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Copyrights and Copywrongs Why the Government Should Embrace the Public Domain

pranesh — 2013-09-06T04:56:42Z

Each of you reading this article is a criminal and should be jailed for up to three years. Yes, you. "Why?," you may ask.

This article by Pranesh Prakash was published in Yojana, Issue: August 2013.

Have you ever whistled a tune or sung a film song aloud? Have you ever retold a joke? Have you replied to an e-mail without deleting the copy of that e-mail that automatically added to the reply? Or photocopied pages from a book? Have you ever used an image from the Internet in presentation? Have you ever surfed the Internet at work, used the the 'share' button on a website, or retweeted anything on Twitter? And before 2012, did you ever use a search engine?

If you have done any of the above without the permission of the copyright holder, you might well have been in violation of the Indian Copyright Act, since in each of those examples you're creating a copy or are otherwise infringing the rights of the copyright holder. Interestingly, it was only through an amendment in 2012 that search engines (like Google and Yahoo) were legalized.

Traditional Justifications for Copyright

Copyright is one among the many forms of intellectual property rights. Across differing theories of copyright, two broad categories may be made. The first category would be those countries where copyright is intended to benefit society, the other where it is intended to benefit the author. Within the second category, there can again be two subcategories: those that see the need to benefit the author due to notions of natural justice and those that see the need to provide incentives for authors to create. Incentives to create are necessary only when the act of creation itself is valuable (and more so than the creator). The act of creation is valued highly as it directly benefits society. Thus, it is seen that the second sub-category is closer to the societal benefit theory than the natural justice sub-category. In the United States, the wording of the Progress Clause makes things clear that copyright is for the benefit of the public, and the author is only given secondary consideration. It is in light of this that the U.S. Supreme Court said,
"The monopoly privileges that Congress may authorize are neither unlimited nor primarily designed to provide a special private benefit. Rather, the limited grant is a means by which an important public purpose may be achieved. It is intended to motivate the creative activity of authors and inventors by the provision of a special reward, and to allow the public access to the products of their genius after the limited period of exclusive control has expired."

Economic theories of copyright see copyright as an incentive mechanism, designed to encourage creators to produce material because they would be able to recover costs and make a profit due to the exclusionary rights that copyright law grants. Thus, the ideal period of copyright for any material, under the economic theory would be the minimum period required for a person to recoup the costs that go into the production of that material. Allowing for the great-grandchildren of the author to benefit from the author’s work would actually go against the incentive mechanism. Even if the author is motivated enough to put in even more hard work to provide for her great-grandchildren, her children, grandchildren, and great-grandchildren wouldn’t have any incentive to create for themselves (as the incentive is seen purely in terms of economics, and not in terms of creative urge, etc.), as they are already provided for by copyright. Thus, in a sense, the shift towards longer periods of copyright terms that we are seeing today can be seen as a shift from the incentive-based model to a rewards-based model of copyright.

The other standard theory of copyright justification is the natural rights theory, which deems intellectual property the fruit of the author’s labour, thus entitling them to complete control over that fruit. This brings us to the conception of property itself, and the Lockean and Hegelian justifications for personal property is what is most often used to back such an argument up.

There are many problems with the natural rights theory of intellectual property. If that theory were to hold water, copyright law would accord greater precedence to authors than to publishers. Yet, we see that it is publishers primarily, and not authors, who get benefit of copyright. The "work for hire" doctrine, embodied in Section 17 of the Copyright Act, holds that it is the employer who is treated as the owner of copyright, not the author. This plainly contradicts that natural rights theory. And it also raises the question of why we should protect certain kinds of knowledge investments in the first place. Publishing is a business, and all risks inherent with other businesses should come along with publishing. There is no reason that the State should safeguard their investment by vesting in them a right while safeguarding the investments of any other business only occasionally, and that too as an act of munificence. This problem arises because of the free transferability of copyright. This leads us to the larger problem, which is of course that of treating knowledge as a form of property. Property, as we have traditionally understood it, has a few features like excludability. Knowledge, however, does not share that feature with property. Once you know something that I created, I can’t exclude you from that knowledge that (unlike my ability to take back an apple you have stolen from me). This analysis also has the pernicious effect of excluding free speech analysis of copyright laws. An incorrect analogy is often drawn to explain why free speech analysis doesn’t work on property: you may wish to exercise your right to free speech on my front lawn, yet the State may decree that I am in full right to throw you off my property, without being accused of abridging your right to freedom of speech. So, the argument goes, enforcement of property rights is not an affront to freedom of speech. The problems with this analogy are obvious enough: the two forms of “property” cannot be equated. If you take the location of speech away, I can still speak. If, on the other hand, you restrict my ideas/expression, then I can no longer be said to have the freedom of expression.

One Size Doesn't Fit All

It is easy to see that copyright is an ill-fit for all the things that it now covers. Copyright in its present form is a historical accident, which evolved into the state it is in a very haphazard fashion. It is a colonial imposition on developing countries. It does not value that which we often value in Indian culture: tradition. Instead, copyright law values modernity and newness. It can also be seen as a trade issue imposed on us through the Trade-Related Intellectual Property Agreement (TRIPS Agreements) as part of the World Trade Organization.

Importantly, copyright is not a single well-planned scheme. In some cases — for literature, visual art works, lyrics, musical tunes, etc. — it provides rights to the artist, while in other cases — for recordings of those musical tunes, and for films — it provides rights to the producers. What are the legal reasons for this distinction? There aren't any; the distinction is a historical one (with sound recordings and films getting copyright protection after literature, etc.). At one point of time only exact copies were governed by copyright law. Hence, translations of a work were considered not to be infringement of that work (or a "derivative work"), but new independent works, since after all it takes considerable artistic effort to create a good translation of a work. However now even creating an encyclopedia based on Harry Potter (as the Harry Potter Lexicon was), is covered as infringement of the exclusive rights of the author. At one point of time photographs were not provided any copyright, being as they are, 'mere' mechanical reproductions. They were seen as not being 'creative' enough. However, around the turn of the twentieth century, that position changed, and hence every photograph you've taken of your dog is now copyrighted. According to a recent Supreme Court decision, merely adding paragraph numbering to court judgments is considered to be 'creative' enough to merit copyright protection! At one point of time, copyright existed for 14 years. Now, with the international minimum being "fifty years after the death of the author", it lasts for an average of more than a century! Once upon a time, copyright was only granted to those who wanted it and applied for it. That has now changed, and you have copyright over every single original thing that you have ever written, recorded, or otherwise affixed to a medium.

Copyright in the Digital Era

All digital activities violate copyright, since automatically copies are created on the computer's RAM, cache, etc. Because now everything is copyrighted, and copyrighted seemingly forever, each one of us violates copyright on a day-to-day basis. It is a mockery of the law when everyone is a criminal. The US President Barack Obama violated copyright law when he presented UK's Queen Elizabeth II an iPod filled with 40 songs from popular musicals like West Side Story and the King and I. When even presidents, with legal advisers cannot navigate copyright law successfully, what hopes have we ordinary people?

There is no shortage of similar examples to show that copyright law has gone out of control.

Take extradition, for instance. Augusto Pinochet was extradited, Charles Shobraj was sought to be extradited. Added to their ranks is the pimply teenager who runs TVShark, who British courts have cleared for extradition to the USA for potential violation of copyright law. The extreme injustice of copyright is easily observable if one sees the contorted map depicting net royalty inflows available on Worldmapper.org: there are a sum total of less than a dozen countries which are net exporters of IP; all other countries, including India, are net importers of IP. IP law is one area where both those who talk about social justice and those who talk about individual liberties find common ground in the monopolistic or exclusionary rights granted under copyright law. Copyright acts as a barrier to free trade, thus allowing Nelson Mandela's autobiography to be more expensive in South Africa than the United Kingdom because South Africa is prohibited by the UK publisher from importing the book from India. Mark Getty, the heir to the Getty Images fortune, once presciently observed that "IP is the oil of the 21st century".

Government Copyright

In the ivory towers of academia, there has in recent times been a clarion call that's resounding strongly: the call for open access. As the Public Library of Science states, "open access is a stands for unrestricted access and unrestricted reuse". Why is it important? "Most publishers own the rights to the articles in their journals. Anyone who wants to read the articles must pay to access them. Anyone who wants to use the articles in any way must obtain permission from the publisher and is often required to pay an additional fee. Although many researchers can access the journals they need via their institution and think that their access is free, in reality it is not. The institution has often been involved in lengthy negotiations around the price of their site license, and re-use of this content is limited." Importantly, the writers of articles (scholars) do not get paid by the publishers for their articles, and most developing countries are not able to afford the costs imposed by these scholarly publishers. Even India's premier scientific research agency, the Council for Scientific and Industrial Research, recently declared that the costs of scientific journals was beyond its means.

Why is this important? Because apart from establishing the idea of informational equity and justice, it also establishes the idea that taxpayer-funded research (as most scientific and much of academic research is) ought to belong to the public domain, and be available freely. This principle, seemingly uncontroversial, is very unfortunately not embodied in the Indian Copyright Act. Most public servants do not realize that that which they create may not be freely used by the public whom they serve.

Under the Indian Copyright Act, all creations of the government, whether by the executive, judiciary, or legislature, is by default copyrighted. This does not make sense under either of the two theories of copyright that we examined above. The government is not an 'author' who can have any form of 'natural rights' over its labour. Nor is the government incentivised to create more works if it has copyright over them. Most of the copyrighted works, such as various reports, the Gazette of India, etc., that the government creates are required to be created, and the cultural works it creates are for cultural promotion and not for commercial exploitation. Hence it makes absolutely no sense to continue with the colonial regime of 'crown copyright', when countries like the USA have suffered no ill effects by legally placing all government works in the public domain.

While there are a limited set of exceptions to government copyright provided for in the law, those are very minimal. This means that even though you are legally allowed to get a document through the Right to Information Act, publicising that document on the Internet could potentially get you jailed under the Copyright Act. This is obviously not what any government official would want. If instead of the four sub-sections that form the exception, the exception was merely one line and allowed for "the reproduction, communication to the public, or publication of any government work", then that itself would elegantly take care of the problem. This would also remove the ambiguities inherent currently in the Data.gov.in, where the central government is publishing information that it wants civil society, entrepreneurs, and other government departments to use, however there is no clarity on whether they are legally allowed to do so.

Recently, the member states of the World Intellectual Property Organization passed a treaty that would facilitate blind persons' access to books. On that occasion, at Marrakesh, I noted that intellectual property must not be seen as a good in itself, but as an instrumentalist tool which may be selectively deployed to achieve societally desirable objectives. I said: It is historic that today WIPO and its members have collectively recognized in a treaty that copyright isn't just an "engine of free expression" but can pose a significant barrier to access to knowledge. Today we recognize that blind writers are currently curtailed more by copyright law than protected by it. Today we recognize that copyright not only may be curtailed in some circumstances, but that it must be curtailed in some circumstances, even beyond the few that have been listed in the Berne Convention. One of the original framers of the Berne Convention, Swiss jurist and president, Numa Droz, recognized this in 1884 when he emphasized that "limits to absolute protection are rightly set by the public interest". And as Debabrata Saha, India's delegate to WIPO during the adoption of the WIPO Development Agenda noted, "intellectual property rights have to be viewed not as a self contained and distinct domain, but rather as an effective policy instrument for wide ranging socio-economic and technological development. The primary objective of this instrument is to maximize public welfare." When copyright doesn't serve public welfare, states must intervene, and the law must change to promote human rights, the freedom of expression and to receive and impart information, and to protect authors and consumers. Importantly, markets alone cannot be relied upon to achieve a just allocation of informational resources, as we have seen clearly from the book famine that the blind are experiencing. Marrakesh was the city in which, as Debabrata Saha noted, "the damage [of] TRIPS [was] wrought on developing countries". Now it has redeemed itself through this treaty.

The Indian government needs to similarly redeem itself by freeing governmental works, including the scientific research it funds, the archives of All India Radio, the movies that it produces through Prasar Bharati, and all other tax-payer funded works, and by returning them to the public domain, where they belong.

For more details visit https://cis-india.org/a2k/blogs/yojana-august-2013-pranesh-prakash-copyrights-and-copywrongs-why-the-govt-should-embrace-the-public-domain

Copyright: Access to Knowledge in Free Trade Agreements?

praskrishna — 2015-10-02T03:36:53Z

For more details visit https://cis-india.org/a2k/blogs/copyright-access-to-knowledge-in-fta.pdf

Copyright Law: More Than A Moral Obligation

praskrishna — 2012-08-13T03:59:47Z

It was a cozy and warm atmosphere in a bookstore in South Delhi — with plenty of cushions thrown on the floor — that I attended a delightful book launch for children. The book was displayed prominently, along with some fabulous original illustrations done by the author, from which the book illustrator had been “inspired”. I clicked some photographs with my smartphone. The publishers, based in another city, couldn't attend the event. So, I thought why not mail it to them, they are fraternity. Soon, a newsletter popped into my mailbox from the same publisher, with a lovely write-up of the book launch accompanied by my photographs, but with no acknowledgement given to me. I was disappointed.

This column by Jaya Bhattacharji Rose was published in Business World on August 9, 2012. Pranesh Prakash is quoted.

After pondering over it, I decided to bring it to the publisher’s notice. To me, it was the principle of recognising the IPR (intellectual property rights) of the creator and giving due credit that I felt was at stake here. This was the reply I received, “So sorry. It was a slip up as I had said that you should be acknowledged. But since that is not the usual practice — simply because no one had asked — it was overlooked.” An apology received and accepted. I did not stop at that. I requested that in the next newsletter it should be rectified and on the blog, the photographs uploaded should go with credits.

To explore larger issues surrounding copyright, and for publishers in general, management of copyright is a very important part of their business. In May 2012, the Indian Parliament passed a few amendments to the Copyright Act. (It is still a bill, at the time of writing this column.) A victory to a large extent for the music industry, but it has made very little difference, so far, to the publishing industry. Plus, the debate surrounding Clause 2(m) of the Indian Copyright Act is still an open chapter. As per the clause, a book published in any part of the world can easily be sold here. Thus, diluting the significance or infringing upon an exclusive Indian edition. The Parliament Standing Committee investigating the pros and cons of Clause 2(m), made a “forceful recommendation” for its amendment, but it was not included in the bill. So the HRD Minister has referred it to an NCAER expert committee constituted.

