Centre for Internet and Society

Public Accountability

nishant — 2008-09-22T08:02:06Z

For more details visit https://cis-india.org/about/substantive-areas/public-accountability

New Pedagogies

nishant — 2008-09-22T08:03:36Z

For more details visit https://cis-india.org/about/substantive-areas/new-pedagogies

Contact Us

nishant — 2013-01-30T10:38:18Z

Postal Address:

The Centre for Internet and Society
No. 194, 2nd 'C' Cross,
Domlur 2nd Stage
Bangalore 560 071

Phone: +91 80 40926283
Telefax: +91 80 25350955

If you want to get in touch with specific people:

For Advocacy: Sunil Abraham (Executive Director)
Email: sunil@cis-india.org
Phone: +919611100817

For Access to Knowledge, Openness, Internet Governance and Freedom of Speech: Pranesh Prakash (Policy Director)
Email: pranesh@cis-india.org
Phone: +919916158217

For Accessibility for Persons with Disabilities, and Telecom: Nirmita Narasimhan (Policy Director)
Email: nirmita@cis-india.org
Phone: +918040926283

For Research: Nishant Shah (Director - Research)
Email: nishant@cis-india.org
Phone: +919740074884

For more details visit https://cis-india.org/about/contact/contact-us

Contact Us

nishant — 2011-12-04T15:25:31Z

For more details visit https://cis-india.org/about/contact

Digital Native: Narendra Modi’s interview by Akshay Kumar is a PR masterpiece

nishant — 2019-06-09T03:20:27Z

How to spot the influencer in your politics.

The article by Nishant Shah was published in Indian Express on May 5, 2019.

Your digital age can easily be measured by one simple concept: the influencer. In descending order of age, there are people who have no idea what it means, those who roll their eyes at the word, those who have friends who are influencers, those who are, or think of themselves as, influencers. Despite studying and following (and sheepishly trying to imitate) influencers on social media, I still find it difficult to explain lucidly who exactly an influencer is, and what it is that she does.

An influencer is a person who has many followers on social media and they influence the behaviour of these followers. They are not celebrities who influence others, but they are celebrities because they can influence others. They are not famous like traditional stars, but they are stars because so many people listen to them. They are famous for being famous, but, more importantly, they are famous as themselves — as authentic, genuine, real people who you like, and, hence, listen to. So great is the influencer phenomenon that celebrities are now adopting the genre.

The best example of this is the video interview of Prime Minister Narendra Modi by Bollywood star Akshay Kumar. Modi, who is looking to repeat his historic electoral victory of 2014, is right now undeniably the biggest political figure of our times. His promises of development, politics of resilience, and affinity for controversial alliances make him not only an extraordinary figure in India, but also stitches him into a larger global shift towards conservative populism.

Akshay Kumar, while he might not be one of the Khans, has emerged as the “common man’s hero”, especially since his last few films have focused on a persistent, if ham-handed, social messaging about critical questions of infrastructure, gender and family in the Indian psyche. So much so, that many critics had speculated if Akshay Kumar was prepping to run for elections, following in the grand tradition of many cinema stars who crossed over from the silver screen to politics.

Individually, and together, Modi and Kumar are two larger-than-life celebrities. And yet, when they came together for an interview, which was historical for several reasons — it emerged in the middle of the elections in the country and it was streamed across digital and TV platforms — they did not talk about their respective renown, portfolios or messages. Instead, they staged an “apolitical” interview, during the course of which we learned about Modi’s preference for Gujarati mangoes and ascetic discipline, and realised that the credit for Kumar’s success has to go to his directors, if this is his repertoire of acting skills.

Or, in other words, these two celebrities came together to make an influencer video — where the banal, the everyday, and the casual are used to create subtle messaging that shapes and nudges the behaviour and taste of the networked user, who is consuming the long interview as an act of eavesdropping on two regular people. This influencer aesthetic is particularly different from the gossipy antics of producer-director Karan Johar, with his obviously celebrity friends who joke about nepotism and laugh about how, when you are a star, they let you get away with anything.

This video might be a PR masterpiece, not because it fills up the vacuum that the delayed release of Modi’s fictional biopic had created, but because in a politically saturated environment, it chose to be airy, fluffy and chatty, thus deescalating the tense atmosphere that surrounds this current election.

We might find it difficult to follow Modi the leader, but Narendra Modi the everyday man, who decided to step up and serve his country, is hard to fault. This video saw NaMo and Akki taking the influencer aesthetic to shape the political message that amplifies Modi as our leader.

