Internet, Society and Space in Indian Cities
https://cis-india.org
daily12013-04-16T03:42:17ZCEPT to Set up Centre to Research Role of Internet in Social Development
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/cept-centre-for-role-of-internet
<b>Nishant Shah, Director (Research) at the Centre for Internet and Society (CIS) in Bangalore who will assist the centre, said: "No one predicted the outcome of the Arab Spring, because everyone was looking at the way Internet was being used globally, not at the local level. We had the pink chaddi campaign, the anti-corruption calls of the Hazare camp, and those against sexual violence in New Delhi, but they were largely ad-hoc and temporary, and disappeared." </b>
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<p>Cross-posted from the <a class="external-link" href="http://www.indianexpress.com/news/cept-to-set-up-centre-to-research-role-of-internet-in-social-development/805448/1">Indian Express</a></p>
<p>Pratyush Shankar, an associate professor of architecture at CEPT University in Ahmedabad had begun teaching a new course, “Cyber Culture” at the institute when news of the Jasmine Revolution began to filter out from Tunisia. </p>
<p>By the time the 35-day course was over, a new government was in place in Tunis and Sharkar is now thrilled that a full-fledged centre to research the role of Internet in social and academic developments will be established at CEPT this session. </p>
<p>"I thought to myself, 'This is going to be big! Just watch how the internet is going to make this different! and I was right," said Shankar. </p>
<p>The establishment of the "Centre for Internet and Digital Technologies" will be supplemented by a weeklong workshop in August - "Locating Internets: Histories of the Internets in India" for academics from various disciplines, an effort the organisers hope will propel thinking on how Internet is now part and parcel of academia. </p>
<p>"When we give students assignments, the first thing they do is go to Google-uncle," said Shankar, pointing out the Internet’s "knowledge-producing" role, a phenomenon academia is not entirely willing to accept as a formal part of the teaching process although teachers use it extensively as a tool. </p>
<p>Shankar calls himself a 'non-techie', though he uses Internet as part of his work profile: his students post their assignments on a server called "Sa-nity", where he also uploads and archives work from previous batches. The latest plan is to form a blog where students will comment on the classroom teaching or discuss topics - 'an after-class space'. </p>
<p>Nishant Shah, Director (Research) at the Centre for Internet and Society (CIS) in Bangalore who will assist the centre, said: "No one predicted the outcome of the Arab Spring, because everyone was looking at the way Internet was being used globally, not at the local level. We had the pink chaddi campaign, the anti-corruption calls of the Hazare camp, and those against sexual violence in New Delhi, but they were largely ad-hoc and temporary, and disappeared." </p>
<p>Shah said the reasons could be factors like caste, religion, language and region. </p>
<p>He added: "During the Independence movement, two things were going on at the same time; there were mass movements where foreign clothes were burnt, khadi promoted and the like, which was buoyed by a very active print media that spread the information and ideas." </p>
<p>Internet technology now is equivalent to the print technology of that time, he added. </p>
<p><em>This news was published in the Indian Express on June 18, 2011</em>.</p>
</div>
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For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/cept-centre-for-role-of-internet'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/cept-centre-for-role-of-internet</a>
</p>
No publisherpraskrishnaResearch2011-08-02T06:06:55ZBlog EntryInternet, Society & Space in Indian Cities - A Call for Peer Review
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/city-and-space
<b>Pratyush Shankar's research project on "Internet, Society & Space in Indian Cities" is a part of the Researchers @ Work Programme at the Centre for Internet and Society, Bangalore. His monograph explores the trajectories of transformation and perception of cities in India in context with the rise of Information Technologies for communication and presence of an active digital space.</b>
<p>There has been, in the fields of design and architecture, a close link between the shape and imagination of the city spaces and the dominant technologies of the time. The study of space (architecture, public places and city form) can lead to very interesting insights into the expression of the society with respect to the dominant technologies. Manuel Castells argues that space is not a mere photo¬copy (reflection) of the society but it is an important expression (Castells, 2009). Fredric Jameson, in his identification of the condition of post-modernity demonstrates how the transition into new technologies is perhaps first and most visibly reflected in the architecture, as physical spaces get materially reconstructed, not only to house the needs and peripheries of the emerging technologies but also to embody their aesthetics in their design and built form (Jameson, 1991).</p>
<p>Earlier technologies have led to new understandings of the notions of the public and commons. Jurgen Habermas argues on how the emergence of print cultures and technologies led to a structural transformation of the public sphere by creating new and novel forms of participation and political engagement for the print readers. Within cinema studies in India, Ashish Rajadhyaksha and Madhav Prasad have looked at the 'cinematic city' — how material conditions of the city transform to house the cinema technologies, and how the imagination of certain cities is affected by the cinematic representations of these spaces (Rajadhyaksha, 2009). Mike Davis' formulations of an 'Ecology of Fear'(Davis, 1999) and Sean Cubbit's idea of 'The Cinema Effect' (Cubitt, 2005) also show the integral relationship that technologies have with the imagination and materiality of urban spaces.</p>
<p>I wish to explore the trajectories of transformation and perception of cities in India in context with the rise of Information Technologies for communication and presence of an active digital space. The issue of imagination is an important one here as much as the material realities of our cities. However, to begin with one needs to look at the very idea of cities in the Indian context. The fundamental idea of a city and that of a space becomes important here and has been explored in the chapter on cities. The issue of representation as related to ideas of 'social space' and 'abstract space' (Lefebvre, 1992) has been used as a methodological framework while analyzing cities. The social space of a city here refers to the production of space that is biomorphic and anthropological. From this perspective people and history and memory along with social economic processes play a strong role in its definition. Hence, city spaces cannot be understood as a collection of building and other material production alone but rather as an act of social production involving people over a long period of time. The appropriation and representation of cities is another important concern as it creates an imagination structure and often justifies the material transformation.</p>
<p>The research is primarily concerned with first creating an understanding of the cities in Indian context from the point of view of their social, technological and material productions. The ideas and representations of space therefore, become critical issues of exploration to understand the nature of imagination of space with reference to Indian cities. An empirical study of issues of spatial transformation was conducted in Bangalore and Gurgaon to find certain patterns and its correlation with the present discourses on the technology and the city. The issue of perception of lived in space, cartography and myth became important issues to understand the nature of the imagination of space and positioning of the digital space. The contradiction of a networked geography with the present spatial arrangement of cities that is the centre of a larger territory becomes important shifts to be accounted for while understanding the new geography. The patterns and possibilities in these new geographies of information technologies have been understood by studying three building programmes in the city. The question of transformation and future of cities and the position of digital space in these times then became an important one to answer. The initial study concerns with laying out a framework for examining the techno-spatial discourses in cities in general while establishing the key characteristics of its narration in the Indian context.</p>
<p>The Researchers At Work Programme, at the Centre for Internet and Society, advocates an Open and transparent process of knowledge production. We recognise peer review as an essential and an extremely important part of original research, and invite you, with the greatest of pleasures, to participate in our research, and help us in making our arguments and methods stronger. The first draft of the monograph is now available for public review and feedback. Please click on the links below to choose your own format for accessing the document.</p>
<ul>
<li><a href="https://cis-india.org/raw/histories-of-the-internet/internet-city.doc" class="internal-link" title="Internet and City Word File">Word</a></li>
<li><a href="https://cis-india.org/raw/histories-of-the-internet/internet-city.pdf" class="internal-link" title="Internet and City PDF file">PDF</a></li>
</ul>
<p>We appreciate your time, engagement and feedback that will help us to bring out the monograph in a published form. Please send all comments or feedback by April 5, 2011 to nishant@cis-india.org or you can use your Open ID to login to the website and leave comments to this post.</p>
<p>
For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/city-and-space'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/city-and-space</a>
</p>
No publisherpraskrishnahistories of internet in IndiaResearch2012-12-14T10:32:32ZBlog EntryInternet, Society & Space in Indian Cities - A Call for Peer Review
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/internet-society-space-in-indian-cities-a-call-for-peer-review
<b>Pratyush Shankar's research project on "Internet, Society & Space in Indian Cities" is a part of the Researchers @ Work Programme at the Centre for Internet and Society, Bangalore. His monograph explores the trajectories of transformation and perception of cities in India in context with the rise of Information Technologies for communication and presence of an active digital space.</b>
<div id="parent-fieldname-text" class="plain kssattr-atfieldname-text kssattr-templateId- kssattr-macro-text-field-view inlineEditable">
<p>There has been, in the fields of design and architecture, a close
link between the shape and imagination of the city spaces and the
dominant technologies of the time. The study of space (architecture,
public places and city form) can lead to very interesting insights into
the expression of the society with respect to the dominant technologies.
Manuel Castells argues that space is not a mere photo¬copy (reflection)
of the society but it is an important expression (Castells, 2009).
