Centre for Internet and Society

WIPO SCCR 24 Post-lunch Text (July 19, 2012)

praskrishna — 2012-07-25T03:33:29Z

This is a rough transcript of the WIPO-SCCR discussions.

For more details visit https://cis-india.org/a2k/2012-07-19-sccr24-post-lunch.txt

WIPO Regional Seminar on Copyright Limitations and Exceptions

Admin — 2019-06-05T13:34:54Z

Anubha Sinha participated in the WIPO “Regional Seminar for the Asia Pacific Group on Libraries, Archives, Museums and Educational & Research Institutions in the Field of Copyright”, which was held on April 29 and 30, 2019, in Singapore.

For more info about the event, click here

For more details visit https://cis-india.org/a2k/news/wipo-regional-seminar-on-copyright-limitations-and-exceptions-1

WIPO reaches agreement on treaty for blind

praskrishna — 2013-07-01T09:59:29Z

Officials at the World Intellectual Property Organisation have reached an agreement to provide wider access to books for the visually impaired in different countries, a long-pending demand of the World Blind Union and activist groups.

The article by Pankaj Mishra was published in Livemint on June 26, 2013. Sunil Abraham is quoted.

If officially approved, the treaty will help distribution of specially formatted books for the blind and visually impaired in different countries by removing copyright law hurdles. For instance, US-based Bookshare, which is an online library for people with sight disabilities, has about 200,000 books in its collection, but only about 75,000 of them can be distributed in the UK because of copyright restrictions.

According to the Intellectual Property Watch website that track international policy on the subject, the agreement was reached over the weekend in Marrakesh, Morocco, where a conference to facilitate access to published books for people with sight disabilities is being held.

“The text, which has not been presented to the conference plenary, nor adopted yet, also addresses the issue known as ‘the Berne gap’, which refers to countries which are not part of international treaties governing copyright, such as the Berne Convention for the Protection of Literary and Artistic Works, the World Trade Organization Agreement on Trade-Related Intellectual Property Rights (TRIPS), and the WIPO Copyright Treaty,” the website said in a report on 24 June.

According to the World Health Organisation (WHO), India has 63 million visually impaired people, of whom about 8 million are blind.

Experts such as Sunil Abraham of the Centre for Internet and Society said Indian negotiators played a crucial role in pushing for these amendments.

“India’s copyright law after the latest amendment has a very robust exception for the disabled. It is disability neutral and works neutral. We must applaud the Indian negotiators for exporting Indian best practice to global copyright policy. India continues to be a leader in WIPO when it comes to protecting the public interest and facilitating access to knowledge,” said Abraham.

The treaty, which promotes sharing the books in any format for the blind or visually impaired, is expected to alleviate the “book famine” experienced by many of the WHO-estimated 300 million people suffering from such disability in the world, Intellectual Property Watch said.

“The treaty however is both disability specific, i.e. the visually impaired, and works specific, mostly targeted at ending the book famine,” Abraham said.

For more details visit https://cis-india.org/news/livemint-pankaj-mishra-june-26-2013-wipo-reaches-agreement-on-treaty-for-blind

Will the Copyright Law Help the Starving Artist?

praskrishna — 2012-05-29T03:46:23Z

By law, producers are no longer allowed to keep all the royalties to songs, lyrics or other works of arts. Now, these rights will have to be shared with the artist who created them.

This article by Margherita Stancati was published in the Wall Street Journal on May 28, 2012. Pranesh Prakash is quoted in this.

"I remember when Ustad Bismillah Khan" – a legendary Indian classical musician – "came to me and said that he did not have money to pay his rent," Indian Human Resources Minister Kapil Sibal recently told Parliament.

At the time, Mr. Sibal said he solved the problem by writing him a check.

The government hopes that changes introduced to India’s 1957 Copyright Act will allow composers and other artists to do away with such acts of charity. Parliament passed the bill amending the copyright act last week.

By law, producers are no longer allowed to keep all the royalties to songs, lyrics or other works of arts. Now, these rights will have to be shared with the artist who created them.

Earlier, "artists would typically give all the rights to the producer. It was called a work for hire," says Anish Dayal, a Supreme Court lawyer who specializes in media and entertainment legislation.

The amendments to the act means that "even if they want to give rights to producers, they can’t," adds Mr. Dayal.

The way the law phrases this is a little confusing. An amendment to section 18 of the act says that authors of literary or musical works featured in movies shall "receive royalties to be shared on an equal basis" with others who have copyright over the work (such as producers.) It’s not clear whether "equal basis" means 50% or whether it depends on the number of people with whom the royalties are shared.

The amended law also makes it compulsory for radio and broadcasters to pay royalties every time they air a recording.

The biggest impact of these changes will be on India’s film industry, especially on the lyricists and composers of Bollywood music, who have long lobbied for rights over their work.

Before the amendments were given a green light, Bollywood lyricist Javed Akhtar described the condition artists worked in as "bonded labor." Recently addressing lawmakers in the upper house of Parliament, where he holds an honorary seat, Mr. Akhtar shared a long list of cases of famed Indian musicians and composers who lived and died in penury. He named Shailendra, a popular 1950s Hindi lyricist, and Omkar Prasad Nayyar, a composer of movie scores.

For Paromita Vohra, a Mumbai-based documentary filmmaker, said changes to the law mark a first step towards making art production “more equal” by giving artists more rights over their work. "It’s about time," says Ms. Vohra, who last year made a film on copyright in the world of art.

"Those who have the money are more powerful than those who make the arts. The act recognizes this, it addresses a power balance," she adds, describing this as a "philosophical change" in the law.

But she says this alone is not enough. "Lawyers are good at circumventing the law," she claims. Still, artists willing to fight for their rights "now have the law to fall back on," she adds.

Stronger labor unions, Ms. Vohra says, would make it easier for artists to make the most of the new legislation. "When that happens, I think the law will be very helpful."

Not all were pleased with the changes on royalties. Adarsh Gupta of Saregama, a music production company, said the law is "extremely unfair to the film and music industry" and that it paves the way to litigation.

Other changes introduced in the act include tighter regulations on cover versions, including a clause that raises the time period after which covers are legally allowed from two to five years.

Critics say these restrictions are excessive and at odds with art produced in the digital era.

"This ignores present-day realities," Pranesh Prakash of the Centre for Internet & Society wrote in his analysis of the amended copyright bill. He used the example of the hit tune Kolaveri Di, which was covered countless times. "The singers and producers of those unlicensed versions could be jailed under the current India Copyright Act, which allows even non-commercial copyright infringers to be put behind bars," he adds.

The act also removes copyright requirements for Braille or for other works of art adapted for people with disabilities.

What the amended law does not include is a clause that many in the Indian publishing industry feared may have made them redundant. The proposed amendment would have allowed non-Indian publishing houses distribute their books in India, removing the territorial exclusivity of local publishers. This clause did not make it in the final version of the law.

For more details visit https://cis-india.org/news/will-copyright-help-starving-artist

Why Parallel Importation of Books Should Be Allowed

pranesh — 2019-02-01T17:41:26Z

There has been much controversy lately with some publishers trying to stop the government from amending s.2(m) of the Indian Copyright Act, clarifying that a parallel import will not be seen as an "infringing copy". This blog post argues that the government should, keeping in mind the larger picture, still go ahead and legalise parallel imports.

[Updated Wednesday, February 2, 2011, to respond to Thomas Abraham's extensive and thoughtful rebuttal of the earlier version this post.]

First off, here is the controversial clause, with the proposed amendment (the insertion of a "proviso", in legalese) being emphasised in bold font-face:

The amendment

2(m) "infringing copy" means,—

    (i) in relation to a literary, dramatic, musical or artistic work, a reproduction thereof otherwise than in the form of a cinematographic film;

    (ii) in relation to a cinematographic film, a copy of the film made on any medium by any means;

    (iii) in relation to a sound recording, any other recording embodying the same sound recording, made by any means;

    (iv) in relation to a programme or performance in which such a broadcast reproduction right or a performer's right subsists under the provisions of this Act, the sound recording or a cinematographic film of such programme or performance, if such reproduction, copy or sound recording is made or imported in contravention of the provisions of this Act;

Provided that a copy of a work published in any country outside India with the permission of the author of the work and imported from that country shall not be deemed to be an infringing copy.