In the meantime, the Opposition leaders in Congress, who desperately need a digital strategist team, did exactly the one thing they should have avoided — they took the bait of the video and went around shouting against it, thus driving more people to watch it, and giving them a chance to overcome their political preferences and relate to Modi as a human being. The Opposition strategy led to a Streisand effect, where the more they negated and critiqued, the more the video went viral, and, in an election that is already poised on a hair’s breadth, it might not be a surprise if the final vote shall be won, not by celebrity endorsements, but by influencer virality.

Nishant Shah is a professor of new media and the co-founder of The Centre for Internet & Society, Bengaluru. This article appeared in print with the headline ‘Digital Native: Two Good Men’

For more details visit https://cis-india.org/raw/nishant-shah-indian-express-may-5-2019-digital-native-narendra-modi-interview-by-akshay-kumar-is-pr-masterpiece

Digital Native: In digiville attention is Currency

nishant — 2017-07-05T16:40:52Z

The increased importance on attention and the lack of it on social media gives all the more reason why we need to be discerning about what we invest our attention upon.

The article was published in the Indian Express on June 11, 2017.

We’ve grown to the idea that the digital is dangerously fast. We are now used to instant delivery of services, immediate streaming of programmes, and having a coterie of people available to us at a click and a scroll. The globe has shrunk, the world has flattened, and we live on a planet that is essentially a giant super-computer enveloped in information and data streams. There is much to celebrate about the light-speed traffic of digital networks, where the gap between yesterday and tomorrow is so small, that there is no more today left to live in.

Our quickly accelerated lives get closer and closer to the science-fiction reality that our fantasies had once imagined. People get connected in ways they had never imagined, and our social and personal lives experience dramatic upheavals that might have filled lifetimes in other epochs. While these transformations are surrounding us, and the digital fulfils the promises it had kept, it is time to realise that not all is well in digiville. Because, sure, the digital circuits give us access to unprecedented information and give us a window into bedrooms far away from home, but they also lead to triggers that were never possible.

Last week, for instance, a large part of the world was frantically looking for the meaning of “covfefe”, after the Twitter-happy president of the USA decided that the world was ready for that word. Twitter went berserk, with conspiracy theories of what “covfefe” could mean, and the social web was exploding with much hilarity at the cost of the president. At the same time, the algorithms that govern the empires of Google Search, were being confounded by the fact that all the Indians, who have been quite prominent in their quest for digital porn, had suddenly changed their preferences and were really into “peacock sex”. Following the misguidedly strange proclamations of the judge from Rajasthan who desexualised the peacocks and cast a blemish on their records, hordes of people spent their time talking about the sex lives of peacocks.

Both of these incidents, moments of great levity and mirth, are symptomatic of the reactive space that the web has become. The hashtags trended. Memes were created. YouTube suddenly got flooded with peacock-mating videos — don’t just take my word for it, seriously, go and search for them! — and the tweets went viral. If we were to quantify the time that was spent globally and locally, reacting to what can only be seen as the ramblings of ignorant demagogues; while it does reflect the democratic potentials of the digital web, it also shows how trigger-happy we’ve become in our interaction with information.

In the digital web, attention is currency. The more time, clicks, scrolls, likes and shares a digital object accrues, the more valuable it becomes. So much so, that completely insignificant items can thus assume dramatic proportions and people who have nothing more to offer than their ability to garner attention, can become celebrities. Incidentally, there is algorithmic science behind it. There is a reason why not all the rubbish that goes online becomes virally distributed. The human actors — the people who follow you — and the influence they create, form a small part of why some things get attention. The real influencers, in this case, are actually networked algorithms.

The network is not just a benign connection of nodes. It is a self-sustaining system that is designed for circulation. The network has its meaning and its lifeness only in its capacity to circulate data. The minute algorithms notice some information gathering interest, they start spreading it to even more avenues. As the information spreads and leaks into different spaces, more people like it — and the more people like it, the more it becomes subject to rapid circulation. This avalanche of attention that networks deposit on some information allows for these viral objects to emerge as significant, becoming time sinks where we all spend our time responding to them, without giving us a space of reflection or critical distance.

This same phenomenon creates uncivil, arrogant and boorish media personalities into celebrities. This is why fake news has become a naturalised phenomenon, where what is missing, is not our ability to discern between good and bad information, but the fact that most of this information comes with the endorsement of thousands of likes and millions of views, which gives it credibility even when it has no claims to truth. The rapid nature of our responsive digital lives needs to be questioned. While it is obvious that in the constantly updated data streams, momentary and micro engagements is the only survival mechanism that we have to cope with information overload, it is important that we check ourselves to make sure that the attention that we are spending is bestowed on objects and ideas that might be more worthy than peacocks having covfefes.

