Centre for Internet and Society

Mapping the Things that Affect Us

praskrishna — 2015-10-05T15:05:45Z

'Map for making change' is a project using geographical mapping techniques to support struggles for social justice in India

As we go around living our lives, living in a city that is transforming, it is interesting to know that there are people interested in mapping the changing face of, not just the city, but the changing country.

The invite read ‘Map for making change’, elaborating that the project explored the potential of geographical mapping techniques to support struggles for social justice in India. Stepping inside the CIS workspace in Domlur, the large screens and tiny laptops projected maps of India, with dots that intrigue and piqued the onlooker. Maps that reflected pavement dwellers in Mumbai and problems of their eviction and rehabilitation, of mining areas from Goa to Madhya Pradesh, to the ‘hunted’ Chattisgarh, to maps that pointed heritage sites in Cochin and Ahmedabad you could explore using the GPRS on your mobile or demolished building in Kolkatta.

The idea was mapping the changing face of the country. The 25 participants were a mix of activists, researchers, artists and techies. The brain behind the project, researcher Anja Kovacs, explains the idea behind the project: “The idea took seed two years ago in 2007, when, as a trained sociologist I realised that anthropologists around the world were studying cyber-anthropology and I didn’t even know about social media sites like Facebook or Orkut.”

Hit by an idea, she says, “I realised that as activists, we tend to make a mistake by ignoring the technological changes happening around us, since technology, no doubt is transforming our lives.” More importantly, she made a connect: “I realised that we as activists could use it to our favour.”

Her first thoughts were maps. She explains her choice: “Maps were used in colonial times and maps affect the lives of those who do not use them the most.” She pointed out how “even to this day maps are used for governance and by policy makers. In that sense they can be really important”.

The map is a powerful medium to convey information in an innocent manner, she says. “When the land in a map is hid behind dots, one knows there is a problem,” she says matter-of-factly.

Currently a fellow with Centre for Internet and Society (CIS), she co-coordinated and organised the project and says the last five months the selected participants have had several workshops, one of them she mentions was of them learning the “whole mapping exercise”.

A work-in-progress is what all these projects are, and Kovacs says, after an intense five months, they are also looking at answering the “what next”, for now, however, she is happy, “to have begun tracing the transformation”.

Read the original article in DNA

For more details visit https://cis-india.org/news/mapping-the-things

Manuel Beltrán - Institute of Human Obsolescence - Cartographies of Dispossession

sumandro — 2019-04-01T08:00:05Z

Join us at the Delhi office of CIS on Thursday, April 4, at 5 pm for a talk by Manuel Beltrán, founder of the Institute of Human Obsolescence (IoHO), which explores the future of labour and the changing relationship between humans and machine. Cartographies of Dispossession (CoD), their current project at IoHO, explores the forms of systematic data dispossession that different humans are subject to, and investigates how data becomes both the means of production as much as the means of governance.

Image credit: Manuel Beltrán

Institute of Human Obsolescence - Cartographies of Dispossession

The Institute of Human Obsolescence (IoHO) explores the future of labour and the changing relationship between humans and machine. Our work develops from a scenario in which forms of manual and intellectual labour traditionally performed by humans are increasingly automated by new technologies. In this context we investigate and challenge the socio-political and economic implications of new forms of labour, such as the production of data. The IoHO developed several projects exploring the production of data as a form of labour, as a different paradigm through which to interrogate and challenge dynamics of ownership over the production of data and the economic and governance objects emerging through it. Previous lines of inquiry around the framework of Data Labour Rights include Data Basic Income, Data Cooperative, Data Production Labour series, Investigative Discussion Sessions and Data Workers Union.

In this talk founder of the IoHO Manuel Beltrán, will introduce the work of the IoHO and discuss their current project Cartographies of Dispossession (CoD). CoD explores the forms of systematic data dispossession that different humans are subject to, and investigates how data becomes both the means of production as much as the means of governance. The project looks at the implications of how the dispossession of data unequally occurs in different contexts, through different means and for different purposes.