Some claim that this amendment to s.2(m) ("provided that... copy") has the potential to destroy the publishing industry. The most lucid explanation of this was in a recent op-ed by Thomas Abraham in the Hindustan Times, very ominously titled The Death of Books. However it seems to us that the publishing industry—especially foreign publishers with distributorships in India—don't want to open themselves up to competition in the distribution market, and are opposing this most commendable move.

What is parallel importation?

Before getting into explanations of why allowing for parallel importation is good, and how the arguments otherwise fall short, we should examine what parallel importation is.

"Parallel import, insofar as copyright is concerned, involves an “original” copyright product (i.e. produced by or with the permission of the copyright owner in the manufacturing country) placed on the market of one country, which is subsequently imported into a second country without the permission of the copyright owner in the second country. For instance, the copyright owner of a book produced in India places the book on the market in India. A trader buys 100 copies of the book from India and imports them to China without the permission of the copyright owner of the book in China. This act of the trader bringing the books into China is called parallel import, the legality of which depends on the copyright law of the importing country (namely China in this example)." (Consumers International, Copyright and Access to Knowledge: Policy Recommendations on Flexibilities in Copyright Laws 23 (2006).)

Some fear-mongers try to equate parallel importation with 'anarchy' in markets, and some confusedly claim that this amendment would allow infringing copies of books would be permitted. That is simply not true. For parallel importation to be said to happen, the sale must itself be legal. If it is an an illegally sold copy (a pirated copy of a book, for instance) that is imported, then it will count as a black market import—not as a parallel import. Allowing for parallel imports will only dismantle monopoly rights over importation, and the amendment makes that amply clear.

Harms on existing books of not allowing parallel importation

Libraries/second-hand bookshops/consumers have no way of knowing if a book was originally imported legally or not, since there is no easy way of telling a parallel-ly imported copy apart from a exclusively imported copy. If one of them, even unknowingly buys/sells a foreign edition about which they am not sure and it turns out it was not legally imported (and there are literally thousands of such books, and I personally own at least a couple dozen foreign editions bought from various second-hand bookshops) then they are committing copyright infringement.

This precisely was argued by the library associations and others in amici briefs to the US Supreme Court in the Costco v. Omega case. For instance, the brief for the the American Library Association, the Association of College and Research Libaries, and the Association of Research Libraries in Support of Petitioner argues that:

By restricting the application of [the first sale doctrine] to copies manufactured in the United States, the Ninth Circuit’s decision threatens the ability of libraries to continue to lend materials in their collections. Over 200 million books in U.S. libraries have foreign publishers. Moreover, many books published by U.S. publishers were actually manufactured by printers in other countries. Although some books indicate on their copyright page where they were printed, many do not. Libraries, therefore, have no way of knowing whether these books comply with the Ninth Circuit’s rule. Without the certainty of the protection of the first sale doctrine, librarians will have to confront the difficult policy decision of whether to continue to circulate these materials in their collections in the face of potential copyright infringement liability. For future acquisitions, libraries would be able to adjust to the Ninth Circuit’s narrowing of [the first sale doctrine] only by bearing the significant cost of obtaining a “lending license” whenever they acquired a copy that was not clearly manufactured in the United States.

and, the brief for the Public Knowledge, American Association of Law Libraries, American Free Trade Association, the Electronic Frontier Foundation, Medical Library Association, and the Special Libraries Association in Support of Petitioner states:

The uncertainty created by the Ninth Circuit’s holding [against parallel importation] will harm used bookstores, libraries, yard sales, out-of-print book markets, movie and video game rental markets, and innumerable other secondary markets. Owners of copyright works or goods containing copyrighted elements manufactured abroad will be unable to dispose of these products without authorization at the risk of liability under copyright law’s extensive damages provisions. Furthermore, the chilling effects of the Ninth Circuit’s holding will extend beyond works manufactured abroad. Owners of copies of works will be unable to determine whether they are protected by [the first sale doctrine], as they will not always know where their goods were manufactured. Copyright holders will have little incentive to make clear the location of manufacturing of their copyrighted works,3 as greater uncertainty means a greater ability to sell the right to distribute the goods within the United States. Secondary market sellers who cannot afford to purchase this right will be unable to do business unless they are prepared to engage in lengthy and expensive litigation with an uncertain result. A wide variety of important secondary markets in copyrighted works and goods with copyrighted elements will suffer without the protection of the first sale doctrine.

Benefits of parallel importation

Dismantling distribution monopoly rights

The benefits that will accrue from allowing for parallel importations are huge. Currently a large percentage of educational books in India are imported, but with different companies having monopoly rights in importation of different books. If this was opened up to competition, the prices of books would drop, since one would not need to get an authorization to import books—the licence raj that currently exists would be dismantled—and Indian students will benefit. This is especially important for students and for libraries because even when low-priced editions are available, they are often of older editions.

Allowing people to import goods without permissions (with appropriate duties) is taken for granted in all other areas, so why not copyrighted works? After all, it is not the act of publication that gets affected, but the right of exclusive distribution. And if that goes away after first sale internationally, that's not a bad thing at all.

Generally, there are two main benefits of allowing for parallel importation: faster introduction of the latest international releases into the domestic country, and lowered prices by decreasing the costs imposed by a monopoly right over distribution.

All the foreign books that an online bookseller like Flipkart delivers in India are procured from international sources. Without parallel importation, Flipkart will have to ask for permission from the book publishers for each foreign book each time it makes a sale. This would cripple Flipkart's business model.

Helping book publishers

Book publishers will be benefited by parallel importation, just as they are benefited by the existence of libraries and second-hand book stores. Libraries and second-hand book stores help with market segmentation, providing access to people who can't afford expensive books at much lower rates, often free. However, the existence of second-hand book stores in almost every city in India—I have personally bought second-hand books everywhere from Jhansi (Leo Tolstoy's War and Peace) to Delhi's Darya Ganj market (Edmund Wilson's Letters on Literature and Politics)—does not prevent me from buying books first hand. Indeed, Wilson's Letters is out of print, and cannot be bought in a store like Crosswords or Gangaram's.

Why do I emphasise second-hand books and libraries? They are artefacts of something variously known as the "first sale doctrine" or the "doctrine of exhaustion" in copyright law: After the first sale of a book, subsequent sales, rentals, etc., cannot be controlled by the copyright owner. Parallel importation is simply a matter of applying this doctrine to the first sale of the book internationally rather than its first sale in India.

Thus we see that the existence of second-hand books, libraries, and parallel imports, are all dependent on the same rule of copyright law: the first sale doctrine. This doctrine is enshrined in s.14(b)(iv) of the Indian Copyright Act, and has been interpreted by the Delhi High Court to mean first sale in India. The present amendment changes that to mean first sale internationally.

The introduction of the modern "public library" in the mid-19th century led to a surge in literacy, readership, and book sales, and not a decline. Similarly, there is no reason to suppose that allowing parallel importations will lead to a decline in book sales.

Helping libraries and the print-disabled

Even currently, many people buy books directly from abroad and have them shipped to India. This is especially necessary for libraries whose patrons—scholars and students—very often need access to the latest books. Currently, libraries often buy books from abroad from Amazon, Flipkart, Alibris, etc. Such acts, within a strict reading of the law, are not legal, since they fall afoul of s.51(b)(iv), since the import is not for the "private and domestic use" of the libraries. This is also of especial concern for organizations working with print-disabled individuals, since the number of books legally available domestically in formats accessible by the print-disabled is very small, and often need to be imported.

Helping all consumers

An excellent report was prepared in 2006 by Consumers International, in which they studied the costs of textbooks in eleven countries, including India, by average purchasing power of each country's citizens, instead of absolute cost. Based on that study, and a detailed investigation of international treaties on copyright and the flexibilities allowed in them, Consumers International recommended that India should amend our law to make it clear that parallel importation of copyrighted works is legal (on page 51 of the report).