For more details visit https://cis-india.org/raw/indian-express-nishant-shah-june-11-2017-digital-native-in-digiville-attention-is-currency

Digital native: Not only words

nishant — 2017-08-07T15:33:20Z

The article was published in the Indian Express on July 16, 2017.

Emoticons, or if you prefer the original Japanese word emojis, are everywhere. We are used to emoticons in all shapes and sizes — from animated gifs jumping out at us on our social media feed to yellow-faced smileys that we use to add tone and feeling, nuance and layers to our text-heavy conversations in the digital world. For many of the current users of digital communication, emoticons are pre-defined pictures that they select from a menu that gives them access to add a wink, a nod, a smiling or sad face to their messages. However, there are power users who, I am sure, still remember the times when emoticons were things that you created.

Before the emergence of the Graphical User Interface (GUI) that turned the computer into a box of cuteness, turning all of us into eternal children playing with the friendly faces of the digital platforms, the digital world was flat and largely textual. Emoticons were first proposed in 1982 to take away the density and the unforgiving monotone of text-based conversations on digital platforms. From that first proposal of a : ) and : ( sign to indicate the mood of a text, emoticons have had a fascinating history of evolution. Following the proposal of the basic emoticons by Scott Fahlman, a variety of early adopters of the web came up with a wide range of options. The smiley became a grin with : D and the sad face was made to weep with : ‘ (. The face became mischievous and winked with a ;) and swooned in love with a <3. It became silly with its tongue poking out :p and sprouted devil horns to show its inherent wickedness with >:D.

Early users will remember how, from that first explosion, the emoticons grew into forming extremely intricate art forms. In the world of text-based virtual realities, the shrugging emoticon was my constant companion when giving up on futile internet arguments : ¯\_(?)_/¯ . From there, we were only one step away from complex ASCII (American Standard Code for Information Interchange) art forms that made punctuation and critical marks the new tools for emerging artists to play with. The ASCII characters were keyboard symbols, letters and numbers mixed together to produce images ranging from flowers and animals to the globe and human bodies. In fact, ASCII became such a huge rage that there were special forums where people submitted their ASCII art. Even though we have now achieved high visual fidelity with our powerful computing devices, the ASCII messages still continue on our WhatsApp groups and discussion forums. So that we still tell people we love them in ASCII

(¯`v´¯)
`·.¸.·´ I Love
¸.·´¸.·´¨) ¸.·*¨)
(¸.·´ (¸.·´ .·´ You… or pledge friendship in punctuation
(‘,’)/\(‘,’)
<) )—( (>
_\\__//_

One of the lesser known histories of emoticons and ASCII, however, has been forgotten in the gentrified, cute and commodified mass produced usage that we have put them to. In many cultures and spaces in those early days of the web, emoticons were also ways of resisting censorship and circumventing supervision. As the web became more open and more people started signing up for digital conversations, there was also an increase in the monitoring and surveillance of things online. In more conservative cultures, there were immediate bans on conversations that were considered pornographic or obscene. In stricter work places, the system administrators were trying to filter messages which might have certain words or images in their content. ASCII and emoticons came to the rescue, because, using these characters which the computer only read as punctuation marks without content, people were able to communicate sexual content without the fear of censorship.

In the late ’90s, there were graphic and explicit ASCII images that were circulated, so that the content filters would not detect them, and, using just the characters, the earliest internet porn, or Pr0n as it was tagged, came into being. The emoticon-filled messages were not just about nodding and winking at each other but also a way for people to question authority and to find new modes of expression. Since those days of subversion, emoticons have come a long way, becoming appropriated in our everyday practice — they have been tamed and made mainstream.

I am sure that the ubiquity of the emoticons produces a sense of irritation sometimes, and you want to send a slapping emoticon when you find a work email with a smiley face at the end. But before you announce the death of the emoticon, you might want to know that digital natives are experimenting with the radical power of these emoticons. They are developing an entirely new language filled with exploding bananas, pulsating aubergines, peeking monkeys, dancing unicorns, and victorious roosters to communicate in ways that are not accessible to the parents, teachers and authority figures around them. The repurposing of emoticons by young users to chat, express, flirt, tease and engage with each other in ways that defy all conventional sense. I find this fascinating because it gives me hope that the web is not going to just produce all users as cheap copies of each other.