Fredric Jameson, in his identification of the condition of
post-modernity demonstrates how the transition into new technologies is
perhaps first and most visibly reflected in the architecture, as
physical spaces get materially reconstructed, not only to house the
needs and peripheries of the emerging technologies but also to embody
their aesthetics in their design and built form (Jameson, 1991).</p>
<p>Earlier technologies have led to new understandings of the notions of
the public and commons. Jurgen Habermas argues on how the emergence of
print cultures and technologies led to a structural transformation of
the public sphere by creating new and novel forms of participation and
political engagement for the print readers. Within cinema studies in
India, Ashish Rajadhyaksha and Madhav Prasad have looked at the
'cinematic city' — how material conditions of the city transform to
house the cinema technologies, and how the imagination of certain cities
is affected by the cinematic representations of these spaces
(Rajadhyaksha, 2009). Mike Davis' formulations of an 'Ecology of
Fear'(Davis, 1999) and Sean Cubbit's idea of 'The Cinema Effect'
(Cubitt, 2005) also show the integral relationship that technologies
have with the imagination and materiality of urban spaces.</p>
<p>I wish to explore the trajectories of transformation and perception
of cities in India in context with the rise of Information Technologies
for communication and presence of an active digital space. The issue of
imagination is an important one here as much as the material realities
of our cities. However, to begin with one needs to look at the very idea
of cities in the Indian context. The fundamental idea of a city and
that of a space becomes important here and has been explored in the
chapter on cities. The issue of representation as related to ideas of
'social space' and 'abstract space' (Lefebvre, 1992) has been used as a
methodological framework while analyzing cities. The social space of a
city here refers to the production of space that is biomorphic and
anthropological. From this perspective people and history and memory
along with social economic processes play a strong role in its
definition. Hence, city spaces cannot be understood as a collection of
building and other material production alone but rather as an act of
social production involving people over a long period of time. The
appropriation and representation of cities is another important concern
as it creates an imagination structure and often justifies the material
transformation.</p>
<p>The research is primarily concerned with first creating an
understanding of the cities in Indian context from the point of view of
their social, technological and material productions. The ideas and
representations of space therefore, become critical issues of
exploration to understand the nature of imagination of space with
reference to Indian cities. An empirical study of issues of spatial
transformation was conducted in Bangalore and Gurgaon to find certain
patterns and its correlation with the present discourses on the
technology and the city. The issue of perception of lived in space,
cartography and myth became important issues to understand the nature of
the imagination of space and positioning of the digital space. The
contradiction of a networked geography with the present spatial
arrangement of cities that is the centre of a larger territory becomes
important shifts to be accounted for while understanding the new
geography. The patterns and possibilities in these new geographies of
information technologies have been understood by studying three building
programmes in the city. The question of transformation and future of
cities and the position of digital space in these times then became an
important one to answer. The initial study concerns with laying out a
framework for examining the techno-spatial discourses in cities in
general while establishing the key characteristics of its narration in
the Indian context.</p>
<p>The Researchers At Work Programme, at the Centre for Internet and
Society, advocates an Open and transparent process of knowledge
production. We recognise peer review as an essential and an extremely
important part of original research, and invite you, with the greatest
of pleasures, to participate in our research, and help us in making our
arguments and methods stronger. The first draft of the monograph is now
available for public review and feedback. Please click on the links
below to choose your own format for accessing the document.</p>
<ul><li><a title="Internet and City Word File" class="internal-link" href="http://cis-india.jail.kaeru.my:8090/website/research/cis-raw/internet-city.doc">Word</a></li><li><a title="Internet and City PDF file" class="internal-link" href="http://cis-india.jail.kaeru.my:8090/website/research/cis-raw/internet-city.pdf">PDF</a></li></ul>
<p>We appreciate your time, engagement and feedback that will help us to
bring out the monograph in a published form. Please send all comments
or feedback by April 5, 2011 to nishant@cis-india.org or you can use
your Open ID to login to the website and leave comments to this post.</p>
</div>
<p>
For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/internet-society-space-in-indian-cities-a-call-for-peer-review'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/internet-society-space-in-indian-cities-a-call-for-peer-review</a>
</p>
No publisherpraskrishnaHistories of InternetResearchers at WorkInternet Histories2015-04-06T15:52:21ZBlog EntryTransforming urbanscapes: ATM in cities
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/transforming-urbanscapes-atm-in-cities
<b>This is the first in series of posts where I will try and articulate the transformation in the urban landscape that one can attribute either directly or in-directly to information and communication technologies. I am keen in discussing changes that are more fundamental in terms of architectural typology and spatial constructs and all this while looking for things that are specific to an Indian city. And that is where the story becomes rather interesting; Indian cities are unique and so when a shift occurs in its material constructs it must be analyzed with reference to its peculiar context.</b>
<p>Automated Teller Machines (ATM) are an accepted part of the city landscape. They are omnipresent and expected to be near you anytime anywhere. Not surprising the other common interpretation of the acronym ATM has popularly been “Any Time Money”! The functioning of ATM is absolutely dependent on the connection of these machines with the mother server of the bank. Without the networked connection through internet, the ATMs machines are dead and practically cannot do anything. ATMs are dependent on internet and the very presence of thousands of ATM spaces in our cities is perhaps the most reoccurring reminder of the spatial alteration of the urban landscape. This phenomenon needs to be dissected further and I will try and answer the following questions in the process.</p>
<p>What is the nature of the ATM spatial typology and how does it fit with the physical context?<br />What are the meaning that are attached to the ATM space and what do they now signify?</p>
<h3>Occurrence, Repetition and Assurance</h3>
<p>ATM’s like the hoardings of a recent advertisement campaign repeats
itself at most part of the city. The same banner, color, bright light
and the bored security guard at the gate. Absolutely predictable,
repetitive and thoroughly efficient. They are suppose to do a simple
function of vending currency note at most times. But they are now an
important element in the city that repeats and can be easily identified.
They are not only doing the function of vending money but also serve as
an important advertisement of the bank and announce its presence in the
city. ATM’s multiple occurrence in a city surely reinforces the idea
of the aspirational middle class of Indian cities.</p>
<p>ATM’s dots the urban landscape while glowing in the night when every other shop and establishments are asleep. A 24 hour petrol pump, the all night coffee shop and of course the railway station tea shop that open all night are the other such night owls that reassure us that the city is not dead and everything will start again tomorrow.</p>
<p><em>These all night establishment have an important urban function; that of sheltering the lost souls in the night and keeping alive the idea of a city on the move. </em></p>
<h3>The Private in Public: Banking in the City Spaces</h3>
<p>The ATMs are extensions of the banks that reach out in the city. They
are the point of receiving money (our money) from the bank. Banking has
extended to public place and this is a very important phenomenon.
Historically of course, informal banking has been taking place in street
corners and small shacks in most old areas, but again only in certain
parts of the city that are associated with such activities.</p>
<p>The ATM’s extend banking in public domain, but through a rather scared and conditioned spaces of the room where the solitary ATM machines lie. The ATM machines occur everywhere signifying that a lifestyle in a consumer society. But ATMs as extension of banking space, are creating a rather interesting contradiction. Banks were never public places really and privacy was always a very important component of banking. Traditionally customers never did transactions in full public view. Money was collected, counted and snugly inserted in wallet or a non-noticeable bag in the comfort of the high counter and inside a fairly semi-public space of the bank. The space of the bank became the place of transaction in extremely limited public view. Moreover the view was not really of strangers but of fellow customers as worried about privacy as the “viewed” subject themselves.</p>
<p>The ATM’s present a new problem; as at one level it creates a space in many parts of the city where a customer can carry out transaction (mostly withdrawals of currency notes) but in full public view of the market place. <strong>This is rather interesting and the situation demands a public display of ones rather private (not necessarily secretive) exercise of doing financial transactions.</strong> Not surprising there is always a swiftness of action when people withdraw money from an ATM!</p>
<p><em>“Why can’t they have more ATM machines in the city? Multinational banks but pathetic service, I tell you. And what the hell is that guy doing. He has already withdrawn twice. Is he talking to the machine”…. An impatient customer in the ATM queue.</em></p>
<p>It is not surprising that waiting outside an ATM machine is not as comfortable as lets say waiting for our turn to buy vegetables or a boarding pass before a flight. ATM’s spatial typology are still reflective of this fundamental contradiction. It is not clear whether the ATM can be as public as a grain shop or as private as a public toilet! At one level the ATM’s have to be very accessible and visible, making it easier for people to use but at the same time they have to be guarded, controlled and monitored.</p>
<p>That is why perhaps there are two distinct parts of the ATM space; The facade which is formed by the back lit name of the bank written in a particular manner and the window from which one can view the ATM machine lying inside. This together becomes like a two dimensional graphics (visual brand) that announces the presence of the ATM. The second is essentially the conditioned room that keeps the machines, which tries and give some sense of the privacy to the customer and perhaps facilitate the security of the machine. Not to forget the security guard, who sits and practically does nothing!</p>
<p>See below the exploded view of the essential ATM typology</p>
<p><img src="https://cis-india.org/home-images/1.jpg/image_preview" alt="Maplitho" class="image-inline image-inline" title="Maplitho" /></p>