However, another amendment relevant to the publishing industry has been the increase in copyright term for photographs. “This will make using older photographs impossible without hunting down the original photographer,” says Pranesh Prakash, a lawyer and copyright expert and programme manager at Centre for Internet and Society. “So far, things have worked well because sepia-tinted photographs have generally become part of the public domain. But now, only photographs by photographers who died before 1951 are part of the public domain. This has shrivelled up the public domain in photographs since it is even more difficult to trace the photographer (and date of death) than to estimate the age of a photograph, determining whether a photograph is in the public domain is laden with uncertainty. The use of historical photos in books (and Wikipedia) will be badly affected.”

Having been a publisher for years, I tend to be very careful about issues involving copyright. Dig deep and you will find anecdotes that illustrate the crying need for understanding copyright issues. For example, an illustrator submitting files to a reputed art director could be told that the illustrations are not up to mark. Unfortunately, when the book is published, the ‘new’ illustrations are pale imitations of the original line drawings submitted by the illustrator.

Or for that matter, a playwright being asked to create a script, but is never acknowledged or even paid the royalty due since the director believes that the core idea for the play is hers. ‘The playwright merely gave it a form’ is a common retort. Or, a couple of editors discovering their original research (and highly acclaimed globally) has been blatantly plagiarised by a well-known writer and published by an equally prominent publisher. Despite having marshalled all the necessary evidence, the editors are unable to file a case, since the court fee is a percentage of the damages sought and is beyond their reach. So, these cases stagnate with no redressal and the creators are left frustrated and angry.

The core issue is, how many professionals in the publishing eco-system actually know what is copyright or how to exercise their rights? After all, it is only a concept, albeit a legal one, which gives the creator of an original work exclusive right(s) to it for a limited period of time. Establishing and verifying the ownership to copyright is a sensitive issue. A good example of how an organisation can facilitate, disseminate, inform and empower a literary community on IPR and related topics is the Irish Writers Union.

According to their website, it is “the representative organisation for one of the major stakeholders in any discussion about copyright: Irish authors. While we understand that copyright legislation might be a barrier to innovation in certain industries, the IWU believes that any change to copyright law must be managed in such a way as to ensure that no damage is done to Ireland’s literary activity. ...literature earns hard cash for Ireland. Both in the form of its contribution to the €2bn annual gain from cultural tourism and in the considerable revenues deriving from the success of sales of Irish works, Irish publishing and writing is an activity that should not be jeopardised by any legal change that weakens the value of copyright ownership to the creators of original literary works. ...We note that if anything, copyright law in regard to literature should be strengthened to protect rights holders.”

As Shauna Singh Baldwin, a Canadian-American novelist of Indian descent, comments upon the significance of copyright in an e-mail conversation with me, “The breath of the individual creator, his/her imagination and speculation gives life to a work of art. To create something new, you take ideas from many sources, recontextualise them, find unexpected connections between them, and create something new — and beautiful. If we continue to be ashamed of our own imaginations and so fearful of mistakes that we must copy the tried and true, we will never create, only innovate.”

As for the rejoinder and photo credits I had requested for my photographs, the publisher implemented it immediately. And I was glad.

Jaya Bhattacharji Rose is an international publishing consultant and columnist.

For more details visit https://cis-india.org/news/www-businessworld-in-jaya-bhattacharji-rose-august-9-copyright-law

Copyright Enforcement and Privacy in India

Prashant Iyengar — 2012-12-14T10:27:12Z

Copyright can function contradictorily, as both the vehicle for the preservation of privacy as well as its abuse, writes Prashant Iyengar. The research examines the various ways in which privacy has been implicated in the shifting terrain of copyright enforcement in India and concludes by examining the notion of the private that emerges from a tapestry view of the relevant sections of Copyright Act.

Introduction

Copyright can function contradictorily, as both the vehicle for the preservation of privacy as well as its abuse. This paper examines the various ways in which privacy has been implicated in the shifting terrain of copyright enforcement in India. Chiefly, there are three kinds of situations that we will be discussing here: The first is straightforward and deals with the physical privacy intrusion caused by the execution of search and seizure orders during the investigation of infringement. The second situation involves the violation of privacy through the misappropriation of confidential information. The last situation involves the wrongful appropriation of a person’s persona or their ‘publicity’ – the photographs of celebrities, for instance – for private gain. Instances of each of these situations, and the manner in which the courts have negotiated the privacy claims that have arisen are described in the sections that follow. In addition, Copyright law, dealing as it does mainly with offences of the nature of unauthorised publicity/publication putatively inscribes certain spaces and activities as either public or private. The concluding section of this paper examines the notion of the private that emerges from a tapestry view of various sections of the Copyright Act.

Copyright Enforcement

Context setting

Over the past several decades there has been an increasing awareness globally – and within India – of the importance of 'knowledge societies' which, in contrast to earlier industrial or agrarian societies, leverage 'information' as the key raw material and output of a range of productive activity. As one UNESCO Report puts it "Knowledge is today recognized as the object of huge economic, political and cultural stakes"[1].

In this new paradigm, investment in Information and Communications Technology (ICT), the enactment of strong Intellectual Property laws, and their strict enforcement are prescribed as imperative in facilitating the transition away from the older economic modes. The promise of the knowledge society is particularly alluring for developing countries, like India, where it is viewed as a vehicle for achieving what Ravi Sundaram has termed 'temporally-accelerative' development[2], through which we would be able to transcend our "historical disabilities", and achieve parity with the incumbent masters of the world. [3]

In their eagerness to provide the best supportive conditions to usher in this coveted knowledge society, nations have been tightening their Intellectual Property regimes – including copyright law. This has entailed a two fold expansion, firstly, in the scope of copyright to include, for instance, ‘technological protection measures’ within their ambit and secondly, in the powers of investigation, search and seizure put at the disposal enforcement agencies. In addition, as we shall see, courts in India have enthusiastically bought into this vision of a knowledge economy, and this has fuelled their eagerness to craft innovative – if legally unsound – orders which put tremendously intrusive powers in the hands of copyright owners. Taken together, these developments have taken their toll on the privacy of individuals which this section will explore in further detail. We begin with a brief description of the statutory mechanism for copyright enforcement – both civil and criminal - under the Copyright Act. We then move on to the way courts have crafted new orders that magnify the powers of copyright owners to the detriment of the privacy of individuals.

Civil and Criminal Enforcement under the Copyright Act

The Copyright Act provides for both civil and criminal remedies for infringement. Section 55 provides for civil remedies and declares that, upon infringement, "the owner of the copyright shall be entitled to all such remedies by way of injunction, damages, accounts and otherwise as are or may be conferred by law for the infringement of a right." Civil suits are instituted at the appropriate district court having jurisdiction – including where the plaintiff resides.

Similarly, Chapter XIII (Sections 63-70) provides a range of criminal penalties for infringing copyrights which are typically punishable with terms of imprisonment that “may extend up to three years” along with a fine. These offences would be taken cognizance of and tried at the court of the Metropolitan Magistrate or Judicial Magistrate of the First class [Sec 70], in the same manner as all cognizable offences[4] in India i.e., by following the procedures under the Code of Criminal Procedure, 1973. Section 64 of the Copyright Act dealing with police powers was amended in 1984 to give plenary powers to police officers, of the rank of a sub-inspector and above, to seize without warrant all infringing copies of works “if he is satisfied” that an offence of infringement under section 63, “has been, is being, or is likely to be, committed”. Prior to amendment, this power could only be exercised by a police officer when the matter had already been taken cognizance of by a Magistrate. Prima facie, this is a very sweeping power since its exercise is unsupervised by the judiciary and only depends on the “satisfaction” of a police officer. To put matters in perspective, under the Income Tax Act, dealing with the far more sensitive issue of tax evasion, a search and seizure can only be conducted based on information already in the possession of the investigating authority.[5]

In Girish Gandhi & Ors. v Union of India[6], a case before the Rajasthan High Court, the petitioner, who ran a video cassette rental business, challenged the constitutional validity of the wide powers granted to police officers under this section. Citing various instances of violations of privacy that the abuse of the section could occasion, the petitioner contended:

"The provisions of section 64 itself gives arbitrary and naked powers without any guidelines to the police officer to seize any material from the shop and thus, drag the video owners to the litigation. He has given instances in the petition that police officer usually demands for video cassettes to be given to them free of charge for viewing it at their homes and in case, on any reason either the video cassette is not available or it is not given free of charge, there is likelihood that police officer shall misuse his powers and try to seize the material for prosecution under the various provisions of the Act."

Although the High Court dismissed the petition on the grounds that it did not disclose any actual injury to the petitioner, it upheld the constitutionality of the section by reading the word "satisfaction" to mean that the "police officer will not act until and unless he has got some type of information on which information he is satisfied and his satisfaction shall be objective."

[Section 64] is also not arbitrary for the reason that guidelines and safeguards are provided under Sections 51, 52 and 52A and Section 64(2) of the Copyright Act, coupled with the fact that it is expected of the police officer that he would not act arbitrarily and his satisfaction shall always based on some material or knowledge and he shall only proceed for action under Section 64 in a bona fide manner and not for making a roving inquiry. (emphasis added)

Despite the pious hopes expressed in this decision, they do not appear to have influenced the actual behaviour of police officers. In May 2011, the Delhi High Court struck down a notification issued by the Commissioner of Police which had instructed all subordinate functionaries of the police to "attend to and provide assistance" whenever any complaint "in respect of violation of the provisions of Copyright Act, 1957" was received from three companies: Super Cassettes Industries Limited, Phonographic Performance Ltd and Indian Performance Right Society Ltd. This virtually amounted to the commandeering of the criminal enforcement system by a few private owners for their own private interests. In their suit, the petitioner — Event and Entertainment Management Association — had contended that the police machinery "cannot be made to act at the behest of certain privileged copyright owners". Striking the notification down, as unconstitutional, Justice Muralidhar of the Delhi High Court held:

"To the extent the impugned circular privileges the complaints from SCIL over other complaints from owners of copyright it is unsustainable in law for the simple reason that there has to be equal protection of the law in terms of Article 14 of the Constitution. The police are not expected to act differently depending on who the complainant is. All complaints under the Act require the same seriousness of response and the promptitude with which the police will take action, Likewise, the caution that the Police is required to exercise by making a preliminary inquiry and satisfying itself that prima facie there is an infringement of copyright will be no different as regards the complaints or information received under the Act[7]."

The Judge also issued some welcome remarks on the manner in which complaints under Section 64 were to be handled:

In order that the power to seize in terms of Section 64 of the Act is not exercised in an arbitrary and whimsical manner, it has to be hedged in with certain implied safeguards that constitute a check on such power. Consequently, prior to exercising the power of seizure under Section 64(1) of the Act the Police officer concerned has to necessarily be prima facie satisfied that there is an infringement of copyright in the manner complained of. In other words, merely on the receipt of the information or a complaint from the owner of a copyright about the infringement of the copyrighted work, the Police is not expected to straightway effect seizure. Section 52 of the Act enables the person against whom such complaint is made to show that one or more of the circumstances outlined in that provision exists and that therefore there is no infringement. During the preliminary inquiry by the Police, if such a defence is taken by the person against whom the complaint is made it will be incumbent on the Police to prima facie be satisfied that such defence is untenable before proceeding further with the seizure.(emphasis added)[8]

This decision significantly tempers the severity of possible searches and seizures conducted by the police under Copyright Law. It advances the cause of privacy by reining in the power of the state to arbitrarily intrude on citizens.

Parallel to the attempt at ‘hedging in’ of police powers in criminal enforcement by this High court, there has been a move to expand powers of investigative bodies in civil suits. The next sub-section looks at two innovations by courts – Anton Piller Orders and John Doe orders – which are mechanisms unwarranted by civil procedural law, but crafted by high courts specifically to deal with copyright investigation.

'Anton Piller' orders and 'John Doe' Orders

In addition to the extensive police powers under the Copyright Act mentioned above, plaintiffs have other, equally intrusive powers at their disposal. In the past decade it has become common for copyright owners and owners-associations to employ civil procedure to emulate the same kind of invasiveness. This is done via the mechanism of so-called ‘Anton Piller’ orders - orders obtained unilaterally ‘ex-parte’ (in the absence of the defendant) from civil courts which permit court-appointed officers, accompanied by representatives of the plaintiffs themselves, to search premises and seize evidence without prior warning to the defendant. Frequently, courts have also issued ‘John Doe’ orders[9] –orders to search and seize against unnamed/unknown defendants - which virtually translates into untrammelled powers in the hands of the plaintiffs, aided by court-appointed local commissioners, to raid any premises they set their eyes on.

Although the authority of the courts under Indian law to grant these orders is suspect[10], they have virtually been regularized in practice over the past decade through routine issual by the High Courts, especially the Delhi High Court. This has led to a widespread phenomenon of powerful copyright owning groups such as the Business Software Alliance and the Indian Performing Right Society Limited managing to successfully assume for themselves almost plenary powers of search and seizure as they go about knocking on the doors of small businesses and demanding to be allowed to audit their software. An anonymous post on the popular Indian Intellectual Property Weblog ‘Spicy IP’ graphically conveys the invasiveness inherent in the execution of these orders:

Ghost Post on IP (Software) Raids: Court Sponsored Extortion?[11]

Picture this:

You are working in your office one day, when all of a sudden, a group of people arrive unannounced brandishing a court order. The order allows them to walk into your office and conduct an audit of all your office computers to collect evidence of the use of unlicensed software in your office.

This group consists of a court-appointed commissioner, lawyers representing the plaintiff, and technical persons who will carry out the actual software audit.

Knowing that to disobey the order will amount to a contempt of court, you allow the group to carry out the audit.

The audit lasts several hours and continues well into the night. Needless to say, it is physically and emotionally draining on you as your work has come to a stand-still. Everyone around you knows there is some court proceeding going on. You have already lost face with your employees, and possibly even clients who have visited your office during the audit.

As you have several dozen computers purchased over a period of time, and the audit is conducted unannounced, you may not have the time to gather documentation and invoices demonstrating the purchase of licensed software.

While the court order allows you to back up your valuable client and business data, the plaintiff’s lawyers don’t allow you to do so, stating that documents/ data found on machines that contain any unlicensed software may not be backed up.

All computers found with copies of what the plaintiff’s lawyers are calling unlicensed software are seized and sealed. You do not have the time, presence of mind or legal representation to argue that such copies may be backup copies allowed under the law, or that therefore several, or all of the seized machines are not liable to be seized, or that such copies are actually allowed under the software license.

Even more importantly, your licensed servers are seized because they are found to contain back-up copies of software, allowed under the law, but deemed infringing by the plaintiff’s lawyers.

At the end of the audit, you are informed that your computers contain copies of unlicensed software to varying degrees. You are made to sign a report prepared by the commissioner, along with sheets that represent the software audit of each computer in your office.