For more details visit https://cis-india.org/raw/indian-express-nishant-shah-july-16-2017-digital-native-not-only-words

Digital native: Ever on the go

nishant — 2017-08-07T15:54:46Z

It is time to insist that the infrastructure of digital India is accompanied by the infrastructure of care for the digital Indian.When the telephone was first introduced as a mass communication tool, one of the biggest fears was that it would allow people to lie and cheat at will.

The article was published in the Indian Express on July 30, 2017.

The social fabric of existence till then, was built on the idea that communication happens between two people who are in close proximity of each other, and thus, are careful of what they say, because there can be immediate consequences to their words. Editorials were written and codes were established trying to figure out how we will deal with this increased distance. When mobile phones came into the market, these fears were intensified. Because, the telephone, at least, had the individual tied to a location and fixed in a particular context. Whereas the mobile phone meant that you could be anywhere and lie about it.

In her hilarious book on modern day etiquette, Talk to the Hand, Lynn Truss describes how she spent hours in public spaces eavesdropping on people, hoping to catch them in the middle of spectacular lying. She was disappointed when people on the train, when called by their partners and bosses, honestly confessed that they were, indeed, aboard a train. In the hours spent lurking in public spaces, never once did she uncover a juicy story of somebody sitting in a park and trying to convince somebody else that they were in the middle of work on a hectic day. Disappointed as she was by the lack of imagination shown by her fellow human beings, Truss does remind us that this new condition of being mobile because we have a mobile phone is one of the most liberating moments of digital telecommunications. And, largely, it is true — our everyday communication now no longer takes for granted that we could know where people are when we are talking to them. Ubiquitous mobile coverage and ever-ready connections mean that we could be interrupting people in their most intimate moments — of making love or doing the morning needful in the loo, or, we could be reaching out to them in moments of such extreme boredom, that they have started tweeting back at celebrities in the hope of making a human connection.

This mobility has been celebrated as a part of our digital make up. Especially with high speed mobile data and almost a seamless access to the web, we now seem to think of this distributed and fragmented nature of our being as the new real. Conversations on apps like WhatsApp continue across spaces and time zones almost seamlessly. Our physical and contextual locations change rapidly even in the course of just one Twitter war. With streaming services like Netflix offering multi-device access to our favourite shows, binge watching is not just limited to the favourite couch at home. A series that starts on the laptop at home, might continue on the phone as we walk down to the cab or train, and then shift to the tablet as we switch from device to device.

Mobility has become such a celebrated way of life that we now presume that, to be truly digital, we have to be truly mobile — the figure of the millennial digital native as the global citizen who navigates geographies, cultures, distances and time easily has emerged as the face of the digital. In our quest for mobile information, we have also created ourselves as mobile people. Mobility is now equated with flexibility and is an increasing skill that is required in new workforces. Mobility is rewarded and also incentivised by the labour markets that are supported by gig economies like Uber. The mobile body in its interaction with the mobile devices is the new normal.

And yet, it is good to remember that the mobility we see as natural and desirable is a condition of privilege. The mobile phone might have penetrated the last mile in developing countries but it does not guarantee meaningful access or inclusion of large parts of underprivileged communities in the mobility networks. Even as new digital competition lowers the threshold of access and affordability, it is good to remember that having a mobile and being mobile are not the same thing. We are slowly witnessing different kinds of users beginning to get onto mobile networks, but their connectivity is always going to be undermined — the mobility expected from the mobile bearing bodies can be afforded only by those who can calibrate lives without the established social safety nets of static living. A mobile life is a migrant life which has uprooted individuals from families, communities and contexts, which might have supported them in times of crises.

The mobile individual has to form new connections, forge new support systems, and learn to cope with the precariousness of mobility in a way that is unprecedented. Otherwise, the continued reports of depression, burn-out, breakdown and mental health issues that we find increasing in digital migrant populations, is only going to get dire. If we make mobility the precondition of being digital, it is time to insist that the infrastructure of digital India is accompanied by the infrastructure of care for the digital Indian.

For more details visit https://cis-india.org/raw/indian-express-nishant-shah-july-30-2017-digital-native-ever-on-the-go-digital-india-mobility

Pinning the Badge

nishant — 2015-05-08T12:34:23Z

In a world of competition, badging provides a holistic way of grading and learning, where individual talents are realised and the knowledge of the group is used.

The article by Nishant Shah was published in the Indian Express on March 18, 2012.