Instruments such as the Right Of Access provided by GDPR emerge from a European context but the flows of data operate in a transnational scale. We are exploring the potential and limits of this instrument in combination with others such as the Right To Information in India as tools to investigate and repossess our production of data across borders. We are particularly interested in feedback and discussing in how to think further about this last part.

Manuel Beltrán

Manuel is an artist and activist. He researches and lectures on contemporary art, activism, contemporary social movements, post-digital culture and new media. As an activist, he was involved in the Indignados movement in Spain, the Gezi Park protests in Turkey and several forms of independent activism and cyber-activism in Europe and beyond. In 2012 he co-founded the art collective Plastic Crowds and since 2013 he is head and co-founder of the nomadic school and artistic organization Alternative Learning Tank. In 2015 he founded the Institute of Human Obsolescence, through which he explores the future of labour, the social and political implications regarding our relationship with technology and the economic and governance systems surrounding the production of data.

http://speculative.capital

https://dataworkers.org

For more details visit https://cis-india.org/raw/manuel-beltran-ioho-cartographies-of-dispossession

Launch of Silicon Plateau Vol-1

sumandro — 2015-11-26T04:32:41Z

Please join us on Friday, November 27, 2015 at 6.30 pm for the book launch of Silicon Plateau Vol-1.

Born from a collaboration with or-bits.com and the Researchers at Work (RAW) programme at the Centre for Internet and Society, Silicon Plateau is the first volume of a publishing series aimed at observing how the arts, technology and society intersect in the city of Bangalore. Guided by our belief in the importance of understanding technologies in their specificity rather than their universality, Silicon Plateau presents observations emerging from the personal experiences and perspectives of a variety of contemporary artists, writers and researchers, national and international, who either live in or have spent a period of time in the city, or have just crossed paths with its communities.

Silicon Plateau Vol–1 features works by Abhishek Hazra, IOCOSE, Tara Kelton, Anil Menon, Achal Prabhala, Sunita Prasad, Sreshta Rit Premnath, Renuka Rajiv, Anja Gollor & Mirko Merkel, and Christoph Schäfer.

VENUE: T.A.J. Residency, No. 21 (New No. 53), 2nd Cross, Wheeler Road Extension, Cooke Town, Bangalore, 560084.

PLEASE NOTE: Coming from Pottery road up to Wheeler Road Extension there are three roads called 2nd Cross. Take the third one on the right-hand side, just after D'Costa Café. The road is also marked with a blue sign for CCBI. Also note that our building does not have parking.

For more details visit https://cis-india.org/raw/launch-of-silicon-plateau-vol-1

Creativity, Politics, and Internet Censorship

sneha-pp — 2016-06-17T07:07:40Z

In collaboration with Karnataka for Kashmir, we organised a discussion on 'Creativity, Politics and Internet Censorship' on May 25, 2016. Mahum Shabir, a legal activist and artist, Mir Suhail, political cartoonist with Kashmir Reader and Rising Kashmir, and Habeel Iqbal, a lawyer who has worked with several justice groups in Kashmir, shared some of their work and experiences. This discussion was organised as part of Port of Kashmir 2016, a series of events bringing together a small collective of people using different modes of art and activism to address crucial challenges to free speech and democracy in the state.

Mahum Shabir talking about the Handwara case. Source: Swar Thounaojam.

The discussion began with Mahum Shabir giving an overview of the work at the Jammu Kashmir Coalition of Civil Society, specifically on the Handwara case. She spoke of the role of the internet, and social media in particular, in perpetuating the gaze of the state, while also bringing up the larger question of how media propagates a certain way of looking at Kashmir, particularly women, marginalised groups and victims of violence. Internet blockades and media censorship pose several obstacles for the circulation of information, resulting in the need for surreptitious ways of communication as a necessary way to counter predominant narratives in the discourse around occupation. The implications of these for the rights of women in particular, the curbs on freedom at different levels, and the undercurrent of violence that is prevalent in everyday life, came up as significant questions.