Most of your computers and servers are seized and sealed. You are told that you cannot touch them till the court allows you to. You are not even allowed to separate the hard drives of those machines that contain the alleged unlicensed software, for the purpose of seizure, so as to enable you to continue using the rest of the machine, even though the court order clearly states that only storage media containing the unlicensed software is to be seized.

In a 2008 case, Autodesk Inc vs. AVT Shankardass[12], the Delhi High Court – which happens to be the most enthusiastic issuer of Anton Piller orders[13] –issued guidelines on the considerations which judges should weigh before granting such orders in software piracy cases. Worryingly, the guidelines stipulate that "The test of reasonable and credible information regarding the existence of pirated software or incriminating evidence should not be subjected to strict proof". Instead the court prescribes that "It has to be tested on the touchstone of pragmatism and the natural and normal course of conduct and practice in trade."

The Court also included a few guidelines meant to safeguard the defendant. These include the possibility of requiring the plaintiff to deposit costs in the court "so that in case pirated software or incriminating evidence is not found then the defendant can be suitably compensated for the obtrusion in his work or privacy." Although on the face of it, these guidelines threatened to open up the floodgates for the granting of Anton Pillar orders, in fact, these fears seem not to have been realized. The privacy-invasive ambitions of IP owners have been subverted by a combination of the security requirements stipulated in the Autodesk guidelines above, the judiciary’s own inefficiency/inconsistency and a greater assertiveness and defiance on the part of defendants. The following passage from the 2011 Special 301 India Country Report on Copyright Protection and Enforcement[14], prepared by the IIPA, records the industry’s frustrations in obtaining Anton Pillar orders from the courts over the past year:

Unfortunately, in 2010, such enforcement efforts have become much less effective due to judges imposing conditions on such orders.

With periodic changes to the roster of judges on the Original Side Jurisdiction of the Delhi High Court (which is done as a matter of routine and procedure where the roster changes every 6 months), BSA reports: 1) the imposition of security costs on Plaintiffs; 2) the grant of local commission orders without orders to seize and seal computer systems containing pirated/unlicensed software; 3) granting the right to Defendants to obtain back up copies of their proprietary data while at the same time ensuring that the evidence of infringement is preserved in electronic form; 4) assigning a low number of technical experts for large inspections, making carrying out orders more time-consuming and raising court commissioners’ fees; and 5) ineffective implementation and lack of deterrence from contempt proceedings against defendants who disrupt or defy Anton Pillar orders.[15]

Notwithstanding this temporary setback, Anton Piller orders and John Doe orders remain powerful weapons in the arsenal of large copyright owners who continue to use it in ways that are extremely intrusive. These orders exemplify an instance of how courts rarely reflect on the privacy implications of the orders that they themselves issue –similar action undertaken by the executive would have most likely invited the court’s consideration on whether they violate privacy.

In the next section we move on to private ‘technological’ measures of enforcing copyright which are likely to receive statutory sanction.

Technological Measures

In the light of the industry’s perception of a weakening of its enforcement options due to the judiciary’s waning enthusiasm, it remains to be seen what new manoeuvres they would make to strengthen enforcement. One foreseeable arena of conflict would be the new measures proposed to be included in the Copyright Act that criminalise the circumvention of ‘technological protection measures’ (TPMs) built into software by manufacturers. The proposed new Section 65A criminalises the circumvention of “an effective technological measure applied for the purpose of protecting any of the rights conferred by this Act," "with the intention of infringing such rights”. This is punishable with imprisonment up to two years and a fine. However the section also creates a vast list of exceptions including research, testing, national security etc which make it a comparatively soft tool in the hands of prosecutors. Among the list of exceptions is a clause that enables the circumvention of TPMs in order to facilitate purposes that are 'not expressly prohibited' – including, conceivably, to exercise fair dealing rights under Section 52. Although this is a welcome provision, it requires, as a condition of its exercise, that the person ‘facilitating the circumvention’ maintain a record of the persons for whose benefit this has been done. This has led to apprehensions of violations of privacy especially from disability rights groups, who would potentially be the biggest users of this section as it would enable them to make electronic content more widely accessible. However, the lawful exercise of this right would mean that each instance of use of electronic content – say an e-book – by a disabled person would be recorded, which could deter them from accessing content. It would also clearly amount to a violation of their privacy compared to other analog users who are not required to similarly maintain logs each time they share books, for instance.

On the whole, despite the effect these measures have of diminishing absolute control over our electronic resources, the fact that the IIPA - which has been one the most rapid ‘defenders’ of IP - has consistently complained about their inadequacy in its Special 301 Reports[16] gives us some cause for optimism that the privacy invasions it could occasion would not be too severe.

Meanwhile, in a first of its kind, in 2005 the High Court of Andhra Pradesh permitted the prosecution, under the Copyright Act, of persons accused of having circumvented technological protection measures in mobile devices.

In Syed Asifuddin and Ors. v The State of Andhra Pradesh [17] the accused had altered the software on the mobile handsets provided by one service provider (Reliance), so that the same handset could be used to access the network of a rival provider (Tata Indicom). The Court observed that "if a person alters computer programme of another person or another computer company, the same would be infringement of the copyright." The matter was then relegated to the trial court to receive evidence on whether in fact such alteration had occurred.

This ruling, if correct, effectively negates the need for any amendment to the law since circumvention of technological measures typically involves an unauthorized alteration of copyrighted code. Of course it would always be open to the defendant to assert his fair dealing rights in defence, but that issue was not deliberated upon by the High Court in this instance.

Portents

With the terrain of copyright infringement increasingly shifting from ‘street piracy’ to online piracy, it remains to be seen how innovations in copyright enforcement impact privacy. Three events are particularly interesting in this context.

In August 2007, a techie from Bangalore was arrested on charges of having posted incendiary images of a popular folk hero on a website. He had been traced based on the IP Address details provided by a leading ISP. It later turned out that the IP address information was incorrect. By the time the error was noticed, he had already been held in jail illegally for a period of 50 days.[19] Shocking as this incident is, it offers a portent of the gravity of the possible privacy abuses that we are likely to witness in the years to come as copyright owners begin to hunt down infringers on the Internet.
In 2006, the Delhi High Court the pioneer among the Indian Judiciary in issuing John Doe orders added another feather to its cap by permitting the filing of a suit against an IP address. In a case of defamation by email from an unknown sender, a company was able to successfully file a suit against the IP address and obtain an order against the ISP to track down the user who was later impleaded as a party to the suit. This case and the growing number of John Doe orders issued, indicates that the judiciary in India has been quite willing to partner with litigants in their fishing expeditions. While it cannot be gainsaid that this has aided the legitimate interests of litigants, this has come at the price of a callous disregard for the interests of consumer privacy in India, which, as the incident described above highlights, could easily descend into a full blown human rights violation.
With the arrest in November 2010 of a four-member gang from Hyderabad for uploading media content – including popular film titles - on Bittorrent, the popular online file sharing tool, the industry has signalled its capacity and willingness to take the battle over copyright to the Internet.[20] New rules notified under the Information Technology Act make it mandatory for 'intermediaries' (ISPs) to co-operate in locating and removing ‘infringing content’ that is stored or transmitted by them.[21] This will facilitate untrammelled access to users by copyright industries.

Although it is too early to predict the future for the Internet that these developments will result in, they are definitely a source of apprehension from the perspective of privacy.

Copyright and Confidential Information

Although the protection of 'confidential information' and 'copyright' occupy distinct realms in the law[22], they converge occasionally, and copyright has been used as an instrument by people and organisations to protect their confidential information. In fact it has become quite routine for written pleadings by plaintiffs in cases to assert the omnibus infringement of their ‘copyrights, confidential information, trade secrets, trademarks designs etc’ without specifying which of the claims is urged. For instance in Mr. M. Sivasamy v M/S. Vestergaard Frandsen[23] a case before the Delhi High Court, the plaintiffs claimed that. "Defendants are violating the trade secrets, confidential information and copyrights of the plaintiffs.”; Similarly in Dietrich Engineering Consultant v Schist India & Ors , before the Bombay High Court, the plaintiffs contended"..the suit is filed to prevent unauthorized and illegal use of the plaintiffs confidential information and infringement of the 1st plaintiffs Copyright".[24]

In one of the earliest cases of this kind, Zee Telefilms Ltd. v Sundial Communications Pvt. Ltd, the Bombay High Court delivered a ruling in favour of the plaintiffs on both grounds of copyright infringement and confidential information. Here the employees of the plaintiffs – a company engaged in the business of producing television serials - had developed the concept for a program which they had registered with the Film Writers Association. Subsequently, they made a confidential pitch of the concept to the representatives of the defendants, a well known TV channel. Although initially the defendants appeared reluctant to take the concept forward, they proceeded later on, without the authorization of the plaintiffs, to produce a TV serial that closely mirrored the ideas contained in the show conceived by the plaintiff. In an action seeking to restrain the defendants from proceeding with their production, the High Court agreed with the plaintiff’s claims both on the count of copyright infringement and confidentiality. Curiously, the determination of both issues turned on the similarities between the plaintiff’s and defendant’s concepts – which is traditionally a determination relevant only to copyright cases. On the issue of confidentiality, the court held "Keeping in view numerous striking similarities in two works and in the light of the material produced on record, it is impossible to accept that the similarities in two works were mere coincidence...the plaintiffs' business prospect and their goodwill would seriously suffer if the confidential information of this kind was allowed to be used against them in competition with them by the defendants."

Although a clear line is demarcated between the claims of confidentiality and copyright in this case, this distinction is less sharp in other cases of the same nature.

In a more recent case Diljeet Titus, Advocate v Mr. Alfred A. Adebare & Ors[25] four associates of the plaintiff’s law firm quit together to start their own practice. While leaving they took documents they had drafted including agreements, due diligence reports and a list of clients along with them. The plaintiff filed a suit for injunction, asserting both that this material was confidential and that he owned the copyrights over them. The Delhi High Court agreed and issued an injunction restraining the defendants from “utilizing the material of the plaintiff forming subject matter of the suit and from disseminating or otherwise exploiting the same including the data for their own benefit.” What is interesting in this case is the conflation of confidentiality and copyright – both in the allegations of the plaintiff and the rebuttals of the defendant who sought to resist claims of confidentialty on grounds that they had themselves authored the papers in question.

Curiously, where copyright and confidentiality claims coincide, it would appear that the parameters of determining copyright infringement end up determining the issue of confidentiality as well.

In the next section we move on to the last copyright/privacy issue that we had flagged in the introduction – the invocation of copyright in aid of the ‘right to publicity’ of individuals which can be read as a kind of privacy claim.

Copyright and Publicity

Do we have a copyright over our identities – our names, our appearances, our life histories, our reputation and our bodies - so that we have an actionable interest in preventing their deployment in public without our express authorization?

This question has arisen in a limited set of cases in India that raise interesting questions. As with the confidentiality cases discussed above, the lines separating ‘defamation’ actions from ‘copyright’ claims is not brightly drawn in these cases. Neither is the line linking copyright to the protection of privacy clearly evident. All one can say with confidence is that copyright and privacy are two words tossed into the plaints by the plaintiffs while asserting their claims.

In one of the most high-profile cases of its kind, Phoolan Devi v Shekhar Kapoor[26] the Delhi High Court was faced with the question of whether ‘public figures’ are entitled to any degree of control over the representation of their lives. Here the petitioner, Phoolan Devi, a reformed bandit, had 'licensed'[27] the production of a biopic on her life to the defendant, a film director of note, who was to consult the plaintiff’s own writings and those of her authorised biographer in making the film. However, the defendant – the director of the biopic – had exceeded this mandate and also depicted incidents that emerged from various newspaper accounts – including a graphic gang rape scene where the plaintiff was the victim, and a massacre which she had allegedly orchestrated. Although generally well-known, neither of these incidents were either admitted to by the plaintiff herself or mentioned in the plaintiff’s own writings and those of her biographer. Even worse, the film had not been shown to her even several months after it had been released to national and international audiences.[28] In Arundhati Roy’s moving words the producers of the film “[R]e-invent her life. Her loves. Her rapes. They implicate her in the murder of twenty-two men that she denies having committed. Then they try to slither out of showing her the film!”[29]

One of the contentions that the petitioner’s advocate had advanced was that the defendant had no right “to mutilate or distort the facts as based upon prison diaries” and that any such distortion would fall afoul of her right under Sec 57 of the Indian Copyright Act. This section confers certain ‘special rights’ on the author including the right to claim authorship and to restrain any distortion/mutilation or modification of the work that would be prejudicial to his/her honour or reputation.[30]

These rights survive any assignment of the copyright made by the author i.e. they can e asserted by the author above any contract entered into by her with third parties such as the producer in this case. The Court framed the question it was faced with in these terms:

[T]he question before me is whether such person like the plaintiff has no right to defend when someone enlarges the terrible facts, enters the realm of her private life, depicts in graphic details rape, sexual intercourse, exhibits nudity, portrays the living person which brings shame, humiliation and memories of events which haunts and will go on haunting the plaintiff, more so the person is still living. Whether the plaintiff has no right and her life can become an excuse for film makers and audience to participate in an exercise of legitimate violence with putting all inhibitions aside.

Ultimately, the High Court sided with the petitioner and issued an injunction restraining the defendant from exhibiting his film.[31] This decision was based more on a consideration of constitutional right to privacy principles than an evaluation of the plaintiff’s case under Copyright law. However, it does provide an interesting factual matrix for the exploration of the way in which protection of copyright and privacy might overlap.