I write this column fresh out of being a judge at the Digital Media and Learning contest on “Badging for Life-long Learning” in San Francisco. While the contest focused largely on the American education system and its future, the idea of badging that each person brings a set of skills to a study or workplace is useful to think about, in connection with India. We have now spent some time, in India, hearing about how education in the country has been ruined. There is a constant narrative of the university in shambles, where we seem to lack competent teachers, engaged students, and the resources to build efficient infrastructure for learning. This argument also positions employment as the only aim of education, reducing our humanist and social sciences legacies to skill-based information transmission.

Digital technologies emerge as a cure for the problems that contemporary education seems to be facing. The availability of resources at affordable costs for anybody online, has been one of the biggest promises of the internet, and it hopes to build a better learning environment and better learners. The condition of being connected to a much larger network of educators and learners, also offers us the possibilities of producing better and innovative knowledge structures. There is also an inherent ambition that the introduction of new digital competencies and skills will encourage both students and teachers to integrate their learning and pedagogy with their lived reality, producing responsible people and citizens. However, in all these expectations around the role of the digital technology in transforming learning, the idea of grading and evaluation remains unquestioned.

Even in the most radical restructuring of education systems, grades remain an absolute form of quantifying and measuring skills that the student is supposed to demonstrate. Grading might take up different forms — numbers, letters, percentile, etc — or it might take up different methods — continuous grading, take-home exams — but it eventually becomes the only badge that the student takes into the “real world”.

The idea of a badge as an alternative to this particular kind of quantification oriented learning that sees the grade as a final evaluation and in some ways, a termination of the learning process, opens up huge possibilities for how we understand learning. The badge is not imagined as yet another kind of grading, but instead it is recognition of certain skills and competences that we bring to and build in classrooms with our peers. A badge allows the students to recognise their own investment in the learning process, enabling them to realise their particular skills on the way to learning. In any learning environment, students play many roles. Some are good as connectors, some serve as conduits of information, some are good in specific areas and need help with others, some are mentors, some are translators of knowledge, some help in creating new forms of knowledge. Unfortunately, most of our grading patterns refuse to acknowledge and credit these skills which are crucial for surviving the academic world. The ability of the students to badge themselves, and others in their peer groups, acknowledging their contributions to their collective learning, might be the motivation and encouragement that we are looking for.

A peer-2-peer system of badging, which enables learners to be critically aware not only of their own interaction with knowledge, but also recognises the ways in which larger communities of knowledge — including the peers and teachers — opens up an extraordinary way of thinking about education. It disrupts the competitive modes of cut-throat modes of education systems we are building and allows us to re-think the function of education and the role of learners in educational environments. The digital systems of social networking and reputation management, already perform some of these tasks, which is why, a student who might not do well in class might be a YouTube sensation, finding thousands of followers worldwide. Or a student who might not show research aptitude in class might be editing complex Wikipedia entries on subjects that high-level researchers are engaging with. All these digital systems acknowledge the roles that people play in learning and knowledge production, and in that reward of recognition, provide incentives for learners to re-examine their role within knowledge systems.

Such a system of badging, that exceeds the static classroom, allows for students to become stakeholders in their own education, building connected communities of learning. It hints at what the future of education is going to look like. More importantly, it offers a new way of thinking about technology and its role in redesigning education, which is not merely about introducing technologies into classrooms and continuing with the traditional modes of learning through new technology skills. Instead, we have a model for what learning means, how we interact with conditions of knowledge consumption and production, and how, we can form global communities of learning which might find an anchor in the classrooms but also transcend the brick-and-mortar institutions of learning as we understand them.

For more details visit https://cis-india.org/digital-natives/pathways/pinning-the-badge

IPv6: The First Steps

nishant — 2012-06-05T07:18:16Z

The Centre for Internet & Society has entered into a small collaboration with Tata Telecommunications in India to celebrate the IPv6 day on June 6th. We will write 5500 word vignettes, which will be sent to their global database consisting of more than 900,000 users in the Asia-Pacific.

It is commonplace to interchange the words Internet and Cyberspace. However, we should make a distinction between the two. Cyberspace is an experiential phenomenon, supported by the Internet but smaller. It refers to the actions, transactions, negotiations performed within the digital network.

The Internet is a protocol – a set of rules that allows for a digitally connected network of databases to interact with each other. This happens through a standard set of commonly accepted rules, Internet Protocol version 4 – IPv4. IPv4 allows differently configured networks, working on different platforms, and designed through different technologies to communicate effectively by agreeing on a bare minimum of universally accepted codes for data to navigate cyberspace with the least bit of effort.

