 2014).
Six Kannada encyclopaedias released (Webindia 123, July 15, 2014).
150 Rare Books Get New Lease of Life Online, Courtesy Students (by Anila Backer, New Indian Express, July 15, 2014).
Open Access: Students help revive and digitize rare books for Malayalam Wiki Library (Spicy IP, July 15, 2014).
'Trolled' from US Congress, Wikipedia bans edits (by Narayan Lakshman, The Hindu, July 25, 2014).
Telugu Wikipedia struggles to stay afloat (by Renuka Phadnis, The Hindu, July 27, 2014).
The joys of being a Wikipedian (by Svetlana Lasrado, New Indian Express, July 29, 2014).
Kannada Wikipedia Presentation (Vijayavani, July 30, 2014).
Kannada Wikipedia Presentation for Kannada Science Writers (Prajavani, July 31, 2014).

►Openness

Blog Entries

Mozilla brings Indian Communities together Twice in One Month (by Subhashish Panigrahi, Mozilla Website, July 8, 2014).
Mozilla Brings Indian Communities Together (by Subhashish Panigrahi, Opensource.com, July 13, 2014).
Department of Biotechnology and Department of Science, Ministry of Science and Technology, Government of India, release Open Access Policy (by Anubha Sinha, July 18, 2014). We have also been acknowledged in the policy.

HasGeek Event

The Fifth Elephant (NIMHANS Convention Centre, July 25-26, 2014). CIS was a community outreach partner.

Media Coverage

Plan for open access to science research (by Renuka Phadnis, The Hindu, July 22, 2014).
Indian Govt looks to provide free access to publicly-funded research works (by Riddhi Mukherjee, Medianama, July 23, 2014).

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Internet Governance
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►Freedom of Expression

As part of our project on Freedom of Expression (funded through a grant from the MacArthur Foundation) to study the restrictions placed on freedom of expression online by the Indian government and contribute to the debates around Internet governance and freedom of expression at forums like ICANN, ITU, IGF, WSIS, etc., we bring you the following outputs:

Blog Entries

ICANN’s Documentary Information Disclosure Policy – I: DIDP Basics (by Vinayak Mithal, July 1, 2014).
Reading the Fine Script: Service Providers, Terms and Conditions and Consumer Rights (by Jyoti Panday, July 2, 2014).
Facebook and its Aversion to Anonymous and Pseudonymous Speech (by Jessamine Mathew, July 4, 2014).
Free Speech and Surveillance (by Gautam Bhatia, July 7, 2014).
Delhi High Court Orders Blocking of Websites after Sony Complains Infringement of 2014 FIFA World Cup Telecast Rights (by Anubha Sinha, July 8, 2014).
GNI and IAMAI Launch Interactive Slideshow Exploring Impact of India's Internet Laws (by Jyoti Panday, July 17, 2014).

FOEX Live

We are also posting a selection of news from across India implicating online freedom of expression and use of digital technology: July 7, 2014.

►Privacy

As part of our Surveillance and Freedom: Global Understandings and Rights Development (SAFEGUARD) project with Privacy International we are engaged in enhancing respect for the right to privacy in developing countries. We have produced the following outputs during the month:

Blog Entries

Models for Surveillance and Interception of Communications Worldwide (by Bedavyasa Mohanty, July 2, 2014).
The Constitutionality of Indian Surveillance Law: Public Emergency as a Condition Precedent for Intercepting Communications (by Bedavyasa Mohanty, July 4, 2014).
UK’s Interception of Communications Commissioner — A Model of Accountability (by Joe Sheehan, July 24, 2014).

Event Report

First Privacy and Surveillance Roundtable (by Anandini K Rathore, July 18, 2014).

Article

Private Censorship and the Right to Hear (by Chinmayi Arun, The Hoot, July 17, 2014). The article was also mirrored on the website of the Centre for Communication Governance.

Participation in Events

Information Influx Conference (organized by the Institute for Information Law, University of Amsterdam, July 2 – 4, 2014). Malavika Jayaram was a speaker.
Consultation to Frame Rules under the Whistle Blowers Protection Act, 2011 (organized by National Campaign for People's Right to Information and Centre for Communication Governance, National Law University, New Delhi, July 5, 2014). Bhairav Acharya participated in the event.
Best Practices Meet (organized by DSCI, Hotel Leela Palace, Bangalore, July 9, 2014). Sunil Abraham was a panelist.
Rethinking Privacy: The Link between Florida v. Jardines and the Surveillance of Nature Films (organized by Indian Institute of Technology, Madras, July 11, 2014). Bhairav Acharya gave a talk.
Region as Frame: Politics, Presence, Practice (organized by International Association for Media and Communication Research, Hyderabad, July 18, 2014). Sunil Abraham was a speaker for these panels: Governing Digital Spaces: Issues of Access, Privacy and Freedom, UNESCO panel debate, and Special Session on Research Paths In and Outside of the Academy.
ICT Awareness Program for Myanmar Parliamentarians (organized by Myanmar ICT for Development Organization, July 26 – 27, 2014, Yangon). Sunil Abraham participated in the event as a speaker and presented on Innovation Ecosystem and Thinking about Internet Regulation.

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News & Media Coverage
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CIS gave its inputs to the following media coverage:

Cyber-crimes shoot up 52% in India over last year (by K.V.Kurmanath, Hindu Businessline, July 2, 2014).
COAI, Centre for Internet & Society to hold pan-India meetings on privacy issues (IANS, July 4, 2014). The news was mirrored in the Times of India , NDTV, Business Standard , Economic Times , and World News.
Living in a Fish Bowl (by Shuma Raha, The Telegraph, July 16, 2014).
Terror recruiters target Indians on internet (by Sandhya Soman, July 18, 2014).
The trouble with trolls (by Vishal Mathur, Livemint, July 22, 2014).
India’s dedicated Cryptology centre gets Rs. 115 crore funding (by Harichandan Arakali, SearchSecurity.in, July 28, 2014).

►Cyber Stewards
As part of its project on mapping cyber security actors in South Asia and South East Asia with the Citizen Lab, Munk School of Global Affairs, University of Toronto and the International Development Research Centre, Canada, CIS conducted 2 new interviews. With this it has finished a total of 19 interviews:

Video Interviews

Lobsang Gyatso Sither (July 31, 2014).

Lobsang Sangay (July 31, 2014).

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Digital Humanities
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CIS is building research clusters in the field of Digital Humanities. The Digital will be used as a way of unpacking the debates in humanities and social sciences and look at the new frameworks, concepts and ideas that emerge in our engagement with the digital. The clusters aim to produce and document new conversations and debates that shape the contours of Digital Humanities in Asia:

Peer Reviewed Article

Asia in the Edges: A Narrative Account of the Inter-Asia Cultural Studies Summer School in Bangalore (by Nishant Shah, Inter-Asia Cultural Studies Journal, Volume 15, Issue 2, July 3, 2014). This is the narrative account of the experiments and ideas that shaped the second Summer School, “The Asian Edge” which was hosted in Bangalore, India, in 2012.

Blog Entry

Reading from a Distance — Data as Text (by P.P. Sneha, July 23, 2014).

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About CIS
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The Centre for Internet and Society is a non-profit research organization that works on policy issues relating to freedom of expression, privacy, accessibility for persons with disabilities, access to knowledge and IPR reform, and openness (including open government, FOSS, open standards, etc.), and engages in academic research on digital natives and digital humanities.

► Follow us elsewhere

Twitter: https://twitter.com/CISA2K
Facebook group: https://www.facebook.com/cisa2k
Visit us at: https://meta.wikimedia.org/wiki/India_Access_To_Knowledge
E-mail: a2k@cis-india.org

► Support Us
Please help us defend consumer / citizen rights on the Internet! Write a cheque in favour of ‘The Centre for Internet and Society’ and mail it to us at No. 194, 2nd ‘C’ Cross, Domlur, 2nd Stage, Bengaluru – 5600 71.

► Request for Collaboration:
We invite researchers, practitioners, and theoreticians, both organisationally and as individuals, to collaboratively engage with Internet and society and improve our understanding of this new field. To discuss the research collaborations, write to Sunil Abraham, Executive Director, atsunil@cis-india.org or Nishant Shah, Director – Research, at nishant@cis-india.org. To discuss collaborations on Indic language Wikipedia, write to T. Vishnu Vardhan, Programme Director, A2K, at vishnu@cis-india.org.

CIS is grateful to its primary donor the Kusuma Trust founded by Anurag Dikshit and Soma Pujari, philanthropists of Indian origin for its core funding and support for most of its projects. CIS is also grateful to its other donors, Wikimedia Foundation, Ford Foundation, Privacy International, UK, Hans Foundation, MacArthur Foundation, and IDRC for funding its various projects.

For more details visit https://cis-india.org/about/newsletters/july-2014-bulletin

Asia in the Edges: A Narrative Account of the Inter-Asia Cultural Studies Summer School in Bangalore

nishant — 2015-04-14T12:47:38Z

The Inter-Asia Cultural Studies Summer School is a Biennial event that invites Masters and PhD students from around Asia to participate in conversations around developing and building an Inter-Asia Cultural Studies thought process. Hosted by the Inter-Asia Cultural Studies Society along with the Consortium of universities and research centres that constitute it, the Summer School is committed to bringing together a wide discourse that spans geography, disciplines, political affiliations and cultural practices for and from researchers who are interested in developing Inter-Asia as a mode of developing local, contextual and relevant knowledge practices.

This is the narrative account of the experiments and ideas that shaped the second Summer School, “The Asian Edge” which was hosted in Bangalore, India, in 2012. The peer reviewed article was published in Inter-Asia Cultural Studies Journal, Volume 15, Issue 2, on July 3, 2014. Click to download the file. (PDF, 95 Kb)

At the heart of the Inter-Asia Cultural Studies (IACS) project has been a pedagogic impulse that seeks to train young students and scholars in critical ways of thinking about questions of the contemporary. The ambition of developing an “Asian way of thinking” is not merely a response to the hegemony of North-Western theory in thought and research, especially in Social Sciences and Humanities. It is also a way by which new knowledge is developed and shared between different locations in Asia, to get a more embedded sense of the social, the political and the cultural in the region. Apart from building a widespread network of researchers, activists, academics and artists who have generated the most comprehensive and critical insights into developing ontological and teleological relationships with Asia, there have always been attempts made to integrate students into the network’s activities. From student pre-conferences that invited students to build intellectual dialogues, to subsidies and fellowships offered to allow students to travel from their different institutions across Asia, various initiatives have inspired and facilitated the first encounter with Asia for a number of young researchers who might have lived in Asian countries but not been trained to understand the context of what it means to be in Asia. Over time, through different structures, such as the institutionalisation of the Inter-Asia Cultural Studies Journal and the growth of the eponymous conference, the IACS has already expanded the scope of its activities, involving new interlocutors and locations in which to grow the environment of critical academic and research discourse.

Building upon the expertise and networks of scholarship developed for over a decade, the IACS Society initiated the biennial Inter-Asia Cultural Studies Summer School, in order to engage younger scholars and students with some of the key questions that have been discussed and contested in the cultural studies discourse in Asia. The IACS Summer School that began in 2010 in Seoul, is a travelling school that moves to different countries, drawing upon local energies, resources and debates to acquaint students with the critical discourse as well as the experience of difference that marks Asia as a continent. The summer school in 2012 was hosted jointly by the Centre for the Study of Culture and Society and the Centre for Internet and Society in Bangalore, India, in collaboration with the Centre for Contemporary Studies at the Indian Institute of Sciences.[1]

For a snapshot of the Summer School, see Table 1 below:

Table 1. The 2012 Inter-Asia cultural studies summer school: a snapshot

The Asian Edge

Core course: Methodologies for Cultural Studies in Asia (2–11 August, 2012)
Optional courses
The Digital Subject / Technology, Culture and the Body (13–16 August, 2012)
Language of Instruction: EnglishHomepage: http://culturalstudies.asia/?page_id=86
Organisers: Centre for the Study of Culture and Society, Bangalore; The Centre for Internet & Society, Bangalore
Host: Centre for Contemporary Studies, Indian Institute of Sciences, Bangalore
Co-organisers: Consortium of Inter-Asia Cultural Studies Consortium Institutions; Institute of East Asian Studies, Sungkonghoe University, Korea
Course Coordinators: Nitya Vasudevan & Nishant Shah
Number of Students: 35 students from 12 Asian countries
Number of Faculty: 17 from 5 Asian countries[2]

Plotting Edges: The Rationale

The second summer school, hosted in August 2012, with the support of the Inter Asia Cultural Studies Consortium and the Institute of East Asian Studies, was entitled “The Asian Edge.” We decided to stay with the metaphor of the Edge because it allowed us to experiment, both conceptually and in process, with new modes of engagement, interaction, knowledge production and pedagogy. The idea of an Asian Edge was interesting because it signalled a de-bordering of Asia. The Edge is also an inroad into that which might have remained invisible or inscrutable to those outside of it. The imagination of an Asian Edge brings in both the imaginations of geography as well as the notion of extensions, where Asia, especially in this hyper-real and geo-territorial age does not remain contained within the national boundaries. Within the Inter-Asia discourse, there has been a rich theorisation around what constitutes Asia and what are the ways in which we can reconstruct our Asianness that do not fall in the easy “Asian Studies” mode of being defined by the West as the ontological reference point. Chen Kuan-Hsing’s (2010) argument in Asia as Method, where he argues that Asia is a construct that emerged out of the Cold War and needs to be deconstructed and unpacked in order to understand the different instances and manifestations of India, have captured these dialogues quite comprehensively. Similarly, Ashish Rajadhyaksha’s (2009) landmark work Indian Cinema in the time of Celluloid marks how questions of nationalism, modernity, governance and technology have been peculiarly and particularly tied to cultural objects and industries such as cinema, not only in negotiations with the post-colonial encounters of India with its erstwhile colonial masters but also with the different locations and imaginations of India. Chua Beng-Huat (2000) in Consumption in Asia similarly points at the ways in which Asia works at different levels of materiality and symbolism, creating communities, connections and commerce in unprecedented ways, not only within Orientalist imagination but in Asia’s own imagination of itself. The Asian Edge was also a way of introducing new thematic interventions in the Inter-Asia Cultural Studies discourse. While the IACS project has invited and initiated some of the most diverse and rich conversations around cultural production—ranging from creative industries to cultural politics; from cultural objects to flows of consumption and distribution—we haven’t yet managed to shift the debates into the realm of the digital. The emergence of digital technologies has transformed a lot of our vocabulary and conceptual framework, but we haven’t been able to translate all our concerns into the fast-paced changes that the digital ICTs are ushering into Asia.

With this summer school, we wanted to introduce the digital and the technological as a central trope of understanding our existing and emerging research within inter-Asia cultural studies. And the edge, borrowing from the Network theories that have their grounds in Computing, Actor-Network modelling and ICT4D discourse, gives us another way of thinking about Asia. As the computing theorist Duncan Watts (1999) points out in his model of our universe as a “small world”, the edge, within networks is not merely the containing limit. It is not the boundary or the end but actually the space of interaction, communication and exchange. An edge is the route that traffic takes as it moves from one node to another. Edges are hence tenuous, they emerge and, with repetition, become stronger, but they also die and extend, morph and mutate, thus constantly changing the contours of the network. The ambition was to refuse the separation of technology from the Cultural Studies discourse, introducing what Tejaswini Niranjana in her work on Indian Language education and pedagogy calls “Integration” (Niranjana et al. 2010) rather than “interdisciplinarity”. It was also to provide a different historical trajectory to technology studies, what science and technology historians Kavita Philip, Lily Irani, and P. Dourish (2010) call “Postcolonial Computing.”

The Asian Edge then became a space where we could consolidate the knowledge and key insights from the Inter-Asia Cultural Studies discourse, but could also open it up to new research, new modes of engagement, and new questions that need the historicity and also the points of departure. These ambitions had a direct impact on both the structure of the Summer School as well as the processes that were subsequently designed
to implement it.

The core course: methodologies for cultural studies in Asia

The Inter-Asia Summer School in Bangalore thus had some distinct ambitions, which were reflected in its structure. While it wanted to reflect the rich heritage of scholarship that has been produced through the decade-long interventions, and give the participating students a chance to engage with these intellectual stalwarts of Asia, it also wanted to reflect some of the more cuttingedge and future-looking work that is also a part of the movement’s younger scholars. Hence, instead of going with the traditional model where the pedagogues teach their own text, explaining the nuances and intricacies of their work, we decided to stage a dialogue between the existing scholarship and emerging work. The curriculum for the summer school was designed by Dr Tejaswini Niranjana, Dr Wang Xiaoming and Nitya Vasudevan, to form the first Inter- Asia Cultural studies reader, reflecting the various trends and debates around different themes that have occurred in the movement. The reader, which served as a basic textbook for the summer school, and has plans to be bilingual (English and Mandarin Chinese), introduced historical thought, critical interventions and conceptual frameworks drawn from different locations within Asia. The reader not only incorporated the scholars whose work has shaped the Inter-Asia cultural studies movement but also the formative modern thought that has been central to the social, cultural and political theorisation in Asia.

However, instead of inviting the scholars whose work has been central to the Inter-Asia Cultural Studies thought, the instructors for the courses were younger critical scholars who are building upon, responding to and entering into a dialogue with the work prescribed in the curriculum. The pedagogy, hence, instead of becoming a “lecture” that synthesises earlier work, became a threeway dialogue, where the students and the instructors were responding to common texts, not only in trying to understand them but also in the context of their own work and interests. Moreover, each session was co-taught, by instructors from different disciplines, locations and geographies, to show how the same body of work can be approached through different entry points and pushed into different directions. The classroom hours, thus became a “workshop” space where the students and the faculty were engaging in a dialogue that sought to make the historical debates relevant to the discussions in the contemporary world. They also showed how the older questions persist across time and space, and that they need to be engaged with in order to make sense of the world around us.

Additionally, the Summer School classroom was designed as a space for collaborative pedagogy. The morning discussions around texts from the readers were followed by students presenting their work as a response to the texts prescribed for the day. Taking up a pecha-kucha format, it invited students to introduce themselves, their work, their context and their interventions and to open everything up for response and dialogue. The ambition was to build a community of intellectual support and interest, so that the students not only forge an affective bond but also a sense of collaboration and commonality in the work that they are already pushing in their existing research initiatives. The faculty for the day, along with some of the senior scholars also attended these presentations and helped tie in some of the earlier questions that might have emerged in the class, to the new material that was being introduced in the space.

While this dialogue around new research was fruitful, we also were aware that there is a huge value in getting the students to interact with some of the more formative scholars whose work was prescribed in the curriculum. Hence, alongside the classrooms, we also hosted three salons that brought some of the significant scholars from the Inter-Asia movement into a dialogue with each other, as well as into a conversation with local intellectuals and activists. The first salon, organised at the artist collaborator 1 Shanthi Road, saw Chen Kuan-Hsing and Tejaswini Niranjana, discussing the impulse of the Inter-Asia movement. Charting the history, the different trajectories and the ways in which it has grown, both through friendships and networks, and intellectual interventions and collaborations, the conversation gave an entrypoint to younger scholars in understanding the politics and the motivation of this thought journey. The second salon, organised at the Alternative Law Forum, had Ding Naifei (Taiwan) and Firdaus Azim (Bangladesh) in conversation with legal sexuality and human rights activists Siddharth Narrain and Arvind Narrain (India) to unpack the politics of rights, sexuality, modernity and identity in different parts of Asia. The third salon, hosted at the Centre for Internet & Society, saw Ashish Rajadhyaksha (India) in conversation with Stephen Chan (Hong Kong) looking at questions of infrastructure, sustainability and the new role that research has to play in non-university and non-academic spaces and networks. The salons were designed to be informal settings for conversations and socialising, giving the summer school students access to the senior faculty outside of the classroom setting.

The summer school also wanted to ensure that the students were introduced to the materiality and the texture of the local, to understand the different layers of modernity and habitation that the IT City of Bangalore has to offer. Hence a local tour, charting the growth of Bangalore from a sleepy education centre to the burgeoning IT City that it has become, guided by curator and artist Suresh Jairam, was included as a part of the teaching. The four-hour walking tour laid bare the different contestations and layers of an IT city in India, showing the liminal markets, local cultures of production, and the ways in which they need to be factored into our images and imaginations of modernity and the IT City. Along with these, there were student parties arranged in different local clubs and institutions of Bangalore, to offer informal spaces of socialising for the students but also to give them a glimpse of what public spaces and cultures of being social might look like in a city such as Bangalore.

The summer school found a new richness because two of the days were twinned with a workshop on Culture Industries, supported by the Japan Foundation, which became a pedagogic space for the summer school participants. The students had a new focus introduced to their work and a chance to meet other scholars and activists in the field from Asia, who presented their work as part of the Summer School. The creative industries workshop also afforded a chance for students to form new connections and collaborations with projects and research initiatives that were being discussed in that forum.

These different components were thus designed and put together as a part of the core course for the Inter-Asia Summer School in Bangalore. Each component had a specific vision and was designed to offer different spaces of learning, pedagogy and interaction for everybody included. The core course was an overview of the diversity and exchange that are parts of the Inter-Asia movement. The course ended with a “booksprint” model where the students, inspired by the conversations at the summer school, were given a day to submit written work that would capture their own learning and growth in the process. The submissions could take the form of an academic essay, a sketch towards a research essay, a blog entry summarising key events from a particular conversation, or a narrative summary of the key points in their own research and how it relates to the conversations at the Summer School. While the core course was compulsory for all the participants, the Summer School also offered two optional elective courses, which the students could opt for after the core course was concluded. The optional courses were designed to introduce students to work and debates that had not yet emerged centrally in the Inter-Asia debates, but were part of their current conversations.

New nodes: Optional courses: the digital subject/technology, culture and the body

The optional courses, which lasted for four days, were a way of introducing the students to some new core debates that are emerging in the Cultural Studies discourse. The courses were designed to specifically concentrate on how the older questions and frameworks are being reworked with the emergence of digital technologies, thus helping students to consolidate their own work and also engage with research initiatives across different parts of Asia.