In a contrasting case before the Bombay High Court, Manisha Koirala v Shashilal Nair & Ors [32] an injunction was sought against the release of a film in which the petitioner, a noted actress, was depicted in the nude through the device of a ‘body double’. Here the plot was entirely fictional and the plaintiff, a noted actress, had agreed to perform in the film with ‘substituted shots’ during the scenes in the story that involved nudity. Subsequently, she appears to have reconsidered this decision and objected to the very inclusion of these scenes in its final version. In her petition before the court, she alleged defamation and malicious injurious falsehood, arguing that the exhibition of the film would result in a violation her right to privacy "as the objectionable shots, attempt to expose the body of a female which is suggested to be that of the plaintiff". She contended that “the right to portray her on screen can only be exercised in a manner, which is subject to the fundamental principle that such portrayal can only be with her unconditional consent." "The present rendition" of her part in the film, she alleged was “an invasion of privacy as it is embarrassing and will cause irreparable damage to her reputation which remains untarnished thereby causing irreparable loss and injury”. Although Copyright is not invoked in this case by the petitioner, there is an audible echo of some of the reputational anxieties that had animated Phoolan Devi’s case mentioned above. The difference, however, is that in this case the petitioner’s claim was not grounded in a quest for control over her biography, but over the image of her body. Unlike the previous case, here the Court was unsympathetic to the petitioner’s claims. The court treated her previous ‘consents’ as determinative of all issues and dismissed her case holding:

"The Court ...cannot be a moral guardian in this context. ..It is.. clear to my mind that once having agreed to act in the film it will be too late for the plaintiff .. to hold that a case of defamation has been made out.. To maintain a case of malicious falsehood it must be held out that the statement was false. In the instant case what is sought to be contended is that the scenes involving the film artist would result in an action of malicious injurious falsehood or malicious falsehood by associating the plaintiff's with the scenes which she had not enacted.. The plaintiff was prima facie aware as earlier held and that the scenes formed part of the story board have been enacted by a double and consequently it cannot be said that in the present case the plaintiff has been able to establish a case of malicious falsehood."[33]

One of the facts that was relevant in the court’s decision was that the defendant, as the ‘holder of the copyright in the film’, had incurred vast expenditure in publicising its release. Here, in a reversal of the Phoolan Devi case, copyright is held up as a shield against a competing privacy claim. The issue of the extent of overlap between copyright and privacy however remains unsettled in law. In April 2007, the Madras High Court granted a temporary injunction against the publishers of an unauthorised biography of former Tamil Nadu Chief Minister Jayalalitha. In her petition she alleged that the biography “had been written without any verification of facts. Such a publication would spoil her image and damage her status in politics and public life.” Her petition contended that “No one has a right to publish anything concerning personal private matters without consent, whether truthful or otherwise, whether laudatory or critical.[34]

Although it does not reference Copyright law, this case is another illustration of the enduring relevance of the question of whether we are entitled to the exclusive authorship of our private life-stories.

The Private under the Copyright Act

In its various sections, the Copyright Act inscribes certain spaces and actions as either public or private. Specified activities are labelled public even though they are conducted within the domestic confines of one’s home. Similarly, activities that infringe copyright are nevertheless immunised from prosecution due to the fact that they are conducted for a ‘private’ purpose. In this concluding section of this paper, we try to piece together a narrative of privacy and the private domain that emerges from a combined reading of various sections and decisions under the Copyright Act.

We begin, here, by collating the Copyright Act’s various articulations of the ‘public’ and ‘private’. By treating them as intertwining, mutually constitutive terms, we proceed to analyse these various articulations in the Copyright Act with a view to seeing what account of the private realm may emerge.

Public/Publish

One of the key rights that most owners of copyrights enjoy is the exclusive right to "publish" or "communicate their work to the public".

The Act defines "publication" to mean “making a work available to the public by issue of copies or by communicating the work to the public”. Significantly, in case of dispute, if the issue of copies or communication to the public is “of an insignificant nature” it is deemed not to constitute a publication [Section 6]. This signals that the notions of publicity and publication under the Copyright Act are in some senses moored to the magnitude of the receiving public. The ‘private’ then is constituted, reciprocally, as the ‘insignificant public’.

Under the Indian Copyright Act, "communication to the public" occurs when a person makes any work “available for being seen or heard or otherwise enjoyed by the public directly or by any means of display or diffusion other than by issuing copies of such work”. Such communication occurs “regardless of whether any member of the public actually sees, hears or otherwise enjoys the work so made available.”[Section 2(ff)][35]

Private

The word ‘private’ is expressly referenced in four provisions of the Copyright Act.

Section 39 declares that “the making of any sound recording or visual recording for the private use of the person making such recording, or solely for purposes of bona fide teaching or research” would not violate the broadcast reproduction right or performer's right;
Section 51 which stipulates when copyrights are infringed declares that the “imports into India, any infringing copies of the work” would constitute an infringement except if it is only a single copy of any work that is imported “for the private and domestic use of the importer”.
Section 52(1) of the Copyright Act lists certain acts as not infringing of copyright. These include:

(a) a fair dealing with a literary, dramatic, musical or artistic work, not being a computer programme, for the purposes of private use, including research. A proposed amendment to this section seeks to extend this protection to all ‘personal’ uses in addition to ‘private uses including research[36]. ‘Personal use’ has been interpreted in non-copyright contexts to include the family members of the person living with him.[37] The definition of ‘person’ under the General Clauses Act includes a “company or association or body of individuals, whether incorporated or not”. Although the case law on the point is scant[38], it would be interesting to see if ‘personal use’ can be read to include the use by companies internally, thereby casting a shroud of privacy on corporations for the purpose of copyright.
(p) the reproduction, for the purpose of research or private study or with a view to publication, of an unpublished literary, dramatic or musical work kept in a library, museum or other institution to which the public has access.

In addition to the provisions listed above, Section 52 the Act also shields certain spaces and occasions as immune from the charge of copyright infringement (although they are not specially designated as ‘private’). These include educational institutions[39], non-profit clubs, societies[40], religious institutions[41] and religious ceremonies including marriages.[42]

Perhaps the most elaborate calibration of the boundaries between the 'private' and 'public' under the Indian Ccopyright Act by the judiciary occurs in the case Garware Plastics and Polyester vs Telelink & Ors[43]., decided by the Bombay High Court in 1989. The case called for the determination of whether films transmitted via neighbourhood cable networks and viewed in the privacy of customers’ homes would constitute an unauthorised ‘communication to the public’ under the Copyright Act. Here the defendants had purchased video tapes of popular films and begun transmitting them over cable networks owned by them. For this they charged a monthly maintenance fee from their customers. Under the Copyright Act then in force, ‘communication to the public’ was defined simply as "communication to the public in whatever manner, including communication through satellite.” After an extensive review of English law on the subject, the court ruled that this did constitute an unauthorised communication to the public:

"Whether a communication is to the public or whether it is a private communication depends essentially on the persons receiving the communication. If they can be characterized as the public or a protein of the public , the communication is to the public…From the authorities the principal criteria which emerge for determining the issue are(1) the character of audience and whether it can be described as a private or domestic audience consisting of family members or members of the household, (2) whether the audience in relation to the owner of the copyright can be so considered…Applying the test of the character of the audience watching these video films , can this audience be called a Section of the public or is this audience a private or domestic audience of the defendants ? In the present case it cannot be said that the audience which watches video films shown by the defendants consists of family members and guests of the defendants. The video film may be watched by a large Section of the public in the privacy of their homes. But this does not make it a private communication so as to take it our of the definition of "broadcast" under the Copyright Act, 1957.

It is true that the network operates through the connection of a cable to all these various apartments or houses. But this cannot in any way affect the character of the audience. The viewers are not members of one family or their guests. They do not have even the homogeneity of club members of one family or their guests. They do not have even the homogeneity of a club membership.[44] (emphasis added)

A central feature emerging from this case that distinguishes public form private in Copyright law is homogeneity or affiliation: that space is marked ‘private’ where a pre-affiliated group – united either by kinship or association in pursuit of a common goal – comes together in pursuit of a non-commercial common interest. Conversely, ‘Public’ is where the unaffiliated congregate. On the face, this accords with the spirit of the various fair dealing rights under the Copyright Act which carve out immunised spaces for institutions that correspond to these definitions – educational institutions, religious institutions and ceremonies, amateur clubs etc are immune from infringement actions because, one could say, their activities are ‘private’.

In 1994 the Copyright Act was amended to fortify this conclusion by expanding the definition of ‘communication to the public’ to include ‘communication through satellite or cable or any other means of simultaneous communication to more than one household or place of residence including residential rooms of any hotel or hostel shall be deemed to be communication to the public;” (Sec 2(ff), Explanation)

Conclusion

I would like to conclude this paper with some reflections on the assertion I made in the introduction about copyright law being both an instrument for the protection and violation of privacy. From the discussion in the previous sections, it follows:

Firstly, that 'property' – as embodied by copyright law – is, at best, an unreliable guarantor of privacy. It works when bussed along with dignity claims– for instance the Phoolan Devi case where the petitioner’s suffering underlay her property claim– but fails when asserted as ‘property’ per se (as in Manisha Koirala’s case[45]). One does not (under the Indian Copyright Act, at least) have a reliable ‘property’ interest in one’s life story, bodily representation, name etc. This stands in contrast with other regimes such as the US where several states have enacted ‘Right to publicity’ statutes or have recognised publicity rights through common law processes.[46]

These rights can be read to offer people a 'property' means for protecting their privacy (by preventing unauthorised publicity) in those jurisdictions. Analogous claims are unavailable in India.

Secondly, that ‘property’ operates frequently as a license for the violation of privacy with impunity. This emerges most clearly from the cases of copyright investigation that we examined in Section 1.2 above. Pecuniary copyright interests appear to completely overwhelm any regard for competing privacy concerns.

Thirdly, that, notwithstanding the preceding two points, the copyright act does protect privacy in limited ways. Chiefly these are a) By conferring limited copyright on 'unpublished works', it enables authors to restrict their publication except on terms acceptable to them. b) The Act grants a very wide “Performer’s right” to performers and no sound or visal recording may be made of them without their express consent. No such recording can broadcast or communicated to the public without their consent. This gives a very powerful weapon of control in the hands of performers to restrict the extent to which representations of them are publicised. C) As mentioned above in the penultimate section of this paper, various fair dealing exceptions carve out spaces of privacy where infringing acts are granted immunity – for instance private uses, uses in educational institutions and libraries, etc.

Lastly, with the arena of copyright infringement shifting gradually to the internet, it is foreseeable that the IT Act will be employed with greater frequency in the coming years to do the work of copyright enforcement. The legal regime already supports this change through provisions in the IT Act which preserve all existing rights available under the Copyright Act [Section 81 (proviso) of the IT Act] and put new powers of take-down [see Intermediary Guidelines] in the hands of Copyright Owners. Thus on the one hand, copyright owners would be able to lawfully hack into potential infringers’ computers while enjoying immunity under the IT Act. On the other hand, ‘intermediaries’ would be legally bound to co-operate in copyright enforcement including, conceivably, handing over a number of personal details of those accused of copyright infringement. In other jurisdictions, such as the EU, such ‘co-operation’ is heavily policed by judicial oversight where personally identifiable information is involved[47]. Contrastingly, in India, with its diminished concerns for privacy and limited awareness of how IP address data can seriously imperil privacy, there is a very real threat that these provision will license the wholesale violation of online privacy.

Notes

[1]Anon, 2005. Towards Knowledge Societies, Paris: UNESCO. Available at: http://unesdoc.unesco.org/images/0014/001418/141843e.pdf [Accessed April 20, 2011].

[2]Sundaram says "Temporal acceleration was a significant part of the imaginary of developmentalism - this was inherent in the logic of 'catching up' with the core areas of the world economy by privileging a certain strategy of growth that actively delegitimized local and 'traditional' practices."

[3]This aspiration underlies several of the policy documents prepared in India in the last decade – Illustratively, the report submitted by the National Task Force on Information Technology (NTFIT) in 1998 captures this sentiment well: “For India, the rise of Information Technology is an opportunity to overcome historical disabilities and once again become the master of one's own national destiny. IT is a tool that will enable India to achieve the goal of becoming a strong, prosperous and self-confident nation. In doing so, IT promises to compress the time it would otherwise take for India to advance rapidly in the march of development and occupy a position of honor and pride in the comity of nations” Tiwari, Ghanshyam et al. Government of India. Central Advisory Board of Education, Ministry of Human Resource Development .Report of the Central Advisory Board of Education Committee On Universalisation of Secondary Education. New Delhi: 2005

[4]There is some ambiguity on whether offences under the Copyright Act punishable with imprisonment “which may extend to three years” are 'cognizable' or not. The Code of Criminal Procedure 1973 classifies all offences which prescribe a penalty of three years and above as cognizable and non bailable [First Schedule]. Offences which are punishable with imprisonment of less than three years are classified as ‘non-cognizable’ and ‘bailable’. In the absence of a definitive ruling from the Supreme Court on this issue, different High Courts have offered conflicting interpretations. See Singh, S. & Aprajita, 2008. Insight into the nature of offence of Copyright Infringement. Journal of Intellectual Property Rights, 13(6), pp.583-589. Available at: http://nopr.niscair.res.in/bitstream/123456789/2433/1/JIPR%2013%286%29%20583-589.pdf [Accessed May 12, 2011]. See also Agarwal, D.K., 2010. Arrest under the customs act ? Bailable or non-bailable offence. Translation Interpreting Services. Available at: http://translation-tech.com/blog/213/arrest-under-the-customs-act-bailable-or-non-bailable-offence/ [Accessed May 12, 2011]. The determination of this issue would have wide ranging implications since the police have a wider assortment of powers with respect to interrogation, arrest, search and seizure in the course of investigating cognizable offences than they have with respect to non-cognizable offences.

[5]"Where Director of Inspection or Commissioner in consequence of information in his possession, has reason to believe that any person having in possession of any money, etc.." has not disclosed it for purposes of Income Tax.

[6]AIR 1997 Raj 78 < http://indiankanoon.org/doc/661363/>

[7]Event and Entertainment Management Association v. Union of India (Delhi HC) Order dated 2nd May 2011 <http://courtnic.nic.in/dhcorder/dhcqrydisp_o.asp?pn=84697&yr=2011>. Harkauli, S., 2011. HC nullifies police circular on copyright issue. The Pioneer. Available at: http://www.dailypioneer.com/336974/HC-nullifies-police-circular-on-copyright-issue.html [Accessed May 9, 2011].

[8]Ibid

[9]As recently as April 2011, the Delhi high court restrained “cable operators nationwide from telecasting matches of the Indian Premier League (IPL) without authorization from MSM Satellite (Singapore) Pte Ltd, which owns the broadcasting rights. See Bailay, R., 2011. Cable operators can’t telecast IPL without authorization, says HC. Livemint. Available at: http://www.livemint.com/articles/2011/04/27212449/Cable-operators-can8217t-te.html?atype=tp [Accessed May 13, 2011]. For an early history of John Doe orders in India, see Krishnamurthy, N. & Anand, P., 2003. India Trade marks in a state of change. Managing Intellectual Property. Available at: http://www.managingip.com/Article/1321770/India-Trade-marks-in-a-state-of-change.html [Accessed May 13, 2011].

[10]These orders are granted by the Court supposedly under Section 75 read with Order 26 of the Code of Civil Procedure which empowers the court to appoint “Local Commissioners” to record evidence in special cases. I have stated my opinions elsewhere on why I believe these powers may not be invoked for the purpose of effecting routine searches and seizures in the manner as is currently being practiced by the higher judiciary – especially the Delhi High Court. See Iyengar, P., 2009. BSA’s response on Spicy IP – in perspective. Original Fakes. Available at: http://originalfakes.wordpress.com/2009/04/04/bsas-response-on-spicy-ip-in-perspective/ [Accessed May 10, 2011].