Rebutting objections

I will address a few specific objections raised by Mr. Abraham, Nandita Saikia, and others.

1. Authors' won't lose out on royalties

Authors do not lose out on royalties because of parallel importation, just as they do not lose out on royalties because of libraries, nor because of second-hand book stores. For parallel importation to take place, the books have to be purchased legally, and that first sale itself ensures that authors are paid royalties.

Of course, publishing contracts often have a clause that remaindered books will not garner royalties. But in that case, the problem is not parallel importation, but the overstocking and subsequent remaindering of books. The authors wouldn't be paid (or would be paid very little) for remaindered books even if the books weren't imported into India. Parallel importation does not in any way change that.

Indian authors

There is a worry that an Indian author would be hit if remaindered copies of his/her books started entering the Indian market. That would mean that foreign publishers had overstocked that Indian author's book, i.e., that the expectation from the book was much higher than the actual demand. If this happens infrequently, then the author hasn't much to worry about (since remainders aren't a big problem). If it happens frequently, then firstly the publisher should re-adjust to the market and realize that demand is low. Secondly, the author needs to worry more about quality of the book (and whether it caters to foreign audiences) than the possible effects that the availability of cheaper copies of that book would have.

2. Remaindered books are in publishers' control

India has amongst the cheapest book prices in the world. Then why would book publishers be wary of even cheaper books overrunning the Indian market? The reason, Mr. Abraham tells us, is remaindered books. He believes that remaindered books have the potential to destroy the Indian book market. Remaindering of books has been happening for decades. If remaindered books haven't already destroyed all book markets worldwide, then it is unlikely that they will do so suddenly just because parallel importation of books is permitted in India.

Remainders happen because of a miscalculation by the publisher: expecting more demand than was actually present. What happens with that excess stock is controlled by the publishers. They can choose to pulp them, burn them, or even push them into other channels of commerce that Mr. Abraham points out exist in the mature, frontline markets where remaindering happens:

And the reason why they have not destroyed book markets worldwide is because the mature markets exist with multiple strands (chains and high street stores, independents, direct sellers, online sellers, and supermarkets)—so a direct seller will sell the same book a high street store is selling at a much reduced price without it affecting the business of each strand. Each strand is discrete and price sensitivity does not matter the same way.

Since those multiple strands of commerce exist, each of which would enable the seller to get a better profit (being in a developed country) than in India, there is no reason to fear overrunning of the market with remainders.

3. Dumping of books should be tackled separately

An extension of the remaindered books concern is that of India becoming a land where all books will be dumped. This hasn't happened in case of countries like New Zealand, Mexico, Chile, Egypt, Cameroon, Pakistan, Argentina, Israel, Vietnam, South Korea, Japan, and a host of other countries, all of which allow for parallel importation of books. In a 1998 judgment, the United States Supreme Court, some parallel imports of copyrighted goods were legal. That ruling did not cause the downfall of the US book market, despite cheaper books being available outside the US. Australia has allowed for parallel importation of books in one form or another since 1991 (when the law was changed to allow for all parallel of all books that weren't introduced in the Australian market within 30 days of it being released elsewhere in the world). New Zealand did a study after removing the ban on parallel importation, and declared that cheaper books were available on a more timely basis than previously. None of these countries have been overrun by grey market books.

Customs laws are better suited

Even assuming that this fear is well-founded, copyright law is not the best way to deal with the problem. Dumping of books should be regulated by customs laws (anti-dumping and countervailing duties). Using copyright law to regulate apprehended book dumping practices (which might not even happen) is like using a trawler hoping to catch only shrimp: it is naive to think that there won't be unintended bycatch, and the consequences can be disastrous for the knowledge environment in case of books.

Customs laws are more flexible because they are imposed by the executive, and unlike copyright law, can be more easily changed as per requirements. So even if copyright law allows for parallel importation of copyrighted works, a special case can be made out by publishers in case of trade publishing, for instance, and that can be targetted specifically by imposing duties. However, the inverse cannot happen, since we are not aware of any mechanism whereby libraries, consumers and others can get to 'override' the provision in the Copyright Act.

Additionally, these duties can be made to operate only if the book is already being sold in India; these duties can be made to operate only on new books. A ban on parallel importation, on the other hand will apply equally to books that are out of print, to books that the original copyright owner has not even granted an exclusive Indian distributorship and are not even being sold in India. It goes right to the heart of freedom of speech, which the Supreme Court has held includes the right to receive information.

4. Non-printing of low-priced editions for India because of "unsecure" market won't happen

Parallel importation, which is what the amendment to s.2(m) allows for, affects only importation. It does not in any way affect publication in India or exports. Exporting low-priced Indian editions to countries which allow for parallel importation of books, is currently of doubtful legality. [Update: Earlier an incorrect claim was made in this post that such export was legal. The legal status is not that clear. While there is a Delhi High Court case that makes exports of low-priced editions illegal in the context of sale to the United States, it specifically states that the decision does not depend on whether India allows for parallel importation or not.] The amendment does not change that position, for reasons explained at greater length in a separate post. The incentives to print low-priced editions hence does not decrease. If anything it will increase because currently books that are not available as low-priced editions cannot be imported without exclusive licensing, and with a change in this position, the incentive to compete in the form of low-priced editions will increase.

Indeed, even before that 2009 Delhi High Court judgment prohibiting exports to the United States, many low-priced editions were being printed in India. And even before the 2005 Bombay High Court judgment prohibiting parallel imports, many low-priced editions were being printed in India. This won't change, regardless of the law, because India is an increasingly profitable and expanding market, and low-priced editions are a necessity in this market due to lower average income.

5. Rhetoric flourish and the law: Open and closed markets

Mr. Abraham asks how many authors one can name from open markets like Malaysia, Singapore, and Hong Kong, as a sign of the 'history of creativity' in each of these countries and territories. It might be just as well to ask how many authors he can name from closed markets like Bhutan, Kazakhstan, Cambodia, Papua New Guinea, Indonesia, Jordan, and Ukraine. One's ability to name authors from a country has less to do with the open/closed nature of its market and more to do with one's general knowledge.

Additionally, the 'mature' markets which he wishes India to emulate—United States, the United Kingdom, and Australia—are more ambiguous on parallel importation than he would have us believe. In the United States, the legality of a segment of parallel importation of copyrighted goods reached the United States Supreme Court in Quality King v. L'anza in 1998, in which the court held in favour of the importer.

The question reached the US Supreme Court again last year in Costco v. Omega, but the court split on it 4-4, and did not deliver a binding precedent on parallel importation. Thus, for all intents and purposes, under copyright law, the United States is an open market.

In the United Kingdom, as per European Union law, parallel importation is permitted from anywhere within the EU. And in Australia, parallel importation of parallel goods is largely allowed, with some conditions to encourage faster publishing in Australia of foreign books.

Most importantly, none of the markets held up as role models are developing countries. India is. This makes all the difference, as the Consumers International report underscores.

Standing Committee consultations

Lack of wide consultation

On one point we are in complete agreement with Mr. Abraham, which is his point regarding lack of adequate consultation. While there was a good amount of consultation during the drafting stage, when a wide-ranging public consultation was held in 2006, this was not repeated in 2010 by the Standing Committee. Further, the Standing Committee only gave fifteen days for responses to its call for comments.

Publishers were represented

While Mr. Abraham states that only the Authors Guild was represented before the Standing Committee, by going through the report prepared by it, we see that the Federation of Indian Publishers and the Association of Publishers in India were also called to testify before the Standing Committee.

Libraries, students, consumers were not represented

However, while the authors supported it, and the publishers opposed it, no one got to hear the voice of the readers, the students, the libraries, the book buyers. For instance, not a single consumer rights organization or library association was called before the Standing Committee. Internationally, organizations like Consumers International, the International Federation of Library Associations, and EIFL (an international library organization) are invited to meetings of the World Intellectual Property Organization and their views are taken with seriousness as they are a very important part of the copyright environment.

Department's and Standing Committee's reasoning

We reproduce below four paragraphs from the Standing Committee's report, which elucidate many of the reasons for going in for this particular amendment.