The first optional course, entitled “The Digital Subject,” was coordinated by Nishant Shah and had lectures by Ashish Rajadhyaksha and Lawrence Liang. It proposed to account for the drastic changes in the relationships between the State, the Citizen and the Markets with the rise of digital technologies in the twenty-first century. The course proposed that as globalisation consolidates itself in Asia, we see changes in the patterns of governance, of state operation, of citizen engagement and civic action. We are in the midst of major revolutions in the Middle East and North Africa, powered by digital social change, some headed by cyber-utopians specialising in Web 2.0 and Social media. Phrases such as “Twitter Revolutions” and “Facebook Protests” have become very common.

Instead of concentrating only on the newness of technology-mediated change, there is a need to engage with the changing landscape of political subjectivity and engagement through a reintegration of science and technology studies with cultural studies and social sciences. The course thus posited certain questions that need to be addressed, within the domain of cultural studies, around the digital: what does a digital subject look like? What are the futures of existing socio-cultural rights based movements? How do digital technologies produce new interfaces for interaction and mobilisation? How do we develop integrated science-technologysociety approaches to understand our technology-mediated contemporary and futures?

Through a series of seminars, workshops, film screening, lectures, and fieldtrips, the course challenged the students not only to look at new objects of the digital but also to ask new questions of the old, inspired by the new methods and frameworks that the digital technologies are opening up for us.

The second optional course entitled “Technology, Culture and the Body” was coordinated by Nita Vasudevan and had Audrey Yue, Ding Naifei, Tejaswini Niranjana, Wing-Kwong Wong, and Hsing-Wen Chang as instructors. The course began with a hypothesis that, at this moment in history, we seem to be embedded in what Heidegger calls “the frenziedness of technology.” Hence, now more than ever, it is important that we try to understand how the gendered body relates to technology, and what this means for the domain of the cultural. For instance, what are the freedoms that technology is said to offer this body? What are these freedoms posed in opposition to? How do we understand technological practice contextually, both historically and in the contemporary? Is it possible to have a notion of the body that is outside technology, and a notion of technology that is outside cultural practice?

The course called for a move away from the idea of technology as a tool used by the human body, or the idea of technology as mere prosthesis or extension, to map the different ways of understanding the relationship
between culture, technology and the body, specifically in the Asian context. It will involve examining practices, cultural formations and understandings that have emerged within various locations in Asia. The course engaged the students in closereadings of key events and texts, hosted workshops to present and critique their own work, and think of collaborative pathways towards future distributed research and pedagogic initiatives that can emerge within the Inter-Asia space.

Both courses had additional assignments that included close-reading of texts, practical field work, critical reflection and collaborative projects completed during the span of the course.

Tying things up: key learnings

The Second Inter-Asia Cultural Studies Summer School was an ambitious structure, and while there were logistical hiccups in the implementation, there were some key learning aspects that need to be highlighted.

Working with tensions. Asia is not a homogeneous unified entity. There are several geo-political tensions that mark the relationships between different countries in Asia. While the academic protocol and individual interest in learning more can help negotiate these tensions, these tensions do play out in different linguistic, cultural and emotional unintelligibility, which becomes part of the pedagogic moment in the Inter-Asia classroom. Orienting the instructors to these tensions, and trying to build a collaborative environment where the students appreciate these tensions and learn to communicate with each other and engage with the different contexts is extremely valuable. In the summer school, we had students helping each other with translation, providing new contexts and critiques for each other’s work, and learning how to engage with the palpable difference of somebody from a different country. These tensions can sometimes slow the content and discussions in the classrooms, but taking it up as a collective challenge (rather than just thinking of it as a logistical problem where students not fluent in English need to be given tools of translation) made for a productive and rich learning environment.
Ownership of community structures. When young scholars from different parts of the world are thrown together for such an intense period of time, it is inevitable that there will be bonds of friendship and belonging that grow. We had debated about whether we should invest in doing online community building by creating platforms, discussion boards and other structures that accompany digital outreach and coordination. However, apart from the initial centralization for applications and programming, we eventually decided to make the participants owners of these activities.’ to give a better sense of the ‘digital structures of community building’. And it was fascinating to see how they formed social networks, blogs, Tumblrs and other spaces of conversation among themselves, making these spaces more vibrant and diverse, thus leading to conversations beyond the summer school.
Infrastructure of participation. The Summer School was an extremely subsidised event thanks to the generous support of the Inter-Asia Cultural Studies Consortium, the Institute of East Asian Studies and the Indian Institute of Sciences, who helped in significantly reducing the costs of registration. The availability of travel fellowships, subsidies, scholarships, and an infrastructure of access cannot be emphasised enough in our experience. Owing to the subsidised costs, the living conditions and the logistics were not optimal. And while the students were extremely cooperative and accommodating with the glitches, we realised that better living conditions and amenities, especially for young students who are travelling to a different country for the first time, are as important as the classroom and the intellectual thought and design. Finding more resources to ease the conditions of travel and living will help build richer conversations inside and outside the classrooms. Sustained efforts to find more funding for a space for the IACS summer school need to be continued.
Selection processes. It was wanted to promote the Inter-Asia movement and hence a first preference was given to students who applied for the summer school through an open call for application. The students were asked to have references from people who have been a part of the movement, and also to send in a brief essay describing their expectations from the summer school. We were scouting for students—given that the numbers we could accept were limited—who were involved in not only learning but also in contributing to the social and political thought of the Inter-Asia movement. We also encouraged students who might not have been a part of a formal education system but are considering further education. Instead of building a homogeneous student base, there was an attempt made to find different kinds of students, from different locations, at different places in their own research work, and with different disciplines and modes of engagement. Scholarships and travel aid were offered to students who we thought deserved to be a part of the summer school but did not have access to university resources for participation. The diversity helped bring a more comprehensive compendium of skills and methods to the table.
Integration and relevance. Younger students often find it difficult to deal with historically formative texts from other contexts because they do not see how this responds to their context or is relevant to their work in contemporary times. Efforts at integrating the different cultures, showing the different trajectories of thought and research within Asia, and at locating the older texts in the context of modern-day research were hugely rewarding and more attempts need to be made to continue this process of making the historical archive of the Inter-Asia Cultural Studies Movement relevant and critical in new research.
Planning the futures. The participants had all indicated that post the Summer School, they would be excited to see what future avenues for participation there could be. With this summer school, we hadn’t looked at modes of sustained engagement with the participants. While they did take the initiative to communicate with each other, the momentum that was generated because of these discussions could not be captured in its entirety because we did not have any formal structures and processes to continue the engagement. Especially if the IACS summer schools are some sort of an orientation into the IACS movement, then there should be more systemic thought given to how those interested in engaging with the questions can do so, through their own academic and institutional locations, but also through different kinds of support structures that continue the conversations and exchange that begin at the Summer School.
Synergy with the local. For us, as well as for the students, the synergy with the local movements, activists, artists and research was fruitful and productive. One of the values of a travelling summer school is that every summer school can take up a particular theme that is locally relevant and weave it into the summer school. For Bangalore, it made logical sense for us to bring questions of Digital Technologies and Identity/Bodies into the course. Even within the core course, there was an effort to integrate these as key questions that open up new terrains of thought and research within Inter-Asia cultural studies. The optional courses, which were introduced for the first time, were exciting and generated a lot of interest and engagement from the participants. Attempts at creating these kinds of synergies need to be supported along with new and experimental modes of pedagogy and learning.

The Second Inter-Asia Cultural Studies Summer School was a great opportunity to harness the potentials of the incredibly rich and diverse network that the IACS movement has built up over more than a decade. For us, it also became a playground where, inspired by the hacker culture and DIY movements that dot the landscape of Bangalore, we experimented with different forms of learning and knowledge production. Involving the students as stakeholders in the process, engaging with them as peers, making them responsible for collaborative learning, and creating spaces of participation and socialisation helped us circumvent many of the problems of language and cultural diversity that might have otherwise crippled the entire process. Pushing these modes of interaction and integration, while also creating an environment of trust, reciprocity and goodwill, is probably even more important than the curriculum and teaching, because these interactions create new nodes and connections, with each student and his/her interaction creating new edges that will hopefully shape and contribute to the contours of critical thought and intervention in Asia.

References

Chen, Kuan-Hsing. 2010. Asia as Method: Toward Deimperialization. Durham and London: Duke University Press.
Chua, Beng-Huat, ed. 2000. Consumption in Asia: Lifestyle and Identities. London: Routledge.
Philip, Kavita, Lily Irani, and P. Dourish. 2010. “Postcolonial Computing: A Tactical Survey.” Science Technology Human Values 37 (1): 3–29.
Rajadhyaksha, Ashish. 2009. Indian Cinema in the time of Celluloid: From Bollywood to the Emergency. New Delhi: Combined Academic Publications.
Niranjana, Tejaswini, et al. 2010. Strengthening Community Engagement of Higher Education Institutions. Bangalore: Centre for the Study of Culture and Society.
Watts, Duncan. 1999. “Networks, Dynamics, and the Small-World Phenomenon.” AJS 105 (2): 493–527.

Author's Biography

Nishant Shah is the Director of Research at the Bangalore-based Centre for Internet & Society, an International Tandem Partner at the Hybrid Publishing Lab, Leuphana University, and a Knowledge Partner with Hivos, in The Hague. He is the editor of the four-volume anthology Digital AlterNatives with a Cause? and writes regularly for the Indian newspaper The Indian Express and for the Digital Media and Learning Hub at dmlcentral.net. His current areas of interest are Digital Humanities, Digital Activism and Digital Subjectivity.

[1]. A mammoth project such as the Inter-Asia Summer School requires resources, support and generosity from family, friends, and colleagues that can never be measured or cited in a note. However, there are a few people who need to be mentioned for their incredible spirits and the resources that they extended to us. Dr Raghavendra Gaddakar at the Centre for Contemporary Studies, Indian Institute of Sciences and his entire staff were patient and hospitable hosts, housing the entire summer school for over a fortnight. The faculty, students and staff at the Centre for the Study of Culture and Society (CSCS) Bangalore helped in designing courses, finding venues and organising events that added to the richness of the summer school. Raghu Tankayala and Radhika P, both at CSCS were our rocks through this process, taking up a lion’s share of logistical arrangements. The help of the entire staff at the Centre for Internet and Society, who were there every step, helping with every last detail, and the Executive Director Sunil Abraham who lent us infrastructure and financial support to organise various events and salons, is unparalleled and I know I would have found it impossible to work without the knowledge that they would always be there to watch my back. All the instructors who agreed to join the teaching crew made this summer school what it became (a full list can be found at http://cis-india.org/internet-governance/iacs-summer-school-2012). Both Nitya Vausdevan and I owe a huge amount of gratitude to the IACS society and the Consortium, as well as the stalwarts of the IACS movement who put faith in our vision, and pushed us, supported us, inspired us and helped us to carry out the different things we had planned. The local partners who make our life worth living—friends and colleagues at 1 Shanthi Road and The Alternative Law Forum—have been our rocks and we cannot thank them enough for their support and encouragement. A special thanks to Daniel Goh, who apart from being a faculty member, also helped us put together the website to manage the workflow for the entire project.

[2]. A full list of instructors and the prescribed curriculum can be found at http://cis-india.org/internet-overnance/iacs-summer-school-2012.

For more details visit https://cis-india.org/raw/digital-humanities/routledge-inter-asia-cultural-studies-volume-15-issue-2-nishant-shah-asia-in-the-edges

Reading from a Distance — Data as Text

sneha — 2015-11-13T05:29:12Z

The advent of new digital technologies and the internet has redefined practices of reading and writing, and the notion of textuality which is a fundamental aspect of humanities research and scholarship. This blog post looks at some of the debates around the notion of text as object, method and practice, to understand how it has changed in the digital context.

The concepts of text and textuality have been central to the discourse on language and culture, and therefore by extension to most of the humanities disciplines, which are often referred to as text-based disciplines. The advent of new digital and multimedia technologies and the internet has brought about definitive changes in the ways in which we see and interpret texts today, particularly as manifested in new practices of reading and writing facilitated by these tools and dynamic interfaces now available in the age of the digital. The ‘text’ as an object of enquiry is also central to much of the discussion and literature on Digital Humanities, given that many scholars, particularly in the West trace its antecedents to practices of textual criticism and scholarship that stem from efforts in humanities computing. Everything from the early attempts in character and text encoding (see TEI) to new forms and methods of digital literary curation, either on large online archives or in the form of apps such as Storify or Scoop it have been part of the development of this discourse on the text. Significant among these is the emergence of processes such as text analysis, data mining, distant reading, and not-reading, all of which essentially refer to a process of reading by recognising patterns over a large corpus of texts, often with the help of a clustering algorithm[1]. The implications of this for literary scholarship are manifold, with many scholars seeing this as a point of ‘crisis’ for the traditional practices of reading and meaning-making such as close reading, or an attempt to introduce objectivity and a certain quantitative aspect, often construed as a form of scientism, into what is essentially a domain of interpretation. But an equal number of advocates of the process also see the use of these tools as enabling newer forms of literary scholarship by enhancing the ability to work with and across a wide range and number of texts. The simultaneous emergence of new kinds of digital objects, and a plethora of them, and the supposed obscuring of traditional methods in the process is perhaps the immediate source of this perceived discomfort. There are different perspectives on the nature of changes this has led to in understanding a concept that is elementary to the humanities. Apart from the fact that digitisation makes a large corpus of texts now accessible, subject to certain conditions of access of course, it also makes texts ‘ massively addressable at different levels of scale’ as suggested by Micheal Witmore. According to him “Addressable here means that one can query a position within the text at a certain level of abstraction”. This could be at the level of character, words, lines etc that may then be related to other texts at the same level of abstraction. The idea that the text itself is an aggregation of such ‘computational objects’ is new, but as Witmore points out in his essay, it is the nature of this computational object that requires further explanation. In fact, as he concludes in the essay, “textuality is addressability” and further...this is a condition, rather than a technology, action or event”. What this points towards is the rather flexible and somewhat ephemeral nature of the text itself, particularly the digital text, and the need to move out of a notion of textuality which has been shaped so far by the conventions of book culture, which look to ideal manifestations in provisional unities such as the book.[2]

The notion of the text itself as an object of enquiry has undergone significant change. Various disciplines have for long engaged with the text - as a concept, method or discursive space - and its definitions have changed over time that have added dimensions to ways of doing the humanities. With every turn in literary and cultural criticism in particular, the primacy of the written word as text has been challenged, what is understood as ‘textual’ in a very narrow sense has moved to the visual and other kinds of objects. The digital object presents a new kind of text that is difficult to grasp - the neat segregations of form, content, process etc seem to blur here, and there is a need to unravel these layers to understand its textuality. As Dr. Madhuja Mukherjee, with the Department of Film Studies, at Jadavpur University points out, with the opening up of the digital field, there are more possibilities to record, upload and circulate, as a result of which the very object of study has changed; the text as an object therefore has become very unstable, more so that it already is. Film is an example, where often DVDs of old films no longer exist, so one approaches the ‘text’ through other objects such as posters or found footage. Such texts also available through several online archives now offer possibilities of building layers of meaning through annotations and referencing. Another example she cites is of the Indian Memory project, where objects such as family photographs become available for study as texts for historiography or ethnographic work. She points out that this is not a new phenomenon, as the disciplines of literary and cultural studies, critical theory and history have explored and provided a base for these questions, but there is definitely a new found interest now due the increasing prevalence of digital methods and spaces. One example of such a digital text perhaps is the hypertext[3]. George Landow in his book on hypertext draws upon both Barthes and Foucault’s conceptualisation of textuality in terms of nodes, links, networks, web and path, which has been posited in some sense as the ideal text. Landow’s analysis emphasises the multilinearity of the text, in terms of its lack of a centre, and therefore the reader being able to organise the text according to his own organising principle - possibilities that hypertext now offers which the printed book could not. While hypertext illustrates the post-structural notion of what comprises an open text as it were, it may still be linear in terms of embodying certain ideological notions which shape its ultimate form. Hypertext, while in a pragmatic sense being the text of the digital is still at the end of a process of signification or meaning-making, often defined within the parameters set by print culture.

But to return to what has been one of the fundamental notions of textual criticism, the ‘text’ is manifested through practices of reading and writing [4]. So what have been the implications of digital technologies for these processes which have now become technologised, and by extension for our understanding of the text? While processes such as distant reading and not-reading demonstrate precisely the variability of meaning-making processes and the fluid nature of textuality, they also seem to question the premise of the method and form of criticism itself. Franco Moretti, his book Graphs, Maps and Trees talks about the possibilities accorded by clustering algorithms and pattern recognition as a means to wade through corpora, thus attempting to create what he calls an ‘abstract model of literary history’. He describes this approach as ‘within the old territory of literary history, a new object of study’...He further says, “Distant reading, I have once called this type of approach, where distance is however not an obstacle, but a specific kind of knowledge: fewer elements, hence a sharper sense of their overall interconnection. Shapes, relations, structures. Forms. Models.” The emphasis for Moretti therefore is on the method of reading or meaning-making. There seem to be two questions that emerge from this perceived shift - one is the availability of the data and tools that can ‘facilitate’ this kind of reading, and the second is a change in the nature of the object of enquiry itself, so much so that close reading or textual analysis is not engaging or adequate any longer and calls for other methods. An example much closer home of such new forms of textual criticism is that of ‘ Bichitra’, an online variorum of Rabindranath Tagore’s works developed by the School of Cultural Texts and Records at Jadavpur University. The traditional variorum in itself is a work of textual criticism, where all the editions of the work of an author are collated as a corpus to trace the changes and revisions made over a period of time. The Tagore varioum, while making available an exhaustive resource on the author’s work, also offers a collation tool that helps trace such variations across different editions of works, but with much less effort otherwise needed in manually reading through these texts. Like paper variorum editions, this online archive too allows for study of a wider number and diversity of texts on a single author through cross-referencing and collation.

As is apparent in the development of new kinds of tools and resources to facilitate reading, there is a problem of abundance that follows once the problem of access has been addressed to some extent. Clustering algorithms have been used to generate and process data in different contexts, apart from their usage in statistical data analysis. The role of data is pertinent here; and particularly that of big data. But the understanding of big data is still shrouded within the conventions of computational practice, so much so that its social aspects are only slowly being explored now, particularly in the context of reading practices. Big data as understood in the field of computing is data that is so vast or complex that it cannot be processed by existing database management tools or processing applications[5]. But if one were to treat data as text, as is an eventual possibility with literary criticism that uses computational methods, what becomes of the critical ability to decode the text - and does this further change the nature of the text itself as a discursive object, and the practice of reading and textual criticism as a result. Reading data as text then also presupposes a different kind of reader, one that is no longer the human subject. This would be a significant move in understanding how the processes of textuality also change to address new modes of content generation, and how much the contours of such textuality reflect the changes in the discursive practices that construct it. Most of the debate however has been framed within a narrative of loss - of criticality and a particular method of making meaning of the world. Close reading as a method too came with its own set of problems - which can be seen as part of a larger critique of the Formalists and later American New Criticism, specifically in terms of its focus on the text. As such, this further contributes to canonising a certain kind of text and thereby a form of cultural and literary production. [6] Distant reading as a method, though also seen as an attempt to address this problem by including corpora, still poses the same issues in terms of its approach, particularly as the text still serves as the primary and authoritative object of study. The emphasis therefore comes back to reading as a critical and discursive practice. The objects and tools are new; the skills to use them need to be developed. However, as much of the literature and processes demonstrate, the critical skills essentially remain the same, but now function at a meta-level of abstraction. Kathleen Fitzpatrick in her book on the rise of electronic publishing and planned technological obsolescence dwells on the manner in which much of our reading practice is still located in print or specifically book culture; the conflict arises with the shift to a digital process and interface, in terms of trying to replicate the experience of reading on paper. Add to this problem of abundance of data, and processes like curation, annotation, referencing, visualisation, abstraction etc acquire increased valence as methods of creatively reading or making meaning of content. [7]

Whether as object, method or practice, the notion of textuality and the practice of the reading have undergone significant changes in the digital context, but whether this is a new domain of enquiry is a question one may ask. Matthew G. Kirschenbaum in his essay on re-making reading suggests that perhaps the function of these clustering algorithms, apart from serving to supplant or reiterate what we already know is to also ‘provoke’ new ideas or questions. This is an interesting use of the term, given that the suggestion to use quantitative methods such as clustering and pattern recognition in fields that are premised on close reading and interpretation is itself a provocative one and has implications for content. The conflict produced between close and distant reading, the shift from print to digital interfaces would therefore emerge as a space for new questions around the given notion of text and textuality. But if one were to extend that thought, it may be pertinent to ask if the Digital Humanities can now provide us with a vibrant field that will help produce a better and more nuanced understanding of the notion of the text itself as an object of enquiry. This would require one to work with and in some sense against the body of meaning already generated around the text, but in essence the very conflict may be where the epistemological questions about the field are located.