IPv4 was defined in 1981, when there were few computers in the world with even fewer connected to networks. It was the protocol that assigned a computer on the Internet, with an IP address, the unique name of a connected device which can be recognised by digital networks. Packets of data transmitted over the Internet need an unique IP address associated to their origin and destination, so that information can travel smoothly. IPv4 was developed so that 4,294,967,296 (2^32) unique IP addresses could be accommodated within the network. When it was designed, it looked like an almost infinite system. No one had ever imagined that the World Wide Web would emerge so quickly! We have reached a point now, where the last free IP addresses have been allotted in February of 2012, and we are now reaching a ‘real-estate’ crisis on the Internet.

Since every device with Internet connectivity has a unique IP address – computers, servers, tablets, smart-phones, e-book readers and even alarm clocks – we need a lot more IP addresses. IPv6 – or Internet Protocol version 6 – is a new standard by which we are now going to expand the ‘land’ upon which the Internet can grow. IPv6 is an overhaul of the existing system which will be able to handle 340 undecillion (2^128) unique addresses. Leading global Internet Service Providers and technology companies like Tata Communications have recognised this as the need of the hour since increasingly we are living in digital information societies. However, IPv6 is going to have a range of serious implications for our hardware and software needs as well as our usage patterns and how the Internet is going to expand in the future.

This communique is brought to you by Tata Communications and the Centre for Internet and Society.

If you would like any further information on IPv6 at Tata Communications, please reach out to: divya.anand@tatacommunications.com or write to Nishant Shah, Director-Research at the Bangalore based Centre for Internet and Society.

For more details visit https://cis-india.org/internet-governance/ip-v-6

Who Owns Your Phone?

nishant — 2016-09-18T16:18:35Z

The capacity of companies to defy standards that work tells an alarming story of what we lose when we lose control of our devices.

The article was published in Indian Express on September 18, 2016.

We have a conflicted relationship with our digital devices. On the one hand, everything we own is cutting-edge — your regular smartphone does computation that is more advanced and powerful than the computers currently functioning on the space probe on Mars. On the other, everything that we own, is almost on the verge of becoming old — by the time you are used to your phone, a new model with a different letter or a number is in the market. The TV screen which was the crowning glory of your house now feels old because it is not thin enough, sleek enough or big enough; waiting to be replaced by the Next Big Thing.

Strangely, the Next Big Thing is never really big enough for it to have longevity. The next phone that you buy, the new laptop you covet, the app that you update, will already feel temporary. Patricia Fitzpatrick, a historian of new media, calls this phenomenon “Planned Obsolescence”. It means that private corporations think of their digital products as fast-moving and ready to die. They might sell the phone with a 10-year guarantee, but the only guarantee that exists is that in 10 years, they will have discontinued all support for that phone, and you will have forgotten that you owned that device. Planned Obsole-scence is a marketing strategy, where everything that is introduced as a technological innovation has a limited shelf-life and is made to be replaced by something new.

What is interesting about this strategy is that it doesn’t mean that your device has become redundant. In fact, even as you desire the new, you know perfectly well that your existing device has many years of functionality. Hence, the companies often produce the new as path-breaking, innovative and futuristic. They want you to feel primitive or out-of-touch by introducing features that you don’t need, transforming the familiar and the habitual device with something that becomes alien, enchanting and mystical.

While planned obsolescence has its value — it propels innovation and pushes at the boundary of what is possible — it also needs to be understood as a marketing strategy that keeps us consuming as part of our digital habits. One of the best examples to understand this trend is Apple’s latest announcement that it has removed the standard earphone jack from its new iPhone7 and is presenting us with wireless earplugs that work with the new phone. Apple insists that this is the future, and in its hyperbolic presentation, announced that by removing one of the most enduring industry standard for audio hardware, they are revolutionising the future of music listening.

This comes particularly as a shock because ever since the 1990s, Apple’s iconic presence in the music industry has been the white dangling ear-bud wire against black silhouettes, marking the Apple music device as a sign of privacy, maturity, creativity, and elite affordability. By replacing recognisable image with a new one is the company’s way of signalling that every Apple device you now own is ready for trash. It is letting you know that your older Apple music player now needs to be replaced by a new one that uses the wireless ear buds. That the only way you can now listen to music on an Apple iPhone is on Apple’s own standards, so that the regular industry hardware will no longer work with this unique phone that eschews universal standards and seeks to create private monopolies.