<p><strong>I wish if someone can tell me if a bored security guard always found along with an ATM is essentially an Indian phenomenon?</strong></p>
<p>It is not surprising that the ATM on the wall on public street has practically failed to inspire any confidence and are rather rare to find these days. I do not think it is only the concern of security of the ATM machine. I guess the machines are more secured as embedded objects in a wall rather than being stand alone in a room. It seems it is has to do with discomfort associated with doing financial transaction in full public view and that is why the closed room.</p>
<p>The ATM in its present form has not really integrated with the other elements of the city as it essentially sits in the building typology that is meant for small shops. It does not exist in any particular combination of other shops. One of the reason for vitality in Indian city is the nature of combination of various agglomerated shopping and commerce.</p>
<p><em>For example Tea shop on street-balloon vendor - Chat wala - Cold drink and Ice-cream shop - Pan Shop<em></em> - Florists - Newspaper Vendor - Archies Card Gallery - Stationary shop and so on!</em></p>
<p>ATM machine is surely the black sheep unless of course it can be viewed and designed as a utility urban furniture like a bus stand, parking meter, letter box, public toilets or a telephone booth.</p>
<em></em>
<p>
For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/transforming-urbanscapes-atm-in-cities'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/transforming-urbanscapes-atm-in-cities</a>
</p>
No publisherpraskrishnainternet and societyIT Cities2012-03-13T10:43:51ZBlog EntryFrom the Stock Market to Neighbourhood Mohalla
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/stock-market-neighbourhood-mohalla
<b>The stock markets have been the symbol of trade and commerce of the city and the region. In this post I will analyze the stock market; an important commercial institution and try and articulate its changing architectural configuration and its impact on neighborhoods and other public domain of the city. The change in information technology has had a profound effect on the business methodologies of the stock brokers and traders in the last few years with possibilities for buying and selling during the market hours from any internet enabled device. The pundits have announced that the “market is in your pocket or at the comfort of your home”. Is it really so or is the change more subtle? Moreover how will our cities and their public place transform from such shift?</b>
<p>The market refers to a system, institution or arrangement by which certain transactions are executed. The stock market space (building or group of buildings) is usually unique to a larger space (city, region or country) and indicative of the economic interest of corporates, organizations, government and individual investors. The stock market space itself, is one that has traditionally been highly networked node, collapsing together communications with other global markets, financial institutions, agents, investors and government bodies. Communication technology in the form of telecommunication, fax and telegram have been the lifeline to support transactions in the stock market space.</p>
<p>The floor of the stock market is the physical manifestation (both of symbolic and utilitarian value) of the institution of stock trade. It has been the place where the agents using information, negotiate and transact on shares for their respective clients. The space of the floor with information being displayed on the sides has been the image that is used in many movies to symbolize trade and commerce. The floor is projected and perceived as the center sanctum of the stock trading activity at large.</p>
<p>Trading of stocks of all possible kind is possible from a computer connected to internet using real time information of the market. Stock market building space as well as the floor do continue function as central places of trade but immense volume of trade is being done through internet enabled devices across the country. Moreover the program and structure of stock brokers office has radically changed in the last few years. The stock broking office has now become the mini floor of the trade where decisions are taken about buying and selling. The stock broking offices are now the decentralized units that are everywhere, like the ATM machines in the city. They are the neighbourhood investing space.</p>
<h3>Story: Where to Kanti bhai?</h3>
<p>Kanti bhai was worried that morning. He was running late and was driving swiftly to beat the railway crossing. His old bajaj was holding well competing with the jazzy Japanese collaboration bikes as he raced towards the crossing. He could never understand why youngster spend that kind of money on bikes when it cannot even hold the vegetable pack or for that matter even their wife in the pillion seat that well. He was rather proud of his bajaj chetak 2-stroke smoke spewing machine and it had served him well for the last 17 years. As he wriggled past the traffic coming from the right side (well he was on the wrong lane) and swiftly crossed before the crossing gates closed, he slowed down on the turning and signaled with a shake of his head to the kid on the street. To a stranger the nod of the head was perhaps just an empty gesture but Raju the kid was the code breaker! He knew Kantibhai wanted the masala tea real quick delivered on the first floor office of Om Shanti Stock Brokers. Raju also understood that Kantibhai was going for a big kill; bottom fishing since the market fell real hard yesterday. Raju was barely eight when he came from Dungarpur (Rajasthan) to help his uncle at the road side tea shop at Maninagar. Now the road side stall, the commercial complex in front and the shop shack besides the temple were his foster home. The masala tea that his uncle made was the fuel of most office goers in the area and it was a local institution that not only provided tea but also information on real estate, family problems of residents and mobile number of the bootlegger.</p>
<p>Raju with all the tea cups in his hands moved swiftly from the tailor shop below the stair to the picture framer besides it to the Raymond shop in the semi basement to the lady selling the toys on the pavement. He resembled a bee moving from one flower to another in a garden and he quickly climbed the awkward spiral stair to the first floor stock broking office. This was always the place he enjoyed most and it was always teeming with boisterous characters that were perpetually excited; laughing aloud, shouting to be heard, making fun of the other and generally having a good times. These were the stock traders whose baithak (regular sit-out) was the Om Shanti broking office. The office itself was nothing but a room, with a swanky air conditioner and four terminals (simple computers that are connected to BSE) where people took turns to sit and execute their order. But the space of the office spread way beyond this room. They sat in the corridor in front, at the travel agent shop besides, below the hoarding for a commanding view of the traffic snarls in front. The place oozed with people like Kanti bhai’s, and resonated with animated interaction about the stock market, discussions about son’s marriage or rising price of petrol.</p>
<p>The place has in the recent years, come to be associated with share trade and had given rise to a whole eco-sytem that supported it; The stock broking office -Pan Shop- Tea Stall-Bhajia Center- ATM- Photo copiers- Stationary Shop and the Newspaper stall. Raju the tea boy knew much about “circuits” and “stop loss” these days as much he understood the right ingredients of the tea</p>
<p>All of a sudden in the last few years since terminals (internet accessible computers used for transactions) have become common, trade can practically occur anywhere in the city. This phenomenon has also led to creation of the decentralized stock brokers/ investors community as they do not need to be at the main stock exchange building anymore. Due to presence of small and medium sized stock broking firms in the city, the stock market space is now a decentralized neighborhood units.</p>
<p>These are not only spaces for carrying out transaction but have become “places” for trader community to meet and connect. The place itself is small and allows the local neighborhood stock traders or investors to meet. This decentralized community public place characteristics of the space is an interesting development which have been made possible due to the internet based on-line trading activities in market places. Moreover this new program of online stock broking has integrated well with the various processes of the Indian bazaar like informal food, roadside vendors, service sector and active retail. This is also the sign of the strength and vitality of our contemporary markets that have evolved over the years and are the mainstay of the Indian retail.</p>
<p>The association of Information Technology with the Malls and the super blocks of the Call center is only one side of the story. The malls and IT complexes by turning inwards and showing off only a pretty facade have failed to offer anything to the city and do not seem to hold any promise of “public” good to its citizens or user. I will hopefully write more about this in my next posts.</p>
<p>It is actually these little markets where person like Kanti bhai’s rush every morning and the little Raju’s run around serving cutting chai, that small stock broking office, ATM’s and Travel agents (all program that use IT for work) are slowly transforming and complimenting the very nature of the public places in India.</p>
<p>Read the original <a class="external-link" href="http://www.pratyushshankar.net/blog/internet/">here</a></p>
<p>
For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/stock-market-neighbourhood-mohalla'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/stock-market-neighbourhood-mohalla</a>
</p>
No publisherpraskrishnainternet and societyIT Cities2011-08-02T06:05:59ZBlog EntryCity in the Internet 1: Geography Imagined (Part 2)
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/geography-imagined
<b>In the last post, I have articulated the nature of understanding and imagination of our urban and rural geography. As mentioned, the understanding of the land, its water and people is an essentially one, that comes through living and experiencing. In this post I will be posing issues around the historical legacy of maps in the Indian context. The issues of imagination of our cities is very much related to this legacy along with the shift that we are witnessing in geographical representation of maps on the Internet.</b>
<h3>Story: The elusive government maps</h3>
<p>The Survey of India office on the first floor of the Janpath Office and Shopping complex is a curious location for an outlet distributing maps of all the parts of India. Right in the middle of the capital city’s colonial pride (Cannought Place), the Survey of India office is perched in one of the first floor rooms of the complex. Paritosh Mukherjee had been going around the building for ten minutes to find the elusive office, but like all things “<em>Dilli</em>” and “<em>sarkari</em>”, you got to be a man to find it. When he asked the person selling the “imported” shoes in the shop below, he got a rude answer “age chalta ban. yeh enquiry office nahi hai bhai”. Somehow Paritosh was always reluctant to ask directions in this city. Maybe it was his small stature or perhaps his accented hindi he picked while at Doon that made him stand out. He knew being so self conscious in this big city doesn’t help, but deep inside he feared the public places and would rather prefer the comfort of his office or his barsati in Greater Kailash. The pan stain in the stair was a relief, and its aroma immediately alerted his neuro-sensors on the right side of his brain that intuitively told him a government department is very near.</p>