References:

Fitzpatrick, Kathleen, “Texts”, Planned Obsolescence – Publishing, Technology and Future of the Academy, New York and London: New York University Press, 2011. pp.89 – 119.
Kirschenbaum, M.G, “The Remaking of Reading: Data Mining and the Digital Humanities”, Conference proceedings; National Science Foundation Symposium on Next Generation of Data Mining and Cyber-Enabled Discovery for Innovation, Balitmore, October 10-12, 2007, http://www. cs. umbc. edu/hillol/NGDM07/abstracts/talks/MKirschenbaum. pdf.
Landow, George. P, Hypertext: The Convergence of Critical Theory and Technology, Balitmore: John Hopkins University Press, 1992 pp 2-12
Moretti, Franco, Graphs, Maps and Trees: Abstract Models for a Literary History, Verso: London and New York, 2005. p.1
Whitmore, Michael , “Text: A Massively Addressable Object”, Debates in the Digital Humanities, ed. Mathew K. Gold, University of Minnesota Press: 2012 pp 324 – 327 http://dhdebates.gc.cuny.edu/debates/text/24
Wilkens, Mathew, “Canons,Close Reading and the Evolution of Method” Debates in the Digital Humanities, ed. Mathew K. Gold, University of Minnesota Press: 2012 pp 324 – 327 http://dhdebates.gc.cuny.edu/debates/text/24

[1] For more on cluster analysis and algorithms see http://en.wikipedia.org/wiki/Cluster_analysis

[2] See Witmore, 2012. pp 324 - 327

[3] A term coined by Theodor H. Nelson, which he describes as “a series of text chunks connected by links which offer the reader different pathways” ( As quoted in Landow, 1991. pp 2-12)

[4] Barthes, 1977. pp 155 - 164

[5] See http://en.wikipedia.org/wiki/Big_data

[6] See Wilkens (2012). pp 249-252

[7] See Fitzpatrick (2011), pp 89 -119

For more details visit https://cis-india.org/raw/digital-humanities/reading-from-a-distance

Living in the Archival Moment

sneha — 2015-11-13T05:27:34Z

The archive has been and continues to be a key concept in Digital Humanities discourse, particularly in India. The importance of the archive to knowledge production in the Humanities, the implication of changes in archival practice with the advent of electronic publishing and digitisation, and the focus on curation as a critical and creative process are some aspects of the debate that this blog post looks at.

In a rather delightful essay titled ‘Unpacking my Library’, published in 1968, Walter Benjamin dwells upon the many nuances of the art of collecting — books in this particular case — on everything from the sometimes impulsive acquisition to the processes of careful selection and classification which go into creating a library. This figure of the collector and practice of collecting are important to our understanding of a central concept in Digital Humanities - the archive - particularly as it occupies a predominant space in the imagination of the field in India, and processes of knowledge production and the history of disciplines in general. The influx of digital technologies into the archival space in the last decade has been an impetus for the large scale digitisation of material, but it has also thrown up several challenges for traditional archival practice, including the preservation of analogue material, the problems of categorising and interpreting large volumes of data, and the gradual disappearance or re-definition of the traditional figure of the collector — a concern echoed across several spaces extending from private online archival efforts to large collaborative knowledge repositories like the Wikipedia. With the questions that the Digital Humanities seems to have posed to traditional notions of authorship or subject expertise, the ‘digital humanist’, when we imagine such a person, can be seen as a reinvention of this figure of the collector — a curator of materials and traces, here of course, digital traces.

The concept of the archive has been important to knowledge production and particularly the development of academic disciplines; whether driven by concerns of the state or the impulses of the market, there have been different ways of defining and understanding the archive, not only as a documentary record of history, but as a metaphor for collective memory and remembrance which includes technology in its very imagination. One of the most elaborate formulations of the archive has been in the work of Jacques Derrida, where apart from proposing the death and preservation drives as primary to the archival impulse, he also highlights the process of archiviation, or the technical process of archive-building that shapes history and memory. Michel Foucault in his concept of the archive looks at it as ‘a system of discursivity which establishes the possibility of what can be said’,[1]thus pointing to the archive as a space not just of preservation but also production, with an impact on the process of knowledge creation. There is today a consensus, at least in its academic understanding that archives cannot be relegated to being self-contained linear spaces of objective historical record, but that archival practice itself has political implications in terms of how collective memory and history, or as indicated by Foucault, histories are preserved and retold through a process of careful selection. Disciplines themselves may therefore be seen as archives of knowledge, and one may stretch this analogy to say that they may also appear as self-contained spaces with restrictions on entry for different ways of remembering and reading. More importantly, the question of what constitutes the archive and what objects or materials may be archived reflects a larger debate about problems with the definition of disciplines and shifting disciplinary boundaries.[2]The issue of access is what several archival and digitisation projects in the early phase of Digital Humanities in the West seemingly sought to address, by ‘opening up’ and animating the archive in some sense through the use of digital technologies, which has allowed one to envisage a model of the networked or conceptual archive developed through a process of sharing and collaboration. However, as is apparent, the conditions of access to such archives and their interpretation have not been problematised enough, if at all, particularly with respect to how they contribute to generating new kinds of knowledge or scholarship. (For more on a theoretical overview of the concept and function of the archive, see the post on ‘Archive Practice and Digital Humanities’ by Sara Morais).

While the focus of Digital Humanities debates in the West now seem to primarily encompass methods of visualising data that the archive is an important source for, in the Indian context it is the ‘incompleteness of the archive’ that still seems to be a bone of contention. Many scholars and practitioners we spoke to see archive creation as one of the key questions of Digital Humanities as it has emerged in India, and the possibilities and challenges that this brings to the fore, (particularly in terms of access to rare materials and extending these debates to regional languages) as something that the field will need to contend with at some point. The role of digital technologies in fostering this activity of archive-building is stressed in these debates. In an earlier monograph titled Archives and Access produced as part of CIS-RAW, Dr. Aparna Balachandran and Dr. Rochelle Pinto trace a material history of archival practice in India, specifically looking at conflicts and debates surrounding state and colonial archives, and the politics of access, preservation and digitisation. The monograph also points towards in some way the move of the archive from being solely the prerogative of the state to now being within the reach of the individual, engendered by increased access to technology, and the ‘publicness’ that the visual nature of the internet fosters. However they also talk of the possibility of continuing forms of state or market control over the archive precisely through the internet and digital technologies, with the nature of individual access and use again being mediated through digitisation. Abhijeet Bhattacharya, Documentation Officer with the archives at the Centre for Studies in Social Sciences, Kolkata who was also part of the Archives and Access project, speaks about this change. From a time even twenty years ago, when it was difficult to define the archive, it has slowly transformed into a practice that encompasses various methods of digitisation and has become increasingly personal. While digitisation may have resolved the problems of physically accessing archives to a large extent, it may not always be the best option, as the archival or analogue material needs to be in good condition so as to make for good digitised copies, thus emphasising the need for preservation. The growth of private collections, which create new kinds of intellectual and nostalgic spaces, have also been important in this shift to archiving the personal and the everyday, though in many instances such material may not be available for public use or consumption. The publicness or hyper-visibility that the visual nature of the internet and digital technologies accords to the archive is seen tied to a narrative of loss here, and against the rhetoric of preservation which is still in many spaces deemed to be the primary function and imagination of the archive.

The increased availability of space for data accumulation due to digital technologies also contributes to a ‘problem of excess’, and that is where curation and building new kinds of tools come in as a critical and creative exercise. Dr. Amlan Dasgupta, Professor of English and director of the School of Cultural Texts and Records, Jadavpur University reiterates this opinion. He talks about the internet as fostering an ‘age of altruism’, where the proliferation of technological gadgets has brought about a culture of voluntarily sharing materials online. This of course challenges notions of authority and brings forth the problems of the unarranged library which Benjamin’s essay also points towards, but the archive can be used as a metaphor to understand how notions of authorship and authority are being challenged as is apparent in the Digital Humanities discourse. The theory-practice divide is also something that ails this particular domain like many others; not only is there an inadequate understanding of how to access and use the archive on the part of students and researchers alike, but there is a lack of standardisation of the practice of archive management and the science itself, in terms of metadata, problems of ownership and copyright, and most importantly inadequate infrastructure, training and expertise on preservation of analogue materials. While it may not be within the ambit of digital humanities to address all of these questions, the renewed interest in archival practice and the diversification of its modes is something is that would continue to be an integral aspect of its practice. In fact what digitisation has also led to is diversity in the modes of documentation itself, and the larger process of archiving, which has important implications for the kinds of questions one may ask within certain disciplinary formations, history being an important example. The nature of material in the archive is never quite the same, so is the manner of working with and interpreting them. Dr. Indira Chowdhury, historian and faculty member at the Srishti School of Art, Media and Design, Bangalore and the Centre for Public History (CPH) speaks of the changes that digital technologies have produced in studying oral history, specifically in terms of recording and interpretation of interviews. The mode of documentation, particularly the digital, adds a new layer to the manner in which the voice, sounds or even silence is recorded or interpreted. Although there are still some basic but crucial obstacles such as with transcription, the digital space may allow for tools that help with more nuanced interpretation of recorded material, and large volumes of it; a possibility that CPH is looking into at the moment. One of the approaches of Digital Humanities may be address these knowledge gaps through critical tool-building, in terms of how one may work with different ways of reading and interpreting material.

The digital archive is one space where many of these questions about the process of archive-creation and the separation between preservation and production that is often made in the existing discourse come into conflict, thus inflating the definition of the term much more. New technologies of publishing, the proliferation of electronic databases and growth of networks that in turn encourage production and the increasing amount of born-digital materials then present new questions for the concept of the archive and scholarship.

The role of technology has been significant in the development of the concept of the archive; in fact the archive, in its very nature would be a technological object, or a space where one can trace a history of the disciplines in relation to technology. The introduction of the digital has added yet another dimension to this question. Dr. Ravi Sundaram, Fellow at the Centre for the Study of Developing Societies, who also initiated the Sarai programme speaks of how the advent of the digital has brought about several shifts in the imagination of the archive, which he sees as two distinct phases. Sarai was one of the early models of a concept driven, networked archive, based on a culture of ‘mailing lists’ that built conversations around topics which in themselves constituted the archive. The shifts came with Web 2.0 with which archiving the everyday became a possibility, given the access to inexpensive gadgets and the pervasiveness of social media. While the model of the networked, curated and public archive still has valence today, a significant next step would be to see how one can extend these questions to thinking differently about the archive, by developing new protocols for entering, sharing and circulation of material, and producing new knowledge or concepts around these ideas. This would be crucial in terms of generating research and scholarship around the archive itself as a concept, and realising the full potential of network-generated information. Another pertinent question is that of infrastructure, which is a political question as well. The investment on infrastructure for the archive is determined by different kinds of interests and will play an important role in how archival efforts will ultimately develop. As Dr. Sundaram reiterates, the point to note is that new archival efforts are not only general repositories, but critical interventions in themselves. They foster new kinds of visibilities, like the Pad.ma archive for example which works with existing footage and reinvents or adds new layers of meaning to it through annotations and citations. This also opens up possibilities for new kinds of questions to be asked about existing material. Private archival efforts, many initiated by individuals are also becoming more niche and specific, driven by a specific research agenda, public interest in conservation or as critical and creative interventions in a particular area. Some examples of this are the Sound and Picture Archives for Research on Women (SPARROW), Pad.ma and Indiancine.ma, the Indian Memory project and Osianama. In some of these examples, the archive may be used as more of a metaphor rather than a description or classificatory term, because of the layers of meaning that they generate around an existing object or ‘trace’. However, while entering the digital space may have enabled more sharing and dissemination of material, how much of these efforts also make their way into larger civil society and policy debates, scholarship and pedagogy is a crucial question. Arjun Appadurai, in an essay titled ‘Archive and Aspiration’, which was also reproduced as part of a research art project,[3] traces the growth of the migrant archive and how electronic mediation shapes collective memory and aspiration. He points out that ‘The archive as a deliberate project is based on the recognition that all documentation is a form of intervention and, thus, that documentation does not simply precede intervention, but is its first step. Since all archives are collections of documents (whether graphic, artifactual or recorded in other forms), this means that the archive is always a meta-intervention. This further means that archives are not only about memory (and the trace or record) but about the work of the imagination, about some sort of social project. These projects seemed, for a while, to have become largely bureaucratic instruments in the hands of the state, but today we are once again reminded that the archive is an everyday tool. Through the experience of the migrant, we can see how archives are conscious sites of debate and desire. And with the arrival of electronic forms of mediation, we can see more clearly that collective memory is interactively designed and socially produced." In another essay reproduced as part of the same project, Wolfgang Ernst talks about the change in the notion of archive from ‘archival space’ to ‘archival time’, in a digital culture, in which the key is the dynamics of the permanent transmission of data. Cyberspace or the internet, according to Ernst produces a new kind of memory culture, which is devoid of organisational memory that is essentially the premise of the traditional text-based archive. He says "In cyber ‘space’ the notion of the archive has already become an anachronistic, hindering metaphor; it should rather be described in topological, mathematical or geometrical terms, replacing emphatic memory by transfer (data migration) in permanence. The old rule that only what has been stored can be located is no longer applicable.13 Beyond the archive in its old ‘archontic’ quality, the Internet generates, in this sense, a new memory culture. Digitalization of analogous stored material means trans-archivization. Linked to the Internet rather than to traditional state bureaucracies, there is no organizational memory any more but a definition by circulating states, constructive rather than re-constructive. Assuming that the matter of memory is really only an effect of the application of techniques of recall, there is no memory. The networked data bases mark the beginning of a relationship to knowledge that dissolves the hierarchy associated with the classical archive."

One can therefore trace the definite shift in the concept and nature of the archive from being a static repository to a critical intervention and creative exercise, and technology being quite integral to its imagination. Most significantly perhaps, the change has been one from the notion of record to that of affect. Archive-building as an affective practice, which has an impact on how knowledge is produced, organised and disseminated is a crucial aspect of meaning-making practices. Related to this is another issue in terms of the amount of data that is available in the archives, which demands new protocols of access and collaboration, and the role of curation in making such data relevant and comprehensible. The notion of the archive or as in this case data as an affective object becomes pertinent here. The problem of excess mentioned by many of the scholars and practitioners would be relevant to the question of big data or big social data; accessing or interpreting such large volumes of information would require critical tools and new kinds of architecture. These shifts also relocate the figure of the collector from traditional practices to new ways of visualising collections and the art of collecting itself, which are now beyond the scope of the human subject. The matter of immediate import here would then be the changes in modes of reading and writing that are brought about by the proliferation of and engagement with big social data. How do we read data, what are changes in reading practices, how do they affect writing and visualisation and what is the nature of the reader thus constructed form some of the areas of exploration for the Digital Humanities, and will be taken up in the forthcoming blogs.

[1]. Foucault quoted in Manoff (2004), p.18.

[2]. Ibid.

[3]. Archive Public is a research art project that looks at bringing together archival art and solidarity actions. See http://archivepublic.wordpress.com/ for more on this.

References

Benjamin, Walter, “Unpacking My Library”, in Illuminations, trans.Harry Zohn, Ed. Hannah Arendt. New York: Schoken Books (1969) pp 59 - 67.
Derrida, Jacques: “Archive Fever: A Freudian Impression”, trans. Eric Prenowitz. Chicago and London: University of Chicago Press (1995).
Manoff, Marlene:” Theories of the Archive from Across the Disciplines.” In: Libraries and the Academy, Vol. 4, No. 1 (2004), pp. 9–25. Copyright © 2004 by The Johns Hopkins University Press, Baltimore, MD 21218. accessed May 5, 2014 :http://dspace.mit.edu/bitstream/handle/1721.1/35687/4.1manoff.pdf?sequence=1.

For more details visit https://cis-india.org/raw/digital-humanities/living-in-the-archival-moment

Not a Goodbye; More a ‘Come Again’: Thoughts on being Research Director at a moment of transition

nishant — 2014-06-15T02:17:06Z

As I slowly make the news of my transition from being the Research Director at the Centre for Internet and Society, Bangalore, to taking up a professorship at the Leuphana University, Lueneburg, Germany, there is a question that I am often asked: “Are you going to start a new research centre?” And the answer, for the most part, is “No.”

Not because I don’t see the value of creating institutional spaces like these or that starting and running CIS has been anything short of a dream, but because I don’t how to. When I tell people I don’t know how CIS came into being, they suspect that I am being either facetious or dismissive. But I am not. If somebody asked me to write an Origin Story for CIS, I would be baffled – or probably sum it up by saying that it happened. There was the germ of an idea, a whole lot of people who responded to it, and like the great Tolkienian epic, it was a story that grew in its telling.

I was 27, when Sunil Abraham, the now Executive Director and I met together in New Delhi, to talk about what a research organisation that represents the public interest at the intersections of Internet & Society would look like. We spent three days in the Delhi heat, coming up with the most fantastic ideas about methods, structures and core areas of interest. It was one of those divine exercises where you build the template for your dream work and then, like a fairy-tale, we had incredible people who came and supported us to make that dream a reality. In six months of that first conversation – I had just turned 28 and was completing the last drafts of my Ph.D. dissertation – CIS got officially registered and with some of the most incredible people, who have been with us, both in their generous affective investment as well as in their intellectual and professional support, we kicked-off a research centre, that has become not only hard to ignore but also significantly important in bringing about scholarly and practice based research around the different facets of how the emergence and widespread reach of the Internet is changing the ways in which we become human, social and political in emerging information societies of the Global South.

In the 7 years since that first conversation started, I have learned so much from CIS and the networks that built around it, that it would be impossible to write an exhaustive account of it. However, as I now take up a new position at the CIS as a member of its board, and continue to collaborate with the on-the-ground teams intellectually, from my new position as a Professor, there are five things I want to dwell upon, more to remind myself of important lessons learned, but also as approaches that the new director and team might want to reference:

Research cannot be individually focused
One of the things that academic training does is that it promotes the idea of an individual researcher. We write, publish, seek grants and present our work, taking individual credit and building a body of work that is centred on us. True, we collaborate and we participate and we are opening up more distributed modes of learning and research, but at the end of the day, there is still an imagination of a research community that is built of individual scholars who work in a happy symbiosis and synthesis.

The biggest lesson I learned with the CIS was that research requires collectives – peers, supporters, and critics – that can help materialise a vision. Instead of trying to do ‘my’ research, it was the first time that I was enabling others’ research. I had a say in building the research vision, and establishing protocols of rigour and review, but to have a dream, and then to share it with others, so that it becomes a collective dream was an incredible experience. It was the beginning of a method that I hope informs all my work, where research methods are constantly going to accommodate for and be shaped by collective visions and approaches rather than just the individual as a lone warrior. More than anything else, it reassures us that we are not alone, either in our triumphs or our road-blocks, and it builds a community of thinkers that is more important than just the single authored outputs that we bring out.
Research requires infrastructure
Institutions are infrastructure. However, our jobs are so segregated, that we don’t always realise the incredible effort that goes into building such institutions and then making them work as efficient infrastructure to support research. It is very rare, in research publications that we thank our everyday office staff, the accounts team that processes the complicated bureaucracies of research funding, the programme managers who create networks and evaluation formats, or the numerous people who perform ‘non-research’ jobs so that we can do the research.

I had worked in project and programme manager positions before CIS. I had also worked as an independent researcher and consultant before that. But this was the first time I actually took the dual responsibility of not only initiating research but also providing the infrastructure for it. And I know that I am a wiser person for it. The intricate world of fund-raising, managing and developing networks, of implementing and monitoring research projects and contracts, and the need to constantly find sustainable options for the research programmes is something that requires an incredible amount of effort and resources. The researchers often are kept away from this world, or we often just ignore the intense quotidian activities that give us the privilege of doing our work, and my time with CIS taught me not only to appreciate this, but also to recognise these tasks as research.
All research must try and answer the ‘So What?’ question
Within academic circles, research has inherent value. We do have the freedom to develop new frameworks and ideas that might not have any immediate relevance and might in fact even fail without seeing the light of day. Academia is privileged because as long as we perform our pedagogic tasks, we have the space to experiment and often work on areas that might not benefit anybody outside the disciplines that we are located in.

At CIS, working at such close quarters with colleagues who are experts in policy and regulation, research became critical for me. It wasn’t research for research’s sake. It was research with a cause. At the same time, making the research relevant was not an exercise in dumbing it down so that it can be reduced to easy implementation. The effort required at making academic and intellectual research accessible, while still retaining its complexity has been a heady experience for me. Since CIS, I have tried to make sure that all research is able to answer the ‘So What?’ question, and every time, it has made the research more robust, more rigorous and having a greater audience and impact than it would otherwise have.
To be a research organisation is to be unafraid
One of the most fantastic things about being a young research organisations was that we were not afraid to voice our opinions and voice them loud. In the last 6 years, CIS has evolved into a strong voice that is not unanimous, but is still clear. We have had disagreements with established research and policy actors. We have critiqued decisions taken by policy and development institutions when we felt that they were flawed. We have provided a critical commentary to different instruments of law and regulation when necessary. We have challenged academic researchers in their methodology as well as in their disconnect from the ‘real world’. And we did it, because early on, the people who guided us, taught us, that research organisations have to be unafraid.

Unafraid, not just to ask tough questions of those outside, but also of asking tough questions internally. The team, as it has grown, has been a smorgasbord of disciplinary and stakeholder locations. We don’t necessarily speak the same language. We don’t also, agree on many critical points. But we never tried to be a consensus generation institute. Instead, we learned to coexist and even collaborate in our differences – it was something that external partners often had problems with. How can one set of people work towards critically opposing a phenomenon when others might actually write in favour of some of the aspects of that same phenomenon? How is it possible that some in the institute have great collaborations with a network that the others critique persistently in their work? These tensions, for me, have been generative and I hope that they continue, both in the institution but also in my future work.
Researchers are people too
This is one of the strangest things to realise, but it is a good lesson to remember. Academia and research work through abstractions. At some point, the researchers become names. They become only a body of work, a certain number of words. But dealing with researchers is to deal with human beings. We have to remember that researchers, while they are often driven and passionate and unable to extricate their lives from their work, do have lives and bodies and socialities that need to be managed. Institutions often get driven by matrices of measurement and politics of promotion and evaluation, at the neglect of the people who actually build it. The constant push at CIS was to recognise that we are all too human in our everyday lives. And to build work environments, relationships and spaces that nurture the people we work with is the primary responsibility of all research.

These points are probably too vague, but this blog post is already too long. I just wanted to take this opportunity to write some ‘Notes to the self’ about things that have been the most important to me in being the co-founder and Research Director at the Centre for Internet and Society. And now, it is time for me to move on. I want to place myself in an academic setting where I learn, I get some headspace to think and write, and do the one thing that I enjoy the most – teach. Starting 1st October 2014[*] I am stepping down as the Research Director and taking up a professorship in a new and exciting university, designing courses and research agendas at the intersections of internet studies, media studies, culture studies and aesthetic studies, bringing together some of my most passionate areas of interest. However, I continue to be interested and invested in CIS’ institutional growth. I shall be a part of the search committee as we invite a new Research Director in the Bangalore office, I shall be a part of the Board that governs the CIS, and I shall always think of CIS as my home, continuing mentoring and implementing existing collaborations but also building more, especially towards the pedagogic and knowledge production side of things.