[11]Anon, 2009. Ghost Post on IP (Software) Raids: Court Sponsored Extortion? SPICY IP. Available at: http://spicyipindia.blogspot.com/2009/03/ghost-post-on-ip-software-raids-court.html [Accessed May 10, 2011].

[12]Autodesk Inc Vs. AVT Shankardass, Available at: http://delhicourts.nic.in/Jul08/Autodesk%20Inc%20Vs.%20AVT%20Shankardass.pdf [Accessed May 10, 2011].

[13]The 2011 Special 301 Country Report on India prepared by the IIPA specifically cites the Delhi High Court in this context, statng “The industry enjoys a very high success rate with respect to the grant of such orders at the Delhi High Court”. According to this report, the Business Software Alliance was able to obtain 34 such orders in 2009.

[14]Anon, 2011. Special 301 Report on Copyright Protection and Enforcement: 2011 India Country Report, International Intellectual Property Alliance. Available at: http://www.iipa.com/rbc/2011/2011SPEC301INDIA.pdf [Accessed May 9, 2011].

[15]Ibid at. Pp 41-42.

[16]The 2010 Special 301 Country Report lists the following defects of the proposed Section 65A: “(a) does not cover access controls and is limited only to TPMs protecting the exercise of exclusive rights; (b) covers only the “act” of circumvention and does not also cover manufacturing, trafficking in, or distributing circumvention devices or services; (c) does not define an “effective technological measure”; (d) contains an exception which would appear to permit circumvention for any purpose that would not amount to infringement under the act (thereby almost completely eviscerating any protection); (e) creates other overbroad exceptions; and (f) provides for only criminal and not civil remedies."

[17]Syed Asifuddin And Ors. v The State Of Andhra Pradesh, 2005 CriLJ 4314 (Andhra Pradesh HC ).

[18]Ibid.

[19]Holla, A., 2009. Wronged, techie gets justice 2 yrs after being jailed. Mumbai Mirror. Available at: http://www.mumbaimirror.com/index.aspx?page=article&sectid=2&contentid=200906252009062503144578681037483 [Accessed March 23, 2011]. See also Nanjappa, V., 2008. “I have lost everything.” Rediff.com News. Available at: http://www.rediff.com/news/2008/jan/21inter.htm [Accessed March 23, 2011].

[20]Pahwa, N., 2010. Hyderabad Police Arrests Torrent Uploaders - MediaNama. MediaNama. Available at: http://www.medianama.com/2010/11/223-hyderabad-police-arrests-torrent-uploaders/ [Accessed May 12, 2011].

[21]GSR 314(E) Dated 11 April 2011: Information Technology (Intermediaries guidelines) Rules, 2011 http://www.mit.gov.in/sites/upload_files/dit/files/GSR314E_10511(1).pdf [Accessed May 12, 2011].

[22]See Zee Telefilms Ltd. v Sundial Communications Pvt. Ltd., 2003 (5) BomCR 404 (Bombay High Court 2003).

[23]Mr. M. Sivasamy v M/S. Vestergaard Frandsen (Delhi High court 2009).< http://indiankanoon.org/doc/916718/>

[24]Dietrich Engineering Consultant v Schist India & Ors (Bombay High Court, 2009) < http://indiankanoon.org/doc/1634545/>

[25]Mr. Diljeet Titus, Advocate vs Mr. Alfred A. Adebare And Ors, 130 DLT 330 (Delhi High Court 2006).

[26]Phoolan Devi v Shekhar Kapoor And Ors. (1994). DLT (Vol. 57 (1995), p. 154). Retrieved from http://indiankanoon.org/doc/793946/

[27]The conditions under which this license were obtained speak eloquently to the ills of the current copyright system. According to Phoolan Devi’s lawyer, the noted advocate Indira Jaisingh, the contract was signed by Phoolan Devi while she was behind prison bars. She did not speak or understand Hindi or English and only spoke in a local dialect. The copyright contract was written entirely in English and gave her a paltry sum or Rs. 2 lakh – which was a pittance considering the budget and projected returns from the film. Jaisingh, I., 2001. Supreme Court lawyer Indira Jaisingh pays tribute to Phoolan Devi. Available at: http://www.rediff.com/news/2001/jul/26spec.htm [Accessed June 10, 2011]. Arundhati Roy’s two superb critiques of the film and its director movingly capture why this is not a simple case of copyright assignment. See Roy, A., 1994. The Great Indian Rape Trick - I. Sawnet. Available at: http://www.sawnet.org/books/writing/roy_bq1.html [Accessed June 10, 2011].; Roy, A., 1994. The Great Indian Rape Trick - II. Sawnet. Available at: http://www.sawnet.org/books/writing/roy_bq2.html [Accessed June 10, 2011].

[28]Ibid, Roy, A., 1994. The Great Indian Rape Trick - I.

[29]Ibid, Roy, A., 1994. The Great Indian Rape Trick - II

[30]Section 57 of the Act reads “Author’s Special Rights: ‘Independently of the author's copyright and even after the assignment either wholly or partially of the said copyright, the author of a work shall have the right-

(a) to claim authorship of the work; and
(b) to restrain or claim damages in respect of any distortion, mutilation, modification or other act in relation to the said work which is done before the expiration of the term of copyright if such distortion, mutilation, modification or other act would be prejudicial to his honour or reputation:”

[31]The case was later settled out of court with Phoolan Devi being able to secure a substantially higher compensation. Ultimately, the case was not about the depiction of rape generally, but primarily about Phoolan Devi’s sovereign right to decide the terms on which her own life would be represented.

[32]Manisha Koirala v Shashilal Nair & Ors. (2002). BomCR (Vol. 2003 (2), p. 136). Retrieved from http://indiankanoon.org/doc/1913646/

[33]Ibid

[34]Anon, 2011. High Court Grants Injunction Till June 7 Against Publishing Book on Jayalalithaa. The Hindu, p.01. Available at: http://www.hindu.com/2011/04/27/stories/2011042762360100.htm [Accessed May 12, 2011].

[35]For a more dispersed account on the concept of the ‘public’ under Indian law, See Iyengar, P, ‘Where the private and the public collide’, iCommons Lab Report, September- October 2007, pp. 7-8, Icommons.org, < http://archive.icommons.org/articles/what-is-public> last visited May 2011

[36]Copyright (Amendment) Bill 2010 http://prsindia.org/uploads/media/Copyright%20Act/Copyright%20Bill%202010.pdf

[37]See Sivasubramania Iyer v. S.H. Krishnaswamy AIR 1981 Ker 57 , a case under Kerala Buildings (Lease & Rent Control) Act 1965.

[38]Goods purchased for the private use of a corporation would be goods purchased for the ”personal use” of the corporation. 158 IC 703.

[39]52(1)(g), (h) and (i)

[40]52(1)(k) and (l)

[41]52(1)(l)

[42]52(1)(za)

[43]AIR 1989 Bom 331, 1989 (2) BomCR 433, (1989) 91 BOMLR 139 <http://indiankanoon.org/doc/858705/>

[44]Ibid.

[45]At first glance this distinction may seem facile since even Manisha Koirala invoked ‘reputational harm’ as a prop to buttress her property claim. However, I believe this case was complicated by the fact that the court had to consider whether the display of someone else’s body could have implicated Manisha Koirala’s privacy/dignity. Koirala was, in effect, arguing that she had absolute ‘proprietorial’ control over all representations of her body – a property argument which the court was unwilling to concede.

[46]See Footnote 90 and accompanying text in Samuelson, P., 2000. Privacy as Intellectual Property? SSRN eLibrary; Stanford Law Review. Available at: http://ssrn.com/paper=239412 [Accessed on June 14, 2011].

[47]Lebatard, F.-R., Copyright Enforcement and the Protection of Privacy in France. Translegal. Available at: http://www.translegal.com/feature-articles/copyright-enforcement-and-the-protection-of-privacy-in-france [Accessed June 14, 2011].

For more details visit https://cis-india.org/internet-governance/blog/privacy/copyright-enforcement

Copyright Amendment: Bad, but Could Have Been Much Worse

sunil — 2012-06-15T12:29:39Z

The changes to the Copyright Act protect the disabled - but are restrictive about cover versions and web freedom, writes Sunil Abraham in this article published in the Business Standard on June 10, 2012.

When the Copyright (Amendment) Act, 2012, was passed unanimously by the Lok Sabha on May 22, it meant that there was little reason for celebration, some not-so-great news, and a lot of pretty bad news.

The only real reason for unqualified celebration is the amendment’s introduction of a robust exception for the disabled. It is bleeding-edge policy formulation, as it is right up there alongside the Treaty for the Visually Impaired currently being negotiated at the World Intellectual Property Organisation (WIPO). The Indian exception is more robust: first, it is disability-neutral, unlike the treaty which only addresses the needs of the print-impaired; and second, it is works-neutral, unlike the treaty which only addresses books and printed works. In brief, given the very limited circulation of copyrighted works amongst the disabled, they now can convert inaccessible works to accessible formats and share them with each other on a non-profit basis. No royalty needs to be paid to the rights-holders for this conversion and the resultant access. Other reasons to celebrate include the newly introduced exception for non-commercial lending and the extension of fair dealing (or fair use) to all works.

Now for some middling news. The Digital Rights Management provision makes it an offence punishable with a fine and a two-year jail term to circumvent “effective technological measures” (also called Technological Protection Measures) and remove “rights management information” (RMI). The provision protects public interest since it does not allow rights-holders to claim rights unavailable under copyright law, and does not prevent consumers and citizens from benefiting from the various fair dealing (or fair use) exceptions and limitations.

Unfortunately, the provision mandates onerous record-keeping for those providing circumvention technologies, and also does not insist that the rights-holder provide the means for circumvent when the consumer or citizen legitimately needs to do so.

The first piece of bad news is that an inadequate “safe harbour” provision has been introduced for Internet intermediaries. Like the Information Technology Act, the Copyright Act has also gotten the configuration of the intermediary liability regime wrong. This was the opportunity to finally protect common carriers, platforms for social media and commons-based peer-production (such as free software and open content). In short, search engines are finally legal in India, and so are ISPs, virtual private network providers and content delivery networks.

But unfortunately, social media platforms such as Facebook and peer-production platforms like Wikipedia are not afforded sufficient immunity to thrive as real-time participatory platforms. The take-down procedure is designed to provide instant relief to rights-holders, as intermediaries are supposed to remove content immediately. They have the option of reinstating content if the take-down notice is not followed within three weeks by a court order. This mechanism will have a chilling effect on free speech — given that Indian internet service providers very obviously privilege the interests of intellectual property rights-holders over those of the ISPs’ customers — as most recently illustrated by their over-compliance with certain John Doe court orders emerging from the Madras High Court.

The second piece of bad news is the extension of the term of protection for photographs. It has gone from being “sixty years after publication” to “sixty years after the death of the photographer”. Sixty years from publication was already in excess of the Agreement on Trade-Related aspects of Intellectual Property Rights (the TRIPS Agreement). Now we are in excess of WIPO Copyright Treaty requirements, even though India is not a signatory. The possibility of grandchildren earning royalties does not serve as an incentive for shutterbugs to take more photos or better photos. It is not even clear if one can monetise the average photo after the first decade. Therefore, the global public domain has been substantially impoverished, without any evidence that this will make the photographers reciprocally wealthier.

It does not stop there. In the age of hip-hop, trance, jhankar beats and turntables, one would have hoped that our law-makers would at least get the provision for “cover versions” or “remixes” right. Cover versions in India are doubly useful both in terms of aesthetics and profits — and yet the relevant provision can only be described as mediaeval. Cover versions can be produced only after a gap of five years; they have to be restricted to the same medium as the original; payment from them must be made in advance for 5,000 copies (should all those who sang commercially viable cover violations of “Kolaveri Di” be considered lawbreakers?); and there are strict limits on what are acceptable alterations to the original. The “alterations” have to be “reasonable” and “technically necessary”. Today, affordable yet sophisticated multimedia technologies allow teenagers to build professional sound recording studios in their bedrooms — and our government is seeking to restrict them to boring word-for-word and note-for-note covers.

And it gets worse. Bowing to pressure from foreign publishers’ associations, the government deleted the “parallel importation” provision at the last minute. The inclusion of this provision would have made it clear that works reproduced with the rights-holders’ permission in other countries could be imported into India. Foreign publishers and their lobbyists went all-out with a propaganda campaign predicting a dystopia filled with pirated books, surplus books dumped from overseas and starving, uncompensated authors. Had our government not caved, this clarification in law would have gone a long way in dismantling distribution monopolies and made the market much more competitive. The resultant increase in choice and reduction in cost would have benefited everyone. Human Resources Development Minister Sibal promised both Houses during the passage of the amendment that he would revisit this, and let’s hope he does so — especially for our libraries and our second-hand book stores, and for the students and disabled amongst us.

The writer is at the Centre for Internet and Society, Bangalore. sunil@cis-india.org

Click to read the original published by Business Standard.

For more details visit https://cis-india.org/a2k/copyright-amendment

Copyright Access for the Disabled and Collaborative IP Policy

radha — 2011-04-02T14:27:01Z

A blog post on SPICY IP by Shamnad Basheer, November 18, 2009

In previous p osts, we covered the Right to Read Campaign, a campaign aimed at increasing access to copyrighted works for the print impaired. As many of you know, most works of literature, science and the arts are practically out of bounds for the disabled, unless converted to readable formats such as Braille or digitized and accessed via expensive screen reader software such as JAWS.

Recently, this campaign, the brainchild of CIS and Inclusive Planet, came home to us at NUJS, Kolkata and I was amazed to see the bonding between these children of a lesser god and their struggle to transform society into a more inclusive one. NUJS was particularly fortunate to host this campaign that day, as we have a student (Moiz Tundawalla, who ranks in the top 5 of his class) as well as a faculty member, Dr TV Sudhakar, who are visually impaired.

As part of the campaign, a group of us including Rahul Cherian of Inclusive Planet (and the brain behind Bookbole, one of the most innovative solutions yet catering to the needs of the visually impaired), Sunil Abraham and Nirmita Narasimhan of CIS and Lawrence Liang of ALF began working on a copyright defence that would enable the conversion of copyrighted works to more accessible formats for the disabled..formats that would enable them to enjoy such works as comfortably as the others.

Such a provision is critical, given that hardly 0.5% of all published books are accessible by the print impaired. Further, given the constitutional mandate that each one of us shall have the right to life under Article 21 (which includes the right to education and the right to read) and the right not to be discriminated against (under Article 14), the State is under a positive obligation to provide accessible works to the disabled and thereby help them lead better lives.