<p>“<em>Aap kaha se aarehe hai</em>?” (Where are you coming from?) asked the lady at the counter wearing the red lipstick. Paritosh was about to say Saath; the NGO where he was doing his research project but some of his Delhi training took over, and he said “Madam <em>sirji ne kutch map mangaye hai</em>; Department of Agriculture, Delhi University. <em>Main unke leye research kar raha hoon</em>” (Sir has asked me to get some maps. I am doing research for the Department of Agriculture, Delhi University) . The red lipstick warmed up and gave him the catalog of Maps. Wow! he said to himself; he just crossed the first hurdle to reach the circle of bureaucratic trust. He remembered how his local friend had once explained the nine concentric circles of babus trust that need to be crossed to reach the inner sanctuary of the Indian government bureaucracy. He called it the Garba Graha (the sanctum of a Hindu temple), where all the prayers are answered. Being a son of a Lajpat Nagar contractor, he knew the value of being in the center!</p>
<p>“<em>Bhiaya yeh to</em> out of print <em>hai, aur koi chaiye to bataiyee</em>?” (They are out of print. If you need anything else, let me know?) said the thin bespectacled man at the payment counter, who reminded him of Ritwik Ghatag’s film characters. He sat behind the heavy wooden counter with glass partition separating the rowdy public from the sacred babus space. The counter was the symbolic physical manifestation of the 8th circle of trust. The bespectacled babu looked surreal in the inner circle; as if he had always been there, since India became independent from the Bristish Raj. Piles of files behind him, ashtray that came as a gift from a Karol baug stationary trader, the <em>dak-dak</em> of the fan above, the filtered sunlight from the concrete <em>jali </em>exposing the dusty layer on the counter where Paritosh stood trying to make sense of the situation. Of late he had begun to enjoy these excursions in these old government departments. Even though things got done at its own pace, he found them more honest than the new corporates offices that pretended to be clean and efficient.</p>
<p>The exercise was becoming frustrating now. The maps were either out of print, or out of stock or restricted. He tried hard explaining to the clerk that the maps are important for his research but he was not moved at all. Moreover the the clerk was getting more and more irritated by him and in a second snapped; “the Government is not making maps for you. Moreover with the security concern these days, do you think we will give all these to the terrorists on a silver plate. Do you know these maps were measured by the British and Indian engineers for years together and are some of the finest maps in the world? Do you know that we have details in 1: 5,000 where you spot the difference between a cow and a buffalo. Sir <em>aap naye lagto ho yaha pe</em>. <em>Yeh map jo aap ko chaiye restricted hain</em>. <em>Appne</em> department <em>walo ko bolo ki</em> letter <em>likhe</em> Director saheb <em>ko</em>. <em>Aesai nahi melete yeh </em>maps. Proper channel se <em>aaiye</em>!” (Sir, it seems you are new. These maps are restricted. Tell your department people to write a letter to our director. You cannot get these maps like this. Please come through proper channel)</p>
<p>The clerk was merely following orders, Paritosh said to himself. “Maps of a cities are very informative and important and hence the secrecy around it. They are perhaps the instruments that can be used by some evil minds to blow up our cities or worse occupy India or perhaps these guys are just purely <em>sarkari </em>and hence do not want to help. Maps are not my right, are they? Maybe I am being too naive in thinking they will give them to me”. Soon enough though, he discovered the “proper channel” to get them.</p>
<p>The state is the proprietor of the “scientific” and “authentic” imagery of the space. It is perceived to be so important and authentic that it is denied to common citizens. The accuracy of the documentation is in fact an important condition that becomes the reason why the state is perceived to be in the position to decide future development, present taxation and other policies applicable to various parcels of land. The claim to scientific accuracy coupled with secrecy is a potent combination that a state perhaps deploys to control space. Maps are the perfect instruments of such control, not to forget many others like Census data, Archaeological information, Geological data, etc.</p>
<h3>The map as a state function</h3>
<p>Maps have traditionally been associated with the state in the form of local government bodies, its survey departments and scientific arms. The initial mapping exercises in India for example were efforts as part of the larger objective to control and rule over the colonized territory by the East India company and then the British empire. The first survey of India during the 18th century was carried out by the Army of the East India Company. The survey themselves were done under various categories such as revenue survey, topographical surveys, economic survey, The reliance on the correct scientific methods for accuracy and speed were important considerations. For example the use of geodetic survey by Colonel William Lambton while initiating the “Great Trigonometric Survey of India”. The British took extreme pride in their work, as evident by the words of A. S Waugh the Survey General of India, “This magnificent Geodetic understanding, which at present times extends from Cape of Camorin to Tibet and from meridian of Calcutta to that of Kashmir…”. The survey amongst other activities of documenting was in some sense concerned with the efficient management and utilization of all the resources. This was also the means by which the “native” population was dominated both at economic and cultural realm. The idea of the superior western scientific culture that is extremely accurate, precise and understands the geography of a place (unlike the uneducated locals) got further reinforced in the process of surveying and production of maps. In the process the rich history of the Indian traditions of geographical representation was perhaps seen as inaccurate and not scientific and hence not of much use. The older traditions of maps making were perhaps almost forgotten and relegated to background.</p>
<p><img src="https://cis-india.org/home-images/map_susan_sawai300x213.jpg/image_preview" alt="Fig 1: Historic Map: Sawai Madhavpur" class="image-inline image-inline" title="Fig 1: Historic Map: Sawai Madhavpur" /></p>
<p>Fig 1: Historic Map: Sawai Madhavpur</p>
<p>The above image is a historic map of Sawai Madhavpur old town indicating the water management and engineering plans for the area. Notice the qualitative visual description in the map by the use of colors, textures, text and landmarks. The visual representation techniques are consistent with the place, expressing the qualities of space.</p>
<p><img src="https://cis-india.org/home-images/map_2.jpg/image_preview" alt="Image 2" class="image-inline image-inline" title="Image 2" /></p>
<p>Fig 2: Historic Route Map; Shahjahanabad to Kandahar</p>
<p>Fig2 shows a more utilitarian map for finding ones way from Shahjahanabad to Kandahar; a route map. The route is abstracted as a straight line and important landmarks and rest areas are marked on the line with description as to what to expect. A very creative expression indeed; the map expresses the challenges of the journey.</p>
<p><img src="https://cis-india.org/home-images/map_susan_puri300x162.jpg/image_preview" alt="Image 3" class="image-inline image-inline" title="Image 3" /></p>
<p>Fig 3: Map of Puri</p>
<p>Above is a beautifully painted map of the religious town of Puri. It shows the temple complex and also expresses the context of its existence; the mythological stories, the festivals, wars and imagined position of the town in the regional geography of forest, animals and water bodies. It expresses the geography in a poetic fashion loaded with anecdotes; much the way in which common people understand it.<br /><br />All the three maps are from the book “Indian Maps and Plan: From earliest times to advent of European Surveys” by Susan Gole, Manohar Publisher, 1989, New Delhi. These maps are very different from the survey maps that the British made in India. Obviously the later is based on accurate ground survey hence claims to be true representation of the exact physical condition as it exists on the surface of the land. The older maps on the other hand, almost always told the story of the place, its people and their belief systems. They were perhaps more contextual to the place and not merely physical representations.</p>
<p><em>Interestingly enough the surveyed map of the British India also became the basis of the partition of India and Pakistan. In some sense the arbitrary line drawn on a piece of map for the partition of India leading to displacement of some 12.5 million people and perhaps a million deaths, demonstrates the power of the “scientifically measured maps” in the hand of few</em></p>
<h3>Maps for National Identity</h3>
<p>The British maps were part of the large legacy, India received apart from efficient Railways, Post and Telegraph, Census and so on. But maps were important as they were the tools for forging a new national identity at one level, but also the tool to reinforce cultural identity (especially language) through drawing up of new sate boundaries. The map was the mediator of the imagination of our territory; “The Indian subcontinent extends from the great high Himalayan mountains in the North, seen here as green undulations to the tip of the Southern coast of Kanya Kumari where the three seas meets”, as said by our school geography teacher. The good old map was the perfect companion of the children that had to be taught about the diversity of India, its flora, fauna, people and their distinct culture. We grew up imagining a lot of India through these maps. It was the tool for national integration at one level and for reinforcement of regional and state identity at another level.</p>
<p>Apart from the fact that all the maps that were available in the pre-internet era had similar visual quality (and seem to be offspring of the mother map), the information of the map was essentially the function of the state. The state was the surveyors, authenticator and producer of these maps. Access to maps is not necessarily your right. The state has the right to refuse to general public the sale of map of certain areas like restricted border zone till this date.</p>
<p>The state was central to the imagination of national, state and city spaces which as mediated through maps.</p>
<p>More often than not, maps became the medium in the hands of the state to “teach” or orient the citizen of India the wonders of India, like the uninterrupted Himalayan mountain ranges, holy rivers, western ghats and the long coastline. Maps really were seen as important means for maintaining national identity and pride. Apart from their symbolic value maps also had some practical value for navigation and locating spots.</p>
<p>Maps were essentially line drawing with or without color fills. The natural features were depicted using various graphical hatch like the grasslands, marshes, water or hills. Transportation networks depicted through different thickness or type of lines; the broken one for pedestrian trails, the toothed one for the railway line and so on. Essentially elegantly abstracted diagrams of space in the true tradition of cartographic representation as perfected by the Western World. It is obvious that depiction is abstract and refers to space that exists which you wish can visit to see, feel or touch if need be. The medium that carried this visual were also varied but the image was more or less constant. For example school textbooks, stand alone maps or maps of various government departments to name a few. The visual construct of the map had many constants like use of lines, fills, landmarks, natural and man-made features to name a few.</p>