When the final decisions about this transition were made last week, I had thought I would be emotional and heart broken. Instead, I only feel excited. I have a wonderful set of colleagues in Bangalore, and they, in turn, are at the centre of networks of support, love, empathy and trust. CIS will benefit from having a new Research Director who will bring new visions, new methods, new processes and infrastructure to the table, and I hope that as my own academic career grows, I shall find myself returning to CIS in different capacities and roles, both for what I could contribute to it, but also for what I continue to learn from the rich range and variety of activities that it anchors.

[*].For me, this is not a goodbye, but just a change in roles at the CIS. I will continue to use my CIS credentials and email address, and will be found on the existing contact details there for any queries or interactions with and on behalf of the CIS. So no need to change your address books, just yet.

For more details visit https://cis-india.org/raw/not-a-goodbye-more-a-come-again

Production Sprint — A Public Exhibition at CIS

praskrishna — 2015-10-24T14:23:30Z

The Making Change project invites you for a public exhibition of stories of change from all over Asia, where the first of its Production Sprints will take place. The exhibition will be held at the Centre for Internet and Society (CIS) office in Bangalore on June 7, 2014 between 5 p.m. and 7 p.m.

Download the event flier [PDF, 402 Kb]

What does 'Making Change' mean to you? What are the processes of change? The infrastructure of change? The actors of change? A round-table discussion and exhibition by 23 change makers from 15 countries in Asia, at the Centre for Internet & Society, Saturday, 7th June, 5 - 7 p.m. Please do come.

The Making Change project questions traditional understandings of change –where change is employed in the name of power, reduced to a ‘spectacle’ by global media and goes largely unquestioned in the public discourse- and aims to build more adequate frameworks to address the idea of change in the context of common knowledge, networked media and information societies.

Making Change is hosting focused, intensive, and production-oriented workshops called Production Sprints to facilitate the convergence of actors and ideas.These will be spaces of knowledge exchange between change-makers around processes, narratives and experiences of change and of experimentation with multi-modal forms and formats of knowledge production (text, image, sound, etc). Participants will be asked to group around four topics: concepts, crises ecologies and networks of change. These visions and practices, we hope will produce new ways of thinking about change.

During the Bangalore production sprint, we will document the various knowledges acquired through the pre-production stage and the 5 day intensive sessions on formats, storytelling and visual presentation modes; and we will close with an exhibition of the resulting narratives of change. We invite you to come and participate in the exhibition.

Date: June 7th, 2014
Time: 5pm- 7pm
Location: The Center for Internet and Society

For more details visit https://cis-india.org/digital-natives/events/production-sprint-public-exhibition-at-cis

April 2014 Bulletin

praskrishna — 2014-07-04T03:38:00Z

The newsletter for the month of April can be accessed below:

We at the Centre for Internet & Society (CIS) welcome you to the fourth issue of the newsletter (April) for the year 2014. Archives of our newsletters can be accessed at: http://cis-india.org/about/newsletters

Highlights

We have published a compilation of the various central government schemes in a blog post as part of our National Resource Kit project.

The 27^th session of the WIPO Standing Committee on Copyright and Related Rights (WIPO-SCCR) was held in Geneva from April 28 to May 2, 2014. Nehaa Chaudhari participated in the event. CIS made its statements on Technological Measures of Protection on Limitations and Exceptions for Libraries and Archives, Orphan Works, Retracted and Withdrawn Works, and Works out of Commerce on Limitations and Exceptions for Libraries and Archives, and on the WIPO Proposed Treaty for the Protection of Broadcasting Organizations.
CIS signed a memorandum of understanding (MoU) with Mysore University for converting to Unicode and re-releasing their encyclopaedia under Creative Commons License. Dr. U.B. Pavanaja on behalf of the CIS-A2K team signed the MoU.
A two-day global stakeholder meeting on future of internet governance (NETmundial) was organized by the Brazilian Internet Steering Committee in partnership with /1Net at Sao Paulo in Brazil on April 23 and 24, 2014. Achal Prabhala participated in the event. As part of its research to enable productive discussions of the critical internet governance issues at the meeting and elsewhere CIS published a total of 16 blog entries.
We conducted an empirical study of five separate and diverse banks (State Bank of India, Central Bank of India, ICICI Bank, IndusInd Bank, and Standard Chartered Bank) to gain a practical perspective on the existing banking practices and policies in India, and published a Banking Policy Guide.
As part of the Making Change project Denisse Albornoz interviewed Tuhin Paul, an artist and storyteller behind Menstrupedia, an India-based social venture creating comics to shatter the myths and misunderstandings surrounding menstruation around the world. Denisse provides an analysis of ‘menstrual activism’ — a movement that despite its trajectory in feminism remains unnoticed in most accounts of traditional and digital activism.
Six research studies were commissioned by HEIRA-CSCS (over November 2013-March 2014) as part of the collaborative exercise with CIS to map the Digital Humanities within a broad rubric of exploring changes at the intersection of youth, technology and higher education in India. P.P.Sneha in her blog post presents a broad overview of some of the key learnings from these projects.

Jobs
CIS is seeking applications for the post of Programme Officer (Access to Knowledge). There are two vacancies for this post one in Delhi and one in Bangalore. To apply, please send your resume to Sunil Abraham (sunil@cis-india.org), Nirmita Narasimhan (nirmita@cis-india.org) and Pranesh Prakash (pranesh@cis-india.org) with three writing samples of which at least one demonstrates your analytic skills, and one that shows your ability to simplify complex policy issues.

Accessibility and Inclusion

Under a grant from the Hans Foundation we are doing two projects. The first project is on creating a national resource kit of state-wise laws, policies and programmes on issues relating to persons with disabilities in India. We compiled the first draft of the kit (29 states and 6 union territories). The chapters along with the quarterly reports can be accessed on the project page. The second project is on developing text-to-speech software for 15 Indian languages. The progress made so far in the project can be accessed here.

NVDA

Monthly Update

NVDA e-Speak Text-to-Speech Project Update (by Suman Dogra, April 28, 2014).

National Resource Kit

Blog Entry

Central Government Schemes (by Anandhi Viswanathan and CLPR, April 27, 2014).

Other

Blog Entry

Polling Pains (by Amba Salelkar, April 30, 2014).

Media Coverage

Are Elections Fair to People With Special Needs? (by Papiya Bhattacharya, New Indian Express, April 8, 2014).
Enabling Elections (Vijay Karnataka, April 9, 2014). This was published in Kannada.

Access to Knowledge

As part of the Access to Knowledge programme we are doing two projects. The first one (Pervasive Technologies) under a grant from the International Development Research Centre (IDRC) is for research on the complex interplay between pervasive technologies and intellectual property to support intellectual property norms that encourage the proliferation and development of such technologies as a social good. The second one (Wikipedia) under a grant from the Wikimedia Foundation is for the growth of Indic language communities and projects by designing community collaborations and partnerships that recruit and cultivate new editors and explore innovative approaches to building projects.

WIPO SCCR

Participation in Events

Standing Committee on Copyright and Related Rights: Twenty-Seventh Session (organized by WIPO, Geneva, April 28 – May 2, 2014). Nehaa Chaudhari participated in the event. France, Greece, India and the European Union signed the Marrakesh Treaty. CIS delivered statements on Technological Measures of Protection on Limitations and Exceptions for Libraries and Archives, Orphan Works, Retracted and Withdrawn Works, and Works out of Commerce on Limitations and Exceptions for Libraries and Archives, and on the WIPO Proposed Treaty for the Protection of Broadcasting Organizations. Transcripts of the discussions can be accessed here.

Blog Entries

Report on CDIP-12 (by Puneeth Nagraj, April 22, 2014).
Signing and Ratification of the Marrakesh Treaty to Facilitate Access to Published Works for Persons who are Blind, Visually Impaired, or Otherwise Print Disabled (by Nehaa Chaudhari, April 25, 2014).
Report on the WIPO Director General’s Meeting with NGO’s (by Puneeth Nagraj, April 30, 2014).

Media Coverage

Is the WIPO Treaty for Broadcasters Moving Forward at SCCR 27? (by Manon Ress, Knowledge Ecology International, April 29, 2014).
At WIPO, Authors, Civil Society Watchful of Rights for Broadcasters (by Catherine Saez, IP Watch, May 1, 2014).

Other

Event Organized

NASA International Space Apps Challenge 2014 (CIS, Bangalore, April 12 – 13, 2014).

Blog Entries

Online Survey for Indian Mobile App Developer Startups & Enterprises (by Samantha Cassar, April 9, 2014).
App Developers Series: Services, Products, Dichotomy & IP – Part I (by Samantha Cassar, April 10, 2014).
Report on CDIP-12 (by Puneeth Nagraj, April 22, 2014).
Report on the 31st Session of the Standing Committee on Trademarks (by Puneeth Nagraj, April 29, 2014).

Wikipedia

The following has been done under grant from the Wikimedia Foundation:

Announcement

CIS Signs MoU with Mysore University (by Dr. U.B.Pavanaja, April 16, 2014): for converting to Unicode and re-releasing their encyclopaedia under Creative Commons License. Dr. U.B. Pavanaja on behalf of the CIS-A2K team signed the MoU. The signing event took place earlier on February 22, 2014.

Articles

Vachana Sanchaya: Bringing Access to 11th century Kannada Literature (by Subhashish Panigrahi, April 3, 2014)
୭୯ ବର୍ଷରେ ସ୍ୱତନ୍ତ୍ର ଓଡ଼ିଶା: ଶାସ୍ତ୍ରୀୟ ଓଡ଼ିଆ ଓ କମ୍ପ୍ୟୁଟରରେ ଏହାର ବ୍ୟବ‌ହାର (by Subhashish Panigrahi, Amalekha, April 4, 2014).
ଓଡ଼ିଅା ଭାଷାର ବିକାଶ ଓ କମ୍ପ୍ୟୁଟର (by Subhashish Panigrahi, The Kadambini, April 8, 2014).
Report from India: Relicensing books under CC (by Subhashish Panigrahi, Creative Commons Blog, April 19, 2014).
14 Odia books re-released under Creative Commons license (by Subhashish Panigrahi, DNA, April 26, 2014). The article was edited by Rohini Lakshane.

Events Organized

Tulu Wikipedia Workshop (organized by CIS-A2K, Balmatta Computer Centre, Mangalore, April 5, 2014). Dr. U.B.Pavanaja conducted the workshop.
Konkani Wikipedia Workshop (co-organized by All India Konkani Writers Organization and CIS-A2K, Kalaangann Shaktinagar, April 6, 2014). Dr. U.B.Pavanaja conducted the workshop.
Tulu Wikipedia Editathon (co-organized by Karnataka Theological College and CIS-A2K, Mangalore, April 19, 2014). Dr. U.B.Pavanaja conducted the workshop.

Participation in Events

Wikipedia Session for Trainee Journos (organized by Prajavani, Bangalore, April 28, 2014). Dr. U.B.Pavanaja took a session for the trainee journalists of Prajavani Kannada daily on Wikipedia.
World Book Day (organized by Karnataka Publishers’ Association, Indian Institute of World Culture, Basavanagudi, Bangalore, April 23, 2014). Dr. U.B.Pavanaja was a speaker.
Relevance of Bhagabat Tungi in the evolution of Odia language from Buddha era to digital age (organized by The Intellects, Shree Jagannath Mandir and Odisha Art and Cultural Center, New Delhi, April 24, 2014). Subhashish Panigrahi participated in the event.

Media Coverage
CIS gave its inputs to the following media coverage:

M'lore: Wikipedia Workshop held for Konkani writers (Daijiworld, April 6, 2014).
Odia Loves Wikipedia (Rising Voices, April 10, 2014). This was also published in Spanish and in Russian.
International Book Day (The Hindu, April 21, 2014).
Books are a bridge between generations (The Deccan Herald, April 23, 2014).
World Book Day Report (Vijaywani, April 23, 2014).
Seminar on Odia Language in New Delhi by the Intellects (Odisha Samachar, April 24, 2014).
Delhi meet focuses on Bhagabat Tungi revival (The Pioneer, April 26, 2014).

Internet Governance

As part of its research on privacy and free speech, CIS is engaged with two different projects. The first one (under a grant from Privacy International and International Development Research Centre (IDRC)) is on surveillance and freedom of expression (SAFEGUARDS). The second one (under a grant from MacArthur Foundation) is on studying the restrictions placed on freedom of expression online by the Indian government.

NETmundial

As part of its participation in the NETmundial event organized in Brazil by Brazilian Internet Steering Committee in partnership with /1Net at Sao Paulo on April 23 and 24, 2014 CIS produced a total of 16 outputs:

Sumandro Chattapadhyay produced these visual representations: Comparing Appearance of Fifty Most Frequent Words, Contributions by Countries of Origin, Contributions by Types of Organisation, Which Countries Have Not Submitted Contributions to NETmundial?, Which Governments Have Not Submitted Contributions to NETmundial?, Word Clouds of Contributions by Types of Organisation and Tracking *Multistakeholder* across Contributions. Achal Prabhala participated in the event and wrote these: Day 0, Day 1, and Day 2. Transcript of the NETmundial for archival purposes was made available by Pranesh Prakash. Smarika Kumar produced two research outputs: NETmundial and Suggestions for IANA Administration and Accountability of ICANN. Geetha Hariharan wrote two blog posts: Marco Civil da Internet: Brazil’s ‘Internet Constitution’ and Brazil passes Marco Civil; the US-FCC Alters its Stance on Net Neutrality. Jyoti Panday wrote one blog post: NETmundial Roadmap: Defining the Roles of Stakeholders in Multistakeholderism.

Privacy

Analyses

Report of the Group of Experts on Privacy vs. The Leaked 2014 Privacy Bill (by Elonnai Hickok, April 14, 2014).
Banking Policy Guide (by Elonnai Hickok, April 22, 2014).
The Embodiment of the Right to Privacy within Domestic Legislation (by Tanvi Mani, April 29, 2014).

Articles

Who Governs the Internet? Implications for Freedom and National Security (by Sunil Abraham, Yojana, April 4, 2014).
Privacy Law in India: A Muddled Field – I (by Bhairav Acharya, The Hoot, April 15, 2014).
Very Big Brother (by Sunil Abraham, GeneWatch, January – April 2014 Issue).

Blog Entry

South African Protection of Personal Information Act, 2013 (by Divij Joshi, April 16, 2014).

Participation in Events

Milton Wolf Seminar on Media and Diplomacy: The Third Man Theme Revisited: Foreign Policies of the Internet in a Time Of Surveillance and Disclosure (jointly organized by the Center for Global Communication Studies (CGCS) at the University of Pennsylvania’s Annenberg School for Communication, the American Austrian Foundation (AAF), and the Diplomatic Academy of Vienna (DA), Vienna, March 30 – April 1, 2014). Nishant Shah participated in the event as a panelist.
GSMA Partners Meeting (organized by Privacy International, London, April 9, 2014). Elonnai Hickok participated in this meeting.
The Critical Life of Information (organized by Yale University, 100 Wall Street, April 11, 2014). Nishant Shah spoke in the panel on Big Data and Governance. Malavika Jayaram spoke in the panel on Big Data and the Arts.
Round-table on User Safety on the Internet (organized by Consumer Voice and Google, Infantry Road, Bangalore, April 24, 2014).
6th Biannual Surveillance and Society Conference (organized by Eticas Research and Consulting, University of Barcelona and CCCB, April 26 – 24, 2014). Malavika Jayaram gave a talk on “Biometrics in beta: experimenting on a nation (while normalising surveillance for 1.2 billion people)”.

Other

Articles

Between the Local and the Global: Notes Towards Thinking the Nature of Internet Policy (by Nishant Shah, cgcsblog, April 1, 2014).
Networks: What You Don’t See is What You (for)Get (by Nishant Shah, April 17, 2014).

News & Media Coverage

CIS gave its inputs to the following media coverage:

Two Indians in Global Commission on Web Governance (April 1, 2014): Sunil Abraham was named as one of the experts. This was published in Outlook, Economic Times, and in Matters India.
The Take Down of Free Speech Online (Newslaundry, April 1, 2014): CIS research on Intermediary Liabilities is quoted.
The politics of Facebook (by Shweta Tiwari, April 1, 2014).
New privacy Bill more refined & has wider ambit, say experts (by Surabhi Agarwal, Business Standard, April 2, 2014).
Should Nandan Nilekani's Aadhaar project, for identity proof and welfare delivery, exist at all? (by M. Rajshekhar, April 3, 2014).
Lok sabha polls: Social media companies launch special pages for polls (by Varuni Khosla, Economic Times, April 10, 2014).
Parties give short shrift to privacy (by Pratap Vikram Singh, GovernanceNow.com, April 12, 2014).
No party's got a clear stand, Aadhaar's fate hangs in balance (by Pratap Vikram Singh, GovernanceNow.com, April 13, 2014).
'India wants core internet infrastructure' (by Indrani Bagchi, April 24, 2014).
India for inclusive internet governance (by Indrani Bagchi, April 25, 2014).
Facebook launches FB Newswire for journalists; loses part of its immunity under IT Act 2000 (by Amrita Madhukalya, DNA, April 26, 2014).

Digital Humanities

CIS is building research clusters in the field of Digital Humanities. The Digital will be used as a way of unpacking the debates in humanities and social sciences and look at the new frameworks, concepts and ideas that emerge in our engagement with the digital. The clusters aim to produce and document new conversations and debates that shape the contours of Digital Humanities in Asia:

Blog Entries

Confession in the Digital Age (by Rimi Nandy, April 14, 2014).
Animating the Archive – A Survey of Printed Digitized Materials in Bengali and their Use in Higher Education (by Saidul Haque, April 14, 2014).
‘Doing’ Digital Humanities: Reflections on a project on Online Feminism in India (by Sujatha Subramanian, April 14, 2014).
The Machinistic Paradigm Collapse (by Anirudh Sridhar, April 14, 2014).
Exploring the Digital Landscape: An Overview (by P.P.Sneha, April 14, 2014).
Digital Humanities and the Problem of Definition (by P.P.Sneha, April 25, 2014).

Digital Natives

CIS is doing a research project titled “Making Change”. The project will explore new ways of defining, locating, and understanding change in network societies. Having the thought piece 'Whose Change is it Anyway' as an entry point for discussion and reflection, the project will feature profiles, interviews and responses of change-makers to questions around current mechanisms and practices of change in South Asia and South East Asia:

Making Change Project

Blog Entry

Multimedia Storytellers: Panel Discussion (by Denisse Albornoz, April 16, 2014).
From Taboo to Beautiful – Menstrupedia (by Denisse Albornoz, April 30, 2014).

Telecom

CIS is involved in promoting access and accessibility to telecommunications services and resources and has provided inputs to ongoing policy discussions and consultation papers published by TRAI. It has prepared reports on unlicensed spectrum and accessibility of mobile phones for persons with disabilities and also works with the USOF to include funding projects for persons with disabilities in its mandate:

Event Organized

Tech Talk: Landscape of Wireless Communications & Electromagnetic Spectrum (CIS, Bangalore, April 28, 2014). A. Radha Krishna gave a talk on wireless communication technologies.

About CIS

The Centre for Internet and Society is a non-profit research organization that works on policy issues relating to freedom of expression, privacy, accessibility for persons with disabilities, access to knowledge and IPR reform, and openness (including open government, FOSS, open standards, etc.), and engages in academic research on digital natives and digital humanities.

► Follow us elsewhere

Twitter: https://twitter.com/CISA2K
Facebook group: https://www.facebook.com/cisa2k
Visit us at: https://meta.wikimedia.org/wiki/India_Access_To_Knowledge
E-mail: a2k@cis-india.org

► Support Us

Please help us defend consumer / citizen rights on the Internet! Write a cheque in favour of ‘The Centre for Internet and Society’ and mail it to us at No. 194, 2nd ‘C’ Cross, Domlur, 2nd Stage, Bengaluru – 5600 71.

► Request for Collaboration:
We invite researchers, practitioners, and theoreticians, both organisationally and as individuals, to collaboratively engage with Internet and society and improve our understanding of this new field. To discuss the research collaborations, write to Sunil Abraham, Executive Director, at sunil@cis-india.org or Nishant Shah, Director – Research, at nishant@cis-india.org. To discuss collaborations on Indic language Wikipedia, write to T. Vishnu Vardhan, Programme Director, A2K, at vishnu@cis-india.org.

For more details visit https://cis-india.org/about/newsletters/april-2014-bulletin

Reaping the Benefits of Gamification

dipali — 2015-10-24T14:24:55Z

As a part of the Making Change blog-post series, in this post we will identify a new technique: gamification. This technique is being used for sustainable environment conservation by modern day change-makers. We interview two out of three co-founders of Reap benefit- Kamal Raj and Gautam Prakash who believe in the adoption of more sustained environmental practices that induce social change towards conserving the environment.

CHANGE-MAKER: Kamal Raj,Gautam Prakash and Kuldeep Dantewadia
 
ORGANISATION: Reap Benefit 

METHOD OF CHANGE: Gamification and Human centric systems for consistent behavior change towards better waste-water-energy management. 

STRATEGY OF CHANGE: Building a new era of environmentally conscious youth in India through technology and an interdisciplinary approach to change.

We depend on the environment and the resources that it provides us, but surprisingly we are unaware of the effects of its depletion and the need to save these resources. A few of the problems that people now face are with resources like- water,waste and energy because we do not acknowledge the fact that we are wasting them unconsciously. This only triggers the need for more and more solutions which would change the way people perceive the resources and realize the need to conserve. While trying to start an initiative to come up with some solutions to manage these resources, we are approached by the question of the accessibility, affordability and sustainability of those solutions. The solutions and the practice of that solution is a two-way process for any sustainable making-change initiative.