Mir Suhail presented some of his cartoons, and shared some poignant personal experiences of growing up in a state under military occupation. His works reflect his concerns about a changing society, from understanding strife as an almost normalised state of existence, to now a phase of industrialization and control of resources. He spoke on the politics of exercising creative freedom in the present, and his attempt to encourage conversations on contemporary issues through his art. The role of technology in facilitating these conversations is as crucial as it is contentious, for it also brings up questions of surveillance and privacy;his art tries to navigate through some of these questions in different ways.

Habeel Iqbal, a lawyer who has worked on the Shopian and Handwara cases, spoke on some of the legal aspects of censorship and surveillance related issues in Kashmir, particularly in instances involving social media. He discussed some of the challenges faced by activists, social workers and political groups in working on certain cases, particularly in gathering and circulating information or in writing about sensitive issues. Self-censorship is often the only option for people working on these issues, as he elaborated through some personal experiences.

The discussion included questions on the possibilities opened up by privacy tools, such the use of encryption and to the extent to which they affect communication. Access to these technologies is a factor here; besides, transparency is also a goal for most human rights organisations working in the state. Social media, and social messaging apps in particular often function as an alternative to mainstream media as a means of communication, and it is interesting to see the questions it opens up for censorship. Examples of activism using not just the internet, but the network (through USBs and hard drives) were also discussed. The responses to such forms of activism, from across the world were interesting to engage with, as it tries to tackle predominant perceptions about the state. The economic aspects of different strategies of censorship and surveillance, through curfews and blockades and its broader implications for socio-economic development in the state were also discussed. The talk provided several insights into the problems and challenges to freedom of speech, the censorship of ideas, and its repercussions for creative freedom and politics in Kashmir.

Postcards of cartoons by Mir Suhail. Source: Swar Thounaojam.

For more details visit https://cis-india.org/raw/creativity-politics-and-internet-censorship-20160525

Call for Applications: 'Maps for Making Change' - Using Geographical Mapping Techniques to Support Struggles for Social Justice in India

anja — 2015-10-05T15:04:12Z

Deadline: 20 November 2009. Maps for Making Change is a two-month project specifically designed for activists and supporters of social movements and campaigns in India. It provides participants with an exciting opportunity to explore how a range of digital mapping techniques can be used to support struggles for social justice. It also allows you to immediately develop and implement in practice a concrete mapping project relevant to your campaign or movement, with full technical support. Interested in joining us? Send in your application by 20 November 2009.

Background

Most of us think of maps as representations of territory. But have you ever wondered why bastis, slums, unauthorised colonies and monuments of minorities and poor people rarely are given prominence on maps – or at times are even absent altogether? All too often only seats of power, such as big hospitals, the colonies of the rich and diplomatic missions, receive detailed mention. This is because maps simultaneously also function as representations of relations of power and control: which places, communities, historical monuments, townships, colonies and roads are highlighted on a map reflects the power and control that various communities and classes possess or lack. In modern times, this is particularly obvious in planning processes, which incorporate maps as crucial tools in villages and cities alike. To challenge the practice of privileging the powerful on maps, and to create maps from the margins and of margins, therefore has emerged as an important aspect as well as a tool of our fights against injustice in society.

Maps for Making Change

Today, with the emergence of new technologies such as GPS and the Internet, mapping techniques have advanced beyond the confines of professional cartographers and can be mobilised and used to fight for social justice by anyone with an interest in maps. Are you someone concerned with the state of social justice in the country today? Are you working closely, as an activist or a supporter, with a campaign or social movement? Are you interested in exploring how digital geographical mapping techniques might help facilitate or support your advocacy and awareness raising campaigns and understanding of the power relations in society? Perhaps you already have some ideas on how maps can fit into your work, but you require technical support to put these into practice? Then this is for you.

Maps for Making Change is a two-month project that will provide you with the opportunity to explore how mapping can be used to support your campaigns, struggles and movements to fight against injustice. It is jointly organised by the Centre for Internet and Society (Bangalore) and the Tactical Technology Collective (Bangalore and London), and brings together activists and technologists. Over the course of the project, participants will:

explore and share ideas about the possible uses of geographical maps within the context of campaigns and movements in India;
try out a range of mapping tools and get training and support in the creation and use of maps;

develop and implement your own mapping project, involving the creation and use as well as dissemination of maps, relevant to your campaign's or movement's advocacy and goals.