<h3>Why in some culture people prefer asking direction than use maps?</h3>
<p>Use of map to find directions is essentially the result of the western modernist framework where the individual is the center in the imagination of the society. The individual with his preference, freedom and choices has to be preserved at all cost. The self becomes the center of existence and must never be violated. The use of map to navigate in cities or countryside is the perfect way of preserving the “self” in a public domain. Why be dependent on the advice of the person on the street when one can get the job done in a more efficient fashion? In contrast to this people in many other cultures love to ask directions and most like to give direction in most animated and excited fashion. There is no fear or shame in asking directions, and in bargain people often strike a conversation about family and kids. This chance interaction, the meeting of strangers, the conversation about life, the meeting of the eye and a shared smile is the glue that binds our cities and creates the public realm. The “public” of cities is not defined through spaces alone but how people interact on the streets. The reliance on people rather than a piece of paper for locating oneself in city space is a symptomatic case, that very much explains the nature of our cities.</p>
<p><strong>Indian cities are as much defined by community action in public places as much by their form. The conversation with strangers or casual acquaintances on the road is the glue that perhaps binds the Indian cities.</strong></p>
<p>The other issue that gets raised is about how people, their verbal description, and animated gestures are preferred to visualize a route or landmark in space of cities. So the imagination of space is not always mediated through the “top view” of a map. The personal interpretation and description are as important as the spatial triangulation.</p>
<p>The use of place-markers, text and pictures in google maps and similar such sites seems to be mimicking this aspect of the city; the opinions of people, their memory and impressions.</p>
<p><img src="https://cis-india.org/home-images/incometex300x212.jpg/image_preview" alt="Image 4" class="image-inline image-inline" title="Image 4" /><br />Fig 4: Users Opinions in Google Earth</p>
<p><img src="https://cis-india.org/home-images/Picture1300x187.png/image_preview" alt="Image 5" class="image-inline image-inline" title="Image 5" /><br />Fig 5: The users view on Google earth</p>
<p>All of a sudden we are able to hear people in maps. This is an important development and needs further examination. The fundamental attitude is towards looking at our surroundings; in this case from the top. The “gaze” is an important conceptual phenomenon that will be need to be accounted for while understanding the deployment of any such image as a way of exploring geographical space. <strong>“The gaze is outside; I am looked at, that is to say, I am a picture”</strong> (Lacan, 126).</p>
<p>These maps (Figure 4 & 5) as such show the worms eye view superimposed on the bird eye view. The individual interpretation in space which is common (Cities; belongs to all) is a consistent pattern that one finds in most of the geographical representation of space on the internet. Two conditions come together here; the representation (in this case a satellite picture) of space that claims to be accurate and neat along with individuals marking there engagement with the same.</p>
<p>In some sense it (satellite maps on internet) presently represents two extreme scales; that of a large neat space of the city and the individuals readings of the space. <strong>Maps have, after a long time broken from the clutches of the state</strong> but still do not necessarily connect with larger social cultural processes of the city like the old maps did. It is still “work in progress”, but offer immense opportunities in creating representations of space that can tell lot more stories of our cities. Like many other mediums that have transformed due to the internet (like collaborative music, videos etc), there seems to be a possibility of creative expressions in generating new maps that may represent the rich vitality of our cities.</p>
<p>Maps perhaps were never tools to find directions. Are they not the story tellers of a place?</p>
<h3>References</h3>
<p>Gole, Susan. Indian Maps and Plan: From earliest times to advent of European Surveys, Manohar Publisher, 1989, New Delhi</p>
<p>Lacan, Jacques. What is a Picture? in The Visual Culture Reader by Mirzoeff Nicholas. Routledge, 2002. New York</p>
<p>Read the article in <a class="external-link" href="http://www.pratyushshankar.net/blog/internet/">Pratyush's Blog</a></p>
<p>
For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/geography-imagined'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/geography-imagined</a>
</p>
No publisherpraskrishnainternet and society2011-08-02T06:06:43ZBlog Entry City in the Internet 1: Geography Imagined (Part 1)
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/city-in-the-internet
<b>“The estuaries that flirt with the land mass before they finally perish in the vast deep blue ocean beyond were perfect in their shape and grace. And you know what; from top it appears like a surreal landscape that is so restive and peaceful, almost heaven. The countryside is actually very beautiful”, says Pratyush Shankar in his latest blog post. A random conversation between two person discovering the joys of seeing our existence through Google Earth!</b>
<p>The use of maps through the Internet has seen a many fold increase in recent times. With availability of satellite information to anyone through various websites we are witnessing a sea change in the manner in which our space (cities, countryside and landscape) is being gazed upon. This is an important time historically, as it has the potential to fundamentally alter our imagination of space; right from the scale of a country to our neighbourhood block.</p>
<p>The Internet today is perhaps right in the middle of such mediation of the city and people. The Google maps, satellite imagery, road maps, place markers, are leading to a re-imagination of our own environment. Let us try and explore some of the key concepts that gets raised in the process of such expressions of space and its mental constructs. This is the part one of the essay and by the end of the next post I will try and speculate its impact on city spaces (yes the real space!)</p>
<h2>Story 1: Geography is sensed and lived in</h2>
<p>As a child growing up in a not so small town of Kota, Shailendra and his group of friends swore allegiance of silence and if needed deceit when it came to their weekend forays outside the city; a swim in the river Chambal. The swim was a big no-no for kids, as stories of people being washed away in the strong current of the merciless river that had steep banks, were drilled into every potentially aberrant child of the town. If not the force of the water it definitely had to be the crocodiles that wait for days together, at the dark bottom of the river for that one sweet sound of a child swimming above. After that it is only gore and blood. But Shailendra and his friends could not resist the temptation of a good swim in the cool water. He often boasted about his dives and his long swims and that he saw a crocodile come his way but swam faster than that wretched creature. And some time during a leisurely mood as he and his friends sat on the banks of the river, smoking Charminar with the Chambal swiftly passing below, he spoke about his dream of leaving this small city of aunts, cousins, family festivals, marriage, river and crocodile for the “big city”; the city of lights, new friends and endless possibilities. This is how he understood his city; small, protective and the big river on its periphery. The city was compact, the river dangerous, the slopes of the city lead to a valley which had rich but soft soil; not so perfect for foundations of buildings but great for mango orchards they frequented last summer. The orchards were owned by the Garasia’s, the land owning class of the villages around, and they made good money. They could marry off their daughters to neighboring villages and throw a lavish dinner for the community. Not bad at all, he thought considering the fact that this community had small land holding and almost no access to credit . Further downstream the villagers were much richer. The Patidar community here had access to capital from their ancestral assets and strong community networks as they used the river water for intense irrigation; they grew basmati rice, export quality very much “Made in India”. Their sons studied in boarding school at Mt. Abu and would often show0ff their recent shopping booty from Mumbai or Delhi. Enough land and plenty of water can do wonders he thought!</p>
<p>Shailendra and his friends understood the geography as much as they understood the economic processes that are associated with land and water all across the length and breath of the country. The agricultural modes as linked to the geography of land is as common a knowledge, as the fact that one has to remove slippers before entering the temple premise. The geographical understanding of a place or region is necessarily one of soil, surface drainage, river, canals and how it impacts building and agriculture activity. This is true for most souls of the large number of villages and towns of India. The geography taught at the local school’s is as abstract and distant as Galelio’s invention of telescope or closer home the 1857 mutiny against the British. Land is understood through immediate examples that affect and lets us understand the structure of space around; the relationship of land, its water bodies, forest, its produce, livestock, agriculture and people. It is this web of relationship that provides the primary reading of landscape. A reading emerging from survival and dreams. An understanding that is bodily and involves all sense.</p>
<h2>Story 2: Geography is contested</h2>
<p>The push and the subsequent fall was bad, considering the fact that it was only suppose to be a friendly game of football with the boys from the municipal school. Pyjama chhap; that’s what Ajay used to call these boys. Ajay knees were badly bruised, something he had got used to since he joined the school football team. But the injuries and the resultant bandage were in fact trophies he did not mind showing off in his neighborhood. Sweet pain eh! But today his encounter with the boys from Municipal School no -32, Kandivalle in the football match left him a bit shaken. There was something about that push, something strange in the eyes of the boys who did him in. No apology, no shake of hands but a brutal look as if that bunch might kill him if he come anywhere close to them. Ignoring the skirmishes, he soon carried out with his show of bandages in the knee and slight limp in school; a typical John Travalto one. This had been a regular ritual he performed often to woo the girls of the class, a show that said “I am the Alpha male and have just returned from a battle where I proved my supremacy. I am broken here and bruised there. Some sympathy, some support, some sweet nothing talk or maybe a gentle caress might help”. And life goes on. A daily ritual of updating the facebook profile, completing the homework, sourcing the “ultimate porn”, avoiding dad, recharging the sim, football practice and girls. </p>