In this post I will be introducing to you Reap Benefit and the technique of Gamification. I will bring out a comparative analysis of the various definitions by renowned gaming authorities across the world who are involved in the process of using games in non-game contexts to bring out change in the offline space. Only after this, will I be acknowledging the importance of the strategies used by Reap Benefit for making these solutions sustainable. The strategies will be- human centric solutions and gamification. Then, I will bring out the connection between these two strategies to provide you an inter-disciplinary understanding of the making change process. Next, these strategies will be coupled with the discussion on the use of technology to speed-up the process. Also, throughout this post we will be referring to the blog- Methods of Social Change written by Denisse Albornoz and we will also make an attempt to answer the questions- 'Who,Where,How' of this making change project in relation to Reap Benefit. The blog post can be accessed here.

Before the journey of the post, I would like you to read this little success story narrated by Kamal Raj in the interview that led Reap benefit a step higher in its aim for making change:

Reap benefit went to a school which received only 400 litres of water supply a day resulting in poor health and care conditions. This water would be used for washing their plates after the mid-day meal and also for sanitation systems. This would only make the place a platform for water, food and breeding mosquitoes all together. Since the students usually consumed food with their right hand, while taking the plate to wash it, they would leave the plates at one side; they would open the tap with their left hand, would take their plates again and start washing them. During this time interval, they would waste a lot of water.

As, a solution to this, Reap Benefit changed the taps which would discharge 60% less of water. They also created a clean water purification system. Now, with the same 400 litres of water, students washed their plates and adopted better sanitation practices. The challenges that they faced actually made them innovate better systems for remarkable change.

Think about these questions for a minute..

Does this story relate to physical needs?
Does this story relate to creative problem solving?
Is it a story that brings out better affordable solutions?
With this solution were the students benefited?
Was this a successful idea?

Reap Benefit

First of all, take a look at a brief introduction of Reap Benefit given by Kamal Raj:

Kamal: "Reap Benefit works to implement affordable solutions, enabling quantifiable waste-water-energy management systems, as a way to facilitate behavioural change by engaging the head, hand and heart of the user. Having worked with many people, we have realized that behaviour modification allows for more sustained adoption of environment sustainability practices. We take them through a 4-stage behavioural change process – ‘Unconsciously Wrong’, ‘Consciously Wrong’, ‘Consciously Right’ and ‘Unconsciously Right’ (we will understand this process later in the post). A link to the website is here- Reap Benefit."

Reap Benefit is bound together by the deep concern for the environment they have and the dead-lock issues that it faces. They aim for affordable solutions with maximum impact in the least time. Kamal marks that they work only with the students within the age group 10-16, because the use gamification is most effective in this age group. Also, he makes an addition to that by saying the rewards the older age groups demand are not as easy-to-meet as those of the age group they work with. It also aims to co-create experiences by working hands on with the youth: their target audience for creating change.

It is said that the more you practice the better you get. By this, I would like to introduce you to the concept of quotidian activism. Reap Benefit deeply believes in this concept. But, what does quotidian activism mean? A working definition is: the form of activism occurring everyday. This form of activism may lead to people making actions sustainable and achieve consistent behavioural change, supported by products and innovations provided by Reap Benefit (later in this post, I will introduce you to some of these innovations).

Finally, Reap Benefit highly focuses on the need to answer the ‘why’ behind the problem. This answer would provide a more personal understanding of the problem for creating change. By engaging the participant with the 'why', he will also be able to evaluate the impact and the benefits of his actions, take ownership of the problem and comprehend the need for innovation.

What is 'change' for Reap Benefit?

Presuming every organization has its own design to making change, Reap Benefit's understands it in the following way:

Gautam: “Change for us is a very sub-conscious part of your life. (It is also a) two stage process- knowledge: which will tell us we need solution and the solution. The knowledge will tell you that you are unconsciously doing the wrong thing. Then when you realize it, you go to a stage of consciously wrong. When you keep doing this you reach a stage when you know that you are consciously doing right, and soon, you are doing it every single day and then you unconsciously do it.”

I will attempt to understand their process of change by adding that this 'to be good' drive in the individual or the need for public approval is what makes them do unconsciously right everyday, and then it is only the last stage what makes it a habit. Gautam also mentions that each of these stages has an impact of its own and altogether, they become more powerful. This change process will lead to sustainable change according to him.

We have seen the change agents that are vital to create change, but how is this change executed? In the next section we will look at two strategies used for making change: gamification and human-centred design and later, we will only try to produce a connection between them.

Discovering Gamification

In this section, we will unpack the first part of the 'how' question. First of all, we will compare the various definitions of the technique given by people involved in understanding the use of game elements in the non-game contexts, to create change in the emotional and social behaviour of people. The definitions of these three people in the big list of so-called gamification authorities will be used provides us with keywords for a comparative understanding of what the technique means. These three people are:

JANE McGONIGAL: She is an American game designer and author who advocates the use of mobile and digital technology to channel positive attitudes and collaboration in a real world context.

GABE ZICHERMANN: He is an author, public speaker, and self-described "serial entrepreneur." He has worked as a proponent of leveraging game mechanics in business, education, and other non-entertainment platforms to increase user engagement through gamification.

JESSE SCHELL: He is an American video game designer an acclaimed author, CEO of Schell Games and a Distinguished Professor of the Practice of Entertainment Technology.

Definitions

JANE McCONIGAL	GABE ZICHERMANN	JESSE SCHELL
“It is a blissful productivity acquired by the flourishing feeling, that is, accomplishments in a game but only with a volunteering attribute of the participant.”	“Games are the only force in the universe that can get people to take actions against their self-interest in a predictable way without using force.”	“It is a problem solving situation that you enter into because you want to.”

I would be like to bring points of intersections between these three definitions.

VOLUNTEERING ATTRIBUTE VS. USE OF FORCE: The volunteering attribute is an efficient way to foster sustainable participation, as opposed to the use of force which makes a campaign less appealing.
PROBLEM SOLVING SKILLS: Games are a very responsive way of trying to accomplish problem solving as the person is engaged with the problem and willing to solve it.
PRODUCTIVITY: There problem solving skills leads the participant to a desired outcome.

These points also give you a clear understanding of Reap Benefit who works along the same lines with the volunteer or participant to solve the problem of conservation.
But, does the usage of games actually produce behavioral change? If so, how do games provide this function? These are some of the questions we will try and attempt to answer in the next section.

Games as a Tool to Influence Behaviour

Playing games results in obtaining rewards in some form of the other. These rewards psychologically induce a positive emotional feeling in the participant. When the participant learns something through games and when that emotional feeling arises, he tries and incorporates the same solutions in the games to solving the real life problems. This brings out an improved result and problem solving ability. But what about the affordability of that solution? We need to understand ways to make it affordable because any task once done will not induce consistency in the behavior change. But the task repeated many times will improve or change the behavior over a long period of time. So, when the question of affordability (financial fear) is answered then the emotional feeling primarily can bring out change in the behavior of the individual. (Yongwen Xu, 2011).

There are also some game mechanics that are to be kept in mind to change behavior while designing games apart from just the element of fun and affordability. So, we will now look at another authority involved in gamification in the upcoming section to explore these mechanics. We will also try and understand these mechanics in relation to Reap Benefit.

Game Mechanics

Seth Priebatsch is the creator of SCVNGR and LevelUp social gaming sites. He has provided a list of game mechanics which could be necessary to understand games and why they produce particular changes for a better environment. These are:

Appointment Dynamics: to bring players to do something at a pre-defined time and place.

Influence and status: any participant or group that is involved in the change-making process, is influenced by the presence of others because of the competition and the envy that leads them to carry forward the task

Progression Dynamics: the success of the student is measured through the tasks by giving rewards.

Communal Discovery: the entire group or community works towards making change.

Seth's model could be applied to the process of creating change that Reap Benefit uses, and this is illustrated through their experience of a student-run energy audit in the field. A set of students were assigned the task of doing an audit for the energy conservation and the energy usage of a Puma store. They were just given the base for the audit but the criteria for the audit was planned by them. The students were encouraged by the thought of getting rewards for the task. Kamal recalls that they had used games to make the children understand it.

Relating this to Seth's Model, the children were given a pre-defined time and place for doing the task and were influenced both, by the element of competition between the students and also the idea of receiving a reward once the task is completed. The task only ends by obtaining a sense of communal discovery that, all together they can make change on a personal and team level. We understood Seth's model but we will try and comprehend deeper, the use of rewards for inducing behavioral change in the next section.

Rewards Mechanism

Kamal commented on Reap Benefit's 2-3 months periodic reward mechanism. He believes that this makes students equal in position before starting every task.

Kamal: "We use a lot of things like rewards to motivate them to play a game (with us) and we personalize all these rewards based on the questionnaire that we do at the beginning where we subtly understand what they like."

This information which gives ideas of how to encourage each student to get the best performance out of them.

a) Extrinsic rewards: The extrinsic reward here, for example would be allotting points to various participants/ teams. Michael Wu, a chief scientist in subjects like digital technologies, says extrinsic rewards are like a jump start to intrinsic rewards.Once the student acknowledges them, they acquire a sense of ownership and innovation and are empowered to create new solutions. Hence, awareness is not created before the task but an output from the task.

Refer to Gabe Zichermann's video for more on the importance of gamification and the rewards mechanism.

b) Intrinsic rewards: Apart from producing behavior change, gamification's can also indicate learning. One of the elements that facilitates learning would be:

Player Control: A participant will have certain amount of control while gaming which would lead to a sense of responsibility and accomplishment. Learning could be intrinsic only if there is responsibility of gaining a reward through a task.

There are many other elements that produce learning and they could be accessed here.

Human-Centric Model

Human-centred systems aim to preserve or enhance human skills, in both manual and office work, in environments in which technology tends to undermine the skills that people use in their work.

We will now answer the second part of the 'how' question and show another strategy for making change. Human centric systems do not use machines to create solutions to the problems but rather design the game with the importance of the 'user-friendly' element. This has been explored in a past post by Denisse. Access it here.

Reap Benefit's ‘transparent dustbin’ is a great model to illustrate this. The dustbin is transparent for people to see and then throw the waste in according to different types of waste. It is kept at an eye-level so that the waste already thrown inside can help the person perceive and throw his waste in the exact dustbin and to make it easily accessible for the public.

These human-centric approaches provide a consistent change in the behaviour of the individual because the method is user-friendly and make segregation easy. The objectives is to engage in unconscious behavioural change. The transparent dustbin is better explained by this audio byte of Kamal Raj:

Another innovation of Reap Benefit, is the compose mixture

Kamal says: "The idea was to throw something with it, like the degrade compost product we innovated and the waste would compost, without smell, without taking 3 months."

This mix, by giving visual feedback could be accessible by anyone due to its low cost and easy-to-use method. So, these innovations justify and explain the benefits of human centric models and also produce many new ideas in the minds of the students( James,2010). I would like to explain this by a chain of ideas that arise while segregating plastic and non-plastic waste.

The participation in the structure (waste segregation model)

The negatives of the model (harmful effects of mixing plastic in the model)

Realizing the need for another mechanism (dustbins for different types of waste)

Another idea to support the new mechanism (dustbins should be transparent and named)

The need to spread this (start campaigning for the system)

Explaining this model in brief: the waste segregation model is the segregation of plastic and other waste. During this process the three ideas that arise are: a) the harmful effects of plastic, b) the need for a plastic waste dustbin and a non-plastic waste dustbin, and the last one, b) the transparency of the dustbin. Then the major question of spreading the model by using technology arises. This would be the model thought by the participant during the discussion of the usage of technology for sustainability.

But what is sustainability and how is it important? Complementing the technique of gamification and the human- centric approaches with technology to make it a sustainable solution is a challenge. This system may be adopted by all. But the aftermath of implementing this apparatus is a challenging question. In the next section we will comprehend the role of technology adding a more positive result to Reap benefit.

The Role of Technology and Media

This section will look at how Reap Benefit uses technology and media and then try and understand how the use of technology can make these solutions sustainable.

Kamal: "There are two aspects that are already existing- knowledge and the products. So, when someone starts the journey, technology enables us to be with them in this journey without us being there. Without the sharing of photos through digital media like facebook, keeping track of the journey would not be possible. We need technology to bridge the gap."

Information access is facilitated by the use of technology and digital media or social networking, as they share the systems with their online community. But, when this access is denied the only solution is to be a part of the in-tutor system and realize the positives of the same through experience. Technology takes Reap Benefit a step higher in its aim to make sustainable change by targeting youth, the main users of social network platforms.

Making Change

We started this post with an introduction to a very strong initiative- Reap Benefit. Techniques such as gamification and human-centric systems are used effectively by this organization to create maximum benefits. It focuses highly on the use of these strategies to induce behaviour modification in youth. We attempted to build a relationship between these techniques to answer whether they are sustainable, intelligible and accessible solutions to making change.

Summing up the 'WHO,WHERE AND HOW' question- We have only understood that, to use the opportunity and take charge before others do so, we need a 3-stage plan. We understood that the WHO means the target, the change agents who will lead the initiative and comprehend the need for change by themselves. The question of WHERE focuses on the idea of making change in the public space rather than in the private sphere which limits the extent of the change. We have summarized this only by bringing out the importance of technology to make change the largest priority of youth. The question of HOW is understood in this post by the use to affordable solutions.

The problems faced by the environment call for solutions that are affordable and accessible. These two qualities of the solution would only make it sustainable.These solutions are met by various game elements in a game and the human centric approaches that engage the individual in problem solving by disseminating knowledge to them and informing them about the problems. This makes those solutions to problem-solving evaluatable through quantity and the quality of the result of the problem. Behavior change will be only possible by solutions that break the existing schemas in the society and create new innovations. (James,2010). Now, through sustainable, innovative solutions through these techniques we can make the dream of a clear and clean environment a reality.

While this blog may help you gain a positive understanding about gamification it would certainly lead you to many more questions. In this digital age, we would surely have to ‘re-game-think’ the methodologies for change again and agai,n not only in terms of using unique techniques such as gamification but also in terms of accessibility of such techniques for change in the structural divisions in society.

Footnotes

Reward is one of the elements that drives the individual to adopt the gamification technique- the reward/feedback mechanism. You can acquire a profound reading on more of these elements that leads to further making-change here- http://www.yukaichou.com/.
A few more elements like the player control and communal discovery that indicates learning through Gamification could be found here- http://en.wikipedia.org/wiki/Gamification
More information on persuasive messages, strategies for changing behavior, rules for effective delivery, and how to manage the participants/audience in the making change initiative can be found-http://sustainability.berkeley.edu/sites/default/files/Promoting_Sustain_Behavior_Primer.pdf
To hear a talk show of Yukaichou on TEDx about Gamification- check it here- http://www.youtube.com/watch?v=v5Qjuegtiyc
To hear another talk show of Gabe Zichermann on TEDx about Gamification- check here- http://www.youtube.com/watch?v=O2N-5maKZ9Q
The process of creating sustainability through gamification and technology, according to Rachel James, goes as follows:

Attracting attention by breaking the existing schemas (mental structures of preconceived idea, Jean Piaget,1926) This can be done by creating a mystery for them and then involving the individual in complex thought processing to change the schema. Story-telling could also induce emotional reactions to inspire or simulate them.
Persuade them through gamification
Make the strategies for change very rigid which cannot be changed often and acknowledge what you deliver to your audience.

Sources

http://en.wikipedia.org/wiki/Gamification
James, Rachel. “Promoting Sustainable Behavior- a guide to successful communication”. Web. August 2010.
Xu, Yongwen. ” literature review on web application Gamification and analytics”. Web. August 2011.
http://www.yukaichou.com
Albornoz, Denisse. 'Methods for Social Change'. Web. February 2014. The link for the same is here- http://cis-india.org/digital-natives/making-change/methods-for-social-change.

*******************************************

About Dipali Sheth:

Studying in my 3rd year at Christ University gave me the opportunity to intern at Centre for Internet and Society. This post has been a result of my internship for a month under the Making Change program at CIS. My interest in Research and New Media started the journey here and has only added to making Research my zeal in the near future.

For more details visit https://cis-india.org/digital-natives/making-change/reaping-the-benefits-of-gamification

From Taboo to Beautiful - Menstrupedia

denisse — 2015-10-24T14:25:59Z

On this post, we take a look at 'menstrual activism' -a movement that despite its trajectory in feminism, remains unnoticed in most accounts of traditional and digital activism. We interview Tuhin Paul, the artist and storyteller behind Menstrupedia, an India-based social venture creating comics to shatter the myths and misunderstandings surrounding menstruation around the world.

CHANGE-MAKER: Tuhin Paul, Aditi Gupta and Rajat Mittal
ORGANIZATION: Menstrupedia
METHOD OF CHANGE: Storytelling and comics
STRATEGY OF CHANGE: To shatter the myths and misunderstandings surrounding
 menstruation, by delivering accessible, informative and entertaining 
 content about menstruation through different media.

Most of us think we know what menstruation is; except...we don’t. Many of my male friends still cringe at the mention of the phrase “I’m on my period”, or use it as a derogatory justification for my occasional cranky mood at the office: “It’s that time of the month, isn’t it?” Poor menstruation has been the culprit of femininity; always bashful, tiptoeing for five days straight, trying its best to remain incognito. The social venture Menstrupedia is committed to change this. Aditi, Tuhin and Rajat want to shift how we look at menstruation and remove the stigma that haunts the natural, self-regulation process women undergo to keep their bodies healthy and strong to sustain life in the future.

Now, if you are already wondering what menstruation has to do with internet and society, just wait for it. This post manages to bring art, punk, menstruation and technology together, all within the scope of the Making Change project! Before though, we shall start with some definitions. Let us first lay conceptual grounds about menstruation and Menstrupedia, to then locate and unpack their theory of change.

What is menstruation?

It can be defined as:

Menstruation is the periodic discharge of blood and mucosal tissue (the endometrium) from the uterus and vagina. It starts at menarche at or before sexual maturity (maturation), in females of certain mammalian species, and ceases at or near menopause (commonly considered the end of a female's reproductive life).

And it looks something like this:

But, I believe, most women will agree the following are much more accurate depictions of the spectrum of thoughts, emotions and sensations that menstruation spurs:

The Beauty of RED

My Periods: A Blessing or a Curse

By Naina Jha

My periods
Are a dreadful experience
Because of all the pain.
Myths and secrets make it a mystery
What worsens it most though, are members of my family
Especially my mother, who always make it a big deal
They never try to understand what I truly feel
I face all those cramps and cry the whole night long
None of which is seen or heard or felt by anyone.

Instead of telling me, what it is,
They ask me to behave maturely instead.
Can somebody tell me how I am supposed to
Naturally accept it?
My mother asks me to stay away from men
And a few days later, she asks me to marry one!
When I ask her to furnish
the reason behind her haste
She told me that now that I was menstruating,
I was grown up and ready to give birth to another.

I don’t know whether to feel blessed about it
Or consider it to be my curse.
For these periods are the only reason for me to be disposed.
Since my childhood, I felt rather blessed to be born as a girl
But after getting my periods now,
I’m convinced that it’s a curse...

Find it in Menstrupedia's blog.

Despite all this, it is still perceived as a social stigma in society. There is clearly a dissonance between the definition, experience and perceptions around menstruation, that calls for a reconfiguration of the information we are using to define it.

Stigma as a Crisis

However, re-defining 'menstruation' is no popular or easy task. The word belongs to a group of contested terminology around womanhood and is the protagonist of its own breed of feminist activism: menstrual activism. [1] Although I would consider many of the stigmas surrounding menstruation to be quite self-explanatory (we've all experienced and perpetuated them in one way or another -and if they are not, then you are the product of an obscenely progressive upbringing for which I congratulate your parents, teachers and all parties involved), I will still outline the main reasons why menstruation is a source of social stigma for women, and refer to scholarly authority on the subject to legitimize my rant.

Ingrid Johnston-Robledo and Joan Chrisler use Goffman's definition of stigma [2] on their paper: The Menstrual Mark: Menstruation as a Social Stigma to explain the misadventures of menstruation:

Stigma: 
stain or mark setting people apart from others. it conveys the information 
that those people have a defect of body or of character that spoils their 
appearance or identity

Among the various negative social constructs deeming menstruation a dirty and repulsive state, this one made a particular echo: “[menstruation is] a tribal identity of femaleness”. Menstruation is the equivalent of a rite of passage marking the lives of girls with a 'before' and an 'after' on how the world sees them and how they see themselves. From the dreaded stain on the skirt and the 5-day mission to keep its poignant color and smell on the down low, to having to justify mood and body swings to the overly inquisitive; menstruation is imagined as inconvenient, unpleasant and unwelcome. As Johnston-Robledo and Chrisler point out: the menstrual cycle, coupled with stigmas, pushes women to adopt the role of the “physically or mentally disordered” and reinforce it through their communication, secrecy, embarrassment and silence (Kissling, 1996).

Why does it matter?

Besides from strengthening attitudes that underpin gender discrimination and attempting against girls' self-identity and sense of worth, there are other tangible consequences for their development and education. I'm going to throw some facts and figures at you, to back this up with the case of India.

An article published by the WSSCC, the Geneva based Water supply and Sanitation Council, shows the Menstruation taboo, consequence of a “patriarchal, hierarchical society”, puts 300 million women at risk in India. They do not have access to menstrual hygiene products, which has an effect on their health, education (23% of girls in India leave school when they start menstruating and the remaining 77% miss 5 days of school a month) and their livelihoods.

In terms of awareness and information about the issue, WSSCC found that 90% didn't know what a menstrual period was until they got it. Aru Bhartiya's research on Menstruation, Religion and Society, shows the main sources of information about menstruation come from beliefs and norms grounded on culture and religion. Some of the related restrictions (that stem from Hinduism, among others) include isolation, exclusion from religious activities, and restraint from intercourse. She coupled this with a survey where she found: 63% of her sample turned to online sites over their mothers for information, 62% did not feel comfortable talking about the subject with males and 70% giggled upon reading the topic of the survey. All in all, a pretty gruesome scenario

Here's where Menstrupedia comes in

The research ground work attempted above was done in depth by Menstrupedia back in 2009 when the project started taking shape. They conducted research for one year while in NID and did not only find that awareness about menstruation was very low, but that parents and teachers did not know how to talk about the subject.