The missing headphone jack in the iPhone 7 is a resounding testimony to what happens when we make our digital hardware subject to closed development and production. Instead of building phones that are more durable, more efficient, more connected, more affordable, and more versatile, Apple just showed us how a private company can arrogantly define the future, by turning almost every existing device into “primitive” or “incompatible” with the new phones that it is making. The capacity of companies like Apple to defy standards that work and build their own unique hardware tells an alarming story of what we lose when we lose control of our devices. The digital cultures scholar Wendy Chun had once sagaciously written, “the more our devices turn transparent, the more opaque they become”. And Apple’s move towards making your new iPhone seamless and without holes, mimics how the phone is being designed to both kill fast and die early, promoting corporate ambitions over public interest.

For more details visit https://cis-india.org/raw/indian-express-nishant-shah-september-18-2016-who-owns-your-phone

Love in the Time of Tinder

nishant — 2016-10-17T02:07:05Z

Service providers and information aggregators mine our information and share it in ways that we cannot imagine.

The article was published in the Indian Express on October 2, 2016.

Last week, I met somebody who narrated their digital fairy tale to me. He was waiting in between trains, waiting at a train station, for the connection to arrive. Bored, he opened the dating app Tinder. He swiped right. There was a match. They started chatting. The conversation became interesting. She offered to leave work early and come to the train station to meet him for coffee. They had a five-hour long date. He missed many connections and stayed back with her to spend more time. When he left, they stayed connected using all the digital apps of connection that you can imagine. They started travelling weekends to be with each other. Three years later, he moved countries and jobs to be in the same city as her. Last week, they got engaged to be married. And everybody raised a toast to the resilience of their love, and how they have worked hard at being together. They thanked all the people who have been involved and supportive in helping them through this period. And at the end, she said, she wanted to thank Tinder and WhatsApp, without which they would have never met been able to continue this connection. They were being facetious, but they were also reminding us that we live in appified times.

Apps are everywhere and they have become so natural and ubiquitous that we have forgotten what it means to live without them. In the case of this fairy tale couple, their very meeting was ordained not by fate and destiny and romantic godmothers, but by a smart app. This app, based on algorithms that judged them to be a good match, drawing from what they like on Facebook and what they share with their friends, presented both of them to each other, causing the first swipe. The app, designed around the principle of FOMO (Fear Of Missing Out), made sure that in the 40 minutes that he was at the train station, both of them looked at their phones, swiped right and had the conversation that began it all. The app created habits that ensured that they trusted each other to meet after a 20-minute chat, to miss trains for the joy of the first extended date. People fell in love, and their love was managed entirely by smart apps.

These apps are designed to assist us in our mundane lives. Behind their seductive design and intuitive interfaces are scripts, norms, rules, protocols and intentions that are influenced and shaped by corporations and individuals, who have a specific interest in expanding their market domains. The creation of profiles on Tinder required both these people to give Tinder access to a wide variety of their personal activities and profiles. As their romance progressed, they involved more apps in their activities. Personal planners, reminders, e-shopping platforms, social media testimonies, deals to buy cheap tickets — all came into play. And even as they came together in a monogamous relationship, the apps encouraged them into data infidelity, wantonly sharing their data, making it speak with strangers, interact with unknown shadows in the dark, morphing and fusing with predatory algorithms that continued to not only follow them but also predict what their needs are. These smart apps might come with friendly interfaces and helpful suggestions, but they do it by making us transparent — they mine our information and distribute and share it in ways that we cannot imagine to ends that we cannot fathom.

As the apps become a daily part of our lives, holding our hands and comforting our souls, it is good to remember that behind the apps is a pipeline of service providers, data harvesters, information aggregators, who are learning more and more about us, and then without our consent, in the guise of being helpful, are sharing those secrets with things and people we do not know.

While they do help us celebrate the moments and make beautiful human connections, they also continue to make oily suggestions and innuendos, gently guiding us into buying more and consuming more. I came home from the engagement party and woke up the next morning with my face being tagged in about 30 pictures on four different social media apps. And each app suggested different things I can do to celebrate this event — buy a new suit for the wedding, buy an engagement gift for the happy couple, get help with planning a bachelor’s party, and get the services of a wedding planning app.

For more details visit https://cis-india.org/raw/indian-express-october-2-2016-nishant-shah-love-in-the-time-of-tinder

Conference Blogs

nishant — 2011-08-20T23:18:52Z

The conferences that CIS participates in, individually or institutionally, and the ideas that emerge from them.