7.10
All the reservations/objections raised by the various stakeholders [including the Federation of Indian Publishers and the Association of Publishers in India, whose objections are quoted in an earlier paragraph of the report -ed.] were taken up by the Committee with the Department with the intent of having full understanding of the background necessitating the proposed amendment and its exact impact on the various stakeholders. As clarified by the Department, the main purpose of this amendment was to allow for imports of copyright materials (e.g. books) from other countries. It was in accordance with Article 6 of the TRIPS Agreement relating to exhaustion of rights whereunder developing countries could facilitate access to copyright works at affordable cost. Exhaustion of rights (popularly called as parallel import) was a legal mechanism used to regulate prices of IPR protected materials. This was viable only if the price of the same works in the Indian market was very high when compared to the price in other countries from where it was imported to India.

7.11
Committee's attention was drawn to the fact that majority of educational books used in India were imported from other countries particularly from US and EU. There was an increasing tendency by publishers to give territorial licence to publish the books at very high rates. The low price editions were invariably the old editions than the latest ones. This provision would compel the Indian publishers to price the works reasonably so that it would not be viable for a distributor to import same works to India from other countries. This would also save India foreign exchange on the payment of royalties (licence fee) by the Indian publishers to foreigners.

7.12
Committee was also given to understand by the representatives of the publishing industry that Scheme of the Copyright Law was entirely different from the Trade Marks Act, 1999 and the Patent Act, 1970. The application of the standards and principles of these two laws through the proposed amendment of section 2(m) would completely dismantle the business model currently employed, rendering several industries unviable. On a specific query in this regard the Department informed that the concept of international exhaustion provided in section 107 A of the Patent Act, 1971 and in section 30 (3) of the Trademarks Act, 1999 and in section 2 (m) of the copyright law were similar. This provision was in tune with the national policy on exhaustion of rights.

7.13
After analysing the viewpoints of all the stakeholders along with the clarifications given thereupon by the Department, the Committee is of the view that proposed inclusion of the proviso in the definition of the term 'infringing copy' seems to be a step in the right direction, specially in the prevailing situation at the ground level. The present practice of publishers publishing books under a territorial license, resulting in sale of books at very high rates cannot be considered a healthy practice. [Emphasis added.] The Committee also notes that availability of low priced books under the present regime is invariably confined to old editions. It has been clearly specified that only those works published outside India with the permission of the author and imported into India will not be considered an infringed copy. Nobody can deny the fact that the interests of students will be best protected if they have access to latest editions of the books. Thus, apprehensions about the flooding of the primary market with low priced editions, may be mis-founded as such a situation would be tackled by that country's law. [emphasis added.] The Committee would, however, like to put a note of caution to Government to ensure that the purpose for which the amendment is proposed, i.e., to protect the interest of the students is not lost sight of.

Conclusion

It is clear that allowing for parallel imports is not likely to hurt publishers, but will result in an expansion of the reading market. It is mainly foreign publishers' monopoly rights over distribution which will be harmed by this amendment, while Indian publishers, Indian authors, and Indian readers, especially students, will stand to gain. Furthermore, in the long run, even foreign publishers will stand to gain due to market expansion. Any legitimate worries that publishers may have are better dealt with under other laws (such as the Customs Act) and not the Copyright Act.

For more details visit https://cis-india.org/a2k/blogs/parallel-importation-of-books

US Copyright law faces constitutional challenge

sinha — 2016-08-11T13:28:13Z

In a major international development, the Electronic Frontier Foundation (EFF) has filed a lawsuit to strike down the provisions on Digital Rights Management(DRM) in the Digital Millennium Copyright Act. In this post, I discuss DRMs, the EFF lawsuit, and then draw upon the differences between the US and Indian copyright regime on DRM protection.

Originally published by Spicy IP on August 5, 2016. You may read EFF’s lawsuit here.

Decoding DRM

If you own a Netflix account and travel a lot, you may have been denied access to some TV shows depending on the country you logged in from. While that restriction can perhaps be gotten around by using VPNs, there exist other technological measures that prevent you from fixing your own automobile to sharing/making copies of an e-book that you supposedly bought. Such technological protection measures are commonly known as Digital Rights Management (DRM). These go back twenty years, and it was in 1996 when the first DRM appeared in the form of geo-access restrictions on DVD play.

Soon thereafter, it became de rigeur for businesses dealing in IP to apply all kinds of DRMs to their products. It was largely an embarrassing and a pointless saga of implementing software embedded restrictions to stem piracy (remember the Sony BMG rootkit fiasco?), given how blatantly they were discovered and circumvented. And now since technology is beginning to dwell even in our shoes, DRMs have been slapped onto these as well. So if you discover a bug causing a miscalculation in your step count, you are not only prohibited under law from probing the code and fixing it yourself, but you also may get jailed for doing so. Imagine such how such prohibition impacts and limits our daily lives and the work of professional researchers.

Clearly, DRM is not just a mere trifle to be brushed aside via smarter code– its ramifications go much farther. DRMs come with the problem of masking vulnerabilities, compromised security of the device and us er-privacy, and trampled consumer rights, fair use and free speech. Further, the poor design of DRMs makes them unable to distinguish between illegal use and fair-use. Progressive cutting down of users’ rights to store, reproduce, distribute media has become especially problematic for developing countries because of our greater dependence on free-er terms for sale, lending and donation. On the other hand, DRMs continue to become more ubiquitous(could be incorporated in the HTML 5 standard soon).

However, in an exciting development, the first major legal battle to kill DRM has begun!

Because finally in an unprecedented move, a constitutional challenge has been lodged in the US against DRM provisions, on the grounds that they restrict free speech and fair-use of copyright materials (the fair-use doctrine allows copyright law to co-exist with the first amendment). The complaint has been filed by EFF on behalf of Matthew Green (a security researcher) and Andrew “bunnie” Huang (a technologist)

The rejection that prompted a legal challenge..

Sections 1201-1205 of the Digital Millennium Copyright Act (DMCA) lay down provisions relating to circumvention of DRM. Uniquely, the DMCA vests power in the Librarian of Congress to periodically enact rules granting exemption from the anti-circumvention provisions to legitimate non-infringing use of works (known as DMCA Rulemaking). It was under this particular instance of rulemaking in 2015, wherein the Librarian failed to grant an exemption for “…speech using clips of motion pictures, for the shifting of lawfully-acquired media to different formats and devices, and for certain forms of security research.” The rejection triggered the challenge against ‘Rulemaking’, ‘anti-circumvention’ and ‘anti-trafficking’ provisions of the DMCA, namely sections 1201(a), 1203, and 1204 . (This exemption was applied for by EFF, which has been seeking (and been granted) exemptions since 2003.)

In fact, universally, DRM provisions pose questions of free speech, consumer rights, privacy and copyright law. In the following section I will examine and compare the US and Indian copyright regime on DRM protection.

WCT and DMCA were used to push DRM protection into Indian Copyright Act

The Indian Copyright Act, 1957 provisions on DRM are based in sections 2(xa), 65A and 65B, which were introduced through the Copyright Amendment Act, 2012. The sections define ‘Rights Management Information’, provide for ‘Protection of technological measures’ and ‘Protection of Rights Management Information’, respectively. It must be noted that the WIPO Copyright Treaty (WCT) was the first instrument to conceive rules on DRM protection (Articles 11, 12). US was the first country to import WCT provisions into its copyright law via DMCA, which even went above the WCT standards. Soon, Hollywood-backed USTR wanted India to follow suit, and the provisions were queued up for an amendment to India’s copyright law. Please note that India is NOT a party to the WCT, and was under no obligation to enact laws on DRMs. Nevertheless, the Indian provisions with some changes and added limitations were loosely lifted from the equivalent WCT articles.

It is worth noting that the Indian DRM provisions have better safeguards than the DMCA provisions:

1) The Indian provisions (s. 65A+ 65B) do not make building and distribution of circumvention tools illegal. Only the act of circumvention attracts criminal liability. However, there is a duty on the person facilitating circumvention for another person to maintain a record of the same, including the purpose for which the facilitation occurred. The purpose should not be expressly prohibited under the Copyright Act, 1957.