The Government Copyright Proposal

This is not to suggest that the Indian government lacks sensitivity on this count. Indeed, it is commendable that as far as back as 2006, the government proposed the introduction of Section 52 (1) (za) to the Copyright Act, 1957 to resolve the issue.

The proposed Section 52 (1) (za) states that the following act shall not constitute an infringement of copyright: “reproduction, issue of copies or communication to the public of any work in a format, including sign language, specially designed (emphasis added) only for the use of persons suffering from a visual, aural or other disability that prevents their enjoyment of such works in their normal format.”

While this is a great start, this draft suffers from some serious limitations:

Firstly, it restricts permissible formats to those “specially designed” for persons with disabilities. In practical terms, this means that only Braille and sign language is permitted. As many of you may know, Braille is extremely expensive to print and distribute and is not portable. Moreover persons with low vision, dyslexics, people with paralysis, cerebral palsy etc. cannot use Braille and require alternate formats.
Given recent technological developments and the burgeoning of audio formats and electronic formats that are now used by a large number of visually impaired persons, the exception ought to cover such formats as well... formats that do not strictly constitute "formats specially designed for the disabled". Indeed, any creation of a digitized version of a copyrighted work would enable access by the visually impaired (provided they have tools such as screen reading software on their respective computers).
We understand that the Indian government wishes to ensure that the defence is availed of only by the disabled and not by others, who may free ride on such an exception. While limiting the exception to “formats specially designed for the disabled” may help achieve this objective, it seriously limits the scope of access by the disabled in this technological day and age, as explained above. Rather than limit the kinds of formats that could be created, we propose that the government restrict access of works created under the aegis of this exception to only people with disabilities. One way to do this is by insisting on reliable certificates that confirm one's status as "differently-abled".
Secondly, the proposed amendment fails to ensure that software and other intellectual property protected tools required to create accessible formats and enable persons with disabilities to access such formats are available at a reasonable cost. Illustratively, the most widely used screen reading software, JAWS, is licensed at a whooping Rs 50,000!
Thirdly, the proposed amendment must provide wording to the effect that if content owners apply any technology circumvention measures or DRM locks to digital content, they must make available such content to persons with disabilities. Without such provision, the production of talking books or the use of screen reading software for the benefit of the visually impaired will be restricted if the owner of a digital work has prohibited such use of his work.

Thankfully India does not have any specific protection for anti-circumvention measures and DRM as yet. However, we're not sure if the government plans to introduce such a protection via the recent copyright amendment bill that is likely to be introduced in Parliament in December. Unfortunately, the bill is still secret and will be made available for public viewing only after it is introduced in Parliament.

Our Copyright Proposal
We've therefore proposed a more liberal and meaningful exception as below:

Section 52 (1) (za) (i): The doing of any act, the primary objective of which is to enable persons with disabilities to access copyrighted works as comfortably and flexibly as a person without a disability.
Such acts shall include, without limitation, the making of any accessible format of a work, reproducing such work/format, adapting such work/format, making available such work/format, lending such works/formats etc. and the provision of any facility that is primarily designed to enable any of the acts contemplated above.
Provided that if any entity wishes to undertake any of the above activities on a for profit basis, it shall pay such remuneration to copyright owners as may be prescribed by the Copyright Board from time to time. For the purpose of determining remuneration, the Copyright Board shall take into consideration the need to ensure that works are accessible and available at prices that are affordable, taking into account disparities of incomes for persons who are disabled.
Provided that if any software or other tool that is covered by any intellectual property right is necessary to create accessible formats or to enable access to such formats, or to enable disabled persons to access any work in any manner as contemplated above, such intellectual property protected software or tool shall be licensed at an affordable price, to be determined by the Copyright Board.
Provided that if any works are protected by technology circumvention measures or subject to DRM limitations that restrict access to the work in any way, the owner of copyright shall grant access to any person who wishes to secure such access for the primary purpose of doing any act contemplated within any of the provisions above.
Provided that the exemption or other benefits envisaged under this section can be availed of only when reasonable measures have been taken to ensure that the end beneficiary is a person with a disability.
Provided that if any act done in good faith in pursuance of any of the above provisions falls outside the ambit of such provision, such act shall not be enjoined by an injunction, whether temporary or permanent, but shall be made compensable by payment of a reasonable royalty to be determined by the Copyright Board.
This provision shall override any conflicting provision in any other legislation, regulation or rule in force in India, only to the extent of such conflict.
Section 52 (1) (za) (ii): For the purpose of Section 52 (1) (za) (i) "accessible format" means any format or form which gives a disabled person access to the work as flexibly and comfortably as a person without a disability, and shall include, but not be limited to, large print, with different typefaces and sizes all being permitted according to need, Braille, audio recordings, digital copies compatible with screen readers or refreshable Braille and audiovisual works with audio and or text description.

The above section draws from a provision recommended by the World Blind Union and supported by countries such as Brazil and NGO's such as KEI.

Readers will note that the above exception not only caters to the visually impaired, but any differently-abled person who is unable to access copyrighted works as comfortably as others. Illustratively, without the subtitling of audio-visual material, a hearing-impaired persons is unable to enjoy movies, TV programs and other audio-visual material.

CLIPP and Collaborative IP Policy Making

Readers may recollect an initiative called CLIPP (Collaborative Innovation in IP Policy), that we touched upon sometime back, but never really got around to implementing. We are still in the process of designing an appropriate IT architecture to support this endeavour, which will greatly aid transparency and public participation around IP law making in this country.

Till such time as we unleash this specialised architecture, we're trying to see if we can make do with the blogger format. Indeed, if our experiment around the parallel imports provision is anything to go by, where our posts elicited around 50 odd comments that helped suggest ways in which to interpret (and perhaps reword section 107A), there is no reason why the blogger format itself should not suffice.

Leaving comments on posts is fairly easy. You scroll down to the bottom of the post, hit the "post a comment" button and either sign in with your gmail account or click on the "anonymous" tab to post a comment anonymously. You could also chose any other online identity. For those that are averse to using the comments section at the end of this blog post, please free to email me at shamnad[at]gmail.com.

I hope all of you can take some time out to help this worthy cause by inspecting the suggested provision with a fine tooth comb and recommending ways to improve it. I understand that we have many sophisticated copyright experts on our subscriber list ..and I do hope that you will lend your minds and hearts to this cause. Needless to state, a mere copyright provision by itself is not enough--but it will certainly go some way in ensuring that we provide a better and more "inclusive" tomorrow for these children of a lesser god.

ps: Venky Hariharan, a leading open source advocate has referred me to Orca, an open source screen reader software, freely downloadable.

Link to the original blogspot

For more details visit https://cis-india.org/news/copyright-access-for-the-disabled-and-collaborative-ip-policy

Converting from nonUnicode (Nudi, Baraha, ...) font encoding to Unicode Kannada

pavanaja — 2016-10-23T15:36:25Z

People have been using computers for typing and printing Kannada text for more than 25 years. Most of the usage of Kannada on computers was limited to the DTP arena.

People made use of packages like PageMaker (Version 6.5 or 7) to type and compose pages. Even now, many people still use these packages for Kannada DTP work. The text entered into these packages is stored as font glyph codes rather than character encodings. Non-Unicode truetype fonts like Nudi, Baraha, ShreeLipi, Akruti, etc, are some of the most popular fonts being used.

The system does not understand these characters as Kannada characters. Any text based operations like search, replace, sorting, spell-check, text-to-speech, etc, are not possible with this kind of text. Employing Unicode for all digitisation works of Kannada text solves this problem. Usage of Unicode for Kannada has become prominent only recently. All websites like Facebook, Twitter, Wikipedia, Wikisource, etc, want the text only in Unicode. There is still a large amount of text entered and stored with old non-Unicode font based encodings. These are mostly present in the form of PageMaker files. This blog post explains the process of converting the text present in PageMaker into Kannada Unicode text.

The Kannada and Culture Department of the Government of Karnataka have released Unicode complaint open-type fonts and Unicode based software for Kannada under GPL. These are available for free download on their website (http://kannadasiri.co.in/index/software). Download and
install “Ascii to Unicode Kannada Converter” from this page. This software works only in Windows. Now you are ready to convert the text from PageMaker file into Unicode.

Open the PageMaker file. Select the Text tool depicted by a big “T” shaped icon. Click anywhere in the text area. Select the entire text (Ctrl-A followed by Ctrl-C). Now open Notepad and paste this text into that (press Ctrl-V). The text will appear gibberish in Notepad. Don’t worry about it. Save the file as plain text file (.TXT file). Remember where you have saved the file.

Now run the “Kannada ASCII Unicode Converter” software. In the first textbox enter the name of the ASCII file to be converted (the file you just saved from Notepad). In the bottom textbox enter a filename for the Unicode text file that will be created by the software. Select the default “GOK (Kuvempu Nudi Baraha)”, or other encoding as the case may be, as the encoding from which the text has to be converted. Click on the button written “ಪರಿವರ್ತಿಸಿ”. It will show the progress of conversion.

Once the conversion is complete, it will display an appropriate message to indicate completion of the conversion. If you open the text file created by the software, it will have the text converted into Unicode. This text can be used in Wikisource, Wikipedia, etc.

For more details visit https://cis-india.org/openness/blog-old/converting-from-non-unicode-nudi-baraha-font-encoding-to-unicode-kannada

Contestations of Data, ECJ Safe Harbor Ruling and Lessons for India

jyoti — 2015-10-14T14:40:08Z

The European Court of Justice has invalidated a European Commission decision, which had previously concluded that the 'Safe Harbour Privacy Principles' provide adequate protections for European citizens’ privacy rights for the transfer of personal data between European Union and United States. The inadequacies of the framework is not news for the European Commission and action by ECJ has been a long time coming. The ruling raises important questions about how the claims of citizenship are being negotiated in the context of the internet, and how increasingly the contestations of personal data are being employed in the discourse.

The European Court of Justice (ECJ) has invalidated a European Commission (EC) decision¹ which had previously concluded that the 'Safe Harbor Privacy Principles'² provide adequate protections for European citizens’ privacy rights³ for the transfer of personal data between European Union and United States. This challenge stems from the claim that public law enforcement authorities in America obtain personal data from organisations in safe harbour for incompatible and disproportionate purposes in violation of the Safe Harbour Privacy Principles. The court's judgment follows the advice of the Advocate General of the Court of Justice of the European Union (CJEU) who recently opined⁴ that US practices allow for large-scale collection and transfer of personal data belonging to EU citizens without them benefiting from or having access to judicial protection under US privacy laws. The inadequacies of the framework is not news for the Commission and action by ECJ has been a long time coming. The ruling raises important questions about how increasingly the contestations of personal data are being employed in asserting claims of citizenship in context of the internet.

As the highest court in Europe, the ECJ's decisions are binding on all member states. With this ruling the ECJ has effectively restrained US firms from indiscriminate collection and sharing of European citizens’ data on American soil. The implications of the decision are significant, because it shifts the onus of evaluating protections of personal data for EU citizens from the 4,400 companies⁵ subscribing to the system onto EU privacy watchdogs. Most significantly, in addressing the rights of a citizen against an established global brand, the judgement goes beyond political and legal opinion to challenge the power imbalance that exists with reference to US based firms.

Today, the free movement of data across borders is a critical factor in facilitating trade, financial services, governance, manufacturing, health and development. However, to consider the ruling as merely a clarification of transatlantic mechanisms for data flows misstates the real issue. At the heart of the judgment is the assessment whether US firms apply the tests of ‘necessity and proportionality’ in the collection and surveillance of data for national security purposes. Application of necessity and proportionality test to national security exceptions under safe harbor has been a sticking point that has stalled the renegotiation of the agreement that has been underway between the Commission and the American data protection authorities.⁶

For EU citizens the stake in the case are even higher, as while their right to privacy is enshrined under EU law, they have no administrative or judicial means of redress, if their data is used for reasons they did not intend. In the EU, citizens accessing and agreeing to use of US based firms are presented with a false choice between accessing benefits and giving up on their fundamental right to privacy. In other words, by seeking that governments and private companies provide better data protection for the EU citizens and in restricting collection of personal data on a generalised basis without objective criteria, the ruling is effectively an assertion of ‘data sovereignty’. The term ‘data sovereignty’, while lacking a firm definition, refers to a spectrum of approaches adopted by different states to control data generated in or passing through national internet infrastructure.⁷ Underlying the ruling is the growing policy divide between the US and EU privacy and data protection standards, which may lead to what is referred to as the balkanization⁸ of the internet in the future.

US-EU Data Protection Regime

The safe harbor pact between the EU and US was negotiated in the late 1990s as an attempt to bridge the different approaches to online privacy. Privacy is addressed in the EU as a fundamental human right while in the US it is defined under terms of consumer protection, which allow trade-offs and exceptions when national security seems to be under threat. In order to address the lower standards of data protection prevalent in the US, the pact facilitates data transfers from EU to US by establishing certain safeguards equivalent to the requirements of the EU data protection directive. The safe harbor provisions include firms undertaking not to pass personal information to third parties if the EU data protection standards are not met and giving users right to opt out of data collection.⁹

The agreement was due to be renewed by May 2015¹⁰ and while negotiations have been ongoing for two years, EU discontent on safe harbour came to the fore following the Edward Snowden revelations of collection and monitoring facilitated by large private companies for the PRISM program and after the announcement of the TransAtlantic Trade and Investment Partnership (TTIP).¹¹ EU member states have mostly stayed silent as they run their own surveillance programs often times, in cooperation with the NSA. EU institutions cannot intervene in matters of national security however, they do have authority on data protection matters. European Union officials and Members of Parliament have expressed shock and outrage at the surveillance programs unveiled by Snowden's 2013 revelations. Most recently, following the CJEU Advocate General’s opinion, 50 Members of European Parliament (MEP) sent a strongly worded letter the US Congress hitting back on claims of ‘digital protectionism’ emanating from the US¹². In no uncertain terms the letter clarified that the EU has different ideas on privacy, platforms, net neutrality, encryption, Bitcoin, zero-days, or copyright and will seek to improve and change any proposal from the EC in the interest of our citizens and of all people.