<p>Life rolled on till the day Ajay was again confronted with the same pyjama chaap kids of the Municipal school. This time it was beyond the security of his school compound in the market street exposed to the elements. The same dirty look and menacing stare. He tried to smile but before he could realize the one in the center with a dark face and curly hair shouted “matherchod bahut shaana ho gaya hai tu” (mother fucker you have become too smart these days). Now this one was a pure googly. Ajay was stumped, confused and more than anything else he was sweating with fear. Why me and why here in full public view. But..but what is the matter boss, he said? Matter is very clear, said the other one with a squint eye; your dads behind eviction of two shops, one house, three families and four dogs. You assholes have brought these families to street because your dad brought the municipal bulldozers to clear the plot in front of his clinic so that he can plant trees and have a nice parking for his clients. Now this was heavy… very heavy. Ajay just could not fathom why it had to be him. And.. and what is in that piece of land anyways. A large neem tree, dusty rough surface, some shanty and a nullah flowing with the exposes water pipe.</p>
<p>The encounter lasted a few seconds but it was devastating. He ran to the comfort of his house and immediately asked for hot masala maggie. Oh sweet home; it felt so good to curl up on the couch, switch the channels of the television, check the emails; all so personalized and predictable. He wanted all the familiar comforts that day…</p>
<p>Ajay soon outgrew the incident and went about planning his daily inaction’s, weekly bunks and occasional dates. But that incident also changed him. He had a keener eye now, for both sensing trouble and also to things around him he earlier had failed to notice.</p>
<p>He understood how the rivulet that flows from the ghats to the sea, actually is the life line of some twenty thousand families that stay there with their dogs, cats, shops, scooters and some even cars. He knew that the mangroves of the city are now piece of trophy used by the environmentalist to rally for protection and stop the International Airport project. He knew how the Mumbai floods were actually man-made as subsequent corrupt municipal officers choose to ignore the fundamentals of topography and water. That is how he learned about the geography of his city; from being absolutely ignorant about his surroundings, he suddenly knew how his city is the space of conflict, of emancipation, deceit, opportunity and corruption. The fractured geography of his city told the story of survival, human ingenuity and violence.</p>
<h2> The “image from top”</h2>
<blockquote>“The view of the Earth from the Moon fascinated me—a small disk, 240,000 miles away. It was hard to think that that little thing held so many problems, so many frustrations. Raging nationalistic interests, famines, wars, pestilence don’t show from that distance”<br /></blockquote>
<blockquote>
<p>Frank Borman, Astronaut aboard Apollo 8, ‘A Science Fiction World—Awesome Forlorn Beauty,’ Life magazine, January 1969.</p>
</blockquote>
<p>The view of the earth from moon and satellites in the late 50′s and 60′s contributed to imagination of the planet as an artifact that is small, vulnerable and alone in space. It fed a whole generation of activists, scientist and media to speak about the earth as a unique place. The image of earth with its deep blue surface, clouds and spots became the single most important symbol that fueled the the hearts and minds of the generation, that questioned the development model of the western world. It attacked the core values of modernity and growth that was drunk on technology, performance and confidence to master the elements of nature. But at the same time, it hearled a very different way of reading space. Riding on the growth of both print and visual mediums it led to an explosion of imagery that showed the “God’s view of the earth”. A fantastic collage of calm blue oceans, neat forests and swirling clouds streams. The good old map that existed in Geography- II textbooks of schools were so boring now; way too abstract and almost a diagram.</p>
<p>That old maps did not inspire any spatial imagination but it did have these lines where none existed. The straight lines of longitude, the dark red meridian, the political boundary of nations, the dark circular one of the capital city. And yes the arrows; the ones showing the direction of the ocean current, swirling all around the blue waters. Maps are much maligned lot these days. Often seen as expressions of the intent to document, control and exploit the land that was colonized by them, maps were instrument of power struggle in India and elsewhere. But they do exist amongst us like many other colonial legacies. Maps are provocative, they express an opinion and engage with the user to form a dialogue of questions and answers. For example the map of Delhi metro is statement of origin-destination possibilities of the large city. A statement of the state of flows and possibilities for movement of one self in the space.</p>
<p>Maps are a statement of processes of space which may or may not express visually. For example the map showing the per-capita consumption of cereals in a district, may or may not manifest as a form. It is the story of the people, their ability to access food supplies etc.</p>
<p>The map is telling a story that made you develop an imagination of space. The satellite image leaves nothing for imagination.</p>
<p>But the view from top has often been perceived to be the real space; as it actually exists. Unlike maps that are either surveyed and drawn, Google Maps and such derivatives on the internet today use an “image from top” as a basic conceptual ground to explore space. Let us now try to deconstruct this phenomenon further.</p>
<p>The image of space below taken from top is important from the point of view of creating grounds for further information. The image pretends to be complete, authentic, accurate and real. There is no possibility for error. The camera are special, there lens accurate, the satellite is state of art and the image is not “photo-shopped”. This portrayal assumes that the visual image is the baseline reality to be recognized. The image then claims to be “the” window to reality and becomes the mediator between the person and his/ her imagination of the surrounding space. Unlike maps wherein the first cut documentation is a bodily involvement of people with space while conducting physical surveys, it is the snap of the camera in case of satellite images. Whereas it is common knowledge that ground physical survey are way too accurate in terms of their dimensional characteristics, the “image from top” are seen to be more closer to reality. This raises interesting questions from the point of view of our understanding of space be it the forests, oceans, rivers, countryside or cities.</p>
<p>Will the dependence on the image (satellite pictures) and its derivative maps that we are witnessing through the internet today for visualizing space lead to a viewer that is satisfied with the “happy” image of his surroundings? Does it mean that the visual (image) becomes more important than the “process” (be it processes of nature, human survival, achievement etc) when imagining space. In short are the meanings attached to the image limited now than before.</p>
<p>So are we headed towards a more homogeneous imagination of our space and its parts due to the mediation by the same image through the internet? The forest are dense, the plantations greens, the coastline smooth, the old city organic and water bodies are deep blue.</p>
<p><strong>Wait! The story has a new twist</strong></p>
<p>But there is something also happening to the image on the internet. There are place markers, text, suggestions, stories, links to other site and even pictures overlaid on the satellite images or its maps. The story is getting interesting now; the technological possibility of user participation is creating a new layer of information and opinions on the maps. Far from being a specialized cartographic exercise, maps are being now created by people. It expresses their impressions, choices and preferences about their space.</p>
<p><strong>This phenomenon of the individual expressions over the expanse of the vast space is new and needs to be further understood. More about it in the next post…..</strong></p>
<p>
For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/city-in-the-internet'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/city-in-the-internet</a>
</p>
No publisherpraskrishnainternet and societycybercultures2012-03-13T10:43:50ZBlog EntryThe Binary: City and Nature
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/the-binary
<b>A continuation of the last post wherein I am looking at various other representation of the city in both classical and popular medium, today I am writing my views on the analysis of certain Miniature paintings.</b>
<p>You might think why do I not come to the point of looking at the Internet and the City ? I am trying here to look at generic aspects of representation of 'cities' in other mediums as well. The aim would be to understand both historical as well as contemporary popular patterns in such representations. Other mediums such as cinema, television and print are well documented and one could look into secondary studies to understand patterns within representation of space in general and city in particular. So a first hand study of various miniature paintings, can help us tease out the issues associated around representation of space. I am assuming the conceptual basis of a representation might be same irrespective of medium or sometimes even time period. For example, I have listed out how the juxtaposing of different context in one fictitious representation in street posters is an important phenomenon that aims at lifting the present state of imagination to a different level/ world whereby creating a condition far removed from the context of its production but still very much part of us. See the first report for an elaborate account of posters and textbook representations.</p>
<p>Miniature paintings of various schools within India (Rajasthan, Kangra, Madhubani) have been an important documentation on the life and times of the place and its people. I have picked up the Rajasthani Miniature tradition to try and understand issues around representation of the city. Let me clarify on what I mean when I refer to a “city”.</p>
<p><strong>City as a Cultural Concept</strong>: A settlement with its houses, streets, public buildings and markets, etc., is the stage for a complex social, economic and political negotiations. It is the arena where individual and groups are constantly engaged in charting, modifying and testing ideas of production in material or non-material terms. It is the place, where people with different skills, varied cultural background and divergent belief systems come together to forge a common identity and yet retaining something of their own connecting them back to their “native” town. Yes, it is still not very uncommon to be asked about ones “native” in public schools in India.. A question that tries to locate you with your region irrespective of your present identity. This meliu of different people, contradictory systems and varied aspirations creates a state of constant negotiations and flux that gives rise to what we call as the ingenuity of a city; be it arts, literature, engineering, performance or governance. So city really is not about size or spread or population. It is really about a set of relationship that shows immense complex attributes of social and material culture in a limited space.</p>
<h2>Readings from Miniature Paintings</h2>
<h3>Imagined Geometry in a City</h3>