Regardless, being criminally liable for circumventing DRM is a major threat to small businesses and developers. In one instance, when some Indian developers had built an open source software “PlayFair” to bypass Apple’s FairPlay DRM, they were threatened with legal action under the US’ DMCA. Despite the DMCA having no jurisdiction in India, the developers shut shop.

2) Clauses 65A(1) and 65A(2)(a) confine violation of technological protection measures to rights enumerated in the act, only. This means that the section does not restrict circumventions which attempt to get access to the underlying work.

While India has not seen major challenges to this provision, in 2013 the Delhi High Court injuncted persons from jailbreaking into Sony Playstations. Amlan analysed the order and questioned it in terms of the Court finding the act of ‘modifying the playstation without Sony’s consent’ illegal. Because, if you read section 65A (emphasis supplied is mine):

65A. Protection of Technological Measures

(1) Any person who circumvents an effective technological measure applied for the purpose of protecting any of the rights conferred by this Act, with the intention of infringing such rights, shall be punishable with imprisonment which may extend to two years and shall also be liable to fine.

(2) Nothing in sub-section (1) shall prevent any person from:

(a) doing anything referred to therein for a purpose not expressly prohibited by this Act:

Provided that any person facilitating circumvention by another person of a technological measure for such a purpose shall maintain a complete record of such other person including his name, address and all relevant particulars necessary to identify him and the purpose for which he has been facilitated; or

(b) doing anything necessary to conduct encryption research using a lawfully obtained encrypted copy; or

(c) conducting any lawful investigation; or

(d) doing anything necessary for the purpose of testing the security of a computer system or a computer network with the authorisation of its owner; or

(e) operator; or [sic]

(f) doing anything necessary to circumvent technological measures intended for identification or surveillance of a user; or

(g) taking measures necessary in the interest of national security.

Clause (1) clearly states that the law is only applicable to such technological protection measures applied to protect any of the rights conferred by the copyright act. Which raises the questions of which rights are affected when OS of the playstation is modified, and how does the modification amount to copyright infringement? One may perhaps draw that the Court in this order placed the ‘consent’ of Sony above the law.

3) S. 65A(2) safeguards certain acts which also exist as exceptions granted in the Copyright Act. These enumerated acts may be performed without attracting liability: for instance, circumventions for purposes of encryption research, security testing, lawful investigation, evading surveillance by DRM are kosher. Note that s. 65A(2)(g) permits circumvention in the interest of national security.

(For a detailed exegesis of these provisions, please read this piece.)

A look at the draconian DMCA provisions

As I mentioned earlier, the DMCA provisions on DRMs are much stricter compared to the Indian copyright act. Both circumvention(s. 1201(a)(1)), and building and distribution of circumvention tools(s. 1201(a)(2)) are illegal and punishable. The DMCA also meticulously defines circumvention, in terms of “circumventing a technological measure” and “circumventing protection afforded by a technological measure.”

More alarmingly, these provisions envisage access controls as well as use controls. So a person decrypting a DVD to gain access to the work would be held liable for infringement (unlike in India where only the act of copying or modifying the work would trigger infringement). It is also worth noting that there is no clause stating that circumvention (and tools) of only those DRMs is illegal when the DRMs protect rights conferred under the DMCA.

While s. 1201(c) states that the section shall not affect “…rights, remedies, limitations or defenses to copyright infringement, including fair-use…” Further, there do exist exemptions to clauses(a)(1) and (2):

Exemption for nonprofit libraries, archives and educational institutions; and
Exemption for the purposes of law enforcement, intelligence and other government activities, reverse engineering (solely for the purposes of achieving interoperability), restricting internet access to minors, protecting personally identifiable information, security testing, encryption research, etc.

While the list seems to permit circumvention for a wide range of purposes and fair-use, the vague and narrow language has failed the implementation of these exemptions. EFF lists a bunch of these instances where the DRM provisions have been not necessarily used against pirates, but also scientists, consumers and legit competitors.

Further, the DMCA left it entirely to the US copyright agencies to carve exemptions for non-infringing uses of works on a triennial basis. This rulemaking procedure has received heavy criticism, and as a result of the 2015 rejection the Library of the Congress finds itself in a legal soup.

Finally, the EFF lawsuit also illustrates the violations of the plaintiffs rights to free speech and fair-use, as a direct result of the provisions and the Rulemaking process. Armed with a strong case, and as Cory Doctorow puts it, we may witness the eradication of DRM in our lifetime. And I will be following the developments closely and keep our readers updated.

For more details visit https://cis-india.org/a2k/blogs/us-copyright-law-faces-constitutional-challenge

Update on Publisher’s Copyright Infringement Suit Against Sci-Hub and LibGen in India

sinha — 2021-04-28T17:28:47Z

Anubha Sinha provides a summary of the progress of the copyright infringement suit against Sci-Hub and LibGen in India. This article was first published in InfoJustice on March 8, 2021.

This blog post is an update on the copyright infringement suit filed against Sci-Hub and LibGen in the Delhi High Court by Elsevier Ltd, Wiley India, and American Chemical Society.

In the first hearing in December, while the court ordered Sci-Hub to stop making new unauthorised uploads of the publishers’ content, it allowed the existing links to stay on, noting it was not urgent to remove content relating to decade-long infringing activity. LibGen did not appear before the court.

Indian science and academia realise that their right to research is at stake. In January, several Indian scientists and advocacy organisations applied to intervene in the case, to persuade the court to not issue an interim or permanent injunction for dynamic blocking of the websites.

One of the written submissions (filed by twenty scientists and a public health advocacy organisation) states that the two websites are the only access to educational and research materials for a big community of Indian researchers, scientists, teachers and students. And these have become indispensable during the pandemic.

This submission also highlights the position of leading science academies in the country – who in 2019 had advocated for making public-funded research openly accessible, as well as recognition of the affordability and availability problem in India’s current draft science, innovation, and technology policy. It shares analyses of the monopolistic barriers in academic publishing and extractive pricing, and their crippling impact in the Indian context.

They further argue that since the use of the websites is for research, which expressly falls within the ambit of statutory fair dealing, the charge of copyright infringement is not sustained. Nor have the publishers shown that Sci-Hub or LibGen users exploit the material for commercial gains. Additional legal support has been drawn from the DU photocopying judgment, Article 8(1) of the TRIPS Agreement, and jurisprudence around website-blocking in India.

In the hearing that followed, the judge noted that the issues in the case were ‘a matter of public importance’; hence, the court would hear all interested parties before issuing any new orders. LibGen still remained unrepresented, with the court noting that it had not been served properly yet.

At the time of writing this, Sci-Hub had filed its written statement (not publicly accessible yet). Alexandra Elbakyan has separately shared some thoughts on the case in an interview here.

Given the gamut of contentions, the case judgment will have implications for Indian copyright aspects such as: meaning of the statutory exemption for research and scope of fair dealing, and bar on circumventing technological protection measures – all while having to toe the WIPO Internet treaties, Berne Convention, and the TRIPS Agreement. Hopefully, these will be grounded in reflections on exploitative state of academic publishing system, duties of academic publishers, and distinction between piracy and sharing online.

The judgment will add to the state of our learning and research needs, and how copyright policy can support that, as this is the first time Sci-Hub and LibGen have been taken to court in a developing country.

Note: For an in-depth analysis of the social dimensions of the matter, please read this document prepared by Like-Minded IP Teachers’ Working Group on Intellectual Property and Public Interest.

Access the article on InfoJustice here.

For more details visit https://cis-india.org/a2k/blogs/update-on-publisher2019s-copyright-infringement-suit-against-sci-hub-and-libgen-in-india

Transcripts of Discussions at WIPO SCCR 25

smita — 2012-12-05T00:58:55Z

We are providing archival copies of the transcripts of the 25th session of the WIPO Standing Committee on Copyright and Related Rights, which is being held in Geneva from November 19, 2012 to November 23, 2012.