Towards Harmonization

In November 2013, as an attempt to minimize the loss of trust following the Snowden revelations, the European Commission (EC) published recommendations in its report on 'Rebuilding Trust is EU-US Data Flows'.¹³ The recommendations revealed two critical initiatives at the EU level—first was the revision of the EU-US safe harbor agreement¹⁴ and second the adoption of the 'EU-US Umbrella Agreement¹⁵'—a framework for data transfer for the purpose of investigating, detecting, or prosecuting a crime, including terrorism. The Umbrella Agreement was recently initialed by EU and US negotiators and it only addresses the exchange of personal data between law enforcement agencies.¹⁶ The Agreement has gained momentum in the wake of recent cases around issues of territorial duties of providers, enforcement jurisdictions and data localisation.¹⁷ However, the adoption of the Umbrella Act depends on US Congress adoption of the Judicial Redress Act (JRA) as law.¹⁸

Judicial Redress Act

The JRA is a key reform that the EC is pushing for in an attempt to address the gap between privacy rights and remedies available to US citizens and those extended to EU citizens, including allowing EU citizens to sue in American courts. The JRA seeks to extend certain protections under the Privacy Act to records shared by EU and other designated countries with US law enforcement agencies for the purpose of investigating, detecting, or prosecuting criminal offenses. The JRA protections would extend to records shared under the Umbrella Agreement and while it does include civil remedies for violation of data protection, as noted by the Center for Democracy and Technology, the present framework does not provide citizens of EU countries with redress that is at par with that which US persons enjoy under the Privacy Act.¹⁹

For example, the measures outlined under the JRA would only be applicable to countries that have outlined appropriate privacy protections agreements for data sharing for investigations and ‘efficiently share’ such information with the US. Countries that do not have agreements with US cannot seek these protections leaving the personal data of their citizens open for collection and misuse by US agencies. Further, the arrangement leaves determination of 'efficiently sharing' in the hands of US authorities and countries could lose protection if they do not comply with information sharing requests promptly. Finally, JRA protections do not apply to non-US persons nor to records shared for purposes other than law enforcement such as intelligence gathering. JRA is also weakened by allowing heads of agencies to exercise their discretion to seek exemption from the Act and opt out of compliance.

Taken together the JRA, the Umbrella Act and the renegotiation of the Safe Harbor Agreement need considerable improvements. It is worth noting that EU’s acceptance of the redundancy of existing agreements and in establishing the independence of national data protection authorities in investigating and enforcing national laws as demonstrated in the Schrems and in the Weltimmo²⁰ case point to accelerated developments in the broader EU privacy landscape.

Consequences

The ECJ Safe Harbor ruling will have far-reaching consequences for the online industry. Often, costly government rulings solidify the market dominance of big companies. As high regulatory costs restrict the entrance of small and medium businesses the market, competition is gradually wiped out. Further, complying with high standards of data protection means that US firms handling European data will need to consider alternative legal means of transfer of personal data. This could include evolving 'model contracts' binding them to EU data protection standards. As Schrems points out, “Big companies don’t only rely on safe harbour: they also rely on binding corporate rules and standard contractual clauses.”²¹

The ruling is good news for European consumers, who can now approach a national regulator to investigate suspicions of data mishandling. EU data protection regulators may be be inundated with requests from companies seeking authorization of new contracts and with consumer complaints. Some are concerned that the ruling puts a dent in the globalized flow of data²², effectively requiring data localization in Europe.²³ Others have pointed out that it is unclear how this decision sits with other trade treaties such as the TPP that ban data localisation.²⁴ While the implications of the decision will take some time in playing out, what is certain is that US companies will be have to restructure management, storage and use of data. The ruling has created the impetus for India to push for reforms to protect its citizens from harms by US firms and improve trade relations with EU.

The Opportunity for India

Multiple data flows taking place over the internet simultaneously and that has led to ubiquity of data transfers o ver the Internet, exposing individuals to privacy risks. There has also been an enhanced economic importance of data processing as businesses collect and correlate data using analytic tools to create new demands, establish relationships and generate revenue for their services. The primary concern of the Schrems case may be the protection of the rights of EU citizens but by seeking to extend these rights and ensure compliance in other jurisdictions, the case touches upon many underlying contestations around data and sovereignty.

Last year, Mr Ram Narain, India Head of Delegation to the Working Group Plenary at ITU had stressed, “respecting the principle of sovereignty of information through network functionality and global norms will go a long way in increasing the trust and confidence in use of ICT.”²⁵ In the absence of the recognition of privacy as a right and empowering citizens through measures or avenues to seek redressal against misuse of data, the demand of data sovereignty rings empty. The kind of framework which empowered an ordinary citizen in the EU to approach the highest court seeking redressal based on presumed overreach of a foreign government and from harms abetted by private corporations simply does not exist in India. Securing citizen’s data in other jurisdictions and from other governments begins with establishing protection regimes within the country.

The Indian government has also stepped up efforts to restrict transfer of data from India including pushing for private companies to open data centers in India.²⁶ Negotiating data localisation does not restrict the power of private corporations from using data in a broad ways including tailoring ads and promoting products. Also, data transfers impact any organisation with international operations for example, global multinationals who need to coordinate employee data and information. Companies like Facebook, Google and Microsoft transfer and store data belonging to Indian citizens and it is worth remembering that the National Security Agency (NSA) would have access to this data through servers of such private companies. With no existing measures to restrict such indiscriminate access, the ruling purports to the need for India to evolve strong protection mechanisms. Finally, the lack of such measures also have an economic impact, as reported in a recent Nasscom-Data Security Council of India (DSCI) survey²⁷ that pegs revenue losses incurred by the Indian IT-BPO industry at $2-2.5 billion for a sample size of 15 companies. DSCI has further estimated that outsourcing business can further grow by $50 billion per annum once India is granted a “data secure” status by the EU.²⁸ EU’s refusal to grant such a status is understandable given the high standard of privacy as incorporated under the European Union Data Protection Directive a standard to which India does not match up, yet. The lack of this status prevents the flow of data which is vital for Digital India vision and also affects the service industry by restricting the flow of sensitive information to India such as information about patient records.

Data and information structures are controlled and owned by private corporations and networks transcend national borders, therefore the foremost emphasis needs to be on improving national frameworks. While, enforcement mechanisms such as the Mutual Legal Assistance Treaty (MLAT) process or other methods of international cooperation may seem respectful of international borders and principles of sovereignty,²⁹ for users that live in undemocratic or oppressive regimes such agreements are a considerable risk. Data is also increasingly being stored across multiple jurisdictions and therefore merely applying data location lens to protection measures may be too narrow. Further it should be noted that when companies begin taking data storage decisions based on legal considerations it will impact the speed and reliability of services.³⁰ Any future regime must reflect the challenges of data transfers taking place in legal and economic spaces that are not identical and may be in opposition. Fundamentally, the protection of privacy will always act as a barrier to the free flow of information even so, as the Schrems case ruling points out not having adequate privacy protections could also restrict flow of data, as has been the case for India.

The time is right for India to appoint a data controller and put in place national frameworks, based on nuanced understanding of issues of applying jurisdiction to govern users and their data. Establishing better protection measures will not only establish trust and enhance the ability of users to control data about themselves it is also essential for sustaining economic and social value generated from data generation and collection. Suggestions for such frameworks have been considered previously by the Group of Experts on Privacy constituted by the Planning Commission.³¹ By incorporating transparency in mechanisms for data and access requests and premising requests on established necessity and proportionality Indian government can lead the way in data protection standards. This will give the Indian government more teeth to challenge and address both the dangers of theft of data stored on servers located outside of India and restrain indiscriminate access arising from terms and conditions of businesses that grant such rights to third parties.

1 Commission Decision of 26 July 2000 pursuant to Directive 95/46/EC of the European Parliament and of the Council on the adequacy of the protection provided by the safe harbour privacy principles and related frequently asked questions issued by the US Department of Commerce (notified under document number C(2000) 2441) (Text with EEA relevance.) Official Journal L 215 , 25/08/2000 P. 0007 -0047 2000/520/EC: http ://eur -lex .europa .eu /LexUriServ /LexUriServ .do ?uri =CELEX :32000 D 0520:EN :HTML

2 Safe Harbour Privacy Principles Issued by the U.S. Department of Commerce on July 21, 2000 http ://www .export .gov /safeharbor /eu /eg _main _018475.asp

3 Megan Graham, Adding Some Nuance on the European Court ’s Safe Harbor Decision , Just security

https ://www .justsecurity .org /26651/adding -nuance -ecj -safe -harbor -decision /

4 Advocate General’s Opinion in Case C-362/14 Maximillian Schrems v Data Protection Commissioner Court of Justice of the European Union, Press Release, No 106/15 Luxembourg, 23 September 2015 http ://curia .europa .eu /jcms /upload /docs /application /pdf /2015-09/cp 150106 en .pdf

5 Jennifer Baker, ‘EU desperately pushes just-as-dodgy safe harbour alternatives’, The Register, October 7, 2015 http ://www .theregister .co .uk /2015/10/07/eu _pushes _safe _harbour _alternatives /

6 Draft Report, General Data Protection Regulation, Committee on Civil Liberties, Justice and Home Affairs, European Parliament, 2009-2014 http ://www .europarl .europa .eu /meetdocs /2009_2014/documents /libe /pr /922/922387/922387 en .pdf

7 Dana Polatin-Reuben, Joss Wright, ‘An Internet with BRICS Characteristics: Data Sovereignty and the Balkanisation of the Internet’, University of Oxford, July 7, 2014 https ://www .usenix .org /system /files /conference /foci 14/foci 14-polatin -reuben .pdf

8 Sasha Meinrath, The Future of the Internet: Balkanization and Borders, Time, October 2013 http ://ideas .time .com /2013/10/11/the -future -of -the -internet -balkanization -and -borders /

9 Safe Harbour Privacy Principles, Issued by the U.S. Department of Commerce, July 2001 http ://www .export .gov /safeharbor /eu /eg _main _018475.asp

10 Facebook case may force European firms to change data storage practices, The Guardian, September 23, 2015 http ://www .theguardian .com /us -news /2015/sep /23/us -intelligence -services -surveillance -privacy

11 Privacy Tracker, US-EU Safe Harbor Under Pressure, August 2, 2013 https ://iapp .org /news /a /us -eu -safe -harbor -under -pressure

12 Kieren McCarthy, Privacy, net neutrality, security, encryption ... Europe tells Obama, US Congress to back off, The Register, 23 September, 2015 http ://www .theregister .co .uk /2015/09/23/european _politicians _to _congress _back _off /

13 Communication from the Commission to the European Parliament and the Council, Rebuilding Trust in EU-US Data Flows, European Commission, November 2013 http ://ec .europa .eu /justice /data -protection /files /com _2013_846_en .pdf

14 Safe Harbor on trial in the European Union, Access Blog, September 2014 https ://www .accessnow .org /blog /2014/11/13/safe -harbor -on -trial -in -the -european -union

15 European Commission - Fact Sheet Questions and Answers on the EU-US data protection "Umbrella agreement", September 8, 2015 http ://europa .eu /rapid /press -release _MEMO -15-5612_en .htm

16 McGuire Woods, ‘EU and U.S. reach “Umbrella Agreement” on data transfers’, Lexology, September 14, 2015 http ://www .lexology .com /library /detail .aspx ?g =422 bca 41-2 d 54-4648-ae 57-00 d 678515 e 1 f

17 Andrew Woods, Lowering the Temperature on the Microsoft-Ireland Case, Lawfare September, 2015 https ://www .lawfareblog .com /lowering -temperature -microsoft -ireland -case

18 Jens-Henrik Jeppesen, Greg Nojeim, ‘The EU-US Umbrella Agreement and the Judicial Redress Act: Small Steps Forward for EU Citizens’ Privacy Rights’, October 5, 2015 https ://cdt .org /blog /the -eu -us -umbrella -agreement -and -the -judicial -redress -act -small -steps -forward -for -eu -citizens -privacy -rights /

19 Ibid 18.

20 Landmark ECJ data protection ruling could impact Facebook and Google, The Guardian, 2 October, 2015 http ://www .theguardian .com /technology /2015/oct /02/landmark -ecj -data -protection -ruling -facebook -google -weltimmo

21 Julia Powles, Tech companies like Facebook not above the law, says Max Schrems, The Guardian, Octover 9, 2015 http ://www .theguardian .com /technology /2015/oct /09/facebook -data -privacy -max -schrems -european -court -of -justice

22 Adam Thierer, Unintended Consequences of the EU Safe Harbor Ruling, The Technology Liberation Front, October 6, 2015 http ://techliberation .com /2015/10/06/unintended -consequenses -of -the -eu -safe -harbor -ruling /#more -75831

23 Anupam Chander, Tweeted ECJ #schrems ruling may effectively require data localization within Europe, https ://twitter .com /AnupamChander /status /651369730754801665

24 Lokman Tsui, Tweeted, “If the TPP bans data localization, but the ECJ ruling effectively mandates it, what does that mean for the internet?” https ://twitter .com /lokmantsui /status /651393867376275456

25 Statement from Indian Head of Delegation, Mr Ram Narain for WGPL, Indian statement on ITU and Internet at the Working Group Plenary November 4, 2014 https ://ccgnludelhi .wordpress .com /author /asukum 87/page /2/

26 Sounak Mitra, Xiaomi bets big on India despite problems, Business Standard, December 2014 http ://www .business -standard .com /article /companies /xiaomi -bets -big -on -india -despite -problems -114122201023_1.html

27 Neha Alawadi, Ruling on data flow between EU & US may impact India’s IT sector, Economic Times,October 7, 2015 http ://economictimes .indiatimes .com /articleshow /49250738.cms ?utm _source =contentofinterest &utm _medium =text &utm _campaign =cppst

28 Pranav Menon, Data Protection Laws in India and Data Security- Impact on India and Data Security-Impact on India - EU Free Trade Agreement, CIS Access to Knowledge, 2011 http ://cis -india .org /a 2 k /blogs /data -security -laws -india .pdf

29 Surendra Kumar Sinha, India wants Mutual Legal Assistance treaty with Bangladesh, Economic Times, October 7, 2015 http ://economictimes .indiatimes .com /articleshow /49262294.cms ?utm _source =contentofinterest &utm _medium =text &utm _campaign =cppst

30 Pablo Chavez, Director, Public Policy and Government Affairs, Testifying before the U.S. Senate on transparency legislation, November 3, 2013 http ://googlepublicpolicy .blogspot .in /2013/11/testifying -before -us -senate -on .htm

31 Report of the Group of Experts on Privacy (Chaired by Justice A P Shah, Former Chief Justice, Delhi High Court), Planning Commission, October 2012 http ://planningcommission .nic .in /reports /genrep /rep _privacy .pdf

For more details visit https://cis-india.org/internet-governance/blog/contestations-of-data-ecj-safe-harbor-ruling-and-lessons-for-india

Content Donation Sessions with Authors

subodh — 2019-04-10T01:28:21Z

CIS-A2K has adopted an integrated approach towards knowledge generation in Marathi language. With the involvement of various stakeholders in different programmes, CIS-A2K facilitated a comprehensive workshop for publishers, printers, designers and writers on 7 September 2018.