For more details visit https://cis-india.org/research/conferences/conference-blogs

Uploads

nishant — 2010-01-05T17:35:13Z

For more details visit https://cis-india.org/research/conferences/conference-blogs/uploads

Writing the Future - IIT Delhi

nishant — 2008-11-05T05:57:40Z

The First Ever Asia-Pacific Festival of Writing: An internationally-supported event for emerging and established writers, scholars of contemporary literature from Asia and the Pacific, publishers, and all those interested in new writing from the region -- New Delhi and Shimla, India, October 2008

‘WRITING THE FUTURE’

The Indian Institute of Technology, Delhi and the Asia-Pacific Writing Partnership are pleased to collaborate in organising Indian and international support to hold the first ever Asia-Pacific Festival of Writing in New Delhi.

This unique Festival, which combines a regional focus with a truly international reach, seeks to raise the profile of the enormously rich literature and thought of the Asia Pacific region.

As the attached Program shows, the Festival has been planned in some detail and has already generated considerable interest through its website (http://www.apwriters.com)

Several writers and academics of international standing have agreed to be part of the enterprise and have brought their expertise and – above all – enthusiasm to the initiative.

Registered participants include writers and scholars from Australia, Bangladesh, Fiji, the Philippines, Singapore, Indonesia, Pakistan, Papua New Guinea, UK and USA, amongst others. This spontaneous show of interest, we feel, is in itself a true measure not only of the vitality and reach of the Festival but of the felt need for such self-expression and interaction across the region.

AIMS

Our goal is to:

bring the excitement of reading new literature to a wide audience across the region;

enable young writers and university students to interact with well-known writers; and

encourage cultural cross-talk & literary debate across a variety of regional languages

focus on new forms of writing engendered by e-media such as internet (blogs, chats etc.)

To this end, we have organized the following forums for literary interaction:

ACTIVITIES:

Creative writing workshops for emerging writers from the region, taught by writers of international repute - a festival feature that is familiar in the West but has never before been part of South Asian literary events. Emerging writers in the West have over the past decades gained tremendous benefit and advantage from workshops with peers and established writers, but there are few equivalent opportunities in Asia. This festival hopes to change this situation.

Translation workshops, undertaken in collaboration with the Indian Academy of Letters and the Jamia Millia University. These workshops will be held in four languages (Hindi/Urdu, Bengali, Malayalam and Tamil) at venues in Southern India (Mysore) and Eastern India (Kolkata) as well as in Delhi. Translators of national standing are involved in this initiative.

A major academic conference on new writing from Asia and the Pacific

The conference will examine contemporary writing from the region, the value of writing programs, the contrasts and synergies between traditional oral forms of literature and new forms of writing influenced by multi-media, the state of national literary studies, and notions of writing in relation to regional, hybrid and/or diasposric identities globalization, cosmopolitanism, post-colonialism, and other associated issues.

Public events featuring established writers and performers of international repute.

These will include readings by emerging and established writers; panel discussions with publishers, literary agents, and writers; book launches; and cultural performance by Indian poets, theatre-people and singers.

Local and international established writers who conduct workshops and participate in the public events will visit schools and colleges in New Delhi to read from their work and talk about their writing process. Engaging with youth is a very important and intrinsic part of the conceptualisation of this festival.

ADVANTAGES

It is our belief that this Festival is the timely start of an important new form of cultural cooperation which will provide valuable opportunities for new writers in the region for years to come. It will eventually provide a forum that challenges outmoded boundaries between academic and creative texts, between traditional pasts and technological futures, between the new and old media and between genres, cultures and institutions.

One of the more unusual features of this festival is that the IIT will host the ‘Writing the Future’ conference together with a host of other Indian institutions who have generously extended their support. These include:

The Indian Council for Cultural Relations

The Sanskriti Foundation

The Indian Institute for Advanced Studies

The Sahitya Akademi or National Academy of Letters

Jamia Millia Islamia University

Scope Plus

Kusuma Trust and the Centre for Internet and Society

To repeat, this festival, an initiative of the Indian Institute of Technology, Delhi, international scholarly collaboration and the Asia-Pacific Writing Partnership, is the first ever festival of its kind being held in the region. It offers a unique blend of academic interaction, creative writing workshops and public events where writers interact with participants, publishers and other players in the global literary arena.

The aim of the festival is, finally, to together ‘write the future’.

For more details visit https://cis-india.org/research/conferences/conference-blogs/writing-the-future-iit-delhi