<p>Cities are represented through use of geometry; a man-made system to organize and visualize the surroundings. Geometry becomes the basis to attain clarity. With the absence of perspective, the use of geometry becomes even more creative and division of paintings into various planes allows immense variation of expressions. But part of the city like streets, sidewalks, palaces, houses are all neatly placed in geometrical orthogonal planes. The character of the space is then attained not by photographic representation but juxtaposing and shifting of planes. The reliance of geometry for creation of the image is not only utilitarian but symbolic as well. It is in fact a statement on how they perceive the city and the surrounding nature. <strong>Geometry complements what is missing in nature.</strong> A visual order that is <strong>predictable and symbolic of the human will</strong> in face of harsh unforgiving surroundings.</p>
<p>Thus, the creative play of planes creates <strong>a sense of illusion, mystery and spontaneity usually associated with Indian cities</strong>. These paintings are a good example of non realistic expressions of the space that capture the spirit of the place from both spatial and cultural perspective. The <strong>question of modes of spatial representation and its relationship with the physical space</strong> is one that even concerns our study when we discuss how cities are represented on the Internet.</p>
<p><span class="Apple-style-span">
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<th>Figure 1 Geometric Clarification </th>
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<td> <img src="https://cis-india.org/home-images/Figure1.jpg/image_preview" alt="Geometric Clarification" class="image-inline" title="Geometric Clarification" /></td>
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<h3>Nature and the City</h3>
<p>Similar to the search in posters, I tried to look for a very fundamental relationship of cities with nature in the Miniature painting traditions. It becomes very obvious, while pouring through different painting styles of India that city and nature were posited in a binary relationship. Nature is the anti-thesis to the city. Nature was wild with dense forests, dark clouds, water and animals whereas cities were organized by citizens.</p>
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<th>Figure 2 Representation of Nature</th>
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<td> <img src="https://cis-india.org/home-images/Figure2.jpg/image_preview" alt="Representation of Nature" class="image-inline image-inline" title="Representation of Nature" /></td>
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<th>Figure 3 The Binary: City and Nature</th>
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<td> <img src="https://cis-india.org/home-images/Figure3.jpg/image_preview" alt="The Binary: City and Nature" class="image-inline image-inline" title="The Binary: City and Nature" /></td>
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<p><br />Nature was also the ground for forays by men and their army or the acetic but they all came back to the city. So <strong>city was the refuge</strong> for mankind and its civilization. Nature was wild, rich and also unpredictable. But still there are patterns in nature that humans understand; the waves of the water, the vegetation cover of the trees, the dance of the rains. <strong>Cities were the viewpoints from where nature that exists outside were seen.</strong> The dichotomy of the city and the surrounding forms the backdrop of most visual expression dealing with the space.</p>
<p><em>All pictures from Garden of Cosmos, The Royal paintings of Jodhpur. Thames and Hudson Publication</em>.</p>
<p>
For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/the-binary'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/the-binary</a>
</p>
No publisherpraskrishnaCybercultures2011-08-02T06:05:53ZBlog EntryInternet, Society and Space in Indian City: First Report
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/internet-society-space
<b>This is the first report on the progress of the research on Internet, Society and Space in Indian City. The post is a collection of some of the initial focus of these studies. I have started simultaneously exploring and testing various arguments and have listed some key observations from the ones that are nearing completion. </b>
<p><img class="image-inline" src="../../city-poster-10/image_preview" alt="City Poster 10" /></p>
<p>The idea of the relationship of Internet with space throws interesting challenges from the perspective of both the theoretical premises and actual research methods followed to tease out the issue. I have been exploring the following line of inquiry in the first month and a half of the research:</p>
<ol><li>To understand the broad patterns of representation of cities in Indian from both a historical (classical) traditions and contemporary popular practices</li><li>To derive the key hypothesis for the narrative research of the different persons leading to rendering of characteristics of the target group to be interviewed</li><li>To develop the method for researching issues of spacial transformations as related to mobility and change in land-use patterns<br /></li></ol>
<h3>Notes from Field Studies</h3>
<p>Representation of space in various mediums was of special interest to me, as it reveals a lot about our cities, both in terms of what physically exists and is imagined. The aim was to capture the ideas of such representations both in popular as well as formal/ classical mediums. The search started with the old part of Ahmedabad, which is the centre of trade and commerce for not only the city but also the region at large. A wholesale seller of books on medicine, the Navneet school textbook, the Anchor electrical switches, the Tullu pump motor and the Taparia screwdriver are all here in the old city. This part of the city is the heart, which supports life way beyond its own space.</p>
<p>The book wholesalers were of special interest to me as I was looking for the front page of the notebooks that kids use in schools. Unlike the time when I studied, the long notebooks these days are full of illustrations in the front and back cover. The bullet trains of Japan superimposed on the Eiffel tower of Paris, the natural environment and the deer chewing grass in strange oblivion, the view of the skyscraper of Singapore or a globe with a tree on top are all seemingly inconsequential images on textbooks these days. I was particularly interested in the ones that make a statement on the city and its parts or rather literally had a whiff of 'space'.</p>
<p align="center"> <img class="image-inline" src="../../city-poster-7/image_preview" alt="City Poster 7" /></p>
<p> The wall posters that are sold on the streets were also analyzed for the content and focus. The cheaply printed bright coloured posters are a wonderful reflection of our society and by virtue of their content, have a pan-Indian appeal. Salman Khan soaked in blood, Katrina Kaif with pouted lips, the solitary rural lady sitting below a pine tree with her head down and singing “When will you come back my love”, a idyllic rural street with bullock carts or the view of fort area of Mumbai are some such illustrations on these posters.</p>
<p>This particular study of popular modes of representation raises interesting questions from the point of view of perception of space both in terms of the actual lived in experience and the meanings attached to the same.</p>
<p align="center"><img class="image-inline" src="../../city-poster-1/image_preview" alt="City Poster 1" /></p>
<h3>The Nature and the Cities</h3>
<p>The yearning for nature or rather an apparent moral quest for some kind of a harmony seems to be a prevailing attitude in lot of the popular representation that I studied. The intensity of development is often proportionate to the 'prestineness' of the nature that surrounds it. Development is seen as a clean activity in the lap of nature! But on further examination one observes a consistent effort to juxtapose nature and city life in a binary relationship. Even though mixed up together to suggest a kind of romantic co-existence, the treatment makes it obviously as two different realms.</p>
<p align="center"> <img class="image-inline" src="../../city-poster-6/image_preview" alt="City Poster 6" /></p>
<p>The imagination of cities and nature as two different realms is an important concept and will be explored further.</p>
<p align="center"><img class="image-inline" src="../../city-poster-11/image_preview" alt="City Poster 11" /></p>
<p>I will return to it while describing similar city representation patterns in the historical classical traditions such as Miniature paintings.</p>
<h3>The Made-Up Context</h3>
<p>The range of representation needs further examination from the point of view of the perception of cities and its spaces. Large numbers of posters were actually an interesting collage that somehow brought together picturesque images of iconic building from around the world in a kind of new juxtapositions. </p>
<p align="center"><img class="image-inline" src="../../city-poster-9/image_preview" alt="City Poster 9" /></p>
<p>Authenticity does not matter, nor does context as long as it is reflective of the ‘developed’ countries. Iconic buildings like the Eiffel Tower, Sydney Opera House or Mumbai VT terminal capture the imagination of the people as symbols of human habitation. But what is more important is the fact that these symbols almost purposefully are far removed from the context in which they are produced and consumed. This is interesting as by the virtue of its cultural, spatial and contextual differences, the representations have a dream or unreal aspects to its existence. This feeling of disconnect and the unreal is important in this form of representation as it floats as an imagination that should never ever come anywhere close to reality; A space which is so fictitious that it hardy needs to connect at all with the physical world. Similarly, many posters tried to portray the romance of the rural life of India.</p>
<p align="center"><img class="image-inline" src="../../city-poster-8/image_preview" alt="City Poster 8" /></p>
<p align="center"><img class="image-inline" src="../../city-poster-4/image_preview" alt="City Poster 4" /></p>
<p>The lady waiting for her lover, the village hut and the bullock cart drawn not as a reality but as symbols, juxtaposed to remind its viewers the virtues of the rural living. The caricatured symbols of rural life that are shown in these illustrations elevate the production into a fictional and surreal space that is far removed from cities where it is consumed and also very different from the vast hinterland of the country that they pretend to represent. This hyper and almost mythical representation of space is a very important condition to all these illustrations leading to interesting questions of how our city spaces are imagined. It seems that this fiction or rather the surrealist attitude is very important aspect in popular imagination of space in the Indian context.</p>
<p>
For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/internet-society-space'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/internet-society-space</a>
</p>
No publisherpraskrishnainternet and societycybercultures2011-08-02T06:06:25ZBlog EntryIT, The City and Public Space
https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/Introduction
<b>In the Introduction to the project, Pratyush Shankar at CEPT, Ahmedabad, lays out the theoretical and practice based frameworks that inform contemporary space-technology discourses in the fields of Architecture and Urban Design. The proposal articulates the concerns, the anxieties and the lack of space-technology debates in the country despite the overwhelming ways in which emergence of internet technologies has resulted in material and imagined practices of people in urbanised India. The project draws variously from disciplines of architecture, design, cultural studies and urban geography to start a dialogue about the new kinds of public spaces that inform the making of the IT City in India. You can also access his comic strip visual introduction to the project at http://www.isvsjournal.org/pratyush/internet/Dashboard.html</b>