Format

Maps for Making Change will take the form of three workshops, with time in between each for participants to work on a mapping project of their choice. The first workshop will take place in Delhi on 3 December, and will be an introductory event, where tools and tactics will be explored and discussed and participants can determine the nature of the information they need to collect to implement their own mapping project. The second workshop will take place over 3 days during the first week of January (exact dates and location to be decided), and will involve actual work on mapping projects, using data and other resources collected by participants in the intervening time. The third workshop will be a two-day event during the first week of February (exact dates and location to be decided), and will be the time for participants to provide overall feedback, as well as to do the final touches on the projects and launch them. Not only during the workshops, but throughout the two-month project period, and at every stage of the development of your project plan, technical support will be available to help participants make your ideas a reality.

The organisers will cover travel and accommodation expenses of those who are selected to participate in the project. There is no participation fee. By applying, applicants commit themselves, however, to devoting the necessary time to this project. Where relevant, an organisational commitment to allow you to do this would also be required.

Who should apply?

This is an event for activists and supporters of movements and campaigns based in India. Preference will be given to applicants that intend to use the project directly for their work within a campaign or movement. Applications are welcomed from individuals, but also from groups of people who are working within the same campaign or movement and who would like to develop and implement a mapping project together. Those who have been centrally involved in designing and implementing communication strategies of campaigns and movements are particularly encouraged to apply, but such a role is not at all a prerequisite to be part of Maps for Making Change. Participants from appropriate backgrounds who simply want to explore the technology and its uses without immediately implementing it will be welcome in so far as space allows.

We would like to also encourage applications from students who are involved with campaigns or movements and who would like to learn these skills so as to use them in their advocacy efforts. Students will be provided with special assistance during the programme.

All participants should have some familiarity with computer use. While more advanced technology skills are useful, they are not essential: technology support will be provided as required for all participants to ensure that everyone completes their own mapping project.

Regretfully, we will be able to accommodate translation only from Hindi to English and vice versa, so applicants will need to be comfortable with either of these languages.

How to apply

Please answer the questions below in Hindi or in English. You do not need to write long responses (up to 300 words max), but please provide us with enough information to understand your involvement in and commitment to campaigns or movements for social justice, as well as your skills and interest. We also would like to know why you want to be part of the Maps for Making Change project and what are some of the contributions (of whatever kind) you could make to it.

You can send your answers by email to maps4change@cis-india.org, or by post to:

Maps for Making Change

c/o Centre for Internet and Society

No. D2, 3rd Floor, Sheriff Chambers

14, Cunningham Road

Bangalore 560052

The last day for applications is 20 November 2009. Early applications will make us very happy though! :)

Application Questions:

Please provide answers to all the following questions.

1) Basic personal information:

Name:
Gender:
Date of birth:
Nationality:
Affiliation/organisation:
E-mail address (if available):
Telephone and emergency contact number(s):
Preferred language of communication:
Veg/non veg:
Anything else we should know about you (allergies, medical condition, special needs):

Are you applying individually or as part of a team? If as part of a team, please provide the names of the other team members here;

2) Where are you from, where do you live now, and what is your current movement/organisational affiliation (movement/organisation you work with, its mission, position you have within it, is your organisation a non-profit, etc.)?

3) What is your wider experience of working with campaigns or movements for social justice? What kinds of initiatives have you been involved in? What kind of responsibilities have you taken up within these?

4) Have you been involved with any technology projects for non-profit organisations or campaigns or movements for social change? If so please briefly explain your experience (what worked, what didn't, what did you like, what not, etc?) and your role within the project. If you haven't been involved with such a project, please explain why you are interested in exploring the use of technology for social change.

5) Why are you interested in joining Maps for Making Change in particular? How can you and your movement/organisation benefit from your participation?

6) Do you already have an idea in mind that involves using maps for social change and that you would like to develop into a project that can support the work of the campaign or movement that you are involved with? If so, please explain.