This is an unedited rough transcript of the discussions at SCCR 25 which is live-streamed and made available by WIPO at http://www.streamtext.net/player/carttranscript?Event=WIPO and http://www.streamtext.net/player?event=WIPO. We are hosting the live-streamed text for archival purposes:

WIPO SCCR 25 Day 1, November 19, 2012 (Full Text)
WIPO SCCR 25 Day 2, November 20, 2012 (Full Text)
WIPO SCCR 25 Day 3, November 21, 2012 (Full Text)
WIPO SCCR 25 Day 4, November 22, 2012 (Full Text)
WIPO SCCR 25 Day 5, November 23, 2012 (Full Text)

For more details visit https://cis-india.org/a2k/blogs/wipo-sccr25-discussions-transcripts

Transcripts of Discussions at WIPO SCCR 24

pranesh — 2012-07-31T12:35:43Z

We are providing archival copies of the transcripts of the 24th session of the WIPO Standing Committee on Copyright and Related Rights, which is being held in Geneva from July 16 to 25, 2012.

This is an unedited rough transcript of the discussions at SCCR 24, which is live-streamed and made available by WIPO at http://www.streamtext.net/player?event=WIPO. We are hosting the live-streamed text for archival purposes:

WIPO SCCR 24 Pre-lunch Text (July 19, 2012)
WIPO SCCR 24 Post-lunch Text (July 19, 2012)
WIPO SCCR 24 Pre-lunch Text (July 20, 2012)
WIPO SCCR 24 Post-lunch Text (July 20, 2012)
WIPO SCCR 24 Pre-lunch Text (July 23, 2012)
(There was no post-lunch plenary session on July 23, 2012)
WIPO SCCR 24 Pre-lunch Text (July 24, 2012)
WIPO SCCR 24 Post-lunch Text (July 24, 2012)
WIPO SCCR 24 Pre-lunch Text (July 25, 2012)
WIPO SCCR 24 Post-lunch Text (July 25, 2012)

For more details visit https://cis-india.org/a2k/wipo-sccr24-discussions-transcripts

Transcripts of Discussions at WIPO SCCR 27

nehaa — 2014-05-25T04:50:59Z

We are providing archival copies of the transcripts of the 27th session of the WIPO Standing Committee on Copyright and Related Rights, which is being held in Geneva from April 28, 2014 to May 2, 2014.

Note: This is an unedited transcript of the discussions at SCCR 27. We are hosting the text for archival purposes:

Day 1: April 28, 2014:

Day 2: April 29, 2014:

Day 3: April 30, 2014

Day 4: May 1, 2014

Day 5: May 2, 2014

Click for WIPO Signing Ceremony for Marrakesh Treaty

For more details visit https://cis-india.org/a2k/blogs/wipo-sccr-27-discussions-transcripts

To embed a tweet or not?

praskrishna — 2016-09-23T01:08:13Z

Experts say it would amount to copyright infringement if the fair use clause is exploited.

The article by Vidhi Choudhary was published by Livemint on September 23, 2016. Vidhushi Marda was quoted.

On 20 September, a user on Twitter put out details of her intriguing conversation with the driver of a leading cab hailing service that she had used. Simply put, their conversation led to the revelation of a possible scam with a direct competitor of the said cab service.

The subject of the detailed chat easily had the makings of an investigative story and, therefore, a digital news website in India reproduced the string of tweets put out by the user in the form of a story on its platform.

This was done without her consent and hence the user asked the digital platform to take that story down.

In the light of this episode, let’s take a look at the laws governing such a situation. The question is, does the use of the tweet by the digital news website amount to copyright infringement or not? Or, whether Twitter is liable or not?

As it turns out, Twitter has a safety net within the terms of service that a user must agree to before they sign up onto the platform. A company spokesperson confirmed that Twitter was not liable if a user’s Tweet is used by someone else. “On the issue of consent, one (individual/organization) needs to take consent from the other user before using his\her tweets,” the spokesperson said.

Media lawyer Apar Gupta agreed and said that Twitter’s terms of service clearly state a clause in favour of the platform which means it is not legally liable in the above mentioned situation. “They have a worldwide, irrevocable license to publish content on their platform, which is also provided for third party affiliates,” said Gupta.

The next question is whether a user’s tweet published by someone else amounts to copyright infringement.

“The law that’s applicable in such a situation is the Copyright Act. For the purpose of reportage you can path your use within the fair dealing section (52) of the Copyright Act. Secondly, if the content used was a work of literary nature and creative, it would be up for copyright protection, just a mere Twitter rant or factual statements might not be that plausible,” said Anubha Sinha, program officer, at Centre for Internet and Society (CIS).

Both Gupta and Sinha agreed that the ownership of the tweet rests with the user and only the user. “It would amount to copyright infringement if the fair use clause is exploited,” said Gupta.

To be sure, globally, too, media has been grappling with the issue. In a September 2013 article published on leading media platform, Poynter stated, “The legal rights to re-use content really only extend to Twitter, its official partners and anyone pulling tweet data through the Twitter API. So if you embed a tweet using the official Twitter-provided embed code, you should be fine. However, if you just copy and paste the text of a bunch of tweets, or download a Twitter photo and upload it to your own CMS, you may be on shakier ground. The “fair use” exceptions to copyright may still protect you depending on the circumstances, but you might have to prove it.”

For more details visit https://cis-india.org/a2k/news/livemint-september-23-2016-vidhi-choudhary-to-embed-a-tweet-or-not

Thomas Abraham's Rebuttal on Parallel Importation

pranesh — 2011-08-04T04:47:12Z

We engaged in an e-mail conversation with Thomas Abraham, the managing director of Hachette India, on the issue of parallel importation of books into India. We thought it would be in the public interest to publish a substantive part of that conversation. In this post he points at great length how our arguments are faulty. While we still believe that he doesn't succeed, we hope this will clarify matters a bit.

Nature of disagreement

There is essentially fundamental disagreement on principle and definition-and I guess there will always be if you knock actual knowledge and see things as abstract philosophical (and legal) points. Why I think detailed knowledge is necessary is precisely illustrated at the logic (or lack thereof actually) employed by the Ministry. And then there is to me the fundamental problem of disregarding the author's wishes (for no greater good).

Second hand books and libraries

The comparison is not the same. Both (second-hand and libraries) have had a first sale where the copyright holder has got his/her basic right-the designated royalty. (I have explained earlier how export royalties and remainder royalties are much lower and results in losses to the author.) So here we come back to the basic philosophy-who has greater right on deciding on creative works? The creator or the government? A just answer would be the creator provided commercial dissemination fulfilled society's needs-which in India's case would be availability and right pricing keeping in mind socio-economic needs. Both are happening through local publishing and pricing of imports. But parallel imports would take away that right an author has of deriving a rightful income as per existing norms in all mature markets (including India so far). We are heading towards being a mature market and this has come about only because we are in the self-perpetuating framework of publishing, writing, and cultural development.

So the argument is that second hand books and libraries foster reading without depriving the author of rightful royalty or ruining the market.

Parallel importation does both. There is every reason to know that this will happen-that's exactly the substantiation we are offering. And the advocates of parallel importation have none to offer-pricing (where is it high, and by how much should it come down?), what is not freely available and at special prices? So for what reason do we want the existing law-also made by lawmakers-to change the stated remit of exhaustion from national to international.

No book publisher objects to libraries or even second hand books. But they are objecting to parallel importation. So leave it to them to decide. It is a tad patronizing to tell us what will help us, without having a shred of actual knowledge.

Helping libraries and disabled

This is completely false. No library needs to import from Amazon. And if it is a public library then they are wasting taxpayer money. Almost any book in the world they will still get at a special price through Indian publishers or distributors. There are societies for the disabled to whom publishers give rights at almost no cost. The UK has a law that a copy must be made available at near cost for disabled. By all means have such a law here. Why try and use parallel importation as an excuse for this?

Flexibility in the law

To your point: "Even if prices don't fall, it is good to have the flexibility for libraries to import four copies of a book that students need and isn't being made available in India. That flexibility is crucial, for availability, and just on principle, and not just for the sake of prices". By all means pass the law that gives the libraries the right to import 5 copies of any book they want. Publishers won't gripe at that. Libraries would still get it cheaper here than Amazon but that's the libraries' call.