<p></p>
<p style="text-align: justify;"><strong>Introducion:</strong></p>
<p style="text-align: justify;">There has been, in the fields of design and architecture, a close link between the shape and imagination of the city spaces and the dominant technologies of the time. The study of space (Architecture, Public places and City form) can lead to very interesting insights into the expression of the society with respect to the dominant technologies. Manuels Castells argues that space is not a mere photo-copy (reflection) of the society but it is an important expression. Fredric Jameson, in his identification of the condition of post-modernity demonstrates how the transition into new technologies is perhaps first and most visibly reflected in the architecture, as physical spaces get materially reconstructed, not only to house the needs and peripheries of the emerging technologies but also to embody their aesthetics in their design and built form.Earlier technologies have led to new understandings of the notions of
the public and commons. Jurgen Habermas argues, how the emergence of print
cultures and technologies led to a structural transformation of the public
sphere by creating new and novel forms of participation and political
engagement for the print readers. Within cinema studies in India, Ashish
Rajadhyaksha and Madhav Prasad have looked at the ‘cinematic city’ - how
material conditions of the city transform to house the cinema technologies, and
how the imagination of certain cities is affected by the cinematic
representations of these spaces. Mike Davis’ formulations of an ‘Ecology of
Fear’ and Sean Cubbit’s idea of ‘The Cinema Effect’ also show the integral
relationship that technologies have with the imagination and materiality of
urban spaces.</p>
<p style="text-align: justify;"><em>Research Area: </em></p>
<p style="text-align: justify;">The rise of the Internet in India in last decade poses interesting
questions concerning ways of studying city spaces and its architecture. The
Internet evokes and represents space in more than one way. Communities that
represent the present urban social processes often mediate this visual and
textual reference to space on the Internet but it is also an unwitting
expression of way people choose to imagine their city, its places and its built
form. It is important and pertinent for example to understand how Internet
communities choose to abstract their own city through various direct or
indirect discourses. The following will be the key questions</p>
<p style="text-align: justify;">·
It will be interesting to observe how the idea of
a city gets represented on the Internet through both intended and casual
references. For example is the City seen as a finite clarified artifact (as
many political leadership would like us to believe) or is it seen as complex set
of relationships or systems of places.</p>
<p style="text-align: justify;">·
How does the city get represented through the
Internet with reference to its regional physical context (both geographical and
cultural landscape)? Such an enquiry can help us in knowing how representation
of city through the Internet acknowledges, neglects or fails to read its
relationship with the local fundamental conditions<a name="_ednref1" href="#_edn1"><span class="MsoEndnoteReference"><span class="MsoEndnoteReference">[i]</span></span></a> (of topography, water and
culture)</p>
<p style="text-align: justify;">The actual morphological context of the city will then become an
important precursor for such an enquiry. The structure and flows in the city
have often been compared to the Internet itself in popular discourses. This
assumption can be further analyzed through spatial study of the city as a node
in large region and as many several nodes within the city itself. The idea of
Spaces of Flow in metropolis cities and places as nodes serving the flow has
been very well articulated by Manuel Castells at a generic level. The issue of
place<a name="_ednref2" href="#_edn2"><span class="MsoEndnoteReference"><span class="MsoEndnoteReference">[ii]</span></span></a> and its representation
(through internet) can be another area that can offer us very interesting
insights into the relationship between the Cartesian and imagined space. The
evolution of a new graphic language on the Internet needs closer examination
from both its use of spatial symbolism as well as its impact on urban space.</p>
<p style="text-align: justify;">However the contextual issue of an Indian idea of space will becomes
the important narration as a background to such studies. This inquiry needs
examination from a more contextual point of view: from both geographical
(nature of cities) and building typology perspectives (spatial and programmatic
types)</p>
<p style="text-align: justify;" class="MsoCommentText">The
following questions will be investigated further</p>
<p style="text-align: justify;" class="MsoCommentText">a.
How do the current Internet technology, processes
and language reflect in Architecture and urban spaces of cities?</p>
<p style="text-align: justify;" class="MsoCommentText">b.
Will the form of the City and its Architecture understood
any differently now<a name="_ednref3" href="#_edn3"><span class="MsoEndnoteReference"><span class="MsoEndnoteReference">[iii]</span></span></a>?</p>
<p style="text-align: justify;">The relationship between the building skin and spatial typology of
some recent architectural and urban design project can form an interesting
narrative to understand these issues. Here the issue of urban and architectural
lighting, signage and graphics can be examined more closely and hence a study
of the building skins and typology. The other largely ignored area of study
concerns the role of the Government of India with the Internet. When was the
last time we visited the railway reservation center to get a ticket or stood in
a queue for hours to be the first on the window? Many Indians still do, but for
many an Internet based on-line tickets reservation site largely substitutes
that experience of the place (railway reservation center), people and the early
morning tea on the gate. This needs closer examination from point of view of
understanding the transformation and gentrification of some of the most
democratic public service spaces in India such as the Railway stations, Municipal
offices and banks. Apart from the material practices of the people, it is
interesting to see how the integration of technologies within various urban
governance practices affect the way in which cities morph, develop and change.</p>
<p style="text-align: justify;"><em>Methodology: </em></p>
<p style="text-align: justify;" class="MsoCommentText">The
aim is to engage with the spatial context of Indian cities while teasing out
issues of the cultural phenomenon associated with the Internet. The following
will be the key methods used in research</p>
<p style="text-align: justify;" class="MsoCommentText">·
To identify and narrate the social structures and
processes that engage both with the intangible (meanings, symbols,
communication etc.) and the tangible (morphology, structure, geography) in
select Indian cities. This elaboration will form an important theoretical
premise specific to further understanding space in Indian Cities. </p>
<p style="text-align: justify;" class="MsoCommentText">·
To document stories of individuals and groups of
the city that demonstrates the typical changes that are taking place in various
social and economic processes as related to the Internet. The aim will be to
address both the tangible and intangible aspects while narrating the stories</p>
<p style="text-align: justify;" class="MsoCommentText">·
To map the spatial implication (structure and
nature of spaces) of the above mentioned changes on the city</p>
<p style="text-align: justify;" class="MsoCommentText">·
To derive a broader narrative while weaving
through different stories, that attempts to address the issue of Internet,
society and space in Indian Cities</p>
<p style="text-align: justify;">The research can be largely narrated through documentation of such
representative situations but will require a clear articulation of the
theoretical premises at the onset.</p>
<p style="text-align: justify;">A review literature chapter which specifically marks the different
contours of city-technology relationship – from IT cities which are planned to
house technologies, to SEZ’s which emerge as new forms of technologised cities,
to the gradual transformation and restructuration of city spaces and publics
would also be undertaken. Moreover it will combine the contextual based study
of cities, their public place and Architecture along with studies of the
discourses on the Internet. The project will look at different actors who play
an active, but often invisible role in the transformation of these spaces.</p>
<p style="text-align: justify;"><em>Dissemination and Outputs:</em></p>
<p style="text-align: justify;">The project shall bring forth a monograph (approximately 50,000 words)
that looks at a relationship between internet technologies and the city with a
historical perspective, in order to explore the notions of public, built form,
city spaces etc. within the Indian context.</p>
<p style="text-align: justify;">A journal paper that engages with the contemporary discourses in
Architecture and produces a new theoretical formulation of the city-technology
relationship.</p>
<p>
Part of the research
method could possibly include an elective course or workshop at CEPT University
to tap on variety of narrations through different students to strengthen both
the premise and contextual focus of the study.
<br /></p>
<hr align="left" size="1" width="33%" />
<p>
</p>
<div id="edn1">
<p class="MsoEndnoteText"><a name="_edn1" href="#_ednref1"><span class="MsoEndnoteReference"><span class="MsoEndnoteReference">[i]</span></span></a>
This is to say that city form and its perception is very much a result of the
both the local geographical and cultural context</p>
</div>
<div id="edn2">
<p class="MsoEndnoteText"><a name="_edn2" href="#_ednref2"><span class="MsoEndnoteReference"><span class="MsoEndnoteReference">[ii]</span></span></a>
“Place” can be defined through both space and character of an area and where
the human experience is important. We experience places and hence understand it
as they hold different processes and meanings.</p>
</div>
<p class="MsoEndnoteText"><a name="_edn3" href="#_ednref3"><span class="MsoEndnoteReference"><span class="MsoEndnoteReference">[iii]</span></span></a> So
does the presence of Internet in our lives impact the way we begin to
understand the Architecture of our city?</p>
<p class="MsoEndnoteText"> </p>
<p class="MsoEndnoteText"><strong>Bibliography</strong></p>
<p class="MsoEndnoteText">Venturi, Robert. <em>Learning from Las-Vegas : the forgotten symbolism of architectural
form. </em>MIT Press, 1976</p>
<p>Castell, Manuel. <em>The Rise of the Networked
Society. </em>Oxford:<em> </em>Blackwell Publishers, 2000</p>
<p>Adorno Theoder. <em>The Culture Industrty (Routledge Classics). </em>Routledge, 2001</p>
<p>Benjamin Walter. <em>The Arcade Project.</em> Belknap Press of Harvard University Press, 2002</p>
<p>Jameson Fredric. <em>Postmodernism or The Cultural Logic of Late Capatalism.</em> Verso, 1999</p>
<p><span class="visualHighlight"></span> Davis Mike. <em>Ecology
of Fear: Los Angeles and the Imagination of Disaster</em>. Random House, 1998</p>
<p>Ashish Rajadhayaksha. <em>Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
(South Asian Cinemas). </em></p>
<p class="MsoEndnoteText"> </p>
<p>
For more details visit <a href='https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/Introduction'>https://cis-india.org/raw/histories-of-the-internet/blogs/internet-society-and-space-in-indian-cities/Introduction</a>
</p>
No publishernishantCyberspaceCityCyberculturesArchitectureCommunities2011-08-02T06:07:02ZBlog Entry