7) To help us better understand the kind of technical support we will need to provide during Maps for Making Change, please describe your current technical expertise and ability.

8) All participants are encouraged to teach as well as to learn. What kind of contribution to the group's learning do you think you could make?

If you require more information about the project or about the application process, please email us at maps4change@cis-india.org, or call us at 080 4092 6283.

Looking forward to hearing from you!

The Maps for Making Change Team

For more details visit https://cis-india.org/advocacy/other-advocacy/maps-for-making-change

Announcing Silicon Plateau #01

sumandro — 2015-10-05T15:00:59Z

We are very pleased to announce that the RAW programme is supporting a new collaborative publishing project led by T.A.J. Residency / SKE Projects and or-bits.com. The first volume of the series titled 'Silicon Plateau' will feature contributions by a group of artists, researchers, and writers, including IOCOSE, Tara Kelton, Anil Menon, Sunita Prasad, Achal Prabhala and Sreshta Rit Premnath, along with contextual writing and documentation material. Here is an excerpt from the editorial note written by Marialaura Ghidini, the co-editor of the volume.

The scope of the series is to explore the contemporary interaction between the arts and technology as informed by experiences of Bangalore (the ‘Silicon Valley’ of India). Such exploration will be guided by the perspectives of contemporary artists, writers and thinkers, national and international, who have either spent a period of time in the city or crossed paths with its communities whose work and interests — from the creative industry to law and historical research — lie at the intersection between the arts and technology. The approach we have adopted to explore how technology informs the arts and the socio-cultural environment, and how the latter affects usages and understandings of technological tools, is multidisciplinary and hybrid, and uses the city of Bangalore as the starting point for broader reflections and actions.

Advocating for the importance of thinking about digital and web technologies in their specificity rather than their universality, the series will propose across-disciplines narratives about the encounters — fortuitous, anticipated or even inconvenient — that artists, writers, technologists, lawyers, economists and more have had with the city. The nickname of Bangalore, Silicon Plateau, which derives from its geographical location on the Deccan Plateau in the state of Karnataka, has been used as the title of the series because we think it metaphorically highlights the contradictions inherent to our exploration. Adopting the term plateau, which indicates the reaching of a state of little change, to refer to a city that has transformed at rapid speed over the last few decades results in a linguistic combination that reflects the complexities inherent to discussing arts and technology in relation to local histories and occurrences rather than global narratives and popular beliefs.

This fist edition of Silicon Plateau #01 will focus on the way in which the city is represented in the public realm, from public spaces to those manufactured by the real estate industry. It will look at representations of Bangalore as a set of phenomena triggered by the ways in which the IT industry is reflected in the city, such as its market-driven narratives, and how passers-by and short term residents encounter them in the everyday. The contributors have been invited to reflect on how these modes of presenting and representing often lead to the creation of metaphors and cultural signs that might tell us more about discussing the interaction between the arts and technology.

Silicon Plateau #01 will be about that which lies behind first ‘impressions’ and constructed representations as determined by uses and understanding of technology, the tools and its infrastructures, existing, imagined, or projected.”

Silicon Plateau #01 will be released, in print and online, in May 2015 and launched soon after.

Image Credit: Sreshta Rit Premnath, Projections (1964/2014), photocopies on corrugated plastic and chroma key paints.

For more details visit https://cis-india.org/raw/announcing-silicon-plateau-01

An Artist's Hunt for Lost Stepwells

praskrishna — 2015-10-05T15:05:26Z

As part of the Maps for Making Change project, Kakoli Sen has brought to light some facts which she stumbled upon while mapping the stepwells in Vadodara. She mapped these and also discovered 14 such architectural heritage structures. The news was covered in the Times of India.

For more details visit https://cis-india.org/news/hunt-for-lost-stepwells

A.I. Hype Cycles and Artistic Subversions

sharath — 2016-01-01T07:52:20Z

Gene Kogan will give a talk on "A.I. hype cycles and artistic subversions" on Friday, January 22, 2016 at the Centre for Internet and Society office, 6 pm - 8 pm.