Law should promote fairness and equity, not perpetuate a particular business model

No disagreement here. But the contention is that it will result in exactly the opposite. Sure, so let the lawmakers demonstrate they have done due diligence and outline evidence for their assumptions and how it will promote fairness and equity. What is unfair right now and what is not equitable? And how this law will address that. Why do other markets have it, and why should we not? On no count is there any detailing-just three false assumptions-availability, pricing and current editions.

Equally one can't have the law being made the proverbial ass because the lawmakers won't do their homework.

Export and remainder royalties are lower

I explained export vs domestic royalties in my first rebuttal. Not just remainders. Remainders are near zero royalties. Export surplus even pre-remainders are low royalty-against the author's wishes. And parallel importation will result in further loss of royalties from loss of sales of the hitherto legitimate edition.

Why anti-dumping laws will not be practical

Firstly there will be 40,000-plus titles to track, and the damage would have been done by the time you invoke the law. And assuming we want to invoke anti-dumping law, what parameters will be fixed? what discount are you going to fix? What quantity? I'll explain why this will never work. There are no real averages to draw lines and say this much and no more for either discount or price or quantity. To understand why we need to understand cost to price structures. Indian publishing (both publishing and imports) is low margin. Our books are priced to market; that means from cost our mark up is 2.5 times for imports and about 3-4 on average for local publishing-to enable the prices you see. Abroad it is 8-10 times from cost. To enable low pricing in India, we already have overseas terms that exceed 70% discounts, going into 'net pricing' for the ones that we pick to push big. Once the market is opened up, you will have two things-(a) targeted remainders as against the minor trickle now and (b) surplus clearance or even targeted sale to undercut the existing lawful edition. And I repeat the point that these remainders and 'targeted exports' can still end up undercutting the local edition. Not significantly enough to cause a change in pricing pattern (no benefit to consumer), but enough to undermine existing industry structures.

And yes, parallel importation (the current trickle) does see enforcement the logical way (by which I mean that the intensity of the problem merits the level of redressal). So far (believe me, each of us keeps tabs) we have 'unaware imports' and 'deliberate imports'. It is an irritant but is gradually reducing as the market matures. And the unaware ones are easily remedied by a simple letter asking for infringing stock to be withdrawn. In fact 8 out of 10 cases this simple letter works. For the deliberate ones, as I said earlier, it's just one or two where the impact is not worth the cost. Our margins do not allow us to hire expensive lawyers. But the moment it touches key brands or high revenue, legal action is taken.

Market expansion

Again the inherent assumption that this is some 'fat cat' lobbying protest. For once the lawmakers need to apply themselves-why is everybody from Penguin & Hachette (biggest) to Zubaan and Yatra (amongst smallest) all opposing it? Similarly from Crossword (large chain) to 'The Bookshop' in Jor Bagh (small independent), nobody wants this. Why? Surely that must speak for something? The only ones it will benefit are the remainder stalls you see (of which there must be about 25-30 all over the country). But over time every bookshop will be forced to keep this kind of stocking eroding current shelf space (they will have no choice). This is not market expansion.

Pricing drop

The other thing being ignored is that it's not just short term spoiler pricing. When one thinks in purely theoretical terms and says "open up, prices will drop", one is also not factoring in that the composition of what is stocked will changed. It's no longer status quo at reduced prices. That's the key to a mature market, that what the market needs is available-from bestsellers to literary works to philosophical works-balancing commercial and cultural needs and at prices the market can afford. So sure we can sit back and say we don't care if the history and philosophy shelves are eroded, if local publishing shrinks, let market forces prevail and let there be just foreign mass market novels and old editions (which will flow in by the thousand). But I'd like to hear the government say that.

Not just about copyrighted books but about all copyrighted materials

Yes, and we're not commenting about the others (other materials, i.e.) because we do not know enough. But we cannot have one size fits all if there are legitimate grounds to think about otherwise. Why is there a redressal of authors' needs in the music and film industry and a total disregard of books? Why were there panels created to discuss and thresh the whole thing through for films, and no detailed consultation at all for the books industry?

For more details visit https://cis-india.org/a2k/blogs/parallel-importation-rebuttal

The Work of Art in the Age of Mechanical Injunctions

Lawrence Liang — 2012-06-15T13:56:16Z

The same ‘Ashok Kumar,' now restrained from infringing the copyright of the film, ‘3,' helped its signature song, ‘ Kolaveri,' go viral by downloading and copying it without any restraints, writes Lawrence Liang in this Op-ed published in the Hindu on May 23, 2012.

The internet has been abuzz with news of all major Internet Service Providers (ISP) in India blocking popular websites like Piratebay, Vimeo, Dailymotion and Pastebin pursuant to a Madras High Court order issued in response to a petition by the makers of the Tamil movie, 3. For those who don't know, this is the film which features the song, “Kolaveri,” whose viral journey around the world was celebrated by virtually everyone, including the film-makers.

There are a number of unanswered questions about the validity of this, including whether the Department of Telecom was entitled to ask for sites to be blocked on the basis of the order and how the ISPs chose these particular websites since the order itself does not mention any particular website. This is not to mention the larger question of how the last 10 years have seen the dubious rise of John Doe orders as a pre-emptive measure against copyright infringement.

For those unfamiliar with John Doe orders, they are ex parte injunctions ordered against unknown persons.

Just to put this in context, ex parte injunctions are not the easiest things to obtain since they are based on the denial of another person's right to be heard. So even for cases of violence against women, getting an ex parte restraining order is not easy. In contrast, in the last decade we have seen the ease with which one can obtain these orders for copyright infringement cases.

High Court order

A number of legal innovations in the realm of injunctions have been developed to tackle the problem of anonymity in this domain. The three specific tools that have been used include

Ex parte injunctions (injunctions that are granted even without hearing the other party).

John Doe Orders (issued against anonymous offenders; e.g. Mirabhai Films got a John Doe Order against all cable operators before the release of “Monsoon Wedding”).

Anton Piller Orders (Search and seizure orders) including breaking down doors of shops which are closed.

But for the moment I want to focus on the fascinating High Court order itself and its incarnation of an unknown Indian person, Ashok Kumar, as well as the spectral fear of the copy.

The order names 20 respondents. Of these, the first 15 include all the major ISPs (BSNL, MTNL, Airtel, Tata, Reliance, etc) and respondents Nos.16 to 20 are Ashok Kumar, unknown person.

I am not sure why there are four Ashok Kumars when one would have done the trick. Is it a bug in the matrix? Are Nos.17 to 20 merely the pirated versions of respondent no.16? Could it be a viral infection from within the film and its well known song, which also has a habit of repeating itself (“Why this kolaveri kolaveri kolaveri kolaveri di?”).

The order basically says that M/s Fifteen Majors ISPs and Mr. Ashok Kumar, Ashok Kumar, Ashok Kumar, Ashok Kumar and Ashok Kumar should not infringe the copyright of the film “3.”

It is ordered that

the respondents/defendants herein, and other unknown persons by themselves, their partners/proprietor, heirs, representatives, successors in business, assigns, distributors, agents or anyone claiming through them be and are hereby restrained by order of interim injunction until further orders of this court from, in any manner infringing the applicants copyright in the cinematographic films/motion picture “3” by copying, recording, reproducing or allowing camcording or communication or allowing others to communicate to making available or distributing or duplicating or releasing or showing or uploading or downloading or exhibiting or playing in or in any manner communication in any manner without a proper license form the applicant or in any manner that would violate/infringe the applicants copyright in the said cinematograph film “3” through different mediums including CD, DVD, Blu-Ray disc, VCD, Cable TV, Direct to home services, internet services, multimedia messaging services, pen drives, hard drives, tapes, conditional access systems or in any other like manner whatsoever

So in addition to the unknown Ashok Kumar, we have the addition of other unknown persons (Kishore, Rajesh, Anup evam Indrajit?), their heirs, agents, representatives, etc of these unknown persons. This is followed by a list of prohibited acts (copying, uploading, downloading) through a set of prohibited objects (hard drives, pen drives, DVDs, etc).

This straightforward assault on the everyday passion that people invest in cinema and music is intriguing if not all that surprising in the history of copyright infringement.