The State Govt. Language department, All India Marathi Literary Body & All India Marathi Publishers Consortium took the lead to organize this workshop. In this workshop, noted authors Sunilkumar Lawate and Laxmikant Deshmukh expressed their willingness to donate their books to Wikimedia projects. The awareness about content donation was spread among the writers' community through this workshop.

Objectives

To promote the concept of content donation in Wikimedia projects
To develop repository of reference books on Commons & Wikisource
To facilitate organizations working in developmental sector for developing open knowledge on internet

Report

To promote Marathi language, Marathi language fortnight (1-15 January) and Marathi Day (27 February) was celebrated in Maharashtra. CIS-A2K organized various events on this occasion with state government, publishers, writers and other stakeholders in knowledge business. Some of the authors responded to the appeal to donate their literature in public domain. The following content donations were received in February and March 2019.

Book on Home Composting

Kaustubh Tamhankar, an active citizen from Thane is promoting innovative home composting methods for zero garbage. He has produced some manuals and videos on the process. As the awareness about environment friendly lifestyle is increasing, the author thought of releasing the first manual on Commons. CIS-A2K community advocate (CA) trained him in basics of Wikipedia and Commons. He completed the OTRS process and uploaded the book on zero garbage. He has planned to upload some more manuals and videos in future.

Books by Sunilkumar Lawate

Pictured above: Cover page of the book 'V. S. Khandekar Biography' by Sunilkumar Lawate

Prof. Sunilkumar Lawate is an educationist, social activist and writer in Maharashtra. He participated in the FOSS & Wikimedia workshop conducted in September 2018. He approached CIS-A2K for release of his books in CC-BY-SA on the occasion of Marathi Day on 27 February. CA trained the author in copyrights, Commons upload process and OTRS process in the session held at Kolhapur on 27 February. Prof. Lawate uploaded his 21 books on Commons. These are reference value books on education, child rights, literature, autobiographies, social issues and classic literature. The newspapers covered this event as feature of Marathi day. Because of good media coverage, many responses from other authors in Maharashtra have been received for content donation.

Books by Lek Ladaki Abhiyan

We all know that vast amount of training materials and case studies are produced in development sector. But it is not available to society at large. It is restricted to NGOs, funding agencies, etc. for project period. If it is brought in Wikimedia, it will be searchable for all and will be linked to various articles also as reference resource. CIS-A2K is approaching several such organizations for content donations. CIS-A2K received positive response from Adv. Varsha Deshpande, President of Lek Ladaki Abhiyan, Satara about bridging gender gap activities on Wikimedia projects. Lek Ladaki Abhiyan (LLA) is one of the most active organizations working on Women's issues in Maharashtra. The activities cover wide range of issues viz. stopping child marriages, counselling workshops for adolescents, pre-marriage counselling, child labour issues, legal aid to women facing violence, sting operations for exposing cases of female foeticide, hostel for girls etc.

LLA organization is involved in content generation on women's issues for the last two years with the support of CIS-A2K. The process proved useful for the members and other participants. On the occasion of Women's day on 9th March, LLA re-licensed 8 books and uploaded on Commons. The convener Adv. Varsha Deshpande has authored 6 books. She has taken this noble initiative. The content is spreading across beneficiaries and getting good feedback also. The books cover all the issues mentioned above. The articles created in women's day workshop and books donated by this organization have contributed to reduction in gender gap. LLA would like to lead the movement with other like-minded organizations in urban, rural, tribal areas to facilitate the open knowledge generation on women's issues.

Books by Laxmikant Deshmukh

Laxmikant Deshmukh is former IAS and writer in Maharashtra. He was president of All India Marathi Literary Festival in 2017 at Badoda. He was co-organizer for the FOSS & Wikimedia workshop conducted in September 2018. From that event, he has been promoting open knowledge concept and Wikimedia projects. The training session at Pune was held on 16 March for re-licensing his 4 works. The books are on socio-economic issues of Maharashtra.

Link to the Wikipedia page report here

For more details visit https://cis-india.org/a2k/blogs/content-donation-sessions-with-authors

Consumers International IP Watchlist Report 2012

praskrishna — 2012-08-16T10:18:58Z

This report was prepared by Pranesh Prakash. It was posted on the A2K Network website.

For more details visit https://cis-india.org/a2k/ci-ip-watchlist-report-2012

Consumers International IP Watchlist 2012 — India Report

pranesh — 2012-08-16T10:23:36Z

Pranesh Prakash prepared the India Report for Consumers International IP Watchlist 2012. The report was published on the A2K Network website.

Summary

India's Copyright Act is a relatively balanced instrument that recognises the interests of consumers through its broad private use exception, and by facilitating the compulsory licensing of works that would otherwise be unavailable. However, the compulsory licensing provision have not been utilized so far, because of both a lack of knowledge and more importantly because of the stringent conditions attached to them. Currently, the Indian law is also a bit out of sync with general practices as the exceptions and limitations allowed for literary, artistic and musical works are often not available with sound recordings and cinematograph films. There are numerous other such inconsistencies. Positively retrogressive provisions, such as criminalisation of individual non-commercial infringement also exist. India's Copyright Act is a relatively balanced instrument that recognises the interests of consumers through its broad private use exception, and by facilitating the compulsory licensing of works that would otherwise be unavailable. However, the compulsory licensing provision have not been utilized so far, because of both a lack of knowledge and more importantly because of the stringent conditions attached to them. Currently, the Indian law is also a bit out of sync with general practices as the exceptions and limitations allowed for literary, artistic and musical works are often not available with sound recordings and cinematograph films. There are numerous other such inconsistencies. Positively retrogressive provisions, such as criminalisation of individual non-commercial infringement also exist.

It is unfortunate that the larger public interest in copyright-related issues are never foregrounded in India. For instance, the Standing Committee tasked with review of the Copyright Amendment Bill has held hearings without calling a single consumer rights organization, and without seeking any civil society engagement, except for the issue of access for persons with disabilities. This was despite a number of civil society organizations, including consumer rights organizations, sending in a written submission to the Standing Committee.

This lopsidedness in terms of policy influence is resulting in greater imbalance in the law, as evidenced by the government's capitulation to a handful of influential multinational book publishers on the question of allowing parallel importation of copyrighted works. Furthermore, pressure from the United States and the European Union, in the form of the Special 301 report and the India-EU free trade agreement that is being negotiated are leading to numerous negative changes being introduced into Indian law, despite us not having any legal obligation under any treaties. Such influence only works in one direction: to increase the rights granted to rightsholders, and has so far never included any increase in user rights.

It is true that copyright infringement, particularly in the form of physical media, is widespread in India. However this must be taken in the context that India, although fast-growing, remains one of the poorest countries in the world. Although India's knowledge and cultural productivity over the centuries and to the present day has been rich and prodigious, its citizens are economically disadvantaged as consumers of that same knowledge and culture. Indeed, most students, even in the so-called elite institutions, need to employ photocopying and other such means to be able to afford the requisite study materials. Visually impaired persons, for instance, have no option but to disobey the law that does not grant them equal access to copyrighted works. Legitimate operating systems (with the notable exception of most free and open source OSes) add a very high overhead to the purchase of cheap computers, thus driving users to pirated software. Thus, these phenomena need to be addressed not at the level of enforcement, but at the level of supply of affordable works.

Source URL: http://bit.ly/QEJf5l
Click to download the report [PDF, 201 Kb]

For more details visit https://cis-india.org/a2k/consumers-international-ip-watchlist-report-2012

Consumers International IP Watchlist 2011 — India Report

praskrishna — 2012-01-02T08:48:45Z

Pranesh Prakash prepared the India report for Consumers International IP Watchlist 2011. The report was published on the A2K website.

For more details visit https://cis-india.org/a2k/blogs/ip-watch-list-2011.pdf

Consumers International IP Watchlist 2011 — India Report

pranesh — 2014-05-29T05:52:28Z

Pranesh Prakash prepared the India Report for the Consumers International IP Watchlist 2011. The report was published on the A2K Network website.

The report says:

While India has not acceded to the WIPO [23] Copyright Treaty or the WIPO Performers and Phonograms Treaty, yet a set of amendments have been proposed which would bring the Indian law in compliance with both the WCT and the WPPT. These amendments would expose India's consumers to the same problems experienced in other jurisdictions which have prohibited the use of circumvention devices to gain access to legally-acquired copyright material. These amendments also propose a substantial increase in the copyright term for photographs (from 50 years to life plus 60 years), and a conditional increase of ten years for cinematograph films to 70 years if a special agreement is entered into by the producer with the director. It is true that copyright infringement, particularly in the form of physical media, is widespread in India. However this must be taken in the context that India, although fast-growing, remains one of the poorest countries in the world. Although India's knowledge and cultural productivity over the centuries and to the present day has been rich and prodigious, its citizens are economically disadvantaged as consumers of that same knowledge and culture. Indeed, most students, even in the so-called elite institutions, need to employ photocopying and other such means to be able to afford the requisite study materials. Physically challenged persons have no option but to disobey the law that does not grant them equal access to copyrighted works.

Legitimate operating systems (with the notable exception of most free and open source OSes) add a very high overhead to the purchase of cheap computers, thus driving users to pirated software. Thus, these phenomena need to be addressed not at the level of enforcement, but at the level of supply of affordable works in a suitable format.

Over the last year, the Standing Committee tasked with review of the Copyright Amendment Bill has held hearings and presented its findings and recommendations to the HRD Ministry. However, not a single consumer rights organization was called by the Standing Committee, and no civil society engagement was sought except for the issue of access for persons with disabilities. This was despite a number of civil society organizations sending in written submissions to the Standing Committee. The government is going to re-table the Bill in this session of Parliament (February-April).

Click to download the full report [PDF, 150 kb]
Read the report published by A2K Network here

For more details visit https://cis-india.org/a2k/blogs/ip-watch-list-2011

Consumers International Global Meeting 2012

praskrishna — 2012-04-03T07:54:56Z

Pranesh Prakash participated in the Consumers International Global Meeting held in Kuala Lumpur on March 8 and 9, 2012. He spoke on UN Consumer Guidelines. Robin Brown, Tobias Schönwetter and Guilherme Varella were the other speakers in the session.

Wednesday 7 March

6:45pm	Anwar Fazal speech on 50th anniversary of JFK Consumer Rights
7:00pm	Dinner hosted by FOMCA

Thursday 8 March

8:30am	Registration
9:00am	Welcome (Helen McCallum)
9:30am	Introduction and overview (Jeremy Malcolm)
10:00am	Introduction to Digital Personal Property (Paul Sweazey)
11:00am	Break
11:30am	UN Consumer Guidelines (Robin Brown, Tobias Schönwetter, Pranesh Prakash, Guilherme Varella)
1:00pm	Lunch
2:00pm	Consumer Protection and IP Abuse Prevention under the WTO Framework (George Tian)
3:00pm	Internet governance and consumers (Peng Hwa Ang)
4:00pm	Break
4:30pm	Public Interest Representation in the Information Society (Norbert Bollow)
5:30pm	Consumers in the information society (Jeremy Malcolm)
6:30pm	Break
7:30pm	Cultural and culinary outing to pasar malam

Friday 9 March

8:30am	Registration
9:00am	M-Lab (Lih Shiun Goh from Google Singapore)
10:00am	Internet and human rights (Alan Finlay from Association for Progressive Communications)
11:00am	Break
11:30am	Global consumer survey on broadband (Jeremy Malcolm, Veridiana Alimonti, Elise Davidson, Marzena Kisielowska-Lipman)
1:00pm	Lunch
2:00pm	Cyber-security concerns for consumers and businesses (Raj Kumar, IMPACT)
3:00pm	Broadband nutrition label (Benjamin Lennett, New America Foundation)
4:00pm	Break
4:30pm	Reporting back – open time for member presentations
6.00 pm	Close

Abstracts and biographies

United Nations Guidelines for Consumer Protection

This paper provides background to the proposed amendments to update the United Nations Guidelines for Consumer Protection for the digital age. A soft-law instrument, the Guidelines provide an influential standard for the dissemination of good practices in consumer protection, as a mechanism to foster and promote social and economic development. They outline eight areas for developing policies for consumer protection, which are reflected by the eight consumer rights declared by the global consumer movement: rights to satisfaction of basic needs, safety, choice, information, consumer education, redress, representation and a health environment.

The paper outlines the current global regime of public policy developmment and regualtion relating to access to knowledge. Indicating that many of the issues of concern in terms of access to knowledge are essentially consumer issues it argues that amendments to the Guidelines would form the basis for progress. The paper then details the proposed amendments explaining the basis for each one.

Joining Robin Brown on the panel will be representatives from our research partners in India, Brazil and South Africa who will be contributing to our research on the Guidelines.

Robin Brown has 25 years of experience in consumer and business regulatory affairs. He spent 10 years as the chair and chief executive of Australia’s national consumer body, the Australian Federation of Consumer Organisations. Robin has been involved in projects to advance consumer protection and competition policy and regulation in a number of developing countries. In recent years Robin has served as a Councilor of the Australian Consumers’ Association. He holds a BA and a Master of Public Policy from the Australian National University.

Pranesh Prakash is Programme Manager at the Centre for Internet and Society, Bangalore. He is a graduate with a degree in Arts and Law from National Law School, Bangalore, with a keen interest in the law, economics, and culture of intellectual property rights. He helped found the Indian Journal of Law and Technology, and was part of its editorial board for two years. He is most interested in interdisciplinary research on IP and property law, freedom of speech, and privacy. He has worked with practising lawyers, civil society organizations, and law firms.

Tobias Schönwetter is a Senior Manager within PricewaterhouseCoopers' South African practice performing legal advisory services specifically relating to innovation, technology and intellectual property (copyright and trademarks). Tobias has studied and practised law in Germany, the US and South Africa and he has led the copyright division at UCT's Intellectual Property Law and Policy Research Unit for several years. His international experience, together with his leadership roles in a number of intellectual property-related projects and research collaborations such as the African Copyright and Access to Knowledge (ACA2K) project and the Open AIR (African Innovation Research and Training) project, has secured his place as an industry expert within the intellectual property and technology sector.

Guilherme Varella is a lawyer at Idec (Brazilian Institute for Consumer Defense) in telecomunications, Internet and access to knowledge and Master's student in public policies of culture in the Law School of Universidade de São Paulo (University of São Paulo - USP).

The event was sponsored by the Ford Foundation, the Open Society Institute and IDRC/CRDI. For more information, see here on the Access to Knowledge website.

For more details visit https://cis-india.org/news/consumers-international-meeting-2012