Mona Lisa restyled by Egyptian hieroglyphs, the Crab Nebula, and Google Maps. Style Transfer. Gene Kogan.

Recent years have seen a resurgence of popular interest in machine learning and artificial intelligence, as emerging methods have set new scientific benchmarks and introduced classes of neural networks capable of imitating human behavior, among other impressive feats. More importantly, the study of these algorithms is rapidly crossing over into mainstream culture and industry as AI applications begin to inhabit more of our daily lives. Numerous initiatives have appeared, attempting to demystify and make these previously obscure research tracks more accessible to the public. Open source software like Torch, Theano, and TensorFlow have equipped amateurs with the same software which is achieving state-of-the-art results in industry and academia.

This talk will examine the most recent wave of artistic projects applying these methods in various cultural contexts, producing troves of machine-hallucinated text, images, sounds, and videos, demonstrating a previously unseen capacity for imitating human style and sensibility. These experimental works attempt to show the capacity of these machines for producing aesthetically meaningful media, yet challenging and subverting them to illuminate their most obscure and counterintuitive properties.

A recent article by the speaker about this: From Pixels to Paragraphs: How artistic experiments with deep learning guard us from hype.

Relevant projects by the speaker that will be presented include: Style Transfer, A Book from the Sky 天书, Learning to Generate Text and Audio, and Deepdream Prototypes.

Gene Kogan

Gene Kogan is an artist and programmer who is interested in generative systems and applications of emerging technology in artistic and expressive contexts. He writes code for live music, performance, and visual art. He contributes to numerous open-source software projects and frequently gives workshops and demonstrations on topics related to code and art.

He is a contributor to openFrameworks, Processing, and p5.js, an adjunct professor at Bennington College and NYU, a former resident at Eyebeam Art & Technology Center, and a former Fulbright scholar in Bangalore, India, 2012-2013.

For more details visit https://cis-india.org/raw/ai-hype-cycles-and-artistic-subversions

7 Ways to Con/fuse the Internet with Analogy (Intergalactic Mix) - Talk by Surfatial

sneha-pp — 2018-07-02T18:33:42Z

Surfatial, a trans-local collective that works with text and sound will talk about their essay which was recently published. The talk will also address concerns on how the internet can be used in alternate contexts including presenting work in alternative formats and using the internet for synchronous collaborative cultural production.

The talk will be held at the Centre for Internet & Society's office in Bangalore on September 26 at 6.00 p.m.

Abstract

Surfatial will present their work as a trans-local collective that works with text and sound. They will talk about their essay which was recently published on the RAW blog, as well as concerns of how the internet can be used in alternate contexts. As a continuation from their essay 101 ways of Starting an ISP: No. 53- Conversation Content and Weird Fiction they are interested in exploring alternate formats of presenting the work they produce and in using the internet for synchronous collaborative cultural production.

They structure this talk as a storytelling session and will share stories of how the internet is used on other planets. Stories of the internet on seven planets will be shared. Each story will describe its specific conditions of operation. These stories are seven ways of doing so. How will an external search engine index these stories? Will they be fact or fiction? The external archive of the search engine will be ways to con/fuse the internet with our narratives.

Speakers

Surfatial is a trans-local collective that operates through the internet. They use conversations to aid learning outside established structures. They are concerned with enabling dis-inhibition through the internet, for expressing what may not be feasible in physical reality. They organise internet-based audio conferences called study-groups where they deal with philosophical questions and a self-reflective exchange of individual experiences. They have previously presented their work at Soundphile 2016, Delhi; play_book (in collaboration with Thukral & Tagra), Gurgaon; CONA, Mumbai, and Mumbai Art Room. Their upcoming engagement is with ZK/U, Berlin.

Facebook - https://www.facebook.com/surfatial
Website - http://www.museumofvestigialdesire.net/offices/surfatial
Twitter - https://twitter.com/surfatial

Surfatial is Malavika Rajnarayan, Prayas Abhinav and Satya Gummuluri.

For more details visit https://cis-india.org/raw/7-ways-to-con-fuse-the-internet-with-analogy-intergalactic-mix-talk-by-surfatial-september-26-6-pm