Microsoft case

Companies have regularly benefited from the passionate investment of viewers, spectators and users in their goods before taking out their copyright sledge hammer to control the indisciplined passions of the same users and viewers. Consider for instance the fact that Microsoft did not enforce their copyright over illegal copies of their Operating System or products such as Microsoft Office for years (despite being one of the “best” software companies in the world). They only started enforcing their copyright when there was enough of a mass market that had been created and a lock-in secured for their goods. Learning a software includes a huge investment of time and effort on the part of users and, unlike toothpaste, cannot be changed overnight.

In the same way “kolaveri” became what it is because of M/s Ashok Kumar, Ashok Kumar, Ashok Kumar, Ashok Kumar and Ashok Kumar copying, communicating, uploading, downloading, modifying and distributing over the internet, through CDs, hard drives and pen drives, the song and all its hundred variations. This wasn't just a catchy song going viral but an attitude going global. Fan clubs in South India have been marked by the excess investment that they make in stars and in films, an excess that moves between the monetary economy of box office hits and profits on the one hand and the libidinal economy of love, passion and enthusiasm on the other.

For owners of copyright, an ideal world would be one where you could control one through the control of the other. So one benefits from all the passion of fans and enthusiasts even as one hopes that this will convert into mass hysteria at the box office. But there is that little thing about having one's cake and eating it too.

The copy which promised abundance but then threatens to eat into the film-makers profits seems to parallel the larger movement of the word copy, whose etymological roots in copia (“plenty”) moves in English from an original sense of “abundance” to the more recent sense of derivativeness. It passes, thereby, from a sense of plenty to a sense of scarcity.

Apart from the questionable logic of the film-makers turning fans and enthusiasts against their own film, what we probably need to do for the future is to think of how the investment of “excessive energy” allows us to make claims of ownership and limit the hackneyed argument of a film being the private property of the film-maker. This is a domain which necessarily takes us away from the usual focus either on the language of rights or even the language of openness and what we need is a Political language of Passion and Enthusiasm which can supplement the existing languages of denial and access. The excessive response of the film-makers in securing this order and in the blocking of the websites is plainly disrespectful of the excess that they thrived on just a few months ago.

The absolute ignorance and arrogance of the film-makers in trying to secure a ban on these websites shows their blindness to the way that the internet works. Imagine a Facebook without faces, a YouTube without uploaders, and Twitter without tweeters. It is said that Kafka came across a reference to a cinema for the blind in Prague, and he was intrigued by it and came to believe that all cinemas should be called The Cinema of the Blind, because their flickering images blind people to reality. What we have with the Ashok Kumar order is perhaps the inauguration of the cinema of visionless film-makers because their flickering profits blind them to reality.

(Lawrence Liang is a lawyer and researcher based at Alternative Law Forum, Bangalore. He can be contacted at lawrence@altlawforum.org)

Click to read the original in the Hindu.

For more details visit https://cis-india.org/a2k/work-of-art-in-age-of-mechanical-injunctions

The Law and Economics of Copyright Users Rights

praskrishna — 2013-09-06T06:25:35Z

Program on Information Justice and Intellectual Property, American University Washington College of Law is organizing a conference on law and economics of copyright users at Massachusetts Ave., NW, Washington DC, on September 26, 2013. Sunil Abraham will present an update on the Pervasive Technologies project as keynote at this meeting.

Click to read the original announcement published by the Washington College of Law here.

2:00	Welcome by PIJIP Director Michael Carroll
2:15	Copyright Flexibilities and Social and Economic Development: Current State of Knowledge Moderator: Walter Park, American University Department of Economics (Bio) Christian Handke, Erasmus University Rotterdam (Bio) Joost Poort, University of Amersterdam (Bio) Piotr Stryszowski, Organisation for Economic Cooperation and Development (Bio) Rokia Alavi, International Islamic University of Malaysia (C.V.)
4:00	Break
4:15	Roundtable: Copyright Users Rights in Law Reform Moderator: Sean Flynn, American University Washington College of Law Jeremy Debeer, University of Ottawa, Canada (Bio) Rebecca Giblin, Monash University, Australia (Bio) Caroline Ncube, University of Cape Town, South Africa (Bio) Alberto Cerda, Georgetown University and Universidad de Chile (Bio) Martin Senftleben, University of Amsterdam (Bio)
6:00	Break
6:15	Keynote: Sunil Abraham, Center for the Internet and Society – India (Bio) Users Rights and Innovation in the ICT Industries in India
7:00	Reception (Room 600)

For more details visit https://cis-india.org/news/pijip-september-26-2013-the-law-and-economics-of-copyright-users-rights

The International Copyright System and Access to Education: Challenges, New Access Models and Prospects for New Principles

praskrishna — 2012-06-01T04:29:36Z

This event organised by Max Planck Institute was held in Munich, Germany on May 14 and 15, 2012. Pranesh Prakash participated in this event.

List of Participants

Name	Affiliation
Mr. Olatunji Babatunde Adetula	Director, Nigerian Copyright Commission
Prof. Olufunmilayo Arewa	African University for Science and Technology & University of California School of Law, Irvine
Prof. Michael W. Carroll	Professor of Law, Director, Program on Information Justice and Intellectual Property, American University, Washington College of Law
Mr. Alberto Cerda Silva	S.J.D. Candidate Georgetown University Law Center, Research Associate,Knowledge Ecology International
Ms. Vera Franz	Senior Program Manager Open Society Information Program Open Society Foundations
Prof. Christophe Geiger	Associate Professor Director General Director of the Research Department CEIPI, Université de Strasbourg
Prof. Daniel Gervais	FedEx Research Professor of Law Co-Director, Vanderbilt Intellectual Property Program Vanderbilt University Law School
Ms. Cristiana Gonzalez	Senior Researcher Universidade de São Paulo
Ms. Teresa Hackett	Programme Manager EIFL
Prof. Dr. Reto M. Hilty	Managing Director Full Professor ad personam at the University of Zurich Honorary Professor at the University of Munich Max Planck Institute
Dr. Zorina Khan	Professor Department of Economics Bowdoin College
Dr. Kaya Köklü	Senior Research Fellow Intellectual Property and Competition Law Max Planck Institute
Ms. Eniko Kovacs	Program Manager Academic Fellowship Program, HESP Open Society Foundations
Mr. Ahmed Abdel Latif	Intellectual Property and Technology Senior Programme Manager International Centre for Trade and Sustainable Development
Ms. Mayara Nascimento Santos Leal	Division of Intellectual Property Economic Department Ministry of External Relations, Brazil
Prof. Lydia Loren	Professor of Law Kay Kitagawa & Andy Johnson-Laird IP Faculty Scholar Lewis & Clark Law School
Ms. Viviana Munoz Tellez	Programme Officer, IAKP The South Centre
Prof. Ruth Okediji	William L. Prosser Professor of Law University of Minnesota Law School
Mr. Pranesh Prakash	Programme Manager The Center for Internet and Society
Mr. G.R. Raghavender	Registrar of Copyrights & Director (BP & CR) Copyright Office Government of India, Department of Higher Education, Ministry of Human Resources Development
Prof. Jerome H. Reichman	Bunyan S. Womble Professor of Law Duke University Law School
Dr. Manon Ress	Director of Information Society Projects Knowledge Ecology International
Ms. Carolina Rossini	Senior Fellow at GPOPAI, University of Sao Paulo
Dr. Susan Strba	Expert and Author, Copyright L&Es for Education in Africa
Mr. Luis Villaroel Villalon	Director de Investigación Corporación Innovarte
Dr. Moktar Warida	First Secretary, Permanent Mission of the Arab Republic of Egypt to the United Nations
Ms. Raquel Xalabarder Plantada	Director, Learning Resources Vice President’s Office, Faculty and Academic Organization Open University of Catalonia

Workshop Associates

Name	Affiliation
Lindsey Niznik	Senior, University of Minnesota
Peju Solarin	Doctoral Candidate International Max Planck Research School on Retaliation, Mediation, and Punishment, Max Planck Institute

See the original here

For more details visit https://cis-india.org/news/workshop-on-education-and-copyright