							Facts about menstruation awareness in India. Video courtesy of Menstru pedia Youtube channel.

Their proposed intervention: distribute an education visual guide and a comic to explain the topic. They tested out the prototype among 500 girls in 5 different states in Northern India and the results were astonishing.

A workshop conducted by MJB smriti sansthan to spread awareness about mensuration.
Find full album of Menstrupedia Comic being used around India on Menstrupedia's Facebook page.

"To my surprise, they [the nuns] all agreed that until they read the information given in the Menstrupedia comic, even they were of the opinion that Menstruation was a ‘dirty’ and 'abominable' thing and they wondered 'why women suffered from it in the first place'? But after reading the comic book, their view had changed…now they felt that this was a 'vital' part of womanhood and there's nothing to feel ashamed about it! The best part was while this exercise clarified their ideas, beliefs, concepts about menstruation, it also helped me to get over my innate hesitancy to approach such a sensitive issue in ‘public’ and boosted my confidence for taking this up as a 'mission' to reach out to the maximum possible girls across the country."

Ina Mondkar,
on her experience of educating young nuns about menstruation.

Testimonial after a workshop held in two Buddhist monasteries in Ladakh.

Their mandate today reads: ‘Menstrupedia is a guide to explain menstruation and all issues surrounding it in the most friendly manner.’ They currently host a website with information about puberty, menstruation, hygiene and myths, along with illustrations that turn explaining the process of growing up into a much friendlier endeavour than its stigma-ladden alternatives.

Snipbit of the first chapter. Read it for free here.

Through the comic and the interactions around it, Menstrupedia strives to create a) content that frame menstruation as a natural process that is inconvenient, yes; but that should have no negative effects on their self-esteem and development; and b) an environment where girls can talk about it openly and clarify their doubts.

Technology's role in the mix

"We want to reach out to as many girls as possible”. Tuhin, Menstrupedia

The role of digital technologies basically comes down to scalability. Opposite to The Kahani Project's views on scaling up, Menstrupedia makes emphasis on using technology to reach a larger audience. Currently they have a series of communication channels enabled by technology that include: a visual quick guide, a Q&A forum (for both men and women), a blog (a platform of self-expression on menstruation), a you tube channel (where they provide updates on their progress) and the upcoming comic.

Upon the question of the digital divide and whether this expands the divide between have and have nots, Tuhin was very set on the idea of producing the same content in both its digital and print form. “parents or schools should be able to buy the comic and give it to their daughters, so whenever they feel like it, they can refer to it”. The focus is on making this material as readily available as possible, in order to overcome the tension between new and old information: “workshops are conducted but the moment they go back home, their mothers impose certain restrictions. It becomes a dilemma. But if you provide [The girl] with a comic book, she has something she can take home and educate her mother with”

And here's why it works

More than the comic book itself, what is truly remarkable about Menstrupedia is Tuhin, Rajat and Aditi’s guts to pick up such a problematic theme in the Indian social imaginary and challenge the entrenched, stubborn beliefs surrounding the issue. The comic book, asides from being appealing to the eye and an accessible format of storytelling (a method we have unpacked in previous posts), fits right into the movement of menstrual activism and what it stands for.

“We thought of creating something: a tool that can help girls understand menstruation without having to rely on anybody else”. Tuhin, Menstrupedia

First, it is a self-reliant resource. Once the comic book leaves Menstrupedia's hands and lands on those of kids and adults, it takes its own journey. The format of the comic is accessible enough for someone to pick it up and learn about menstruation without the intervention or the support of a third party. This makes Menstrupedia's comic highly flexible and mobile. It can be shared from teacher to child, from mom to daughter, from peer to peer: “[it should teach] how to help your friends when they get their period” (Tuhin) However, it has the autonomy to also take roads less travelled: from mom to dad, from child to teacher, from boy to girl. The goal at the end of the day: a self-reliant, solidarity-based community where information circulating about menstruation highlights its capacity to give life and overshadows its traditional stigmatized identity.

This self-reliance is characteristic of previous manifestations of menstrual activism. Back in the 80s, the feminist movement, tightly linked to punk culture, embraced the do it yourself movement,[3] that enabled women to materialize personalized forms of resistance. They published zines promoting “dirty self-awareness, body and menstrual consciousness and unlearning shame” through “raw stories and personal narratives” (Bobel, 2006). According to Bobel using the self as an example is a core element in the “history of self-help” within the DIY movement. The role of the Menstrupedia blog is then crucial to sustain the exposure and production of “raw narratives”. Tuhin adds: “We don't write articles on the blog. It is a platform where people from different backgrounds write about their experiences with menstruation and bring in a different perspective”: For example,

Red is my colour by Umang Saigal

Red is my colour,
To make you understand, I endeavour,
Try to analyse and try to favour.
It is not just a thought, but an attempt,
To treat ill minds that are curable.

When I was born, I was put in a red cradle,
I grew up watching the red faces for a girl-children in anger,
Red became my favourite,
But I never knew,
That someday I would be cadged in my own red world.

Red lover I was,
All Love I lost,
When I got my first red spots,
What pain it caused only I know,
When I realized, Red determined my ‘class’

I grew up then, ignoring red,
At night when I found my bedsheet wet,
All day it ached,
All day it stained,
And in agony I would, turn insane.

At times I would think,
Does red symbolize beauty or pain?
But when I got tied, in the sacred knot,
I found transposition of my whole process of thought,
When from dirty to gold, Red crowned my bridal course.

As I grew old,
All my desires vanished and got cold,
My mind still in a dilemma,
What more than colour in itself could it unfold?
What was the secret behind its truth untold?

Is Red for beauty, or is it for beast?
It interests me now to know the least,
All I know is that Red is a Transition,
From anguish to pride
Red is a sensation.

Red is my colour, as it is meant to be,
No matter what the world thinks it to be,
No love lost, one Love found,
Red symbolizes life and also our wounds,
I speak it aloud with life profound,
That red is my colour, and this is what I’ve found.

Submission to the Menstrupedia blog

'Self-expression' is not a concept we usually find side by side with 'menstruation'; however, if we look at what has been done in the past, we find that Menstrupedia is actually contributing to a much larger tradition of resistance. For instance, Menstrala, by the American artist Vanessa Tiegs. Menstrala is the name of a collection of 88 paintings “affirming the hidden forbidden bright red cycle of renewal”.

Another interesting example is American feminist Gloria Steinem's[4] text If Men Could Menstruate.

“What would happen, for instance, if suddenly, magically, men could menstruate and women could not?
The answer is clear:
Menstruation would become an enviable, boast worthy, masculine event:
Men would brag about how long and how much.
Boys would mark the onset of menses, that longed- for proof of manhood,with religious and stag parties.”

Gloria Steinem
[excerpt]

Opportunities like these, enable Menstrupedia's community to actively participate in the reconfiguration of 'menstruation' as a concept and as an experience. By exposing new narratives and perspectives on the issue and by disseminating menstrual health information, the community is able to crowd source resistance and dismantle the stigma together.

Making Change through Menstrupedia

The case of Menstrupedia reminds us of Blank Noise because of its approach to change. Both locate their crises at the discursive level and seek to resolve them by creating new forms of meaning-making. They advocate for a reconsideration of 'givens', for a self-reflection on our role perpetuating these notions and for resistance against conceptual status quos: be it socially accepted culprits like 'eve-teasing', or more discrete rejects like 'menstruation'. Both seek to dismantle power structures that give one discourse preference over others, and both count with a strong gender dynamic dominating the context where these narratives unfold. They are producing a revolution in our system of meaning making, yet only producing resistance in the larger societal context they inhabit.

On the question of where is Menstrupedia's action located, Tuhin replied by pinning it at the individual level: “if a person is aware of menstruation and they know the facts, they are more likely to resist restrictions and spread awareness”. However, they still acknowledge the historicity behind menstrual awareness (as knowledge passed down from generation to generation) that precedes the project. While the introduction of Menstrupedia, to an extent, does shake up household dynamics in terms of content, it also provides tools and resources to sustain the traditional model of oral tradition and knowledge sharing within the community.

In terms of their role as change-makers ,Tuhin stated that the possibility to intervene was a result of their socio-economic status and the resources they had at hand as “educated members of the middle class with access to information and communication technologies”. Is this the role the middle class should play? I asked. To which he gave a two fold answer: First, in terms of responsibility of action: “it is a role that anyone can play depending on what kind of expertise they have. It comes to a point where [intents of change] cannot be sustained by activism if you want to achieve long term impact” And second, in terms of setting up a resilient infrastructure: “I believe we can create an infrastructure people can use and create models that can help low income groups overcome their challenges and become self-sustainable.” Both answers highlight the need for sustainability in social impact projects, hinting a retreat from wishful thinking upon the presence of technology and a more strategic allocation of skills and resources by middle class and for-profit interventions.

As far the relationship between art, punk, menstruation and technology goes; that was just a hook to get you through the unreasonable length of my blog post, but if anything, it represents an effort to portray the importance of contextuality and interdisciplinary we have been exploring throughout the series. Identifying the use of various mediums and language systems, such as different art forms and modes of self-expression, as well the acknowledgement of the theoretical and social contexts preceding and framing the project, as is feminist activism and the cultural and religious backdrop in India, contribute immensely to fill gaps in the stories of how we imagine change making today; especially at the nascence of new narratives, as we hope is the case for menstruation in a post-Menstrupedia era.

Sources:

Bhartiya, Aru: “Menstruation, Religion and Society” IJSSH: International Journal of Social Science and Humanity. Volume: Vol.3, No.6.

Bobel, Chris. "“Our Revolution Has Style”: Contemporary Menstrual Product Activists “Doing Feminism” in the Third Wave." Sex Roles 54, no. 5-6 (2006): 331-345.

Johnston-Robledo, Ingrid, and Joan C. Chrisler. "The menstrual mark: Menstruation as social stigma." Sex roles 68, no. 1-2 (2013): 9-18.

Footnotes

[1] Refer to Chris Bobel's work including New Blood: Third-Wave Feminism and the Politics of Menstruation. Access it here

[2] Johnston Robledo and Chrisler made reference to Erving Goffman's 1963 work: Stigma: Notes on the management of spoiled identity. "According to Goffman (1963), the word stigma refers to any stain or mark that sets some people apart from others; it conveys the information that those people have a defect of body or of character that spoils their appearance or identity Goffman (1963, p. 4) categorized stigmas into three types: "abominations of the body” (e.g., burns, scars, deformities), “ blemishes of individual character” (e.g., criminality, addictions), and “tribal” identities or social markers associated with marginalized groups (e.g., gender,race, sexual orientation, nationality)".

[3] For a short run through on DIY as part of the Punk Subculture, refer to Ian P. Moran's paper: Punk - The Do-it-Yourself culture."Punk as a subculture goes much further than rebellion and fashion as punks generally seek an alternative lifestyle divergent from the norms of society. The do-it-yourself, or D.I.Y. aspect of punk is one of the most important factors fueling the subculture." Access it here.

[4] Gloria Steimen is a journalist, and social and political activist who became nationally recognized as a leader of, and media spokeswoman for, the women's liberation movement in the late 1960s and 1970. Visit her official website here.

For more details visit https://cis-india.org/digital-natives/making-change/menstrupedia-taboo-beautiful

Digital Humanities and the Problem of Definition

sneha — 2015-03-30T12:47:49Z

The Digital Humanities as a field that still eludes definition has been the subject of much discourse and writing. This blog post looks at this issue as one of trying to approach the field from a disciplinary lens, and the challenges that this may pose to the attempts at a definition.

Much has been said and written about the Digital Humanities as an emergent field or domain of enquiry; the plethora of departments being set up all across the world, well mostly the developed world is testimony to the claimed innovative and generative potential of the field. However, as outlined in the earlier blog-post, the problem of definition still persists. As Mathew Kirschenbaum points out, the growing literature around the ‘what is Digital Humanities’ question may well be a genre in itself.[1] While the predominant narrative seems to be in terms of defining what Digital Humanities, or to take it a step back, what the ‘digital’ allows you to do, with respect to enabling or facilitating certain kinds of research and pedagogy, a pertinent question still is that of what it allows you to ‘be’. Digital Humanities has been alternatively called a method, practice and field of enquiry, but scholars and practitioners in many instances have stopped short of fully embracing it as a discipline. This is an interesting development given the rapid pace of its institutionalisation - from being located in existing Humanities or Computational Sciences or Media Studies departments it has now claimed functional institutional spaces of its own, with not just interdisciplinary research and teaching but also other creative and innovative knowledge-making practices. The field is slowly gaining credence in India as well, with several institutions pursuing questions around core questions within the fold of Digital Humanities.

So is the disciplinary lens inadequate to understand this phenomenon, or is it too early for a field still considered in some ways rather incipient. The growth of the academic discipline itself is something of a fraught endeavour; as debates around the scientific revolution and Enlightenment thought have established. To put it in a very simple manner, the story of academic disciplines is that of training in reason.[2]

Andrew Cutrofello says “In academia, a discipline is defined by its methodological rigor and the clear boundaries of its field of inquiry. Methods or fields are criticized as being "fuzzy" when they are suspected of lacking a discipline. In a more straightforwardly Foucauldian sense, the disciplinary power of academic disciplines can be located in their methods for producing docile bodies of different sorts.”[3] The problem with defining Digital humanities may lie in it not conforming to precisely this notion of the academic discipline, and changing notions of the function of critique when mediated through the digital.

However a prevalent mode of understanding Digital Humanities has been in terms of the disciplinary concerns it raises for the humanities themselves; this works with the assumption that it is in fact a newer, improved version or extension of the humanities. The present mapping exercise too began with the disciplinary lens, but instead of enquiring about what the Digital Humanities is, it looked at what the ‘digital’ has brought to, changed or appropriated in terms of existing disciplinary concerns within the humanities. If one has to look at the digital itself as a state of being or existence, then one needs to understand this new techno-social paradigm much better. Prof. Amlan Dasgupta, at the School of Cultural Texts and Records at Jadavpur University in Kolkata sees this as a useful way of going about the problem of trying to arrive at a definition of the field — one is to understand the history of the term, from its inherited definition in the Anglo-American context, and the second is to distinguish it from what he calls the current state of ‘digitality’ — where all cultural objects are being now being conceived of as ‘digital’ objects. In the Indian context, the question of digitality also becomes important from the perspective of technological obsolescence - where there is resistance to discontinuing or phasing out the use of certain kinds of technology; either for lack of access to better ones or simply because one finds other uses for it. Prof. Dasgupta interestingly terms this a ‘culture of reuse’, one example of this being the typewriter which for all practical purposes has been displaced by the computer, but still finds favour with several people in their everyday lives. The question of livelihood is still connected to some of these technologies, so much so that they are very much a part of channels of cultural production and circulation, and even when they cease to become useful they have value as cultural artefacts. We therefore inhabit at the same time, different worlds, or as he calls it ‘a multi-layered technological sphere’. The variedness of this space, and the complexities or ‘degrees of use’ of certain technologies or technological objects is what further determines the nature of this space. This complicates the questions of access to technology or the ‘digital divide’ which have been and still are some of the primary approaches to understanding technology, particularly in the Global South. The need of the hour is to be able to distinguish between this current state of digitality that we are in, and what is meant by the Digital Humanities. It may after all be a set of methodologies rather than a subject or discipline in itself — the question is how it would help us understand the ‘digital’ itself much better and the new kinds of enquiries it may then facilitate about this space we now inhabit.

One of the important points of departure, from the traditional humanities and later humanities computing itself as mentioned in the earlier blog, has been the blurring of boundaries between content, method and object/s of enquiry. The ‘process’ has become important, as illustrated by the iterative nature of most Digital Humanities projects and the discourse itself which emphasises the ‘making’ and ‘doing’ aspects of research as much as the content itself. Tool-building as a critical activity rather than as mere facilitation is an important part of the knowledge-making process in the field. In conjunction with this, Dr. Moinak Biswas, at the Department of Film Studies at Jadavpur University, thinks that the biggest changes have been in terms of the collaborative nature of knowledge production, based on voluntarily sharing or creating new content through digital platforms and archives, and crucially the possibility of now imagining creative and analytical work as not separate practices, but within in a single space and time. He cites an example from film, where ‘image’ making and critical practice can both be combined on one platform, like the online archive Indiancine.ma or the Vectors journal for example to produce new layers of meaning around existing texts. The aspect of critique is important here, given that the consistent criticism about the field has been the ambiguity of its social undertaking; its critical or political standpoint or challenge to existing theoretical paradigms. Most of the interest around the term has been in very instrumental terms, as a facilitator or enabler of certain kinds of digital practice. Alan Liu further explains this in what he sees as the role of the Digital Humanities in cultural criticism when he says, “Beyond acting in an instrumental role, the digital humanities can most profoundly advocate for the humanities by helping to broaden the very idea of instrumentalism, technological, and otherwise. This could be its unique contribution to cultural criticism’’.[4] While the move away from computational analysis as a technique to facilitate humanities research is quite apparent, the disciplinary concerns here still seem to be latched onto those of the traditional humanities.

While reiterating some of these core questions within Digital Humanities; Dr. Souvik Mukherjee and Dr. Padmini Ray Murray, at the Department of English, Presidency University, Kolkata speak of the problem of locating the field in India, where work is presently only being done in a few small pockets. The lack of a precise definition, or location within an established disciplinary context are some reasons why a lot of work that could come within the ambit of Digital Humanities is not being acknowledged as such; conversely it also leads to the problem of projects on digitisation or studies of digital cultures/cyber cultures being easily conflated with Digital Humanities. Related to this also is the absence of self-identifying ‘digital humanists’ (a problem outlined in the earlier blog, which will be explored in detail further in this series). More importantly, the lack of an indigenous framework to theorise around questions of the digital is also an obstacle to understanding what the field entails and the many possibilities it may offer in the Indian context. This is a problem not just of the Digital Humanities, but in general for modes of knowledge production in the social sciences and humanities that have adopted Western theoretical constructs. One could also locate in some sense the present crisis in disciplines within this problem. Gopal Guru and Sundar Sarukkai explicate this very issue when they talk about the absence of ‘experience as an important category of the act of theorising’ because of the privileging of ideas in Western constructs of experience. This is also reflective of the bifurcation between theory and praxis in traditional social sciences or humanities epistemological frameworks which borrow heavily from the West. Digital Humanities while still to arrive at a core disciplinary concern, seems to point towards the problem of this very demarcation by addressing the aspect of practice as a very focal point of its discourse.

Even from diverse disciplinary perspectives, at present the understanding of Digital Humanities is that it facilitates new modes of humanistic enquiry, or enables one to ask questions that could not be asked earlier. As Prof. Dasgupta reiterates, it is no longer possible to imagine humanities scholarship outside of the ‘digital’ as such, as that is the world we inhabit. However, while some of the key conceptual questions for the humanities may remain the same, it is the mode of questioning that has undergone a change — we need to re-learn questioning or question-making within this new digital sphere, which is in some sense also a critical and disciplinary challenge. While this does not resolve the problem of definition, it does provide a useful route into thinking of what would be questions of Digital Humanities, particularly in the Indian context.

References:

Cutrofello, Andrew, “Practicing Philosophy as a Discipline of Resistance’’ Discipline and Critique: Kant, Poststructuralism and the Problem of Resistance State University of New York Press: 1994 pp 116 - 136.
Kirshchenbaum, Mark “What is Digital Humanities and What is it Doing in English Departments”, Debates in the Digital Humanities, ed. Mathew K. Gold, University of Minnesota Press: 2012 pp 4-11, http://dhdebates.gc.cuny.edu/debates/text/24
Liu, Alan in “Where is Cultural Criticism in the Digital Humanities”, Debates in the Digital Humanities, ed. Mathew K. Gold, University of Minnesota Press: 2012 pp 492 – 502 http://dhdebates.gc.cuny.edu/debates/text/24
Guru, Gopal and Sundar Sarukkai, The Cracked Mirror: An Indian Debate on Experience and Theory, Oxford University Press, 2012, pp 1-8.

[1]. See Mark Kirshchenbaum “What is Digital Humanities and What is it Doing in English Departments”, Debates in the Digital Humanities, ed. Mathew K. Gold, (University of Minnesota Press, 2012 ) http://dhdebates.gc.cuny.edu/debates/text/24

[2]. This is a rather simple abstraction of ideas about discipline and reason as they have stemmed from Enlightenment thought. For a more elaborate understanding see ‘Conflict of the Faculties' (1798) by Immanuel Kant and ‘Discipline and Punish' (1975) by Michel Foucault. For more on Kant’s essay see The Conflict of Konigsberg by Anirudh Sridhar.

[3]. See Andrew Cutrofello in ‘Discipline and Critique: Kant, Poststructuralism and the Problem of Resistance (State University of New York Press, 1994).

[4]. See Alan Liu in “Where is Cultural Criticism in the Digital Humanities”, Debates in the Digital Humanities, ed. Mathew K. Gold, (University of Minnesota Press, 2012).

Note: This blog post draws primarily from conversations with faculty at Jadavpur University and Presidency University, Kolkata, both of whom offer courses on Digital Humanities.

For more details visit https://cis-india.org/raw/digital-humanities/digital-humanities-problem-of-definition

Multimedia Storytellers: Panel Discussion

denisse — 2015-10-24T14:26:51Z

This post brings three storytellers together to find points of intersection between their methods. The format will be that of a panel discussion and it features: Arjun Srivathsa from Pocket Science India, Ameen Haque from the Storywallahs, and Ajay Dasgupta from The Kahani Project. They discuss technology, interpretation and action in storytelling.

CHANGE-MAKERS: Arjun Srivathsa, Ameen Haque and Ajay Dasgupta

ORGANIZATIONS:Pocket Science India, The Storywallahs and The Kahani Project

METHOD OF CHANGE: Storytelling

Over the last couple of weeks, I had the privilege of interviewing three storytellers. What struck me the most, besides from their fascinating ideas about storytelling, was how many of their ideas overlapped. As much as I would love to sit all of them in the same room and enjoy the fireworks, there are a number of logistical constraints that shut my storyteller reunion daydreams down; so for this post, I decided to be a self-appointed liaison between you and them. I will mimic this discussion by putting my conversations with them side by side, in the format of a panel discussion. Their interaction will have to happen in the realm of your imagination.

The questionnaire I used for my interviews was open-ended. I was curious to hear what they wanted to share about their work, as opposed to filtering and steering the conversation in a certain direction; so I let them take their own turn. While I clearly inquired about the relationship between storytelling and making change, it was fascinating to see each storyteller reach the question of ‘social impact' through different channels; testimony of the influence of their education and professional backgrounds in their work.

If I were to bring them together, the topic of the discussion would be: 'Technology, Interpretation and Action in Storytelling'. We briefly discussed mediation and semiotics[1] in the Pre-Production section of the Storytelling as Performance post. We mentioned then:

"mediums are combined to enhance the visibility of the message and the power of the experience of stories. [...] Each medium: video, audio, text, music, etc.- becomes “a new literate space” or “symbolic tool” storytellers use to portray narratives about the self, community and society (Hull, 2006)”

These thoughts were triggered by the work of the French philosopher, Paul Ricoeur, who considers our self-identity a result of sign mediation and interpretation. Other themes in his work include: discourse and action, temporality, narrative and identity; also useful and relevant when exploring how storytelling and reality intersect. For example, how does building a narrative develop into a discourse that mirrors our context and existence? How does the medium chosen to carry this narrative define the language system of our discourse? Finally, let’s not forget this discussion is happening amid the digital question: how does the mediation of digital technologies enable or constrain our narratives of change?

Against this background, I would like to propose a discussion around five points of intersection that came up organically* during my conversations with them.

a) The power of storytelling:
What makes it a powerful vehicle of communication? How does this practice break from more traditional strategies of information dissemination?

b) Storytelling as a vehicle to make change:
How does the practice of storytelling intervene in the social imagination of its audience? Is it the experience or the content of stories what drives the message of change forward? Where does change happen: at the value, behavioral, community or macro level?

c) The role of technology in storytelling:
What is the part technology plays in storytelling vis-a-vis traditional storytelling? Is it a static infrastructure or does it shape the force and direction of the story? How does technology influence and impact their work

d) Translating awareness to action through stories:
Can you guarantee the ideas and values imbued by the story will translate into action in the public space?

e) Influence of stories on citizenship and political participation:
Can the power of stories be leveraged to instill a sense of responsibility in the audience?

* With the exception of Arjun Srivathsa, who addressed these points in a conference I attended. He later responded to a questionnaire in which I inquired about the intersections specifically.

Introductions

We first have Arjun Srivathsa. He has a Masters in Wildlife Biology and Conservation and currently works as a Research Associate for the Centre for Wildlife Studies (CWS India). In tandem, he started Pocket Science India, an initiative that combines wildlife science with art and cartoons to promote conservation in India and disseminate information from scientific journal articles. He aims to bridge the gap between the work of scientists and people using art and humour.

Arjun: I find the world of science and scientists very cool. Finding new things, discovering and inventing ways to understand the world better is an awesome way of life. I chose a career in science for this reason, second only to my love for nature and wildlife. But the essence of science, according to me, is not just to discover, but also to communicate. Even though wildlife research in India has progressed massively in the past few decades, the only notion people have is that of exaggerated scenes from television documentaries. When I discovered that most of the work by Indian scientists on wildlife and conservation of India is making no difference to people (mostly because they are unaware), I decided to use the easiest way to bridge the gap: through humour and art.

Second speaker is Ameen Haque from The Storywallahs. In what he calls his past life, he worked for 18 years in Advertising and Brand Strategy Consulting. Ameen also has a background in theatre and now works as as storyteller for The Storywallahs.

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Finally, we have Ajay Dasgupta, the founder of The Kahani Project, who also has a background in theatre and believes listening to stories is a fundamental right of children. His team works to capture stories in audio format and make them accessible.

I will now invite them to share their thoughts on the points described above. Each panelist will respond to the questions using a different medium: Arjun will comment with text and images, Ameen will comment with video and Ajay will comment using audiobytes. The idea is for each storyteller to use the medium and language they use for their own storytelling: cartoons, body language and audio respectively, as we explore how this choice mediates how they conceptualize change. I will act as a moderator and comment on common themes in the light of Paul Ricoeur’s characteristics of narratives.

1. The Power of Storytelling

What makes it a powerful vehicle of communication?

“narrative attains full significance when it becomes a condition of temporal existence” Time and Narrative

The first characteristic of narratives according to Ricoeur is: the ability to bring independent elements and episodes together into a plot within a specific context and time. The relationship between time and narrative is addressed by the philosopher in his work 'Oneself as Another,' in which he frames narratives as the most 'faithful articulations of human time'. This leads to an understanding of time as a framework where we can locate unique events and patterns, trajectories and sequences. Our three storytellers comment on how stories are an effective mean to communicate information, and how this information resonates because it can be located in the frame of our human existence.

Arjun: Storytelling really is the nascence of any communication technique. As kids we were all told stories with bees and birds, which spoke and thought. The moral life lessons and similar “information” were served to us on these fascinating platters.

Dugongs are closely related to whales and dolphins. They are peaceful mammals that swim around gracefully and feed on sea grass.
They are categorized as “VULNERABLE” because there are not too many of them left in the world.

Find full cartoon here

At some point in life, we all seem to stop appreciating the power of storytelling. Plain reporting of information has been done to death. Even an amazing discovery written as a formal report will fail to excite audience. It is time we all get back to appreciating stories. They sell. Movies generally do better than documentaries don’t they?

Ameen:

Ajay:

2. Storytelling as a vehicle to make change

How and where does change happen?

“All action is in principle interaction [...] change happens through interaction, as others are also encouraged to change” From Text to Action

The second characteristic of narratives is how the episodes in our narratives involve contingencies that will be shaped and reformulated through the development of the story. The narratives are constructed in such a way that induce us to imagine possible events in the future and how we would act in said circumstances. This characteristic is supported by Ricoeur's understanding of the 'self' as an 'agent', who can act and influence causation by taking initiative or interfering[2] in the story. Even if the listener cannot necessarily influence the outcome of the story (unless it is participatory storytelling), it triggers thoughts about its capability to act and its ability to change future realities, as he imagines himself n the situation of its characters. This out-of-body experience is what turns story into experience.

Our storytellers comment on how stories can influence and activate our agency and enable listeners to act towards creating change.

Arjun: Of course! Like I said, it is easier to influence people when you are not being preachy. Storytelling sidesteps the moral high ground that change makers are often blamed to occupy and takes a pleasantly shrewd path, as silly as it may sound.


#2: Increase in wildlife tourism has been brought about by the increasing population of the ‘Tourist’. This species is easy to recognize (see figure). The species has created an ecosystem of its own. It eats any kind of high or low profile food. Lives in resorts. Seeks charismatic animals like the tiger. Its daily activity involves excessive use of its camera. This species facilitates wildlife tourism	#9: Wildlife tourism is an excellent way to expose people of India and abroad to its rich natural heritage [...] We definitely need to regulate the number of tourists to avoid crowding in the forests, but we also need to educate tourists, especially the first-timers, about wildlife and its conservation. The tourist can be an important tool in conservation – let’s not let it go waste!"

#2: Increase in wildlife tourism has been brought about by the increasing population of the ‘Tourist’. This species is easy to recognize (see figure). The species has created an ecosystem of its own. It eats any kind of high or low profile food. Lives in resorts. Seeks charismatic animals like the tiger. Its daily activity involves excessive use of its camera. This species facilitates wildlife tourism

#9: Wildlife tourism is an excellent way to expose people of India and abroad to its rich natural heritage [...] We definitely need to regulate the number of tourists to avoid crowding in the forests, but we also need to educate tourists, especially the first-timers, about wildlife and its conservation. The tourist can be an important tool in conservation – let’s not let it go waste!"

Find full cartoon here.

To the question of where we locate change, it depends on what this change is. Through my work, I often target individuals and smaller communities (say students, villagers etc.). I don't necessarily grab my paintbrush and declare that I will change the world. My idea of change is a tailored, targeted and therefore an efficient influence on individuals.

Ameen:

Ajay:

3. The role of technology in storytelling

How does technology influence and impact your work?

Ricoeur’s thoughts on the relationship between text and action, makes us reconsider how we think about ‘text’ and how this reading can be applied to technology. According to him, the distinction between text and action is not at the linguistic, but at the discursive level. This is how he differentiates language from discourse:

	Language	Discourse
Structure	A system: timeless and static	Located at a given time and moment
Composition	A sequence of signs	A sequence of events that describe, claim and represent the world
Meaning	Refers to signs	Refers to the world
Communication	Provides codes for communication. Necessary but not sufficient	Communicates

Using these working definitions, we can understand the medium as a language: a system that provides us with signs and codes for communication. A creative use of language and mediums will hence, enable us to create narratives and produce meaning (which will be generated and negotiated by the audience). Technology is in this case our language, and how each storyteller uses it determines new ways to create meaning: experiences, connections and associations with and within their stories. We now ask them if/how the use of this 'language' mediates and impacts their work.

Arjun: Technology is the best facilitator in the realm of my science-art-communication. I depend on it extensively, to first educate myself. Then to create artwork (computer, tablet, smartphone). And then eventually I depend heavily on social media to broadcast my work. I will definitely credit the power of technology for fostering and enabling effective communication.

# 11: The story of Ajoba was carried far and wide in newspapers, television news and the internet. Find full cartoon here.

In my capacity, I feel most confident targeting students and urban youth. But thanks to the power of social media, putting my work out there has grabbed the attention of change-makers who are capable of things that is beyond my scope. This has led to collaborations through which the reach has become wider. Teachers use my art work in their classes, some organisations are using it in forest department buildings to educate visitors, some local groups have translated my work into regional languages.

Ameen:

Ajay:

4. Translating awareness into action through stories

Can you guarantee the ideas and values imbued by the story translate into action in the public space?

“what must be the nature of action...if it is to be read in terms of change in the world?” From Text to Action

So far they have told us about the power and content of stories. However, we have yet to find out what is it in stories that make listeners translate fiction into real life action. Ricoeur's final characteristic of narratives points us in the direction of empathy and interpretation.

Like discourse, action is open to interpretation. He posits that characters of our stories rise to the status of ‘persons’ when we evaluate their actions, including their doings and sufferings. This ethical verdict determines the identity of the character in the eyes of the audience (above any other physical or emotional characteristics) and this is what ultimately adds meaning to the events of the story, as it inspires the audience to emulate or reject this behavior through their actions.

We asked our storytellers their thoughts on how to translate stories' messages into meaningful action, or if it was even possible to guarantee this transition to begin with:

Arjun: I don’t [know]. One never does, I feel. But a lot of good awareness programs have made me change little things in my life. The people or groups who initiated those campaigns don't know of this, do they? This is somewhat similar. I believe that even if ONE person in the thousand who view my work gets influenced into making little changes, then it was worth my time and effort.

Ameen:

Ajay: (Ajay commented on the impact of stories while we were discussing how to gauge the impact of his work. In our first conversation he said: "Change is happening but there are no tests that can measure it and quantify it." and he elaborates on this idea below:)

5. Influence of stories on citizenship and political participation

Can the power of stories be leveraged to instill a sense of responsibility in the audience?

"You can only achieve power in common by including the opinions of as many people as possible in the discourse"

Finally, as stated in the brief of the project on methods for change, we are also interested in defining how political participation should be manifested in the public space. Ricoeur frames political action as a result of discourse and political deliberation.For a brief discussion of the relationship between storytelling and our political identity visit Part 2 of Storytelling as Performance.)

This last section captures the storytellers' point of view on how stories may affect our sense of citizenship and political responsibility.

Arjun: We are living in a society which is becoming increasingly insensitive and arrogant. There seems to be no time to stop and see the big picture: what are we doing? are our demands and lifestyles sustainable? Is the future generation secure? Impacts of our actions on the natural world.


#1: Most of us love seafood. And why shouldn't we? It tops the charts as some of the most delicious delicacies in the world! It so happens that we rarely think about what goes on “behind-the-scenes” and take many things for granted. The story behind how food reaches your plate is quite a scary one!	#12: So next time you feel like a getting a seafood dinner, do it with some perspective.

Find full cartoon here

Ameen:

Ajay:

Closing Remarks

I hope you enjoyed reading, watching and listening these three wonderful storytellers share their ideas on technology, interpretation and action. The question that remains unresolved is whether the effect of the story is shaped by the use of technology or not. At the end of the day it is the interpretation of stories -more than what it is said and how it is being said- what will determine the sustainability of these intents for change. The answers of our storytellers reinforce the notion that technology is a system, a language, a medium that transports our messages and intentions, but that inherently lacks the ability to provide guarantees for action and sway users into a lifestyle of responsible citizenship the second they pull out from their cartoon, screen or mp3.

The box below includes a quick run through the main ideas discussed throughout the post:

1. On the power of storytelling:

Arjun argues that storytelling is the origin of all communication techniques, and this makes it extremely attractive for the public.
Both Ajay and Ameen bring up the ability to influence behavior, shape the minds of people and transmit experiences, values and beliefs.
Both also brought up how dominant religions, ideologies, markets governments use storytelling to build movements and sustain their support
Finally Ajay comments on the issue of access: stories are powerful yet only a small share of stories are being told Hence, the need for this method to become more pervasive.

2. Storytelling as a vehicle for change:
Each storyteller locates change in different yet complementary spaces:

Arjun believes it must occur at the community level and hence the approach (stories) must be tailored and targeted in order to achieve an effective influence. His approach to change is very contextual.
Ameen locates it at the behavioral level; in our ability to make decisions and choices. His approach to change is based on how we use information from stories to interact with our surroundings.
Ajay locates it at the value level: He believes stories should influence us to adjust our values and only then, we will shape our behavior accordingly.

3. Role of technology:
We approached technology as a 'text' and as a 'language' that creates new possibilities for meaning and interpretation.

For Arjun and Ajay, technology enabled them to connect with other organizations and increased possibilities for partnerships and collaborations.

The three of them believe technology is an accelerator of the journey of stories and that it enables them to reach a larger audience.
Ameen argued that each medium requires different fluencies, and that the language of each medium should be adapted for the story. For example, a story will be told in different ways if using body language, video, audio, etc. He uses the example of the Twitter adaption of the Mahabharata.
Ajay closes by noting that although technology enables, it cannot replace the storyteller.

4. Translating awareness into action

Arjun and Ameen comment on the power of effectively and positively influencing one person. They believe the impact will exponentially spread and grow through that person's network or community.
Arjun believes you can guarantee it will turn into action.
Ameen believes you need to move them and inspire them through your characters to the point they feel they can be the hero of that story and act accordingly.
Ajay takes a more pragmatic approach towards action and shares some of the activities The Kahani Project uses to complement his storytelling sessions, such as: story-thons, story-booths and interactive storytelling, where they engage the audience in the production of their own stories.

5. Impact of storytelling on citizenship and political participation

Arun and Ajay believe this will come as a result of self-reflection and an evaluation of our impact in the world.
Ameen believes effective stories transmit the 'responsibility of action' through rhetoric. He uses the example of the popularity of India Against Corruption movement.
Ajay believes storytelling is a humanizing force that has the power of healing. He recommends institutions should utilize this method to spread confidence and inclusion among society and particularly with excluded groups.

Footnotes

[1] Semiotics is defined as the study of signs and symbols and their use or interpretation. It is the study of making meaning and is essential to understand communication processes. While we will not look at any specific semiotics theory, we will focus on how stories create meaning through different signs and mediums, and how this meaning can be leveraged for making change.

[2] Refer to Stanford Encyclopedia of Philosophy’s page on Paul Ricoeur and the section on ‘Selves and Agents’ to learn more about how action is mediated by causation, interference and intervention. Some interesting thoughts that inspired the above post

“What must be the nature of the world … if human beings are able to introduce changes into it?. Ricoeur adopts the analysis of interference or intervention that G. H. von Wright gives in Explanation and Understanding, and shows that for there to be interference, there must be both: an ongoing anterior established order or course of things and a human doing that somehow intervenes in and disturbs that order. Moreover, interference is always purposeful. Hence an interference is not merely ascribable to an agent. It is also imputable to the agent as the one whose purpose motivates the interference.”

“The second crucial question about action is “What must be the nature of action … if it is to be read in terms of a change in the world?” Ricoeur argues that every action involves initiative, i.e., “an intervention of the agent of action into the course of the world, an intervention that effectively causes changes in the world” (Oneself as Another, 109, translation modified). Initiative requires a bodily agent possessing specific capabilities and vulnerabilities who inhabits some concrete worldly situation.”

Sources:

Dauenhauer, Bernard and Pellauer, David, "Paul Ricoeur", The Stanford Encyclopedia of Philosophy (Winter 2012 Edition), Edward N. Zalta (ed.), URL = <http://plato.stanford.edu/archives/win2012/entries/ricoeur/>.

For more details visit https://cis-india.org/digital-natives/making-change/multimedia-storytellers

Bridging the Information Divide - Political Quotient

denisse — 2015-10-24T14:28:06Z

On this post, we will unpack 'information poverty'- a problem lying at the very foundation of the crises that inspired this project and a barrier impacting political action. We interview Surabhi HR, the founder director of the political consulting firm Political Quotient, an initiative that seeks to change how youth interacts with politics in India

CHANGE-MAKER: Surabhi H R

ORGANIZATION: Political Quotient

METHOD OF CHANGE: Building an information service for citizen grievances, designed to keep elected representatives accountable for what happens in their constituency.

STRATEGY OF CHANGE: Building a new breed of politically conscious youth in India through technology and an interdisciplinary approach to change.

The deeper we delve into this project, the more the ‘information question’ rises to the surface as the decisive factor shaping political participation in democracies. Most of the initiatives we have learned about are focused on providing spaces, resources and opportunities to enable voices, participation and richer exchanges of information and knowledge. Yet, framing these as ‘empowering’ overlooks citizens who are trapped in an information gap or suffocated by an information overflow. People who find themselves in either side of the spectrum, are for the most part discouraged from engaging with this information, participating in public discussions (Jaeger, 2005), and do not have the same political opportunities as people with wider and freer access to information.

As we continue to explore how youth is redefining civic action in digital and information societies, we must thoroughly understand the different ways in which information barriers are affecting political action. On this post, we will go over a short glossary of terms that will help us understand information poverty better- a problem lying at the very foundation of the crises that inspired this project. These terms will be somewhat similar to each other, but will be unpacked from three different points of view, describing the implications of information poverty for social justice, technology disparity and democracy. The glossary will be coupled by our conversation with Surabhi HR, the founder director of the political consulting firm Political Quotient, an initiative that seeks to change how youth interacts with politics in India. Her background in Economics added new nuances to our analysis, as we explore the workings of political action through the lenses of economic theory.

Political Quotient

Political Quotient wants to “build a new breed of politically conscious youth that engages with the political system and equips them with the necessary skills to do so”. They have been running two programs: the ‘Political Internship Programme’ where young people have the opportunity to join party lines and support with legislative research, performance auditing, media management and event organization. And the second program is ‘Politicking’, in which they organize Google hangouts and panels between student leaders, political commentators, and party heads to debate and discuss policy-making and politics.

Now PQ is moving on to a new phase, in which they recognize it is not only youth who must be empowered. Similarly to Janaagraha, they also believe there must be an information structure in place to support elected representatives, who have been chosen to govern without the resources to effectively do so. “Things are changing, elected representatives are being held accountable, asked to be more transparent and to be more active, but the honest truth is they don’t have the necessary support to do this” comments Surabhi on the situation that led her and her team to develop a set of services and products to engage people in direct conversation with their elected representatives. These including the following:

a) A grievance addressing service: designed to keep elected representatives accountable for what happens in their constituency. Citizen grievances can be sent by e-mail, smartphone, sms, etc. to the elected representative’s office, where it will reach a multi-platform software that redresses the grievance to the right department; (for example, if the grievance is related to a tree fall, it will be redressed to the forestry department as opposed to staying in the MLA office). The whole process will be transparent, as both the citizen and the MLA will be able to track the status of the complaint, from the day it was issued to the day it was implemented, using technology.

b) A government schemes and subsidies information service: Citizens will have access to information about schemes through digital technologies, and find out if it is reaching the right beneficiaries.

Glossary:

(or crash course on concepts we should be familiar with when discussing making change in information societies)

To understand what information poverty is and how Political Quotient’s intervention in the information landscape will impact political action, will refer to the work of Johannes Britz, Doctor in Information Science and that of Anthony Downs, Economist specialist in public policy and public administration. This choice is inspired by a natural tension in our research as we continue to negotiate: what change ‘should’ look like from the lens of social justice and sustainable development, and what the ecosystem of change actually looks like when we deconstruct the political and economic structures enabling and constraining intents of change.

1.Information poverty:
According to Johannes Britz, : “the situation in which individuals and communities do not have the skills, abilities or material means to obtain efficient access to information, interpret it and apply it.”

Britz believes that information poverty must be addressed from a social justice perspective that considers the social, political and economic consequences of lack of information for our ability to fulfill our capabilities and freedoms. He posits a 'fair information society' as an ideal, in which social institutions work towards eradicating the four main characteristics of information- poor societies (See box below)

Characteristics of information-poor societies

1. Lack of essential information
2. Lack of financial capital to access information
3. Lack of technical infrastructure to access information
4. Lack of intellectual capacity to filter and evaluate
the benefits of information

The third characteristic: 'inefficient information infrastructures' is the main gap, both Janaagraha and Political Quotient, are addressing in urban India. They are both providing services to connect the citizen with their elected representatives; establishing a reliable exchange of information between parties, and as a consequence, more autonomy, transparency and accountability in the governance process.

How does Political Quotient brings us closer to a fairer information landscape in governance? Surabhi responds: “The [grievance addressing] system is using the benefits of filling the information gap to create tangible assets: greater accountability, interaction, participation in the citizen-elected representative relationship and thereby fundamentally changing the way they interact.”

Following Britz's reading of John Rawls' categories of justice[1]. PQ’s work addresses social justice in the following ways:

Recognition and participation: Enhancing the citizen’s ability to file a complaint is in itself an act of recognition of the citizen’s power to affect its own environment and his possibility to participate in the governance process.
Reciprocity: The system enables interaction between the elected representative and the citizen, setting forth reciprocity, transparency and a horizontal platform for exchanges where both parties manage the same information.
Development of capabilities: Assuming a successful implementation, grievances addressed imply the realization of the power of the citizen and a more functional infrastructure that enables their development as individuals.
Distribution and enablement: Assuming all citizens in Karnataka have access to ICTs, this service distributes power and bridges the distance between them and the government.

"In a society where we depend on the creation, access and manipulation of information, [lack of information] questions the fundamental freedoms of people”. Britz, 2004

While all these are highly idealistic assumptions, the last one is the most problematic (in a country where the Internet and mobile penetration rate remain as low as 16% and 26% respectively). While information and communication technologies do play an important role in bridging the gap between those who have access and produce information and those who don’t, as Britz outlines, the growth of ICT’s takes information poverty to a “whole new dimension”; in most cases dividing the info-haves and the info-have nots even further. Britz ideal of an fair information society is what we aspire to, yet there are structural limitations in place which might prevent information-based initiatives, such as Political Quotient, from achieving its social justice objectives.

2.Information Poverty
Information poverty can also be thought of as ‘information inequity’, which for the last 20 years has been strongly correlated to the digital divide. From this perspective, we can define it as the “economic inequality between groups in terms of access to and use of knowledge and ICTs.”

Analyzing information precariousness from the technology perspective brings us to the elements contributing to the digital divide and how they are affecting our ability to be informed by and of digital technologies. According to Britz, the three main elements contributing to the divide are the following:

Factors Contributing to Digital Divide

a) Connectivity: Lack of infrastructure and material access to ICTs
b) Content: Inability to access content because it is unaffordable, unavailable or unsuitable.
c) Human approach: Lack of education and digital literacy to understand and use information and data as knowledge.

This is a paramount consideration for Political Quotient if they aspire to reach all the constituencies in Karnataka; both rural and urban. Surabhi recognizes the firm will have to overcome the socioeconomic barriers that impede a pervasive adoption of her product. “When one travels between rural and urban, the differences are many. Nothing has been done on the ground and there is a lot of potential. What is encouraging is that they want to learn.” This limitation is conflicting with the amount of information the stakeholders of this project need to handle in order to successfully bridge the information gap (between the elected representatives and the citizens) and have it be a “mutually beneficial relationship between the voter and the voted” as they envision:

Information stakeholders need in order to use this service
Infographic generated using info.gram

While the service PQ is developing seeks to leverage technology to bridge this gap, digital illiteracy might not only prevent citizens from using the system, but could potentially exclude them further from the democratic process. As Shah posits in the project’s thought piece (on increasing the access to ICTS): “the analogue citizen is expected to transition to the emerging new paradigms: earlier categories of discrimination or exclusion are now replaced by technology exclusion.” The team plans to work with their clients (representatives) in digital technologies and organizational skills capacity building, yet an information inequity strategy needs to be put in place in order to guarantee the fulfillment of all the stakeholders’ capabilities -particularly equitable participation from the citizen’s front.

3. Information Poverty:
Information poverty can also take the economic avatar of ‘imperfect knowledge’. According to Anthony Downs, “lack of complete information on which to base decisions is a condition so basic to human life that it influences the structure of almost every social institution”.

Downs' perspective is based on public choice theory, which is “the use of economic tools to deal with traditional problems in political science”. This is a subset of positive political theory, that models voters, bureaucrats and politicians as self-interested. He posits in his work ‘Economic Theory for Political Action in a Democracy’ that political parties in democracies formulate policy and serve interest groups merely as a means to gaining votes.

Surabhi and her team align with this thinking: “Politics is not benevolent; ours is a for-profit model that seeks to engage with the elected representative in providing him a mechanism to ensure that he gets more votes. At the same time, we also engage with citizens in ensuring that their interests and issues are looked into. Our basis is that politicians work for votes and the same should be leveraged to solve problems”. Downs’ thesis is that given these assumptions, a democracy –a political system where the parties compete for the control of the government –can only function to its fullest potential when there is perfect information and information is costless. This is what makes democracy the gold standard of governance and the great model on paper that promises to secure our equality and freedoms.

Yet, democracy does not cease to bring disappointment and a sense of helplessness towards politics amongst youth. The advent of digital technologies has been a glimpse of hope for their political engagement, and this entire research is grounded on the question of how is it they can renew trust and mobilize youth towards civic engagement. A first step towards this direction is assuming the inherent faults in the system, as opposed to focusing on citizen apathy. Democracy has been implemented in a system where there is imperfect knowledge and where there is a high degree of both voluntary and involuntary ignorance [2],. This, according to Downs, means that:

Consequences of imperfect knowledge in governance

Parties do not know what citizens want
Citizens do not always know what the government is doing or should be doing
Information to overcome this gap is costly

“Ignorance of politics is not a result of unpatriotic apathy, rather it is a highly rational response to the fats of political life in a large democracy” Downs, 1957

If information is costly, so is democracy. The highest risk of deeming citizens apathetic is ignoring the information barriers that prevent them from participating fairly in decision-making processes. Political Quotient cannot intervene by encouraging citizens to be informed, but it can provide them with tools to bring them closer to constituency related information, bringing down the costs of both participation and information. As put by Surabhi: “We want to be an ally of the political system. They need to do good. They are there for 5 years and need to do something.”

Making Change

While my glossary of terms may seem repetitive (I did define the same term three times), I want to make an emphasis on how important it is to unpack our concepts through various lens of analysis. We started this project exploring multi-stakeholderism and partnerships on the ground, however we are naturally moving on to spaces of knowledge collaboration where change is conceived through the amalgamation of different disciplines. These convergences do not necessarily happen in the most visible ways though, and one of the project’s objectives is to identify undocumented yet significant interventions to make change in the landscape of information societies.

Political Quotient’s initiative breaks the following paradigms in the discourse of 'change in the digital era':

a) It removes the spotlight from the citizen: while the focus of the project is to level citizens-citizen and citizen-government power relations (in terms of access to information), the political firm is focusing on improving the efficiency of the government apparatus, which brings new light to how 'citizen action' unfolds in the context of urban governance.

b) Political Quotient’s methods are far from what we see in the ‘spectacle imperative’ where the intent for change is scaled up through visibility in the public sphere. The firm was conceived in the private sector and its work will take place from within the elected representative’s offices.

c) The firm, in the same way as Vita Beans, applies an interdisciplinary approach to the design of its technology. (Fun fact: Political Quotient is working alongside Amruth’s team to create mobile applications for the service; which means the infrastructure will include both behavioural science and economic thinking behind its design. Read one of our previous posts, to learn more about Amruth's approach to change and digital design)

d) Technology is indeed framing their understanding of change, but in this case, the question is how technology can be amplified by human behaviour and education, as opposed to how technology determines or amplifies our ability to make change as it is commonly conceived.

Not including an analysis of information poverty, and how it both inspires and limits intents of change, devoids the project from understanding the dynamic nature of information and how it interferes in social justice and political action. Furthermore, info-poverty is not a condition characteristic of digital and information societies. Our ability to access information has always determined our dexterity to navigate institutions and infrastructures; indistinctive of what technologies are available at the time. We hope that Political Quotient’s initiative locates not only the information gaps, but also the inherent obstacles the digital divide might represent for their work, and as stated by Surabhi in their theory of change, take them “as an opportunity for a solution. Going from mere ideas to action”. We wish them the best and will follow up on them after June, once the new elected representatives are in office, to see the extent to which information poverty has been addressed through their service.

Footnotes:

[1] Britz based his categorization in John Rawls work on principles of justice. Particularly on 'A Theory of Justice' a work of political philosophy and ethics where he discusses inequality, distributive justice and his theory of Justice as Fairness. We did not refer to his work for this post, but it is worth a read in the context of the digital divide and the question of fair redistribution of digital technologies.

[2] Read more on voluntary or involuntary lack of knowledge in Downs' work on economic theory and political action. Particularly his reading on persuasion, ideologies and rational ignorance -in a context of imperfect knowledge and democracy. Some interesting ideas on persuasion: "Persuasion can only occur in the midst of ignorance; reality is: there are votes who are less informed than others and they need more facts; and we are mostly approached by biased versions of facts" and on rational ignorance: "when information is costly, no decision-maker can afford to know everything [...] ignorance of politics is not a result of unpatriotic apathy; rather it is a highly rational response to the facts of political life in a large democracy".

Sources

1. Britz, Johannes J. "To know or not to know: a moral reflection on information poverty." Journal of Information Science 30, no. 3 (2004): 192-204.

2. Downs, Anthony. "An economic theory of political action in a democracy." The Journal of Political Economy (1957): 135-150.

3. Jaeger, Paul T., and Kim M. Thompson. "Social information behavior and the democratic process: Information poverty, normative behavior, and electronic government in the United States." Library & Information Science Research 26, no. 1 (2005): 94-107.

4. Norris, Pippa. Digital divide: Civic engagement, information poverty, and the Internet worldwide. Cambridge University Press, 2001.

5. Shah, Nishant “Whose Change is it Anyways? Hivos Knowledge Program. April 30, 2013.

For more details visit https://cis-india.org/digital-natives/making-change/information-divide-political-quotient

‘Doing’ Digital Humanities: Reflections on a project on Online Feminism in India

sneha — 2015-03-30T12:48:16Z

A core concern of Digital Humanities research has been that of method. The existing discourse around the field of DH assumes a move away from traditional humanities and social sciences research methods to more open, collaborative and iterative forms of scholarship spanning some conventional and other not so conventional practices and spaces. In this guest blog post, Sujatha Subramanian reflects upon her experience of undertaking a research study on online feminist activism in India and its various challenges.

When the chance to do a research project on Digital Humanities presented itself, I deliberated over the possible topics I could explore. As a student of Media and Cultural Studies, I have on previous occasions studied digital technology and online spaces. Those studies, however, were simply “social sciences” research. I had little understanding of what Digital Humanities as a discipline entailed. While I admit that I am still unable to come up with a concrete definition of the same, the process of conducting the research and the DH workshop organised at CIS led to some clarity about the field and methods of Digital Humanities.

Before beginning the research I asked myself what could I, a feminist media scholar, learn from Digital Humanities and how could I contribute to the same. I wondered if the lack of familiarity with technological skills such as design, statistics and coding- knowledge that I saw as prerequisite to Digital Humanities- meant that I couldn’t really engage with the field of Digital Humanities. While grappling with this question, I chanced upon the #TransformDH project. At the heart of the project is the question- “How can digital humanities benefit from more diverse critical paradigms, including race/ethnic studies and gender/sexuality studies?” [1]

In a blogpost titled “Queer Studies and the Digital Humanities”,[2] the author states,

"...a lot of queer/critical ethnic studies/similar scholars also lack access to the resources that make it easier to combine digital and humanities work. That might not only mean physical access and training in technology, but also the time to add yet another interdisciplinary element to a project...my experience suggests that many, many politicized queers and people of color engaged in scholarly work in and out of the academy do use digital tools and think critically about them and even create them; they just don’t necessarily do so under the sign of the digital humanities."

As someone who used the space of Facebook to initiate conversations around feminist issues and was actively engaged in fighting the sexism entrenched in social media spaces, was I then already “doing” digital humanities? I reflected that since feminist activism finds such little space in mainstream media, a worthwhile Digital Humanities project could be to document and archive the contemporary feminist movement and the ways in which it is transforming our understanding of the digital space. As part of the project, I explored how feminist activists have revolutionised digital spaces for the creation of alternative public spheres, constituted of not just women but also other marginalised communities. The project gave me the opportunity to study the inclusions and exclusions facilitated by the digital space, with questions of gender, sexuality, class, caste and disability as central to the enquiry. The project also raised questions regarding popular assumptions of digital space as a disembodied, liberatory space free of power relations by exploring gendered and sexualised violence that these feminist activists face.

While the political vision of my project was clear, my methodological skills needed a little honing. The DH workshop organised at CIS was of great help in this regard. The feedback received at the workshop was instrumental in recognising the importance of “big data”. As a feminist researcher, life histories, personal narratives and stories remain important sources of knowledge for me. However, in studying social movements and their impact, the limitations of such methodological tools are revealed. Understanding how a feminist activist with 11,000 followers on Twitter offers important insight into public discourse is contingent on the ability to analyse such data. The workshop also helped me in realising that in my definition of activism, I had precluded many feminist engagements with digital technology, including the efforts of feminist Wikipedians, feminist gamers and feminist encounters with STEM (science, technology, engineering and mathematics). While these remain the shortcomings of my project, the workshop helped in foregrounding the scope for collaboration that lies at the heart of all our projects. A discussion of my project alongside Ditilekha’s project on LGBT Youth and Digital Citizenship brought to fore the intersections as well as the different activist strategies employed by the two movements in their use of social media. Sohnee’s project on the gender gap on Wikipedia underlines that an important aspect of working towards a feminist epistemology, and changing the relations of power that characterise technology, are issues of access and participation. Rimi’s use of a text mining tool to analyse the different patterns of language on confessions pages highlighted the value of such technological tools in socio-cultural analysis. The workshop which brought together scholars from different disciplinary backgrounds, helped in highlighting shared concerns of methodology, content and political visions and prompted discussions on innovative approaches to conducting research. This attempt at collaborative knowledge production- whether it is the constant communication between the research scholars through email, the workshop with the scholars and the mentors or even the dissemination of our reports on an open access site- has been the essence of my engagement with Digital Humanities. The ethos of collaboration as central to Digital Humanities is reflected in Joan Shaffer’s definition of Digital Humanities as “...a community interested in collaborative projects and sharing knowledge across disciplines." [3] This ethos of learning from fellow researchers and working together to create accessible knowledge is something that I shall carry forward to my future research endeavours.

[1]. http://transformdh.org/2012/01/

[2]. http://www.queergeektheory.org/2011/10/conference-thoughts-queer-studies-and-the-digital-humanities/

[3]. http://dayofdh2012.artsrn.ualberta.ca/members/echoln/profile/

Sujatha Subramanian is an M.Phil. Scholar at the Tata Institute of Social Sciences, Mumbai. This research study was part of a series of six projects commissioned by HEIRA-CSCS, Bangalore as part of a collaborative exercise on mapping the Digital Humanities in India. See here for more on this initiative.

For more details visit https://cis-india.org/raw/digital-humanities/doing-digital-humanities

A Question of Digital Humanities

sneha — 2015-03-30T12:47:27Z

The emergence of digital humanities as a new field of interdisciplinary research enquiry has also seen growth in literature around the problem of its definition. This blog-post lays out some of the conceptual frameworks for the mapping exercise taken up by CIS to look at digital humanities in India.

The ‘digital turn’ has been one of the significant changes in interdisciplinary research and scholarship in the last couple of decades. The advent of new digital technologies and growth of networked environments have led to a rethinking of the traditional processes of knowledge gathering and production, across an array of fields and disciplinary areas. The digital humanities have emerged as yet another manifestation of what in essence is this changing relationship between technology and the human subject. The nature and processes of information, scholarship and learning, now produced or mediated by digital tools, methods or spaces have formed the crux of the digital humanities discourse as it has emerged in different parts of the world so far. However, digital humanities is also clearly being posited as a site of contestation – what is perceived as doing away with or reinventing certain norms of traditional humanities research and scholarship. As a result it has largely been framed within the existing narrative of a crisis in the humanities, highlighting the more prominent role of technology which is now expected to resolve in some way questions of relevance and authority that seem to have become central to the continued existence and practice of the humanities in its conventional forms.

The question of what is digital humanities has been asked many times, and in different ways. Most scholars have differentiated between two waves or types of digital humanities – the first is that of using computational tools to do traditional humanities research, while the second looks at the ‘digital’ itself as integral to humanistic enquiry. However as is apparent in the existing discourse, the problem of definition still persists. As a field, method or practice, is it a found term that has now been appropriated in various forms and by various disciplines, or is it helping us reconfigure questions of the humanities by making available, through advancements in technology, a new digital object or a domain of enquiry that previously was unavailable to us? These and others will continue to remain questions for the digital humanities, but it would be important to first examine what would be the question/s of digital humanities. David Parry summarises to some extent these different contentions to a definition of the field when he suggests that ‘what is at stake here is not the object of study or even epistemology, but rather ontology. The digital changes what it means to be human, and by extension what it means to study the humanities.’[1]

Some speculation on the larger premise of the field, with specific reference to its emergence in India is what I hope to chart out in a series of posts over the next couple of weeks. This is not in itself an attempt at a definition, but sketching out a domain of enquiry by mapping the field with respect to work being done in the Indian context. In doing so these propositions will assume one or the other (if not all three) of these following suggested frameworks, which we hope will inform also larger concerns of the digital humanities programme at CIS:

The first is the inherited separation of technology and the humanities and therefore the existing tenuous relationship between the two fields. As is apparent in the nomenclature itself, there seems to be a bringing together of what seem to have been essentially two separate domains of knowledge. However, the humanities and technology have a rather chequered history together, which one could locate with the beginning of print culture. As Adrian Johns points out in the ‘Nature of the book’, ‘any printed book is, as a matter of fact, both the product of one complex set of social and technological processes and the beginning of another”[2]The larger imagination of humanities as text-based disciplines can be located in a sense in the rise of printing, literacy and textual scholarship. While the book itself seems to have made a comfortable transition into the digital realm, the process of this transition, the channels of circulation and distribution of information as objects of study have been relegated to certain disciplinary concerns, thus obfuscating and making invisible this ‘technologised history’ of the humanities. Can the digital humanities therefore be an attempt to bridge these knowledge gaps would be a question here.
The distance between the practice and the subject. How does one identify with digital humanities practice? While many people engage with what seem to be core digital humanities concerns, they are not all ‘digital humanists’ or do not identify themselves by the term. While at one level the problem is still that of definition and taxonomy – what is or is not digital humanities – at another level it is also about the nature of subjectivity produced in such practice – whether it has one of its own or is still entrenched in other disciplinary formations, as is the case with most digital humanities research today. This is apparent in the emphasis on processes and tools in digital humanities – where the practice or method seems to have emerged before the theoretical or epistemological framework. One may also connect this to the larger discourse on the emergence of the techno -social subject[3] as an identity meditated by digital and new media technologies, wherein technology is central to the practices that engender this subjectivity.
Tying back to the first question is also the notion of a conflict between the humanities and digital humanities. This comes with the perception of digital humanities being a version 2.0 of the traditional humanities, a result of the existing narrative of crisis and the need for the humanities to reinvent themselves by becoming amenable to the use of computing tools. Digital humanities has emerged as one way to mediate between the humanities and the changes that are imminent with digital technologies, but it may not take up the task of trying to establish a teleological connection between the two. The theoretical pursuits of both may be different but deeply related, and this is one manner of approaching digital humanities as a field or domain of enquiry; the point of intersection or conflict would be where new questions emerge. This narrative is also located within a larger framing of digital humanities in terms of addressing the concerns of the labour market, and the fear of the humanities being displaced or replaced as a result. Parry’s objective of studying the digital humanities works with or tries to address this particular formulation of the digital humanities.

Locating these concerns in India, where the field of digital humanities is still at an incipient stage comes with a multitude of questions. For one the digital divide still persists to a large extent in India, and is at different levels due to the complexity of linguistic and social conditions of technological advancement. It is difficult locate a field that is so premised on technology in such a varied context. Secondly, the existing discourse on digital humanities still draws upon, to a large extent, the given history of the term which renders it inaccessible to certain groups or classes of people in the global South. Another issue which is not specifically Indian but can be seen more explicitly in this context is the somewhat uncritical way in which technology itself is imagined. In most spaces, technology is still understood as either ‘facilitating’ something, either a specific kind of research enquiry or as a tool - a means to an end, and as being value or culture neutral. However, if we are to imagine the digital as a condition of being as Parry says, then technology too cannot be relegated to being a means to an end. Bruno Latour indicates the same when he says “Technology is everywhere, since the term applies to a regime of enunciation, or, to put it another way, to a mode of existence, a particular form of exploring existence, a particular form of the exploration of being – in the midst of many others.”[4]

The digital humanities then in some sense takes us back to the notion of technology or more specifically the digital realm as being a discursive space, and a technosocial or cultural paradigm that generates new objects and methods of study. This has been the impetus of cyber culture and digital culture studies, but what separates digital humanities from these fields is another way to arrive at some understanding of its ontological status. At a cursory glance, the shift from content to process, from information to data seems to be the key transition here, and the blurring of the boundaries between such absolute categories. More importantly however, does this point towards an epistemic shift; a rupture in the given understanding of certain knowledge formations or systems is also a pertinent question of digital humanities.

This mapping exercise will attempt to explore some of these thoughts a little further and with a focus on the Indian context. Through discussions with scholars and practitioners across diverse fields, we will attempt to map and generate different meanings of the ‘digital’ and digital humanities. While one can expect this to definitely produce more questions, we also hope the process of thinking though these questions will lead to an understanding of the larger field as well.

[1]. Dave Parry “The Digital Humanities or a Digital Humanism”, Debates in the Digital Humanities, ed. Mathew K. Gold, (University of Minnesota Press, 2012 ) http://dhdebates.gc.cuny.edu/debates/text/24

[2]. Adrian Johns, The Nature of the Book: Print and Knowledge in the Making ( Chicago: University of Chicago Press, 1998) pp.3

[3]. For more on the nature of the technosocial subject, see Nishant Shah, The Technosocial subject: cities, cyborgs and cyberspace Manipal University, 2013. Indian ETD Repository@Inflibnet, Web, March 7, 2014.

[4]. Latour, Bruno . "Morality and Technology: The End of the Means." Trans. Couze Venn Theory Culture Society . (2002): 247-260. Sage. Web, March 4, 2014 URL> http://www.brunolatour.fr/sites/default/files/downloads/80-MORAL-TECHNOLOGY-GB.pdf

For more details visit https://cis-india.org/raw/digital-humanities/a-question-of-digital-humanities